secret identity, reunion romance, queer family, bisexual awakening, sunshine/broken, healing, quest
I didn’t watch this one as it aired because the trailer scared me into thinking it wouldn’t have a happy ending. So I binged it after I was told it was safe.It was not only safe it was absolutely charming. It's 12 eps, 20 min each, for a 4hr total runtime and it’s highly bingable.
Like a lot of Taiwanese BL, DNA features two couples, but it is weighed heavily in favor of the primary one.
It opens with a pair of college kid paranormal investigators, Le & Li, who have a struggling YouTube channel and a dream. Let’s be clear, this is a weak central premise used to provide allegory for the relationships, and it doesn’t work to carry the weight of the initial narrative, but if you can stick with the show, it gets A LOT BETTER.
Pink-haired outgoing and outrageous Li is in an LTR with his boyfriend Gwan (grumpy/sunshine). But the story is all about his friend Le, a sunshine sweetheart with a loving single mother and a side job at a small cafe (with his childhood bestie).
The first episode is pretty much all set up and quite slow, we don’t even meet the love interest until the very last scene. Amber, said love interest, a returning expat, strays into the cafe and gets dragged into Le’s paranormal exploration adventures and also immediately obviously has massive crush - and a mysterious past.
Note: I’m pretty sure this show features some gay reenactments of famous Taiwanese (or even Korean?) het romance drama scenes, but I don’t get the references.
The side dishes are solid and sweet and I wish we had gotten more of their back story but it is the leads who shine and hold this narrative down.
While this is one of those series carried by (ostensibly) the sunshine seme character (Taiwan is always weak in seme/uke) and he does a stand-up job, Erek Lin, who plays Amber, is luminous. Very difficult to take your eyes off him.
Even knowing the twist, which I think it’s pretty predictable from about episode 2 on, I think this is a really enjoyable show. Amber‘s behavior is a lot more understandable if you basically understand his past. It makes him a much more sympathetic character. I don’t know if anybody else knew basically all along what was going to happen, but if you do realize it, I don’t think it will impact your enjoyment - the foreknowledge might actually improve it.
The exact way the twist is handled (medically speaking) is a little disingenuous to a queer narrative (AKA they could have just GONE there) but I didn’t really mind it all that much, because all the characters around Amber act with such integrity. The female bestie (possible femme fetale but NOT) character was actually dealt a really fair hand by the narrative and the actress is superb.
(I have to say, Taiwan, in general, is consistently better about handling female characters in their BL than any other country.)
DNA is full of queer family representation and an unexpected amount of domesticity, plus it’s Taiwan, so the kisses are great. Some of the filming techniques used to get the story’s message across are a touch heavy-handed, and this series definitely drags in places (especially in the first half). I looked up the director to see if he was new, but it turns out he’s well established so I’m gonna blame post production. Although, both Taiwan and China, in general, suffer from bloated romance narratives (IMHO) so this may be a matter of cultural taste.
All that said, the last few eps of DNA really are special and life/love affirming - and the ending is big-grin charming.
Since this is also a queer story arc that other shows have systemically mishandled and made depressing, I’m giving it extra marks for its uniquely upbeat approach in that regard. I don’t want to spoil the twist, but trust me, you should watch this. Also, so far as my calloused unflappable arse could tell, no triggers.
VERY MUCH RECOMMENDED
You should give this little gem a try.
childhood crush, sunshine/tsundere, unrequited love, secret identity
Delayed from 2019, staring Kaownah & Turbo (Nitiman), adapted from a yaoi manga (and the Japanese live action and anime of the same name) I didn’t expect much from this on. Japan’s version of Love Stage!! wasn’t successful and didn’t highlight the crossdressing element of the original manga & anime. Fortunately, Thailand had the guts to do the original yaoi justice (I am ashamed for doubting them) although they didn’t resolve it in the same spectacular way as the anime.Stymied by lack of international distribution this BL surprised me with its charm. The acting was good, the leads were appealing, support cast on point, and the production values high. It’s gave me Lovely Writer vibes (although with a lot more Japanese slapstick and way fewer egregious sound effects).
