Simply a wonderful story

General overview
This is a well written, almost classic BL and coming-of-age story, which stays consistent and focused on the plot and the main characters. With good pacing for almost the entire span of the series, proper presentation of the plot and solid performances of the main couple, the story flows nicely and is easy to follow. Despite apparent cuteness and occasional comedy it deals with serious issues like family relations, character growth, following one’s dreams, realizing and expressing one’s feelings, communication, love, relationship, breakup and longing for a loved one, making choices and accepting responsibility of those choices and – in the latter part of the series – reality of becoming and being an idol. The story is accompanied by a decent soundtrack performed exclusively by cast members.

Plot & script
The main plot line revolves around Moo and Kang’s love story; the secondary plotline is about Potae’s and Payos’ situationship. The two storylines are, at times, opposites or reflections of each other (when Moo and Kang are coming closer, Potae and Payos are friendzoned; when Moo and Kang separate, Potae and Payos are frozen in a relationship limbo), which seems to be a deliberate choice of the showrunners and it works well. The script is pretty tight, with no filler nor longueur. We get a good introduction of the main couple from the very start of the series and the scene gets set for episodes 1-8, which deal with events spread over about 6 months; each episode marks a step in developing of the main couple’s story, which progresses at a steady pace. Events accelerate in ep. 9-12, which cover about 14 months of in-show time. There’s a time skip in ep. 10 of 12 months, but – contrary to horrible GMMTV fashion – we do learn (through retrospection) a lot of what happened during that time; this is what “saved” the time jump for me. It’s noteworthy that up until ep. 10 the story develops without major drama, with mere hints at potential problems and some foreshadowing of trouble to come. The writers did a good job setting up the emotional cliffhanger of the series and building up the tension. The resolutions of both the main and secondary plotlines are okay, although predictable (as this is a BL show) and a bit rushed (especially the Potae-Payos part).

Cast & performances
Keen gives the strongest and most memorable performance of the whole cast. His portrayal of Moo is very genuine, and the character itself comes across as very likeable, bold, optimistic and wholesome, relatable in his dreams and a certain (almost childish) belief that those dreams will come true. Moo’s saddest moments – and there’s plenty of them, despite of the show’s general lightheartedness – is where Keen really shines. As far as I’m concerned he’s not just a performer (like many other GMMTV employees), but an actual actor. A good singer and dancer, he’s even better at acting – he can proudly follow the likes of Fourth, Gemini, Khaotung, Mix and Nanon (to name those on GMMTV’s payroll who can actually act and sing).
Compared to Keen, Sea’s performance is almost muted – which actually fits Kang perfectly. Reserved, sometimes defensive, Kang moves at his own pace – though pretty often he feels Moo’s pull and follows him. There were several instances where Kang was opening up, coming out of his shell (and literally coming out) – and I wasn’t sure if it was just the character or the actor as well. That blinding, radiant smile, which brightened Sea’s face was far too rare… And – despite of all his apparent acting shortcomings – Sea managed to pull off some of the most emotional and intense scenes of the series; the gut-punching delivery was on point.
Opposites attract – and that rule applied beautifully to Moo and Kang; the chemistry is there from the very first scene. It’s easy to form an emotional connection with the main couple played by Keen and Sea – which can’t be said about other currently running GMMTV-made BL series. When together on screen SeaKeen are in their element – the show relies heavily on those two and they carry it with ease.
The secondary couple of Payos, played by newcomer Ashi, and Potae, played by Aun, is a mixed bag. Ashi mostly does a decent job, while Aun struggles to go beyond 2-3 poses (making fun of something or someone, crying and pouting).
Three GMMTV “veterans” were cast in supporting roles: Book as Moo’s cousin Shone, Louis as band leader Jang and Milk as Neth, Kang’s best friend and confidant. Milk does a decent job while Book and Louis give lackluster performances – and it’s not due to the script nor direction; I’d argue that both of their roles were miscast. Shone should have been played by someone like Mark Pakin, who can actually act (which Book can't) and elevate even an underwritten character (see his performance in “Only Friends”); Jang – given this character’s respect for the rules – should have been played by First.

