Story: This is a coming-of-age story about a pre-teen discovering his feelings may not be conventionally normal, when he was asked to re-enact a love confession in front of an acting class. The plot was simple yet impactful.

Acting/Cast: Surprisingly good acting coming from the titular character, naturally-talented kid.

Music: Somber and soulful and yet not overpowering.

Rewatch Value: Highly recommended.

Overall: Nothing remarkable if you only go by the premise of the story, especially for a short film, but the combination of all above elements makes it worthwhile.

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Story: Seems simple enough. Ex-lovers reunite in this short film. One has a family and the other getting married. Both men who I presume were torn apart due familial or societal expectations or maybe some other reason we will never know.

Acting/Cast: Surprisingly not bad, but not great either.

Music: White noise.

Rewatch Value: You get the moral lesson of the story, is that you cannot regret or reverse the decisions that you made in the past and you have to live with that said decision.

Overall: This short film is trying its best to be poignant but falls a lot short from the goal. My only question is why would you invite your ex-lover to eat with your family, when you are so clearly afraid that your wife may find out what you were to each other before?

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What a disappointment! The trailer looked promising but the drama did not do it justice. The use of fake-marriage slash noona romance trope was wasted on this one. There a very few things I liked - and they mostly involved the lawyer-y stuff, but the rest is abysmal. What I liked: Though Yang Hua's mother is meddlesome, her uncanny ways of trying to outwit his son I find quite funny. And even more funny is how Qin Shi manages to foil the traps laid out by Mrs. Yang. I also liked the friendship between Yang Hua and Cai Liang, how odd their dynamic is, especially when Cai Liang tries to give the emotionally-stunted Yang Hua some relationship advice. How the rivalry between Li Dai and Qin Shi turned out to be a mutual understanding of each other's ambitious dreams.

And there are the things that I didn't like: How Mei Mei is such a pushover to keep going back to her cheating scumbag of a husband. How annoying Wu Fei turned out to be. How Tang Yi manipulates Qin Shi despite being her employer/friend, just so Qin Shi could be her little lap dog. How the drama throws in so many conflicts that are conveniently resolved. Or unresolved. How the show tried to solve all life's philosophical questions by jamming in so much rhetoric about inequality, fairness, justice, relationship, you name it, they talked about it enough to fill up a year's worth of Sunday sermons. How incredulous that a top law agency would solicit somebody's husband as an expert without vetting his credentials, and as if Yang Hua was the only available source for financial advice. How Qin Shi's lies about her marital status weren't exposed sooner, even with such glaring inconsistencies. How the drama had so many filler scenes and dragged so long that I am glad that they invented the Fast Forward button on the remote, which I certainly put to good use while watching this trainwreck.

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Who wants to watch another Gender-bender drama? Me, that's who! Although I keep thinking how in the world do the females they cast pass as males is beyond me, but I digress. I admit I watched this show mainly for Zhang Ling He as he was really good in LBFAD. I've seen Sebrina before in "My Unicorn Girl" and she is definitely better here, as in she shows a little bit more personality.

Drama-wise, I must say that I liked the mystery-solving here so much better than the forced romance. Although there's a lot of skinship between the ML & FL, I didn't feel their chemistry. It looks like they are just going through the motions (especially on the FL's part). The secondary couple was worse and their acting quite atrocious. But aside from this, the plot isn't that convoluted and easy to follow (so easy in fact to guess who the suspects are right from the get-go).

The drama also tries to convince you that the evidence they produce aren't purposefully planted that only their merry band of investigators could find them. You would have to suspend your disbelief as well that the Prince walking around as freely as he pleases without much anyone recognizing him is possible. Aside from these convenient loop holes, this drama was a decent watch.

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THIS REVIEW IS FOR BOTH PART 1&2.

I almost passed on this drama because I thought it would be gory and senseless like "My Name," which I dropped, but I'm glad I didn't. Although I did not find this "super amazing" like most people, The Glory, as a story of revenge and redemption, was quite good. I had trouble stomaching the violence that was shown in the first few episodes, and the scenes where Moon Dong Eun was subjected to a curling iron, but this made me so angry that I really wanted to see the comeuppance due to the perpetrators.

Song Hye Kyo is great as the long-suffering victim who is intent on bringing hell on Park Yeon In and her band of bullies. It was oddly satisfying to see how the FL calculates through her revenge plot, not by directly going after the bullies, but by infiltrating those who are around them for years. We see Dong Eun's practiced patience as she waits for opportunities like she does in the game of Go. But sometimes, this waiting gives way to frustration, especially when her plans are thwarted by the very people who are supposed to have your back (ahem, your mother-phuker).