It followed the original manga story arc relatively closely with some quintessentially Thai changes. We got the nose bleed, the dub con sleeping kiss, and a few other questionable yaoi derived tropes, but all-in-all what Thailand did to mellow the content, mellowed it in mostly the right direction. We also got solid side characters and couples and some pretty high heat levels prettily handled.
Demonstrating the advantages of a Thai long-form adaptation, this version gave us a chance to really watch the two leads become friendly and like each other beyond just a crush and then fall into love. And I believed it, despite their rocky start, in a way I never did with the previous adaptations. Particularly Anda’s character.
One of the things I’ve always appreciated about this story is that the climax is about coming out as a celebrity couple as well as gay. I like the examination of the nature of celebrity versus privacy. And I love that they depicted two couples with two different versions of this choice. P’Jet is such a a great advice giver for Anda and I love the “gay advice auntie” rep. It ended well, different from all prior adaptations and very Thai about it. A solid and enjoyable show.
soulmates, enemies to lovers, cohabitation, obsession, magical realism
A strangely cute somewhat incomprehensible censored magical realism BL micro series about fated mates who balance each other out and must find the courage to stay together.Firstly, look, it has nothing to do with esports or being a genius or bothers.
Suggested corrected title ?
My Esports Genius Brother Endearingly Gay Boyfriend
What to say about this weird af BL?
It’s actually really cute.
Yifeng is a Zhan-yan who feels nothing at all except when in the presence of a Deluded. Lu Lin is a Deluded, who feels everything too much, overreacts and is a violent drama queen, and societally disenfranchised as a result. However being around Yifeng calms him down.
Obviously the Deluded are queer coded, and so is Lu Lin. The character is set up to be the uke: he is more emotional, wears more feminized clothing, engages in (mostly) uke tropes, and is shorter than Yifeng. But he is also much more aggressive about the relationship, makes the first moves, and is more physically violent. So I believe this BL is actually intentionally subverting seme/uke, which is a first (in my experience) from China.
“How come your name comes first?” ~ oh they KNOW what they're doing
I would call this censored BL and not a bromance. Literally you can see the parts where they were told to delete the touching bits because “too gay.” So there are some very abrupt cuts and truncated scenes, but there is no doubt what-so-ever that these two are gay. There’s even a full on love confession, it’s just that anything remotely sexy can’t be depicted.
Honestly, I still enjoyed it and I think I’ll like it better on a rewatch.
Foundational Romance Tropes: whipping boy, spoiled prince, obsessive crush
I love a sympathetic main character and Japan delivers introvert well (emo is their brand, after all). This is a pretty classic whipping boy trope meets spoiled prince (it’s been a while my old friend).Our POV is that weird kid who takes photos and thinks he wants to be invisible but actually just wants to be seen by one person (and belong to him). The beautiful boy who starts bossing him around is protective out the gate, having decided that this weirdo is HIS weirdo, no one ELSE can boss him around. This execution of whipping boy was a whole lot gentler than I expected, but because Hira is the seme character it did pivot into attack dog half way through and I LOVED that. One of the things I like about Japanese BL is that it's not afraid of darkness,
Utsukushii Kare managed to be harsh as all get up, angry with us and itself, reminding us of old tropes and archetypes long forgotten but still utterly appealing.
It was exactly as weird and as messed-up as any origin manga and it was great to watch a no holds barred authentic Japanese yaoi adaptation once again. Sure this was an angsty af warped little BL, but it was entirely true to itself with no attempt made to modify its POV for modern sensibilities or international audiences. It highlights one of the things Japanese cinema is best at, staying true to itself.
Up until the last episode this was a solid 8/10, right there with Japan’s other 2021 offerings... and then the final ep BLEW MY MIND. I did not understand how they could possibly end this series well, I half expected tragedy, but this BL turned into a life lesson in how to stick a landing. Japan, why you gotta do us all so fantastically dirty like that? I tend to put all my eggs in the endings basket, as a result episode 6 alone bumped the whole thing up 9/10. I may not rewatch all of Utsukushii Kare but I have already rewatched the final ep 3x. So, yeah.
