Please don’t Disneyfy this beloved franchise, Mr Netflix

Edit: After watching 10 eps, I've revised this review (probably) for the final time. Enjoy!

I was looking forward to this show with anticipation. The original series was one of my favourites.

I knew it won’t be the same as the original, so I am willing to cut it some slack. The start of the show is certainly different, but the young actress was so cute and earnest I'm willing to jump onboard even though it is questionable if the way she uses her powers is canon, but I’ll give it a hall pass for now.

I wished this is the only issue. There are many more. In fact, the only thing consistent with this show is how inconsistent it is. In the original series, the rule around the use and abuse of their special power is well established. However, not only is the FL using her power without a care. Her mother and grandmother also abuse it without a second thought. How can this be?

On top of that, they should be internet sensations considering how blatant they are, but they ain't. It is as if everything can be hushed up with the click of their manicured fingers. However, the narrative contradicts itself repeatedly.

While the new FL is refreshing in her straightforwardness at the start of the show, after a few episodes, her portrayal is borderline grating. She doesn’t so much deliver her lines but fire them out like a gatling gun. She also moves with an exaggerated gangliness. Why? Her one-note performance is wearing. It is one thing to call her naïve but time and again, the excuse is that she is from Mongolia. Geez, I hope they are not streaming this in Ulaanbaatar.

The other female leads are not much better. The mum swings between playing Batwoman and Crazy Rich Woman. She throws money around like confetti. Come to think of it, the whole plotline involving the grandma is superfluous. It just highlights how pathetic most of the male characters are but she brought nothing new to the table. She is too cringey to be an effective comedic relief.

There are too many plot holes to list but it pretty much comes down to whatever needs to happen, happens. It feels like narrative logic and good sense have both packed up and ran screaming from da hood. The writer-nim doubles down on this from ep.7 onwards. It is now in the "see no evil, hear no evil" territory.

It also feels hollow when the show tries to tackle serious topics. The drug abuse problem is marginalised because most of the victims are faceless canon fodders. Until it hits too close to home then everything pales into insignificance. Ditto, the fat shaming of the brother is gratuitous while ignoring the root cause of his condition.

By the half way mark, it feels like plots are products of brainstorming sessions after one too many soju bombs. There is so much going on. Subplots darts off in every direction, most are inconsequential but distract us from the A-plot. There is actually a very insightful scene when the assistant to Hwang Geum Joo asks if one of the antagonist will see through her deception. Her reply was, "They are stupider than you think." Is she talking about me?

It is telling that the only person I'm interested in after watching 10 eps is the main antagonist. It is never a good look when the viewer starts paying more attention to the bad guy(s). From my point of view, the 3 FL's are unrelatable, and to a varying degree, unlikeable. The young FL leaps out of tall buildings, runs faster than a speeding car and drinks poison for LOL's. Yet she skins her knees by tripping over her own feet. Why? Because the ML is there to fuss over her. This is not dumbing down, this is frontal lobotomy.

This brings me to the most poignant moment of this show. In ep.3, we have the original OTP appearing in a cameo. OMG, I could cry. Every interaction, gestures, banter reminded me how good was the original. It also dismisses any claims that this show is a reboot with a clean slate.

I watch with dismay what Disney is doing to Star Wars and the MCU. I know Netflix has jumped on the k-drama bandwagon in a big way. I can see this show being turned into a gaudy super hero franchise. Everything is loud and cartoon-y yet there is little substance behind the garish facade. We don't need more of this.

I'm not saying the show is totally unwatchable. There are the odd cute or funny moments. The plots will test your credulity though. If you are hoping that this spin-off will recreate the charm and engagement of the original then you will be sorely disappointed.

I hung on with grim determination for as long as I can, but it is getting too tough. Maybe I'll speed watch the last few eps for the sake of completeness later. Peace Out.

Read More

Consumer Warning: Overbearing melodrama ahead!

On paper, this show should be a top-notch production. The stellar cast, the high production value and a nice OST do present a strong case.

In terms of the central plot, it is about as transparent as it can be. It literally gave the key “twist” to us at the end of episode 1. We know with certainty what is the end game. It then spends the bulk of the Show plotting the meandering path towards that exit. It was not necessarily a difficult path, but it was very weighty and melodramatic. It does not hold back on any opportunity to tug at our heartstrings.

While the synopsis of the show hinted at an ensemble drama with a female concentric focus, it is only partly true. Yes, the three main leads are all females about to turn 40 but two are the true leads and they are Son Ye Jin (as Cha Mi Jo) and Jeon Mi Do (as Joeng Chan Young) while the third FL played by Kim Ji Hyun (as Jang Joo Hee) has a lesser role. All the male leads are firmly in support and powered the romantic storylines. Their respective families played in the next tier and move the plot along as required.

It is true that the close friendship/sisterhood of the 3 leads formed the central pillar of the story, the plot around Chan Young is what drives the bulk of plot developments. There is certainly no shortage of subplots but the majority of them were treated superficially. Not that the subject matter is lightweight (abandonment, prejudice, deceptions and more) but they are just shiny fruits hanging off the main trunk. Some were given more attention and used to stir our emotions, but all faded away eventually in the face of the all-consuming main event. To be fair, all these threads were not forgotten, the writer-nim did gave them resolutions even if it is just a quick scene or a snippet of commentary but some felt perfunctory. It allowed the threads to be closed but it doesn’t really give them their dues. IMHO, this is largely because the story is written to appeal and engage with the target audience. It is not about pushing agendas that might distract from the central theme.

There is no doubt the Show is watchable. There are swoon worthy moments and occasional rays of sunshine but I can’t help but cringe at the overly melodramatic scenes and the endless rounds of the female leads drinking, shopping, bickering and basically creating “moments”. Some of those screen time can be better used to explore some subplots that were crying for some love and attention.