As a thriller, melodrama, The Glory delivers, but if you are expecting romance, it falls flat. Despite the presence of Lee Do Hyun as a romantic partner for Song Hye Kyo's character, Joo Yeo Jung is at most a love-sick puppy following after the woman of his dreams. They are only lumped together for convenience's sake and their kiss was underwhelming. Moon Dong Eun had better chemistry with Yeon Jin's husband, Ha Do Young, but of course, the plotline won't allow such a scandalous pairing. In the end, the perpetrators' supposedly got their just deserts, but I can't help feeling that somewhere down the line, the vicious cycle of revenge will continue again.

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I am normally not into slow-paced dramas, especially when it tries to hard to be serious and funny at the same time, but not quite achieving both. What started out to be as a burgeoning romance (quite rapidly) between a gynecologist in her mid-30s and a happy-go-lucky young man, became more than that. The show tackles many issues surrounding life and death, including people's choices when it comes to childbirth, how people cope with loss, and how people deal with their own insecurities.
Also prominent in this drama is the topic of found family, how blood may not be always thicker than water, and there is no prerequisite when it comes to loving someone.

There's a few things that irked me about this drama, manely (pun intended) the bad hairstyles sported by many characters.
If they were meant to be endearing, they were not. Also, everybody seems to be up in each other's business and coincidentally run or know someone who knows someone. I guess this is typically true of small seaside towns. There are loopholes in how people show up suddenly without any logical reason, because "they just happen to be there."

The saving grace for me is Kitamura Takumi's portrayal of a deaf/mute man who doesn't let his lack of hearing/speaking deter him from enjoying life to the fullest. Hiragi Issei is the anchor that holds everyone together; his big heart injects everybody else with warmth. Issei believes that even broken people are only mean, because they are hurting and deserve love too.

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I genuinely thought this drama will end tragically, judging by the title, playlist, and the beginning episodes. The summary didn't help either as we know that the FL was in a serious accident and many, many years passing. And this show indeed had a lot of sad moments; the only happy ones where in the past and in someone's memories, but I still end up watching the show anyway, because I am a sucker for tearjerkers.

I must say I loved two things about this drama: Satoh Takeru's acting and Utada Hikaru's songs. Those were enough to propel this drama into better than mediocre. There's very little chemistry between the adult FL/ML since they were mostly apart, but the younger versions of the couple more than make up for the lack of romance between Yae and Namiki. I'm not sure if I buy into the "fate" that they keep talking about in this show; there's too many coincidences that happened for me to consider them believable. Also the flashbacks were kind of confusing, but watching Satoh's pining away for his first love was worth it.

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Though this drama isn't on par with the Untamed/WOH, it has its merits. To preface, this is NOT a censored adaptation of same-sex original work as many believed, so do not expect any lingering gazes or subtle references to a potential romance. . If we discard the non-existent "blooming bromance," then you will see the show as it what it is: a who-done-it, with Lan Jue and Zhang Ping acting as Sherlock Holmes and John Watson.

I loved the unraveling of intricate plots and unsolved mysteries as deciphered by Zhang Ping despite some inconsistencies. In some instances, I was amazed how easily a commoner can obtain access to the Empress, and how fast the higher ranking officials believed Zhang Ping's explanations. But if I overlook some of the loopholes, I find this drama entertaining to watch.

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What a fun drama this is. In the beginning, I was not really sold on the lukewarm, almost non-existent chemistry between the male and female leads, but the main father-son tandem more than made up for it. If you are expecting romance, this is not the drama, but if you are fond of intricate schemes and a hodge-podge of quirky characters, this is the show for you.

I loved seeing Zhang Ruo Yun portray the cunning heir to the Northern region, who uses his dumb, playboy persona as a cover, but he is really a thoughtful person who values friendship, family and loyalty. Hu Jun as Xu Xiao is so freaking adorable as Feng Nian's loving father who, out of good intentions, plans his son's path to the throne, but does so with more shrewdness and usually at other people's expense. Feng Nian tries to outwit his father's well-intended machinations while his merry band of martial artists travel across mountains and seas to meet his brother and sisters. On the way, Feng Nian meets more allies and enemies while on his quest to fight for peace and justice.

Side characters are very well-fleshed out and memorable. I especially loved Lao Huang and Li Chun Gang who are Feng Nian's mentors/companions. The fight scenes can sometimes be over the top some times but are quite entertaining to watch. Can't wait for Season 2.