HIGHLY RECOMMENDED, JUST KNOW WHAT YOU ARE GETTING INTO
“But I’m not worried about my virginity, because I’m just a side character.”
Absolute BL AKA Zettai BL ni Naru Sekai vs Zettai BL ni Naritakunai Otoko AKA A Man Who Defies The World of BLIS HILARIOUS.
No, like, really! It’s great.
It’s Japan making fun of us, but also itself for having started this absolute dumpster fire of joy that is BL. It’s truly a thing of parody gold. Gah, it’s so good.
Basically Mob has figured out he’s a side character (extra AKA mobu) in the BL world (along with his family), so he doesn’t mind being trapped in a BL universe because he figures he’s never going to get his own story. He likes being ignored and isn’t gay. Only then his younger brother (played by Goto Yutaro from Cherry Magic) gets a confession from his BFF. Mob realized that the BL world is trending towards the trope of “the ordinary bottom” and now he’s at risk.
Which of course means he going to turn into a tsundere uke but one that is actually totally aware of what he’s doing.
He must defy the BL world!
So he buys a ton of yaoi and starts researching all the tropes so he can avoid them. But now, he’s reading yaoi all the time. So he’s kinda into it and… You know the drill? It’s one of those. The more he tries to avoid an inevitable future fate the more he does to bring that fate about, even hurry it along. Or does he? Maybe that’s also a play on us and him.
So this show is also joking about fandom’s propensity to fall in love with side characters, even if those characters have very little personality and screen time. Mob is trying so hard not to become the main character, but of course, we are all watching him already BE the main character. Which he also has to be aware of, because he’s talking to us about it.
It’s so meta. This glorious self aware reluctant hero trope. Breaking the 4th wall constantly, almost defiantly.
Honestly the 70s dancing intro song alone made me cry with laughter.
The very last line is a master class in how to lampoon a genre.
Foundational Romance Tropes? Rivals(eh) to Lovers with a sunshine/tsundere pairing
Pi is the ultimate obtuse tsundere uke who never gets redeemed so you have to be okay with an unlikeable protag to enjoy Fish. For me, Pi was unappealing and I couldn’t understand why Mork wanted him so badly. The temptation is to compare this to We Best Love, because it’s such a similar tsundere + pining sunshine pairing. But Shu Yi was given so much more grace by the Taiwanese writers. Pi is a jerk, he’s never depict being kind or genuine with his friends or strangers. He’s a loser sure, but worse, he’s a user. Unfortunately it turns out, so is Mork. Because a seme with an uke like this will keep pushing and pushing until he gets what he wants - a complete override of the uke’s feelings. So Mork comes off as a bully and Pi as utterly unlikeable and in the end what could have been great with these actors and GMMTV’s money was just a big ol’ bummer.GMMTV do we need to have a talk? First you flopped My Gear and Your Gown, then you failed the landing on Tonhon Chonlatee, now this? What’s going on with your writing team? Do you HAVE a writing team?
university BL, forced proximity, unrequited love, crush, slight love triangle
triggers = outing, bashing, stalkingStars Kim Tae Hwan (My Amazing Boyfriend) and Han Hyeon Jun (Strongberry's Please Tell Me So the one with the cafe and the bicycle that’s on YT).
It’s like Korea mashed together it’s school KBL style (Light on Me, Semantic Error) with it’s “adult BL (To My Star, Ocean Likes Me). Love Class almost felt like it was trying to bridge between the nostalgic yaoi ideologue of Cherry Blossoms After Winter and the messy gritty queerness of Blueming. But this attempted stylistic mash-up made for an inharmonious show.