Now the elephant in the room, I do pity Joo Hee. Her character is poorly developed and weak by design, suffered a lot, aimed low and achieved little in life. Her love line is contrived. She is supposed to be in a serious relationship (her own words) but there are hardly any outward signs. Just a few hints and no skinship.

You can’t really say the Show dropped the ball. Quite the opposite! The Show has a laser focus on the endgame. Nothing is allowed to get in the way of the melodrama. Every morsel of happiness is bittersweet. Every special moment is handcrafted to heighten its impact. Lingering contemplative shots and close-ups of the protagonists (often in tears) reinforce the despondency.

I have no doubt the Show will be popular but it is also polarising. Its fans will love it and wish for more. The rest of us can only lament the lost opportunities to push back some boundaries or explore relevant issues. If you start watching the show thinking that it is a rom-com then you might felt a bit cheated as the show quickly morphed into its final form. Ultimately, the Show wants to preach to the converted and it did it with consummate skill. Caveat emptor, my friends.

Read More

A grand romance demands a grand sacrifice

I was a little speechless after binging this show over 3 days. Not many show affected me this way but it did and I was surprised.
On paper it is a low profile web drama of 24 episodes running about 30mins each. Short by c-drama standard. It started off as a decent rom-com with a dose of fantasy. It centred around characters in a story written by the FL coming to life on her 24th birthday and interacting with the FL and her friends. Lots of zany shenanigans as those fantasy characters tried to adjust to modern life (they were from ancient Babylon). Similar storyline has been used before but the show did a good job drawing us in and keeping our interests. The casting was very good. You don't have to suspend your disbelieve. They hired a number of good actors with mixed heritage and one main character even spoke Akkadian during the entire show and that is respect to the source material.

Around mid show, the tone changed and it became a bit of a thriller with a touch of the supernatural. It was a rollercoaster ride from that point on. The show swung back to romance then back to thriller plus historical intrigue and some light-hearted moments and back again. Yes, it is a bit manic and hectic when you look at it from a distance but if you are still watching by the 2/3 point, you are shipping the CP's and the story would have hooked you.

Speaking of romance, they weren't sugar coated fluff but love that transcended time and the great divide. I have to give the writer full credit for the teleport to Mount Wu running gag. It is next level! The last few episodes are heavy with the feels and the pace finally slowed. A sense of melancholy and reflection coloured the later scenes.

The writing is no doubt a key element of this drama. It is good, surprisingly good for a short drama. It dashed around both time and space but the core promise was always solid. Layers of revelations are peeled away. Yes, it can look messy but the ground work for later development was laid well in advance and it is more about gathering all the threads and pulling at the right time to turn chaos into cohesion.

The ending was bittersweet and not your typical 11th hour miracle. I accept and appreciate that because it would have betrayed the whole narrative and destroy any pretence of logic (but I was torn, damnit). We did get some kind of closure for the protagonists. We can derive some comfort in knowing that they were not forgotten and they are learning to live with the hands they were dealt. There is hope after all.

Production value is good. I heard that it was a labour of love with years of post production. They actually filmed on location in Morocco and Paris which is rare even for big budget dramas.

I'll admit that the transition is not always smooth, there are the odd plot holes and some scenes towards the end were contrived and heavy handed (aka burying the mask) but I'll accept the flaws in exchange for the complete package.
OST was good. I still can't get the opening bars of the theme song out of my head.

This show is not for everyone. The whiplash change in story telling and layered plot might put off or confuse some. If you are expecting a fluffy rom-com or an action thriller then watch no further.

It is a wild ride to be sure so test the water with your toes. Be warned, the water is deep and quite murky. :)

>>>>>P.S. There is a bonus ep.25. It is not an alternate ending but it extended the show beyond the end of ep.24. It provide some extra fan service scenes so if you are happy with the original bittersweet ending then please ignore this episode. Otherwise, it is a must watch for the fans of this show. :D The link to a Chinese only video is the comments section in MDL for this show. Thank you to cyn lynn for the heads-up. :)

Read More

I won the sucker bet

Based on the past performances of the two leads, I was willing to offer odds that the show will be good. I wish I finish the Show before I mortgage my house.

Still, on paper, I should be on a safe bet. It seems to be a standard BFF to lover trope with good looking leads and nice chemistry. It is a win-win formula for sure.

The problem is that the main plot went nowhere fast. The FL was lost in a sea of self-doubt and the ML is an island with a sign that reads “No Trespassers”. This is after all the flashbacks, almost kiss and daydreams. Even at this point, the plot is still viable, but it needs a firm hand on the tiller. What we got instead is a show within a show, a reality dating show, no less.

Now I’m starting to worry. If the dating show is framed as a satire or spoof, then it could be a lot of fun and there will be opportunities for the leads to interact and break down the barrier. However, for that to work, the new characters in the dating show have to be larger than life to kickstart the plot. What we got was a half-hearted attempt at an exposé which swings between banality and earnest. We are greeted by a mix of new secondary characters that are mostly cliché roles designed to fit right into their designated subplots. This meanders around for too many episodes before the Show finally calls it quits. It is frustrating that most of the introduced subplots lead nowhere and largely faded away as soon as the dating show wraps. The token antagonist stirred up some angst but escaped scot free. The Show doesn’t really need an ensemble cast. It is largely a distraction and suck the oxygen from the main OTP plot.

