Haunted by the ghost of the full potential it could have had

The now removed from youtube conceptual trailer made to drum up attention and funding is one of the best trailers/short film in and of itself of all time for me. The creativity, cinematography, pacing, and comedic timing of the visual jokes are perfection. If the actual episodes was like it, then the show would be perfect too, but when the official trailer came out I could see that it wasn't as snappy and tight, but still excited to give it a chance. I really like how the show makes use of the ending credits to actually show case the status of the group with scenes that change along with the storyline. The design of the spirits as seen by all the living people is excellent, unrelentingly uncomfortable even it's revealed that the ghost was a good person or a good person all along. Kan's great, she's the only one with sensible character development. She bravely went against the privileged rich people that hurt her, her father, and her community. She's right to whistle blow about Home getting away with the hit and run. The only one to treat it with the severity of an issue that it is. She's also the person that saved Home's life. Suradech is pretty fun, they gave the poor guy one line when he answered Kan's question before passing out. It's a real missed opportunity to have him also gain abilities having almost died from poison.

I enjoyed Peach and Home's friendship and it's the only roles of the main actors working together that I have enjoyed out of their filmography, but it was a huge unresolved issue that Home really hit Peach with a car and left him to die. Somkid covered it up, but Home really did that. It doesn't matter that Peach already forgave him after finding out once they are already friends. Home dragged out his apology and then there is nothing that comes of it. He has main character immunity and is the only one of his family to not have to pay for his crime. He's a privileged guy from the beginning to end. It's also feels like a huge chunk is missing that we never find out Chai-Un's beef with his family. He seems to be supposed to be a mirror to Home, but it goes nowhere. It's also really horrifying that Peach decided to serve Chai-Un, the man that he almost killed with his neglectful cooking last time, imitation peas that may or may not have been swapped with real ones based on the guess of Home. It's weird the show framed it as "trust" that Peach has for Home. The guy is just guessing! Peach is nice but does not take deadly allergies seriously and that's really bad for someone who wants to sell food to people. Pangpang has a problem, where she has no self control regarding money at all. She's the one that forced her and Peach to homelessness. She's also rewarded and she learns nothing. She treats Home having run over Peach and Peach demanding the minimum apology from Home like it's petty bickering. The man left her brother for dead and that's her attitude. There would be times the characters would make conveniently very stupid decisions to move the plot along. The poor writing moments seems at odds with a lot of well written moving moments of various guest or secondary characters like Thansai and Ride's tragically cut short love, Kan and her father's familial love, and the tragic lifelong misunderstanding between Somkid and his father. I wonder if perhaps there is an issue of not having enough time to flesh out the script of the series as it does have a very promising skeleton.

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Has both fun and substance.

I appreciate the range both the writing and acting has from lighthearted humor, sweet love, to nuanced, raw, tragic devastating emotional gut punches. Aside from the very cool stylized use of solid colors to code characters and their inner minds, that the color grading of the other scenes are not afraid of color even while illustrating this world where the characters live in the grey area of morality. The costuming is also very well done. Modern drama costuming looks so deceptively simple, but it's really not. They designed looks that fit naturally without being distracting, as well as reflecting the emotional state of the characters in the scene. All the artistic and technical aspects are done and oversaw with care from the directors/producers, the labor of love from from every cast and crew is felt from the overall quality of the work.

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Vibe killed by overlong episodes and inflated runtime

Bae Seok Ryu and Choi Seung Hyo are played by very pretty people, but attractiveness alone is not enough to keep the sizzle going for these characters. Their lack of romance had been drawn out for decades already up to the point the show starts and continued to drag on for weeks and weeks of the 80 something minute episodes. They don't have the type of relationship with any kind of spice or sweetness to sustain interest for them as potential couple for that long. In the meanwhile, it's the family and family friendship lives that are explored in depth and the emotions of those storylines overshadows and engulfs all the screen time. It's relatable, but still ill balanced to the detriment of what should be the core relationship of the show. I do give the show props for the very believable reason to hide their relationship being their loving, but suffocatingly nosy collective family that will keep them on such a close watch and infantilized that they can't actually function as a couple of consenting adults. The second couple didn't take that long to get together, but they suffer from the very odd decision the show made to introduce them in a weird scene where the hot, amazing, adventurous, confident paramedic Jung Mo Eum grabs a drink from the shop freezer like a normal person only to have it yanked in her hand by the reporter guy who felt entirely entitled to take a drink out of a woman's hand when she already took it first fair and square. It's nonsensical and the show builds him up as a amazing guy that would help divert traffic for the ambulance and raises his niece who is the sole survivor of his entire family dying in an accident, but that kind of rude behavior is just too off putting to over look and I want Mo Eum to just keep going on her adventures rather than to obsess about that weirdo no matter how otherwise virtuous he seems. Let her be free.

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Light Coming of Age

I love Kieta Hatsukoi, it's one of my top favorite shows ever, but it ends really soon into the story of the main couple. My Love Mix Up gets to explore the relationship in full and with differences that makes it stand out on it's own as an adaptation. This is in reference just to the two shows, not to do with the manga at all. Both Atom and Kongthap learn to grow as people through their relationship with each other. Their mile stones of physical intimacy like holding hands and kissing are so sweet. The parts that I dreaded the most, but turned out to be a very memorable subversions was the classmates doing the play and especially the teacher. In the Japanese version it was a homophobic teacher, but in the Thai version, the teacher turned out to be also gay and both he and his boyfriend become mentor figures. It's so moving to see an elder queer mentors help Atom and Kongthap how to navigate being queer in a world that's definitely not always friendly. The mothers being so supportive and loving to their sons is so heartening as well.

I didn't like Mudmee's storyline. It's the same in both the Japanese and Thai versions. I don't think violence is funny or warranted in the context of any of the situations shown. Her strength is a funny gag, but not when it's to physically assault someone who did not do anything to deserve it.

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Boring Cubed

Normally I would be all for all three characters just dating each other, but both Misaki and Yuki are the blandest people and Shuhei is annoying. There's no romantic spark or tension between the three of them. Misaki shows more spark and happiness with her friends and even her frenemy, until that guy she also has no chemistry with hits on her anyways. The show has a short runtime, but the 10 episodes feels like it drags on forever until they FINALLY divorce and cut to black with Yuki still having zero attraction to Misaki even though she's interested in joining what Yuki wants to do with Shuhei.

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