I am reminded of an L.M. Montgomery quote,
“... having tried to please both sides, [he] succeeded, as is usual and eminently right, in pleasing neither.” (Anne of Avonlea)
It mixed in an aura of authentic queerness that is an anathema to the “sanitized gay bubble” that Korea prefers, add that to the normal KBL overly short run time and a plot driven by an outsider’s drama (female love interest’s stalking narrative) and the central relationship wasn’t treated with enough integrity. In short, they bit off more than they could chew.
A TON happened in 6 short episodes, this show has A LOT of content, and covers a lot of ground. It moved so fast, and with Korea’s signature “you missed it because it happened off screen” it felt scattered - even tho it had a clear linear story structure. It felt as if this were a full 16 45 min episodes being summarized for us in short form as CliffsNotes BL.
From the start I wasn’t really behind the premise. It’s a forced proximity thing, which is fine as a trope, but the class pushing them to be a couple (and then punishing them for it) is overly odd as a conceit. Also I’ve never enjoyed a BL where the lead (Ji Woo) is crushing on a girl 80% the time. That said, I do like it when the seme has a big old crush on a boy. Although Ro-A’s roommate dynamic confused me: are they exes, almost exes, or friends who never got together but probubly should have?
It’s always interesting when there is a clear seme/uke dynamic (as Korea likes in its school-set BLs) but the gay love triangle (such as it is) is around the seme character. By playing about with aggressive gayness, the narrative is calling into question the nature of romantic pursuit and the nature of the seme/uke dynamic. Unfortunately, this particular narrative didn’t have enough screen time to really explore this fascinating angle.
??? - There’s got to be a name for the trope where “I got injured because of you, and now you have to be my servant.“ Although I do love it when the seme is a bit of a brat. It’s like a short form indenture version of whipping boy. Korea is also a big fan of the premises: If a man is hot enough he can turn anyone gay. I'm not convinced on these tropes, old school though they might be.
The rejection in this one was particularly painful. And it’s one of those “but if your bisexual don’t suffer by being perceived as gay and dating me.” I’m going to save you pain in the long run. Which is a pretty core misunderstanding of bisexuality but not uncommon IRL, and kinda expected from a caring seme like Ro-A. We ended on a rapid reunion (classic Kdrama) and bit of a dead fish kiss (also classic Kdrama), but not as bad as it could be.
All in all, this was a fast-moving, bloated, complicated little show with stronger than usual story structure, well-acted if lacking in chemistry, that managed to be very appealing and engaging despite itself. What it lacked in content it more than made up for in pacing. Both bingable and rewatchable.
RECOMMENDED
rural setting, country mouse/city mouse, rich/pour, enemies to lovers
Adapted from a y-novel by Peachhplease, directed by New starring Mek (the Kiss series, het male lead and has been with GMMTV forever) this was his first BL (he shouldn’t have) opposite a fresh face Mark, support cast included Arm (Friend Zone 2) and Mike in (Tonhon Chonlatee).This was a cheap 1000 Stars kock off about a doctor who goes rural and falls in love with the volunteer teacher. I guess this should be added to my short list of BL‘s that are told from the seme’s perspective?
Linguistically: these two are formal with each other using pom/khun. Also If you want to hear frozen register spoken, that’s what Prince’s maa speaks to tease Fah.
How did this show managed to be boring, corny, AND cheesy? There was a really dumb manufactured miscommunication-based parting and while they mutually pined well, the kiss at the end was extremely poor quality for Thailand. Tut tut - you have one job to do.
To put it simply, this show was dull. I don’t know exactly how to write a review of this as “boring” isn’t in my rating system but, it is a BIG SIN for me, so I guess 5/10?
Watch only if you have nothing better to do.
I think the Star & Sky shows would have been VASTLY improved by cutting each set back to 6 eps each and then cross cutting between the two couples like the Why R U? or Dark Blue Kiss approach with 12 eps total. Just call the whole thing Star & Sky. Each couple would have been less boring and frustrating if focus were split, and the pacing would have been a lot better too.
fated mates, bodyswap (sort of)
(Korea, Feb-March Viki)AKA First Love For The Third Time based on a BL script that won a competition from Ascendio studio (You Make Me Dance). It starred influencer Jeon Chang Ha and actor Jin Gun. About a popular novelist who remembers his past lives and meets his soulmate who has been reincarnated into the body of a man.