It is not all bad news though. The 2FL (Kang Chae Ri) is a revelation. Her character is thorny throughout the show and is borderline psychotic, but she is so much more alive than the FL. It is hard to like her character, but she is a scene stealer. This is almost the opposite of the FL. While the FL has great visuals, and her acting is solid as ever, her character is a wet mop. She spends the bulk of the Show running away from her feelings and tries to melt into the background.

Acting is decent on the whole, but the writing is a mess. By the time the leads are a couple, we are hanging on for dear life. The HEA ending and some nice developments of the side couples is small compensation for an overall disappointing show.
OST is serviceable but there is little reason for a rewatch.

Read More

Mostly harmless college rom-com

It is actually hard to write a review for this show, not because it is particular good nor bad but it is just uninspired. An apt description would be mostly harmless. ;)
There are cute moments, a bit of skinship, the odd tears but basically, it is a lazy wet weekend type of binge. You can cook lunch while the show goes on in the background and you won't miss much.
The OTP is ok, cute enough to carry the show for the most part. Cold ML, fun FL, tick! There are even a 2OTP and a 3OTP but they are all obvious pairings. Lots of tropes are used to no great effect (nor ill effects for that matter). I don't know if the writer is inexperienced or lazy or under time pressure but there is almost no depth to the story. Everything is telegraphed and/or predictable. If someone sneezes then someone will be taking care of the sick one and that advanced their relationship to the next level, etc. A case in point, they threw in the cliché separation of the OTP towards the end of the show. Normally, if I was fully invested in the OTP/plot, I would be annoyed and rolled my eyes. However, in this case, I just sat through it and didn't really mind. It wasn't badly written and it moved the story along towards the final conclusion but it was meh for me.
In the end, the show was like a nicely packaged, clearly labelled meal with cooking instructions. ;) I finished it and "enjoyed" it in a low key, easy-peasy kind of way. Your mileage will differ.

Read More

It’s not ok to be just ok

I'm just going to say it up front. Dear Hyeri is not good. Watchable but it could be so much better. It starts well but the middle was muddled, and the ending was sweet but uninspired. It is not quite bait and switch but at times, it comes close.

Let's take a step back. Mental health as the main focus of a k-dramas is rare. There are several good examples but it is mostly used as a plot device to provide the pro/antagonist with an excuse.

In this case, our FL's Dissociative Identity Disorder (DID) was front and centre and forms a very compelling narrative. It allows Shin Hye-sun to showcase her acting abilities. While the first few episodes were, to be honest, confusing and counterintuitive, it is engaging and draws us into a troubled and fascinating world.

The odd thing is that once the FL addresses her condition, the show begins to falter. In part, this is due to the focus shifting from the FL towards the 2 male leads. Don’t get me wrong. Both actors are handsome, and the older ML has the acting credential. The problem lies with the script. Both characters are flawed, especially the 1ML. He dated the FL for 8 years and then dumped her 4 years ago. The excuse was vague and unsubstantiated. He loves the FL and yet hurt her deeply and is a key reason why she developed DID. He is totally clueless about her feelings. It makes him looks like a self centred tool.

In the mean time, the 2ML fells in love with the split personality of the FL. That is all well and good but how he behaves after the FL came out with the DID diagnosis is harder to accept. Both ML’s have their redemption arc but it felt contrived and self serving.

In fact, the script completely changed its tone at around the 2/3 mark. Effectively, we have the first 1/3 being very focused on the mental state of the FL. The second 1/3 has some kind of self-discovery plus flash backs to the start of several key events which path the way to the here and now. The last 1/3 seems to belong to a different show. Eh?

Yes, the revelations and expositions along the way did clear up some of the misunderstanding, but it also highlights how bad the 1ML was. Yet, as soon as they are back together (literally within 1 scene), everything was forgiven and forgotten which I find jarring. They behave like teenagers in love from then on. The show inserted more flashbacks to their happier times and it only reinforced how much the FL loves the ML and how heartless/clueless he was.

Even now, I don’t fully understand his rationale for the break-up. We are told that he doesn’t want to hurt the FL and decides to carry the burden all by himself. Is he talking about his found family? That is BS because the dysfunctional family we were shown doesn’t match up with the present day one. Since the breakup, the horrible grannies become loveable eccentrics. In fact, the FL handled them with easy and they welcomed her into their fold with nary a complain. So, what is this burden the ML is talking about? He also said that he will never marry but he proposed. What gives? This is a gap of 4 years, not 40.

If you watch the last 2 eps separately, it is a very sweet and swoon-y rom-com but when you combine it with the rest, it becomes a confusing mess. This series has potential to be original and groundbreaking but took the easy path in the end.

I suppose the writer-nim wanted to end the show with a conventional HEA ending, but it made the earlier plot largely superfluous. Thought provoking ideas about mental health, love and lost are pushed aside by the stampede of unicorns or reduced to greeting card trite in the end.

It would have been a brave choice to allow the DID plot to run its course. The ending might be unpredictable but I'd take that over the pedestrian and overly sweet one we got. The only other show in recent memory that has a similar course change was Love in Contract with PMY. In that series, the change saved the show. I’m not so sure this time around.

Finally, while the production value is good and the OST decent, the support cast is an odd mix. There are many good-looking actors involved but most of their roles are either shallow, weird and/or unlikeable. I honestly think that one or two of them needs psychiatric help more than the FL. Peace.

Read More

This show doth play it safe for too long

The scheduling god was not kind to this drama. It is released around the same time as the popular k-drama, Love Next Door. Comparison between the two is inevitable. If you filter out the obvious cultural differences and filler subplots, it is basically the same trope. As such, I can’t in all honesty make this show up to be better than LND because it isn’t. Please allow me to explain.

As in LND, the basic premise is the classic BFF to lover trope except in this case, there is the added complication of the ritualistic sworn brothers.