Music
The soundtrack consists of seven songs written for the show and released by GMMTV Records: the title song “แค่ที่แกง” by Keen, “เกินกว่า Friend (Situationship)” by Ashi, “Check Me” by Louis, “พี่(อย่า)แกง (Don’t be fooled)” by Keen and Sea, “ดังกว่าเก่า (Louder)” by Keen, “ติดกลางใจ (Gump)” by Aun, Ashi, Keen and Louis and finally “สถานีที่ศูนย์ (Station No. 0)” – which is the strongest part of the soundtrack, with heartbreaking lyrics and a very good delivery by Keen.

Final thoughts
While the show had its ups and downs, SeaKeen kept going strong - "Only Boo!" is worth watching and rewatching mostly for this new ship. Hope GMMTV can appreciate this new gem it got.

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This dragged for what felt like an eternity

Let’s get spoilers out of the way first: this story is about two teen best friends who used to be in a gang, one wanted to leave to have a football career, the other didn’t want to let him go, so he gave him a “customary” beating, breaking a leg of his friend and ending his football dream. The perpetrator felt ashamed and vanished while the victim felt abandoned. 3 years later they meet again and – instead of clarifying things – begin a prolonged back and forth with the perpetrator wanting to apologize and the victim refusing to listen; they eventually reconcile, but by that time the show introduced several side plots which sidelined the main plot and the series can’t end before those side plots are concluded. At the end of the day we get whopping 16 episodes filled mainly with repetitive content (e.g. in ep. 1-6 Saint follows Shin and tries to talk to him, Shin doesn’t want to talk; they nevertheless kinda talk, but nothing comes out of that – no conclusion nor resolution – so Saint follows Shin… And this happens 2-3 times per episode) or side plot content – about various problems of Shin’s and Saint’s classmates. I admit I got tired of the main plot by ep. 3 and started watching the show on FFDW.

Some claim that this is actually a BL. I guess some people could get this impression as the show was produced by a company specializing in BLs, both main characters are male, young and attractive, and the show’s about their relationship. Others might believe that nonromantic love between males is impossible (hence it’s no “bromance” – it must be a BL) or that the supposed chemistry between Nani and Sky proves that their characters are more than friends. I strongly disagree with the above – and not just because there’s nothing in the story that would imply “High School Frenemy” to be something else than a “bromance”. It’s also the structure of the story. In most BLs (and love stories in general) story is about characters developing their relationship, going from strangers to a couple. This is a gross simplification, but – with a few exceptions – that’s how vast majority of BL are written. “High School Frenemy” is about two characters who already had a strong non-romantic relationship and want to rekindle it – which takes them most of the 16 episodes. I’m not saying forgiveness, healing and rekindling of a friendship are easy nor that they can be achieved quickly, but in case of this show it’s more than obvious that this process was treated as filler for as many episodes as possible. The aforementioned repetitiveness does not result from Shin and Saint needing a lot of time to reconcile (they actually do it in two scenes), but from the show needing content. There’s like 2 hours of actual story and content of the main plot and it could have been told in a concise and emotional way; it loses a lot of emotional weight due to being stretched over far too many episodes, with the few decent scenes getting drowned by constant repetition. The “give up what’s most important for you” thing in ep. 7 is a good example of what this show does to good concepts: it was supposed to display Saint’s sacrifice and importance of friendship, but was executed in a horrible way, ruined by awful dialogue (spelling out what Saint was giving up), poor delivery and dragging it over three utterly pointless scenes, making it lose all emotional charge.

As for subplots, I feel all save one were shoehorned as additional filler. Sure, when you have a school/classroom setting for a story (regardless what the story is about), you need people to appear in the background – as students, teachers, administration etc. What I don’t get is why any of them needed their own small story, which was unrelated (or very loosely related) to the main story.

Ken’s subplot, the only one somewhat connected to the main plot, was stretched just as unnecessarily as the main plot. This had several consequences – we got tons of pointless violence (apparently one fight scene wasn’t enough to illustrate the problem) before characters were allowed to realize that it serves no purpose: neither side could “win”, asserting permanent domination, and even if “winning” was possible – it wouldn’t change much (they would still be students at a high school). Furthermore the show presented school violence (and violence in general) as something ordinary, an element of everyday life – normalizing it. Violence and danger are so common, that the stakes are oddly low: we get a solid beating every other episode, yet it ends with a few bruises, no apologies and no punishments.

