amrita828 wrote: I am not a lover of makjang either, they feel so incredibly theatrical to me and they usually depict out of reality characters, like scheming cousins, super evil relatives, saint heroines who withstand hell and come out as innocent as babies, slapstick side characters who are totally useless to the plot. I can't identify with them neither with the brain nor with the heart.
Makjang are successful because they create such convoluted plots, once started the majority wants to know what happens next, but in so doing they forget cohesion, credibility and characterization. Not my thing, definitely.
You raise an interesting issue, which I hadn't considered before. I thought Paradise Farm was a mediocre drama because it had a lame plot and lame deliveries. But the setting IS beautiful and it could have been a very nice change from the average Seoul-based stories.
I am trying to think of pure "settings" in dramas that turn me off other than makjang/melodramas which I guess is more of a genre than a setting. I would say cop dramas but then I have really liked a few. I would say medical/hospital settings but then again, I've liked a lot of those as well. But then I read Cityhunter's post and I think I agree with her. For me there is no
one setting that seems to turn me off. It is about a well executed story/plot and well acted/directed drama within that setting. If those things don't gel then neither will the story. (I reserve the right to come back to this thread and add to this if I end up watching a drama and the setting makes me turn it off! LOL)
WirePaladin wrote: best setting = trains/subways! but sadly not common enough in dramas! the narrow space makes it very suspenseful/dramatic(Strangers on a Train, High and Low, The Taking of Pelham One Two Three(original), etc)
Two dramas I can think of with really good subway scenes:
Soulmates
I'm Sorry, I Love You.