Sworn brotherhood is OG. You can see it in classic literature of many cultures. Most are born out of harrowing experiences on the battlefields or during extreme trials. Just ask Henry V or read ancient fables. This is all very well within their historical context but not so relevant in the modern world except for some niche situations. It works great for male bonding but awkward when it is between the opposite sex of similar age.

While this is a valid meet-cute, the show really leans into it. When you consider the whole premise is the OTP having a mutual crush on each other for years, this is a millstone around their necks. We are presented with endless horseplay, push-pulls and staged closeness but they all end with the decoration of "we are bros!!"

Ye gods, what a killjoy! It went on for so long that I became numb. I knew where the show is heading but I lost all faith. The unicorns might die of old age at this rate!

Eventually, our leads confronted their feelings, but their trial is not over yet. First, we have the muddled confession which leads to a period of relationship twilight zone. Then when they are a couple, they enter the Failure to Kiss phase. Just note that this is well past the 2/3 mark of a 30 eps show.

I know the interrupted kiss is such an old cliché in c-dramas but this is taking it to the next level. It is funny the first time, but it wears thin, fast. After numerous failed attempts, I just groan.

I think this is the biggest problem with this drama. It really thinks that the viewer is happy to be baited endlessly. The show kept dangling the carrot before us until we are on the verge of despair. Then we get a little bit of fan service and out comes the carrot again.

Praise be to the Drama Gods when they sealed the deal. It is telling when their best buddy found out, his reaction was “that’s impossible. You are sworn brothers!!” Yes, I feel the same, bro. Of course, it is all sweetness overload from then on.

Our leads really spent too long in the bro zone and their chemistry suffers. It ramps up later on, especially after they dialled up the skinship, but it was lacking for much of the run. Too much fake horseplay and testiness will kill the mood.

There are 2 other pairings. The married couple are there to occupy screen time. The 3CP of the nerdy partner and the movie star was so low key, their confirmation during the last ep was a brief holding of hands. It takes the mutual understanding idea to infinity and beyond. If you blink, you'd miss it.

This brings me to the final point. This show really played it safe on every level and for too long. The romance took forever to jumpstart. The skinship is ok but needs more "heat". The business subplots are hardly engaging. You can skip them, and miss nothing. There is a bit of angst, but it is very formulaic. The typical misogynistic boss is front and centre. Every element is there for you to tick them off, for better or for worse.

As such, it is watchable and even enjoyable at times, but it is also forgettable. The production value is decent. The support cast did their best. However, it doesn’t really hit you right in the feels. IMHO, that's a key prerequisite for a good romance drama.

Read More

Let’s play a game of Whack-A-Trope!

I started watching this show when it was first released. It looks alright. I got past the half way mark before I was blocked by the VVIP pay wall. I ended up watching other shows and shelved it until now. I thought I'd finish it, but to my surprise, it was quite a struggle.

After giving it some thought, this is my conclusion. While the first dozen or so eps were decent if samey to many other contemporary c-dramas at least there was enough energy to push the story along. It is obvious that the show is a grab bag of tropes from the get-go.

However, once the plot is on rail and the OTP are officially, all the momentum are gone. What is left are very tropey plots and cliche gags to try to keep things moving until the bitter end.

This is not helped by poor character development. The ML is obviously the typical cold, low EQ boss and the FL is the damsel in waiting. Rather than allowing both characters to grow (up), the writer paints the ML into a corner.

The ML is now a lovesick puppy who run through all the typical dating fails. For example, he can't cook but tried his best to cook a meal for her. It was cute the first time. Not cute by the 6th time! He is constantly asking for relationship advice but totally misses the point.

This is a man who is supposed to be an intellectual giant, a peerless lawyer. He behaves like a lovesick high schooler EVERYDAY. Yes, he is a noob to love but flogging the same horse for 30 eps, is exhausting and makes him looks like a fool.

On the other hand, the FL is supposed to grow into a lawyer that is a fitting mate for the ML. I'm sure it was written in bold and probably underlined in red by the writer but what the show delivered is largely the same meek character.

The ML is overbearing and too protective. It got so bad that the FL took a break from their relationship. Bravo GF! Finally, a bit of gumption. There was a breakthrough of sort around ep.35. It was so contrived. It went from confrontation to reconciliation in a heartbeat. Then after all the flowery speech about giving her space, respect and undying love, the ML just went back to being a green-eyed monster in the next scene. It is odd how much time he is seen not doing real work. He just seems to be stuck in a loop alternatively trying to please her and annoy her.

This type of repetition is everywhere. A kiss being interrupted by a phone call is a tired tropey nowadays but in this show, I ran out of fingers trying to count the times they were interrupted if there is a mere hint of skinship.

Oh yes, speaking of skinship, there are some, but they are mechanical and lack passion. It pretty much mirrors their chemistry. It is there and they whisper sweet nothing to each other on cue, but it is not very convincing. This is further tested when the show introduces a SFL who scored the worst own goal. Least said, the better. You want to see chemistry, watch the first few eps of Amidst A Snowstorm. You won’t regret it.

It won’t be a party if we just talk about the leads. How about the tone deaf, bootlicking junior lawyer? Someone needs to have a good chat with him. Preferably in a soundproof padded cell and behind locked door.

The grand prize goes to the antagonist, He is given so much prominence. When you consider he is supposed to be the twice winner of the Golden Scale Award yet at every turn he is proven to be a C grade lawyer but an A grade douche bag, it is sending some weird message about the Chinese legal fraternity. His denouement didn’t happen until the dying minutes of ep.36. It was long time coming but it was unrewarding. He is not punished in any tangible way. His parting words are, “this isn’t over!”. Yay . . . I think.