The school setting makes sense – but only when viewed from a distance. As someone who does not require full realism I can say that too many things felt nonsensical and were written like that because of plot (and not realism or relatability); I listed some examples of that below.
1/ Teachers (not just Jan and Sung) had no idea what they’re supposed to do, imposing “clever” punishments to force students to think (punishments that no school in the civilized world would dare to apply). The method of tricking someone to change their behavior or mind was also used on one of the teachers.
2/ The principal was unhinged, throwing tantrums and switching between having bright ideas and going hard on students, between being bent on expelling an innocent student and overlooking those that are responsible and applying collective responsibility.
3/ The exam cheating issue was presented in a crude and heavy-handed way, plagued with banal statements by Jan and Sung (which were, of course, made sound like something profound and important). Jan punishing herself/forcing students to “punish” her for them cheating during the exam was pure cringe.
4/ School bullies who associate themselves with criminals were scared of a teacher quoting penal law and threatening to tell their parents about what they do. Were they naughty teens, who can be kept in line by teachers, afraid of getting expelled, or delinquents who don’t care about graduating or their parents finding out that they’re bullies? Which is it – cause it can’t be both, and the show sure wanted it to be.
5/ During the “investigation” into cases of violence (in ep. 6-7) nobody remembered the brawl which resulted in Chatjen throwing a chair through a window nor about the one class member who was recording all the school fights for “content”. And how come virtually all the surveys from class 2 incriminated Shin – did Saint, Chatjen, First, Thiu and Cable accuse Shin of being a violent troublemaker in their surveys?

A few words need to be said about the cast. Most performances are either weak or unimpressive – this includes what both Maria and Foei bring to the screen. Nani’s delivery is pretentious and annoying in nearly every scene, while Sky is stiff and wooden; in all “emotional” scenes he’s reciting lines like an automaton and gets better only during the very few “friendly banter” scenes he shares with Nani. Neither of them can act and they have little chemistry (although these two things are not related – there are many couples and ships with no acting skills, but with good chemistry), with just a few better scenes in later episodes, when Saint and Shin reconcile. The single good performance of the series comes from Mark Pakin – the only actual actor in the cast. I did, however, enjoy Winny’s guest appearance, while Marc Natarit was surprisingly convincing in his little role.

I enjoyed some of the music used in the series. The opening theme by “Kong” Jaithep Raroengjai is very good and I was upset upon finding out that it’s only 1:08 minutes long (no “full version” or longer version is available).

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Lukewarm and mundane, lacks heart

1/ The basic premise – the titular love mix-up – is not new, but it is okay; it applies only to the main couple, as there is no mix-up leading to the formation of the secondary/support couple. Also: the mix-up relates only to the first 2-3 episodes, after which the series is a standard BL. This reminded me of “Hidden Agenda” – the titular agenda was of some importance for several episodes, but it was not something show-defining (which caused some complaining from the audience).
2/ The plot and script are weak, uninspired and unimaginative. Problems do not end there: pacing, story progression, characters (immature, often dumb – but not in a cute way – and annoying) – all of that felt subpar.
3/ This is not a bad nor boring show, but it is not particularly interesting nor captivating either. There are very few actually emotional scenes and a handful of genuinely funny ones – the rest of the content just is there. It all felt lukewarm, especially compared to previous two projects of Gem4th: “Moonlight Chicken” and “My School President”. “My Love Mix-Up!” does not have the sweaty and gritty real-life feel of the first one nor the emotional power of the latter; it is an average BL with two of GMMTV’s biggest stars, who deserved a better show.
4/ Gemini and Fourth work with weak material and – at least for me – their efforts are the only reason to watch this show. Fourth in particular uses his talent for comedy to make the show entertaining – which also makes his character less annoying. BTW: Aungpao is in this series – and he’s criminally underused. After what he displayed in “Cooking Crush” (the guy can actually act and has a knack for comedy similar to Fourth’s) GMMTV should trust him with much more than what he got here. Instead we got Chokun (cute but bland) and Pahn in supporting roles, as a pointless secondary couple. The actual support for Gem4th came with a cameo of Chinzilla in ep. 11 – and for less than a minute we could see what this show could have been, but is not.
5/ This is a minor complaint, but still: there are too many adds and product placements in this show. Clearly GMMTV wanted to capitalize on Gem4th’s magic, but went too far. Properly done product placements in a BL – see “Bad Buddy”, GMMTV’s best BL.
6/ The soundtrack is good and – as is GMMTV standard by now – performed entirely by the cast. The opening theme song “ลบยัง” is the best example of how clever, interesting and amusing GMMTV creations can be.