I enjoyed this show in part because it tackled one of the questions I’ve always head with the red thread trope: what if your soulmate reincarnates as a different gender than before? What if he’s out and gay and you’re not? Watching our hero deal with this was fun. A whole new kind of queer crisis.
However, this BL started out a touch mean spirited, but we eventually got a good kiss for a KBL. Then they went from like to love to boyfriends in a red hot minute. When they’re domestic these two are cute together with lots of communication (except the truth). I suppose in BL it takes a man who has lived 3 lifetimes to actually understand that conversation is what’s required to make a relationship work. The informal address discussion was adorable.
The confession/rejection scene was justified if one person remembers reincarnation and the other does not, but it was a bit much with lots of crying and a charming little self parody/mockery moment. The reconciliation and ending was... fine.
All in all the pacing felt rushed throughout this BL, and the romantic arc was underdeveloped. But that’s par for the course with Korea’s short form (they can’t all be Semantic Error), so it didn’t bother me too much. If you don’t mind a heavy does of melodrama in your BL this one has a solid story with a strong concept that’s well acted and produced, making it a classic KBL with better than average chemistry but ultimately a touch forgettable.
RECOMMENDED WITH A FEW RESERVATIONS
Recommended, and you will probubly love it more than I did
Foundational Romance Tropes: mistaken identity, love triangle, secret crush, friends to lovers, ace/demi repThere’s something about this show that pushes absurdity to its cartoon limit but stays genuine to the high first love school experience. Kieta Hatsukoi ended up being kind of Cherry Magic + Light On Me X Make it Right with good pacing and so many unexpected twists in angst and miscommunication that despite it being classic live action yaoi it felt fresh and new to the BL world, also a touch frustrating. Clearly Japan is back to reminding us WE STARTED IT ALL, SUCKERS!
Aoki is the drama queen to end all drama queens, the meme fairy to end all meme fairies. While Ida is ace spectrum demigod rock we all leaned on to survive Aoki’s madness. And they’re surrounded by truly awesome friends (a hallmark of, and my favorite thing about, high school BL). All the characters were so endearingly awkward, earnestly sweet, and desperate to do the right thing and not hurt each other that the show became utterly lovable while still being teenage angst incarnate. Japan can get pretty over-expressive and childish in their yaoi adaptations and this is no exception - Aoki is SUCH A SPAZ, the biggest chaos-baby drama-llama to ever bizilla his way through a BL. SO EXTRA. I suffered quite a bit of second hand embarrassment that was, occasionally, too much for me. Maybe because Ida is so obviously demi, I could see all along it would just take him more time, it’s annoying that Aoki couldn’t and made no effort to understand Ida. So while I very much enjoyed this BL, it kinda lost me to frustration at the end, even as the final episode left me smiling. I think these aspects will work against it for me in rewatch potential, which is one of my main ways I rate BLs, so... hence my 8/10.
But i honestly think most BL fans will like it more than that.
Tropes: secret admirer, food in love, soulmates
Very short BL about a schoolboy who makes magic candy for a series of handsome classmates, questing for a soulmate. Each ep is a new love interest and while the sweets help others, they keep failing to bring him love. Of course h's overlooking someone. The lead was very good and the theme, cooking, and eventually romance were charming, but it is a series of BL vignettes not really a cohesive story, no kisses or anything. Japan doesn’t give us sweet BL this short very often, so it was nice to see them try out the style.high school to college, cohabitation, popular boy/nerd, orphan protag
Korea is really borrowing other country’s styles of BL this year. With this one they took on origin Japanese yaoi but gave it their signature softness and precise production style with a STUNNING color palette. I can’t get over the visuals of this show, the beautiful pastels, the sun-saturated over-exposure, the elegant staging. Combine that with manga framing style, some prototypical BL character archetypes, that tiny edge of bullying roughness and out-of-control seme, plus FINALLY a palatable take on the stepbrothers trope (in this case it’s adopted son of best friend) and it was, in a word, classic.Orphaned uke, HaeBom (Ok Jin Uk, trot idol group SUPERFIVE) is small, sweet-natured, and adorable, but also timid and bullied and desperate to be loved. The seme, TaeSung (Kang Hui Thumping Spike), is tall and reserved, depicted pumping iron and sporty and desired by all. In typical yaoi fashion it’s TaeSung who is the passionate one, who has adored HaeBom since childhood, who wants him desperately.