At this point, I must call out the handful of legal cases the drama presented to us. They range from meh to sad. I don’t know the Chinese legal system, but I don’t think the writer is much more knowledgeable. Time and again, the cases are supposed to showcase the ability of the leads, but they are so contrived, it is like reading a murder mystery backwards. Scenes in the courtroom are perfunctory.

Of course, the HEA ending arrived on cue. It is fine. The last ep is total fan service, it is FINE. The 5 minutes long epilogue is the bomb!

I could have just labelled this a fluffy rom-com and move on. But somehow, this show irritates me. Maybe it is the ham-fisted use of tired tropes, the shallow witless plots or cliché moments stuck on repeat. Regardless, I had more fun writing this review than watching the show. That's a win, isn't it?

Read More

This show needs a scripting coach. Not a dating coach

What impressed me about this show is not the plot, which feels tropey and bloated, but the acting of our leads, especially our FL.

Allow me to explain. I knew the FL has great visuals especially her eyes. They are so expressive. She certainly looks glam from her first scenes, but her role soon required her to pull all her carefully curated facade down. We are talking total demolition. So much ugly crying, drunken antics, and serious faux pas. This is not unheard of in k-dramas where excessive drinking seems to be a national sport but most rom-coms would not take things too far and will let the leads down gently before buoying them up with a new lease on life and love. It is rare for a show to drop their FL in a pit of despair like this. So, hats off to Yoo In-na for her dedication to her craft.

Now, the plot was running reasonably well up to the halfway mark and you'd think that we are on course for an easy jog to the finish line. Unfortunately, we are hit by a relationship tsunami;
a) Both leads have had a nasty breakup, and both are hurting. Their growing feelings for each other is helping them to heal but their burgeoning romance begins to founder after their first passionate kiss. Add a couple of clingy ex's and it is a party. Hey, maybe we should start a drinking game. We take a shot after each cliche plot device. (Shot #1/2/3)
b) The marriage of the 2CP (FL's BFF) threatens total meltdown. It is also the usual growing apart/you changed trope (shot #4). I’m not saying that it can’t happen in RL, but it feels scripted and the resolution swings their relationship in the completely opposite direction without much preamble. It does make you wonder if it is sustainable.
c) The 3CP failed to launch when the older boss rejects the young pretty part-timer. It is the classic ahjussi-sonyeo setup (shot #5). The boss was burnt by a messy divorce, so he pushed back hard initially. This is not helped by a lack of chemistry between those two. Does the 3ML loves the 3FL at all or his took the path of least resistance once his male ego was suitably stroked. I see troubles ahead.
d) The 4CP's (FL's sister) romance is a textbook "love at first sight" trope. (shot #6) It is cute and sweet enough but it gets complicated real fast. Which resulted in another tropey situation. (shot #9? I'm too drunk to count)

When you consider there are only 14 eps rather than the usual 16, we have a petri dish of woes. This creates a lot of interference and left little room for our OTP.

This is a serious issue as it is the chemistry and connection of the OTP that captivated us in the first place but then it hits a wall while the ML tries to overcome a speech impediment anytime he needs to confess. All the while, the FL is suffering from terminal frustration. The extra 3 CP's and sundry ex's are fillers and they take the wind out of the OTP’s sails. Who’s show is this anyway?

By now, I'm hanging on with grim determination. There is no reason for the show to go dark on us and commit hara-kiri but there are moments of self-doubt. It is with a collective sigh of relief that the final episode delivered a sugar overdose. It is pretty much pure fan service. Not that I’m complaining but it really highlighted how the show took some serious detours before arriving at the designated spot. Honestly, I can pinpoint scenes where the ML could have said the magic words to the FL and we are home and hosed.

Acting wise, the FL is the star of the show, but the ML is very charismatic. His chemistry with the FL is undeniable. I loved his ability to portrait his inner thoughts, but I hated that aspect as well because his indecision has a major impact on the flow of the plot. However, this is a script problem.

Speaking of acting, the support cast is ok but most of the roles are tropey and one dimensional. For a shortened run, there are too many side plots/characters. It is hard for us to sort the wheat from the chaff. This is where the show lost points with me. Focus! Writer-nim focus!

In hindsight, I can see why the show wants to push the idea of loving someone for their real/imperfect self, rather than someone who is roleplaying the perfect partner. It is particularly true in this age of unrealistic expectations created by overheated social media. However, is that message consistent across all our CP's? I'm not so sure.

The show is entertaining, and I enjoyed watching our leads falling in love and healing each other. There are some skinship and a decent amount of swoon worthy moments. The rest is a bit of a crapshoot, and your mileage will differ. I do think that a better script with more clarity, fewer side plots and a smaller cast can take this show to the next level. Peace out.

Read More

Great start, nice middle, disappointing tail

This Show’s premise is hardly original. The FL is a sweet, kind country girl who was thrust into the limelight and more or less onto the lap of a hard as nails CEO. Of course, the enemy to lover progression is guaranteed. What set this Show apart is the chemistry of the leads. Their early interactions are a bit slapstick in nature and their comedic timing is good. They are so cute together which makes it easy to ship them. The melting of the ice king is a delight to watch if somewhat predictable. The innocent yet strong FL easily endeared herself to us.

The story is angst light for the most part. The support cast is not bad. The grandpa is all-seeing and sage like. The gaggle of company secretaries is largely used for light comedic relieve but they are surprisingly effective in that role. They are also the primary cheerleaders for our OTP. The 2CP has a rougher romantic journey and their meet-cute is good but it also included a big plot hole that is never explained. The antagonists are one dimensional and more irritating than dangerous. It provides just enough distraction to reduce the sugar content below WHO standard.