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I don't know what it is it lately with Wuxia Chinese dramas that are hitting the mark. And "Who Rules the World" is one of them. This frenemies-to-lovers historical romance stars Zhao Lu Si and Yang Yang as martial art masters from opposing lands. My favorite Chinese actress Lu Si delivers as the buoyant trouble-maker who enjoys her freedom despite undisclosed ties to one of the ruling state. Yang Yang is not so shabby himself as the calm and collected prince-slash-fighter-of-justice who occupies two seats of the renowned "Four Gentlemen" with his two personas. Together as Hei Feng Xi and Bai Feng Xi, they make an unformidable team, and their constant bickering reminds me of a married couple in love (though they did not know it yet, or perhaps they do, but are in denial).

Aside from the MC's visuals and flirting though, what makes this drama so good is the wealth of multi-dimensional characters, dramatic intrigue, political twists and turns that kept me on my toes. The cinematography is also something to be admired, especially the seamless battle scenes. What I also liked about this drama is that there are no overtly annoying secondary characters that I want to wring their necks or slap them across the face. Yes, there are pretentious villains, there are ambitious eggheads, and murderous mistresses but what historical Chinese drama does not? At least, in this drama, they were more than just stick-figures. I also liked how compact this drama is, that they managed to condense this story in 40 episodes with hardly any fillers.

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I scored this high only because It's been a long time since I enjoyed a drama and anticipated so much of it that I finished this in record time. And maybe it's because of this, that I was a little bit upset with the drama ending so quickly because I actually wanted more and didn't want it to be over. At 20 episodes, which I usually think is a good enough number, now it is too short. I love the characters as individuals with their own brand of personality and as a group how they lean on each other and help each other grow. This is one of the times that I wish that the writers did not end things with a neatly tied bows and explored more of the ending. I am really hoping for a sequel to this drama.

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Amazing! It is as good, if not better than City Hunter, which was so far my favorite action drama, and this one trumps it. Drama has it all: Fast-paced action, forbidden romance, murder mystery surrounding childhood friends, missed connections and reconnected family, political thriller, etc. Ji Chang Wook managed to make the action scenes look really bad ass and cool and so hot and sexy at the same time. His performance as Healer and alter-ego dorky nerd Park Bong Soo are equally endearing. Park Min Young also slays as the inquisitive reporter and their chemistry on-screen is sizzling. The rest of the cast, especially Kim Mi Kyung, round up the drama with solid acting skills. Healer sets the bar when it comes to Korean Action drama, will be hard to beat.

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I absolutely loved this offbeat love story between human and machine. I find the Premise of a Robot developing Human emotions very intriguing as the Robot also is a "better" person than the human version that he was supposed to portray. Seo Kang Joon managed to elicit entirely different feelings by portraying two characters so effortlessly. Kang So Bong as a character initially irritated me but she redeemed herself when she finally made the right choice by being less selfish, and help Nam Shin Robot to grow as his own entity. The other secondary characters, whether they are villains or not, are well-rounded that they have their own distinct personalities and characters.

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I almost did not watch this one as my run-ins with dramas with Gumiho's were mostly forgettable but good thing I did. Though I doubt that Jang Ki Yong and Lee Hye Ri will be winning any Oscars anytime soon, for this drama, their acting chops were enough to convey the aloof writer/professor and the eager student. Putting aside that one is a mythical fox and the other is the host of its magical bead, this drama mainly imparts what it is to be a human: a complex entity that can't be entirely understood despite centuries of learning and studying human behavior. Because what it means to be human, is not being perfect, not having all the answers in the universe, and though there are many that are bad, there's also many that are good. That suffering through life isn't necessarily a bad thing, but we just learn to adapt and know when to make sacrifices, and hopefully still have the desire to live despite failures.

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Finally, after a decade, this drama trumped my previous favorite Korean drama. It contains all my favorite tropes: Rich man/poor woman, Cold man/warm woman, Contract Relationship, Enemies to Lovers. It's like WWWSK without the annoying secondary couple. Ahn Hyo Seop gives Lee Young Joon vibes as Kang Tae Moo, and is quirky as the workaholic and aloof chaebol. But Kim Se Jeong is amazing as the duplicitous Shin Ha Ri who pretends to be her BFF to get her said BFF out of blind dates. Kim Se Jeong is adorable as the ardent food researcher and funny as the fake Young Seo and she plays both characters well.

The situations that Ha Ri find herself in are hilarious and Tae Moo's unusual responses to her antics make for comedy gold. ABP is rom-com done right, and is lighthearted despite all the clichés. The secondary couple isn't too shabby either, and their story is also endearing. Other characters are also multi-dimensional, and I especially liked Tae Moo's grandfather who is a hoot. Love, love this drama.

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