At first I discounted CBAW because it was so quiet (did I learn nothing from Oxygen?) and then I realized it’s just sophisticated and understated - with occasional flashes of *holy gratuitous shower scene, batman!* Don’t misconstrue me, it’s not slow, it’s just subtle. It ended up being both sadder and more whimsical than I was expecting - dream-like and atmospheric, as if the whole thing took place under cold water on a warm spring day. Is there plot or peril? Not really. Do we care? Also, not really.
The chemistry is awkward but I’m learning that awkward is something Korea enjoys putting in its romances. I wonder sometimes if they don’t think awkward = romantic. Regardless, it works for this couple since TaeSung has always known what he wanted (just been in denial and rejection mode) and HaeBom must play catchup. There’s always a power imbalance with this extreme of a seme/uke pairing, but it’s even more so with these two since it encompasses not just the height difference but desire. (I happen to really enjoy power imbalances.) TaeSung was always going to be too much for HaeBom - more demanding, more in love, just more. It is only his adoration of HaeBom that keeps him from becoming too much for everyone. TaeSung knows this, he’s self aware, which is why he holds onto HaeBom with such desperation. HaeBom’s journey is one of learning to accept that he is the the quiet softness that tempers TaeSong’s extremes, and is just as necessary for all he goes unnoticed. When they are just together as a couple, they’re ridiculously cute and visually nostalgic and I grew to really love them as a couple.
Look, I can’t help it, I’m old school and so is this show.
This BL is VERY traditional, almost pastiche. As I watched I could feel that song from Fiddler on the Roof running through my head.
In case you can’t guess, I absolutely loved CBAW, but I can’t separate it from my relationship journey with this medium as a whole. I grew up reading sweet yaoi, and this was THAT YAOI just on my screen. There’s no objectivity with me and CBAW. It’s beautiful and I loved it for what it was and how it made me feel and what it reminded me of. It’s not flawless, but it is a wonderful experience.
HIGHLY RECOMMENDED
Grumpy/Sunshine, Hurt/Comfort, Opposites Attract, Forced Proximity, Breakup/Reunion
To My Star the original had to grow on me, eventually becoming one of my favorites of all time. To My Star 2 was not that show for me.It’s brilliant, don’t get me wrong. The acting is excellent, really quite flawless. But sometimes too realistic for this genre (and me, one of the last hold outs who can’t take ITSAY), in that I felt their (especially SeoJoon’s) pain too much. Even though I identified strongly with JiWoo. If you have any kind of empathy for the complexities of desperate personalities trying to make a relationship work this show will hurt to watch. If you fall too far into feeling like either JiWoo (me) SeoJoon (lots of other people) you will fall into disliking one of the main characters (probubly JiWoo). And it is really difficult to watch a couple you loved seeing get together, seriously breaking up, in a realistically cutting way, lashing out and hurting each other an everything, and then whole heartedly struggling to come back together again.
The directing is really good, but the characters motivations are sometimes intentional obfuscated and the flashbacks felt manipulative. Well done, but I did feel a little jerked around, and like I was meant to wallow and dwell in the pain a little too much. Like all Kdramas of this type, the weight is given to the maudlin not the happiness. Although the use of doorways as transitions to the past/future was really well done. Like the original, the narrative is messy and sometimes difficult to follow.
So should you watch it?