To be honest, I was pleasantly surprised by this show as it tells a simple story well and everything just clicks in the early to mid stages. The romance is the primary focus, and the leads are interesting enough for us to care for them. It will not win any awards but it is definitely better than the typical turn-key productions.

Much to my chagrin, the Show seems to have lost its way towards the end. It is kind of functional but in my eyes, it is shambolic and dubious in its delivery. Trouble started soon after we find out that the younger brother isn’t actually in love with the FL. I'm glad that they didn't throw in the ubiquitous breakup, but we are not out of the woods.

The problem starts to pile up once he decided to really go rogue and try to take over the company by backstabbing all and sundry. We'd have a decent chance to resolve the brothers' problem calmly and logically but the Show just went all in.

Once the escalation starts, the narrative logic starts to unravel. This is not helped by the one-note behaviour of the antagonists. The SFL is single-minded and immature. The business rival is a joke. The uncle is an annoying bit player and so one dimensional. There is no growth in any of the second tier characters.

Awkawrdly, the grandpa just sat back and look on disapprovingly. He should have some reserve power both as the chairman of the corporation as well as the head of the clan. He did the talk but not the walk. It is a very unusual turn of event for a head of a family/business in a c-drama.

Then so much time is wasted on looking for a cure of his condition. Most of those scenes are just paddings. I had to rewatch bits when he said that the FL has cured him. How? I didn't see her doing anything substantial. I watched that scene twice. All he said was that he needed to know that he won't be abandoned again. QED, the FL is the cure. Hmmm, the grandpa didn't abandon him and his brother is his shadow. I am baffled. Not to mention that it is not even psychobabble grade stuff. It is more like a minor lightbulb moment. Is that it? Is it true love or the sex? My PhD is riding on this thesis.

To add salt to the injury, the final boardroom showdown is so contrived and jokingly undramatic. The younger brother then just ran home and sulk. That’s one heck of an evil mastermind.

The whole segment about the visting master is largely filler. It is a bit of fan service and it would have worked better if they ejected the back-stabbing brother subplot and kept the narrative light and breezy. Then it would be some harmless, irrelevant fun. Now it is a bit cringey and awkward to be honest. The brother going with the master as his new student isn't a big surprise because that does round out his surprise visit and starts the brother’s redemption arc. The problem I have is the inconsistency in the narrative. The first scene, after a 3 years’ time skip, is the brother being a dick and won't help a girl in the village. Why? Then the next scene he is now the nicest “barefoot” doctor saving the same girl’s life. My head is spinning. Is he good or bad?
It is as if the writer couldn't put up a decent ending for the show and it got worked on by a committee, resulting in many drafts and more revisions. The last few episodes just feel kooky and shambolic. I was really enjoying the show for the most part but I ended up being disappointed in the end. Why does that sounds like a c-drama curse?

Read More

Bite size rom-com worthy of a binge

There is not a lot to be said about this drama. It is only 4 episodes long but to be fair, it is better than some shows of similar length which tries to jam too much into too short a runtime or too introspective resulting in much ado about nothing. It actually feels like a regular drama that has been parred back to the fundamentals. Obviously, there is not a lot of time to expand on some of the plots, but the core values are there. It managed to cover quite a range of topics that is relevant to the main plot.

Speaking of the main plot, it is all about the love line between the leads. It is sweet and swoon worthy for the most part. There is not a lot of skinship but there is enough towards the end to be counted as fan service.

Acting is good in general. The child actors are cute without being cloying. Their plots are just short of tear-jerking which is a nice balancing act. The FL is very much in her element and she delivered a solid performance. On the other hand, it is nice to see the ML in a lead role. He has been largely type casted in support roles and more often than not, a SML of dubious character. It was interesting that his role here is so loving and caring. It is almost as if his management company deliberately engineered this role so that he can showcase his potentials as a romantic lead without having to first leap into a breakout role like a psycho killer. The clock is ticking when it comes a romantic role even for a male actor. ;)

Overall, it is an easy watch that ticked all the boxes. The short time investment makes binging/re-watching this show perfect for a rainy weekend.

Read More

Mayday! Mayday! Contrary ending approaching

Shows focused on the Chinese armed forces and official emergency services are drama staples. I'm not aware that there are private rescue services in China, so I was intrigued by the promise of this show.

The Show starts well. It is an ensemble cast with many fast-paced plots to keep our interest. Some disaster scenes are gut retching and a challenge to watch but I must commend the production for not sugar coating the tougher storylines.
The usual introductions and meet-cutes showcased a range of interesting and offbeat characters. Even in the midst of all the death and destructions we still managed to find 3 CP's.

The OTP formed by the leads is obviously front and centre. The 2OTP based on the ML's sister is sweet and has a lot of depth. The third pairing focused on DingDing is the weakest of the three.

No surprises that rescues are the backbone of this Show. It provides a lot of the glue between the various subplots. It is also the ready source of action, challenges and angst. This is where I have some issues. I agree that this is a drama first and foremost so we can't expect everything to be 100% realistic, but some of the actions are overly dramatized. I shall give it a hall pass for now, but it does test the limits of credulity at times. I have more to say about this in regard to the ending later.
Another point of contention is the contrived demonising of the ML from the start so that we can watch him grow and change over time. It is nothing new but it can be heavy handed at times.

The Show as a whole is decent. Plot moves along at pace and the romances can be swoon worthy. The writer has this habit of feeding us red herrings to ramp up the angst but show us it is all a misunderstanding soon after and all is well. It works but it gets old after a while. This makes it all the more baffling why the death of the ML’s parents sudden becomes an insurmountable problem.