Most of this show’s problems might be coming from it being an adaptation. The source material may be hot and interesting for Japanese standards, but it did not translate into a hot and interesting Thai show – my guess is because of how conservative Japan is compared to Thailand (at least when it comes to BL shows). With other words: it might be a too faithful adaptation. For Thai BL it would be good in 2016, but in 2024 it feels outdated.

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Second chances

I watched it and I loved it – plain and simple. Aspects of the show I found most appealing include the following.
- Universal topics. Issues raised by the show include first love, trust, search for happiness, expressing feelings, difficulties of communication, fear of getting hurt, fear of hurting a loved one, longing for love and companionship, overcoming insecurities, dealing with trauma and emotional baggage – among others.
- Relatability. Myung-Ha and Yeo-Woon – so different and yet sharing many similarities – are like mirrors reflecting issues we all have. Myung-Ha’s “I don’t know what to do when I like someone” and Yeo-Woon’s “You’re my first everything” and “Whenever I see you, I both feel good and want to cry” sum it up perfectly.
- Minimalism. No time was wasted on filler, unnecessary scenes or gestures, also there is almost no “fluff”. Despite focusing on one couple and one plot (Chun Sang-Won and Ahn Kyung-Hoon are not primary nor even secondary characters in this story – they are merely there, just like the rest of the cast, for the main couple to have someone to interact with) the show managed to convey an abundance of story and content. The storytelling was very concise and highly effective.
- Performances. Lee Taevin and Cha Joowan did a superb job, their performances are very strong and convincing. Both actors were visibly comfortable with the material and each other, displaying a top-tier on-screen chemistry. Very impressive.
- The switch. Initially Myung-Ha is the active one, getting through to Yeo-Woon, but once Yeo-Woon embraces his feelings he takes the lead, while Myung-Ha begins keeping his distance, realizing his own problems. In someone else’s hands this shift could be wasted or become incomprehensible or would require more time to be developed – but not in LFLS.
- Serious tone and humor reduced to a minimum.
- Very good cinematography and camerawork.
- Memorable and well-chosen music, with the instrumental bit accompanying Myung-Ha’s search for Yeo-Woon in ep. 1 (as well as Myung-Ha’s and Yeo-Woon’s reunion at the beach in ep. 8) being my absolute favorite.

This was the second Korean BL I watched (“Choco Milk Shake” being the first one) and this might explain my initial surprise at the difference between Thai BLs and LFLS. As I tried to explain to a colleague of mine: when I watch Thai BLs I treat the characters as Polish (I am from Poland), only played by insanely good-looking guys. That is the level of similarities and relatability I sense when watching Thai productions. LFLS was initially different – either because of cultural differences, Korean style of BL making, source material, artistry of Kim Kyun-Ah or other factors. That feeling of otherness, however, lasted for about 10 minutes.

LFLS is a true gem. It is not perfect, however its flaws are so few I decided to omit them in this review. Some might be surprised that so far I did not mention the computer game like setting and everything connected with it (including the “plot twist” in ep. 7). The reason for that is rather simple: I did not find it important. This is, after all, a love story, and not a story about computer games; what matters is the plot – not the setting.