If you like angst, wallowing, and realistic relationship struggles in your BL, watch this. If you prefer fluffy comforting BL, avoid like the plague. For me the pay out was not sufficient to the pain. I enjoyed the performances, directing, and chemistry - the leads’ comfort with each other is unprecedented in Korean BL, but that’s not enough for me to rise above the pain of the narrative.
RECOMMENDED WITH SERIOUS RESERVATIONS
magical realism, LTR
Tropes: magical realism, LTR, breakup, amnesia, reunionKimCop vehicle from Star Hunter, about an LTR between a student Jing (Cop) + nurse Guy (Kim) who have been together for 3 years. Guy is busy all the time so Jing is starting to feel neglected and look elsewhere. KimCop are excellent (no surprise there) but I was not into the story, premise, or concept.
Star Hunter better be careful with Copter, he’s got GREAT chemistry with everyone, and I’m not mad about seeing him with a different partner. Honestly, I was rooting for Jing to leave Guy for the cute artist phi with the fierce eyebrows who wants to feed him shrimp. It’s a fair cop (pun intended).
The breaking the 4th wall self-referential dream sequence Cheewin crack-head filler is intolerable - I nearly dropped the show because of it. Look, I’d had it UP TO HERE with YYY and that was years ago. The side dishes are adorbs tho. (WHY ARE HIS SIDE DISHES ALWAYS SO CUTE?)
Side couple Viking & TamTam stole this one for me.
Also, just a note, Star Hunter always does this thing where characters neither eat nor drink what they’ve ordered (except in What Zabb Man).
The final ep activates the amnesia trope. Sigh. And that causes a reboot for the romance and because they are older they can make it work the second time around. Honestly I was left, ultimately with a sensation of: What did I just watch? It was terrible.
NOT RECOMMENDED
crush, campus star, bully trigger, best boys, soft & sweet
Look, I am trash for trash, but this was less trashy than most Thai BL pulps. University set about a popular architecture student who is a picky eater and the food science major who has a crush on him and uses food to court him. I COULD NOT ASK FOR MORE. Basically it gave me reason, and room, to breathe by being exactly what I want from a Thai BL with no attempt to be anything else.I adored the taste-then-cook competition opener. The chef teacher is queer, not just visually but linguistically. Do I spot an actual butch character in a BL? YES! Meanwhile, the seme love interest, P’Ram, is a rich campus moon but also a genuinely nice guy with 2 hot besties. So, sure, we are in hella familiar y-novel territory. But if I were into BL for novelty of it, I wouldn’t be into BL. The older architecture phis with their colorless lives coming up with tricky ways to keep meeting up with the bright sparkly queer food service kids is the CUTEST flipping thing. It’s like watching two friendship groups falling in love with each other.
What is unique about this one is that this pulp has unexpectedly high production values and good quality cast, sound, & wardrobe. Even the het couple is cute. Love the pink hair! What a surprise gem. This season’s Nitiman with a better ending.
Chup being bullied is so sad. But Ram’s “my good boy” is the best, because it’s so true. Honestly, these two are just about the marshmallow fluffy sweetest softest little snookums. I like the external bullying as a narrative pressure, although I wish it hadn’t been combined with the faen fatale. I wish this show had just taken shipping culture to task.
I enjoyed La Cusiine but it is awful slow. Thank goodness GaGa has 1.5x speed option. It also takes the faen fatale archetype to the next level of extreme evil. Everyone got a cute couple ending, even characters I didn’t really recognize, couldn’t remember, or showed no chemistry. But hey, shrug. Also, Sky & Phai = unexpectedly great kiss.
Why did we not get their thread (and Kitty’s for that matter) throughout the show? It would’ve helped with the pacing a lot. (Honestly, these two actors probably should’ve played the leads, IMHO).
In the end, a sweet and kind of pure show, and like Thai desserts perhaps requires too much patience for a layperson. Because of the pacing and the focus on the bad girl character, I did dock it. But if you like stuff in the Oxygen vein, then this show is for you, and far better than most Thai BL pulps. That said, I suspect that I enjoyed it more than many would.