I put that down to the "breakup we have to have" trope. Even though there are several opportunities for them to talk it through, it was left unspoken. We then have the mandatory time skip. My money was on a grand finale rescue of the FL so that they can patch thing up and hug it out.

Bingo! I was right but what we got was not quite the amazing set piece I was hoping for. The Show obviously had the same idea, but it feels like the writer was locked in a padded room and fed nothing but bananas until he delivers THE script. The setting and outline of the plot was great, but the production didn't have the skill nor the resources to delivery it convincingly. What we got is half baked and it gets worse.

There are many narrative issues with this scenario. For example, how did the 2 doctors climbed UP the mountain without a guide yet a group of young men with a guide can’t walk down the same path? Why did they anchor 3 ropes within inches of each other, what does the textbook say? Why are the Light Chasers the only rescue team onsite? From the B-rolls and costumes of the locals, we gather it is somewhere in/near Tibet. They are located that close by? When they arrived, they just wandered up the mountain with minimal planning and equipment. No hall passes for you this time. :(

What happened after the ML is rescued is worse. You’d think a few moments of heart-to-heart talk after the rescue would be de rigueur. What we got is nothing, zip, nada.

The last few scenes of the show is so ambiguous. We were never told what happened to the OTP afterwards. We got hints that they are back together but could also be our wishful thinking. Then we got the rah-rah scene with the new recruits and the longest staring contest between the two leads as they walked towards each other. They stopped an arm's length away and . . . it fades to credits. What?! Why?! It isn't even artsy. Where is the kiss? A hug?

There is no fan service in the last episode. No clear cut resolution, no kiss, no ring. It is not too much to ask after watching 40 episodes to get a little bit of sugar hit. What is the point of shipping the OTP?

Acting is decent and some of the scenes are challenging and very physical. It is a tough gig for the guys. The ML acted well, but he tends to brood unless he is obviously happy. He was deliberately made unlikeable from the beginning. The FL was a wet mop for the longest time, but she gets better later on. The 2FL has a challenging role and she did well.

I can’t rewatch the whole show, but a highlight reel would be ok. OST is very nice.

Read More

Can a drama be too smart for its own good?

Hats off to writers who pick time travelling as the subject and doubly so if it involves a major romantic plot but it is also a trap for the unwary.

Love in Time (2022) definitely took on this task with gusto. The promise is even more complicated because the time traveling is both ways(!) and it covers a short 4 months span. You can imagine all the timey-wimey shenanigans that ensue.
To be fair, the start of the Show is very well done. It hooks the viewers in with some delicious interactions between the leads and a zany plot. It would have been a very solid base for a movie or a shorter drama. However, with 24 episodes to fill, the time traveling threads begin to look like pretzels by the half-way mark.

The Show does use internal rules and logic to try to avoid the “I’m my own grandfather” type of cliché. They quote buzz words like butterfly effect and dropped names like Hawking to suggest some form of credibility. The problem is that they basically trampled all over the poor butterfly by letting the leads from present/future interact and communicate fairly freely and pass information from the future back to the present on a regular basis.

Rather than trying to minimise their temporal footprint, the leads spend most of their efforts in trying to change the future. I can run with that if it is done cleverly and reasonably. Unfortunately, it got more and more convoluted as the story progressed. It got to the point when it is best to ignore cause and effect and assume they are all inconsequential. In one sense, that is quite true because the show is pushing the time elasticity theory. It boils down to if event Z is meant to happen then if the nominal trigger A is altered then trigger B/C/D/etc will be created to ensure Z happens. That’s all well and good but it also means a lot of mid show plots end up achieving little other than proving this point with one exception.

This brings us to the love line of the OTP. It is intense, swoon worthy and has a decent amount of skinship. However, it is a challenge to work through some of the more convoluted plots as mentioned above. At one stage we have an alive and kicking FL, one in a coma and a dead one depending on which scene is shown. Then we have the present/future ML talking to each other on the phone(!). The date is flash up on the screen from time to time but it feels like nothing is anchored anymore. It is all about pushing the main plot forward and giving our OTP quality CP time during their precious 46mins of shared time. Those short and sweet moments are what held the show together.

Finally, there is much chatter online about the “bad” ending. I think the ending is actually decent. It is unrealistic to assume a simple HEA ending after all the temporal mischiefs. The Show needs to untangle all the twisted threads. Honestly, the whole balancing the entropy thing is gibberish. I believe the Show has a mystical wild card up its sleeve from the start. The paper crane is the key. My take is the “universe” is saying “We stuffed up” when the FL was killed and it is trying to fix it. In a sense, it is like Dr Strange doing his future scanning trick but finds only 1 possible timeline with the right outcome. I also find the present-day ML changing subtly over time to become more like the future ML quite plausible. He is him after all but experienced those 4 months from a different perspective. Once the memories melded over time, he naturally realigned his personality.

Acting wise, it is good. I like the persona shift of the ML as he flip between his two realities. The FL did well but she sounds too young from the dubbing. Would her own voice be better? To be honest, the real antagonist is really underwhelming.

Overall, I enjoyed the Show. It can be entertaining and occasionally, thought provoking but more often than not, I find it easier to go with the flow, switch off the frontal lobe and don't try to analyse it. ;)

OST is fine but a total rewatch is unlikely. A highlight reel would be nice.

Read More

Superb piece of sci-fi suspense drama but can't sustain the excellence the whole way

The c-dramascape is well populated by crime/thriller/suspense dramas. However, if you throw in a sci-fi spin to the mix then the candidates for top dramas in this genre is somewhat thin on the ground. Maybe it has to do with censorship or culture but the writing in that sub-genre tends to be more muted and less innovative than creators from beyond their border. I’m glad to report that this show stood head and shoulder above the typical competition.