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A bit bland, but JoongDunk saved it

tl;dr: JoongDunk chemistry elevates this underwritten and troubled show – it was their dynamic which made me watch all 12 episodes.
Acting
Joong’s acting may not always be on point, but he was still superior to the rest of the cast. Dunk did his homework in this department too; his abilities are still limited, but he was nonetheless able to portray a new character, different from “Star in My Mind”. Both actors give their characters qualities some would attribute to the actors themselves: Joong’s Joke is effortlessly cool and nonchalant, but also caring and a tad clingy, while Dunk’s Zo poses as timid and withdrawn, while being perfectly able to stand his ground. Also, they get intimate quite often and seem very comfortable about it; no forced, non-consensual nor awkward kisses here!
Script
My overall reception of the show suffered due to weaknesses of the script.
My biggest complaint regarding the show is that it feels messy, but also bland, lukewarm, at times even boring. It’s not hot nor cold, it leaves you with a “meh” feeling. No idea how this was accomplished, as the script includes two plots to win someone over involving the main characters, a stalker pestering one of the main characters to get back at the other main character, strained relationships with a demanding parent, a past heartbreak, a side couple with their own problems and drama etc. etc. The content is clearly there – but it doesn’t translate to a captivating story.
As with many other BL’s this one doesn’t seem to know what it wants to be about. Is it a rom-com? A coming of age story? Family drama? Thriller (see the stalker episode)? You can include elements of all of those in a show, but you have to be smart about it – otherwise you’ll get a tonal mess. "Hidden Agenda” has this problem – it’s all over the place.
Hard to say what the titular “Hidden Agenda” really was/was supposed to be. Was it Zo’s attempt to win Nita over? Joke’s attempt to get Zo? BTW: depending on how you judge Joke’s motives and actions (and some reactors claimed that Joke didn’t do anything wrong – any normal person would act in a similar way) the hidden agenda may not exist; even if it does, it’s not important enough to have the show named after it. Spoiler warning: both the initial trailer and the official trailer are misleading, as the whole “Joke helps Zo to get Nita in order to get Zo” gets resolved in something like 3 episodes; the rest is about a variety of other issues, like family, ambition, friendship, competition, communication and so on.
The script introduces several important issues, like Zo’s relationship with his mother and Joke’s with his father, pretty late in the show. Since both issues seem to be late additions they do not appear to be important. It’s a shame we didn’t get more of both these storylines in earlier episodes. This would allow them to grow naturally, would explain more of Joke’s and – more importantly – Zo’s backstory and motivation, would show Zo and Joke as more than just students in love. Balancing every important aspect of the story, introducing them in the right moment, giving them more time to breathe – all of that would greatly improve the show.
Pacing
Pacing is generally okay and helps the show; only ep. 2 felt redundant (the “Joke gets into Zo’s club” storyline could have been a subplot in a different episode or be omitted entirely – have Joke be a club member when the show starts).
Cast
The support/secondary couple (Aou’s Jeng and Boom’s Pok) felt unnecessary. With only a handful of scenes (I think it was less than 1 per episode) we didn’t really get a storyline with them; it’s not clear to me what was their purpose in the show.
Same can be said about several other characters. Only Nita, Pat, Joke’s grandma and father as well as Zo’s parents do things that make the story progress. I loved to see Pod, Guy, Arm and AJ, but they were heavily underused and their characters didn’t have much to do.
Music
Both songs (“Hidden Agenda” and “Your Smile”) were decent, with nice MVs. Joong sings a bit in this show and he’s rather good at it. I enjoyed most of the background and ambient music used in the show, both the subtle emotional vibes and the cool electropop used to good effect throughout the series.
Favorite scene
I wanted to end my review with something good from the show. It has its moments – I enjoyed most scenes with Joke and Zo as a couple and plenty of other things (like Joke’s grandma – she’s a treasure), but the grand prize has to go to the finale of ep. 9. It actually moved me to tears. Joong’s delivery – quiet, but deeply emotional – was nearly perfect. Dunk remaining silent for the whole scene and non-verbally expressing Zo’s doubt, hesitation, sadness and how moved he was – great. To top it all the scene was shot in a very smart way, with Joke and Zo in the same room, but staying apart, with Zo packing his things and Joke trying to bridge a gap between them in one last attempt. That scene alone let us glimpse what this show might have been – and that JoongDunk can do magic. Would love to see them again in a BL as the main couple – this time with a good script.

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