It is not a spoiler to tell you that the story is revolve around our protagonists being “trapped” on a bus that will explode and kill them in a matter of minutes. Each time they die, the sequence resets (hence the title) and they return to the bus. This is all laid out in the opening scenes and reinforced in the first episode. As our leads live through more cycles, they learnt how to work with the time loop and manipulate the events. They have to find out why they are looping and do what they can to stop it.
As this is such a suspenseful drama, I shall try to remain spoiler free. Most of the comments will be intentionally vague.

As you can imagine, with the scenes and scenarios being replayed over and over again, the writer have to find ways to present their predicament from different angles and perspectives. This is where the writer did a very good job for much of the show.
Similarly, the actors are repeating variations of the same plot, but they showed a lot of emotions and dedication. The leads were standouts and kudos to them. There are definitely no squeamish or wimpy characters here.

The production value of the show is quite good. Maybe it is the repetitive nature of some scenes that allowed them to get more bang for their bucks by editing explosions and car chases shot from different angles to generate more “unique” footages. One thing that piqued my interest is the police station. It seemed to be modern and “nice”. I don't know if it is based on a real police station or whether it was embellished.

I appreciate the show expending efforts to fresh out the backstories of some support roles. It made their behaviour more meaningful.

Alas, I wish the show was able to sustain this high standard all the way, but it did begin to falter towards the end. Not so much individual acting and scenes but the consistency of the main plot.

A lot of the issues came from the time loop concept. By the time we find out who the bomber is, the rest of the story is not that hard to deduce. Even so, the repetition still went on when the leads failed to break out of the loop. This gave us a lot of time to contemplate the raison d'être of the main event. It exposes some narrative weakness, and you start to question the goals and motivations of the antagonists. The internal logic still holds, but there are now cracks where there was none before.

The Show also paid a lot of attention to the backstory of the antagonists. It was nicely done and with a delicate touch. However, by then we have already sat through several backstories, we know what will happen and when, we know who did it so there is little intrigue left. This only brought about a distinct change in pacing and tension.

Another issue is why the leads are involved? They were just trapped and then released once they solved the puzzle. These issues would have been less contentious if this was a two hours movie or have fewer episodes.

The ending also did not sit well with some viewers (no spoilers). I can sense the writer was preparing us for a different ending, but it took a detour. Was it because of censorship?

In the end, rating this show is like judging some Olympic sports. You start with a perfect 10 and then you start to deduct little bit here and there as you spot minor imperfections.

OST was fine. Rewatch is difficult as there is no mystery left and the repetitions will test most people's patience.

Read More

Delicious by name, delicious by nature!

At the core of this complex drama is the relationship of three contemporary Chinese women living and working in the same city. They are around 30 years of age and well educated. They were in the same class in high school but their trajectory after school were completely different. What doesn’t change is their very closed sisterly bond.

Each FL seemed to lead a fairly stable if humdrum life. All that changed when covid-19 hit their city. It was a stroke of genius to coincide the start of the drama with a city wide lockdown. Each vignette of their lockdown life will strike a chord with most people. The enforced closeness wore down the veneer of civility and laid bare some home truths. Only then did they realised how they are all trapped in their individual life cycles.

One lead was confronted by her husband's cheating via a very public disclosure. She knew something was amiss but decided to ignore the telltale signs as a way of self preservation. Another realised the boyfriend of several years whom she has "collected" as a milestone in her successful and thoroughly planned out life was someone she doesn't really care for. The last member of the trio had to confront the societal and familial expectation of holding down a boring 9 to 5 job while being labelled a leftover woman. The pressure to get married is relentless.

This all happened very early on in the show, so I won't call this a spoiler. The rest of the show is a skillful piece of writing and acting as the trio try to find a "new" normal after the lockdown. This meant an almost complete realignment of their views and circumstances.

In terms of plot and pacing, it is a delicate dance of interweaving stories and the writer set a cracking pace. With only 20 episodes to play with and a lot of tales to tell, there is very little bloat. The lives of the three female leads pressed on ahead with scant pause for breath. The only time they slow down is when they are together, usually sharing a delicious meal or relaxing at home after work. Their conversation ebbs and flows naturally with an ease that only old friends can sustain. They knew each other so well that they don’t have to lie to each other, and they also knew when one of them is backward in coming forward. It was a joy to see how the writer used their seemingly mundane conversation to tell us their inter thoughts as well as provided a barometer of their emotional states. Some of those scenes are deliciously wicked. ;)

In terms of acting, it is very good all round. There are many characters in this drama. The leads, their ex’s, new love interests, family members, co-workers and more. Good actors filled the key roles but they are not A-listers. Even the young actress playing the daughter of one of the ML is a lively little minx. The writer gifted her with some killer dialogue, and she made the most of it.

There was no shortage of emotional scenes to test their mettle but it is not all gloom and doom. In fact, there are more genuinely funny moments than sad ones. The mood of each episode swings and changes with finesse. The FL's tackled their roles with gusto. It is cathartic to see their characters grow and heal over time.

The CP's have very good chemistry and there is a decent amount of skinship and even racy scenes. The Show did seek out its traditional rom-com root towards the end but it is a bit of fan service and I can't complain.

All in all, the show is very entertaining and rewarding but it is a thought provoking journey. It laid bare a lot of societal issues in present day China which will resonate with its target audience. Hat off to the production team for their commitment to breath life unto a challenging script. I would highly recommend this show to anyone who want something more than the artificially sweetened rom-com clones that are being mass produced right now.

P.S. You must not miss the forth wall breaking moment at the very end of the show. :) What does it signify? A sequel? That would be delicious!

Read More