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Older sister type FL1 hour ago
Guan Wen, known as an “invincible opponent for unreasonable clients”, rose through the ranks in a foreign company. But just before her birthday, Guan Wen was framed by her inferiors and chose the “naked resignation” (without the security of another job). It is said that when you are over thirty and have accumulated a lot of experience, you can choose any career you want.
Born in a scholarly family, Huang Yi Mei grew up carefully sheltered, like a flower in a greenhouse. From a young age, she showed her talents in the arts and thrived after entering the workplace. From there, she meets Zhuang Guo Dong, and they fall in love. However, due to fate, the two are ultimately separated by the pressures of life. After undergoing this tumultuous period of both work and heartbreak, Huang Yi Mei grows and slowly understands the path she wants to take in life. Deciding to further her education, she goes back to school.
Xiang Zhi Jun has three daughters living in different cities: Shanghai, Kunshan, and Suzhou. His eldest daughter, Xiang Qian, is 35 years old and has made significant progress in her career. The middle daughter, Xiang Zhong, is 31 and is actively striving to build her future. The youngest daughter, Xiang Nan, is 26, with a pure and romantic personality. The marriages of all three daughters face setbacks, leading the sisters to support and encourage each other.
It is a story of young men and women born in the 80s and 90s who meet in Beijing. Through their struggles in the metropolis, they hold on to their dreams and experience various tests in life, career, and love.
Unexpected meeting, then living under the same roof due to fate, Lin Yi's this character Lian Dai Wen's dressup is more like Gu Wei Yi! (Put Your Head On My Shoulder Ml character name) Everything feels so similar! PYHOMS was a great drama and now Smile Code, I'm really rooting for this drama!??
- Revenge
- Angst
- Leads have an "Us against the world" dynamic
- Strong FL x Strong ML (FL from DLX is a martial artist while in RftA she is not)
- FLs are no damsels in distress and take control of their life, story and revenge.
- Both leads are smart, cunning and manipulative (similars attract)
- Girlboss x Malewife vibes
- Mature romance with both as eager participants
- Sibling rivalry
- Strangers to allies to lovers (two broken people coming together for a common goal and falling in love)
- Absolutely smitten, devoted, supportive and slightly (adorably) jealous MLs
- One lead is unfavored and bullied within their family while the other lost their family
- Angst
- Leads have an "Us against the world" dynamic
- Strong FL x Strong ML (FL from DLX is a martial artist while in RftA she is not)
- FLs are no damsels in distress and take control of their life, story and revenge.
- Both leads are smart, cunning and manipulative (similars attract)
- Girlboss x Malewife vibes
- Mature romance with both as eager participants
- Sibling rivalry
- Strangers to allies to lovers (two broken people coming together for a common goal and falling in love)
- Absolutely smitten, devoted, supportive and slightly (adorably) jealous MLs
- One lead is unfavored and bullied within their family while the other lost their family
Hidden identity - rich people pretend to be poor, love develops after marriage, jealous try to destroy the relationship.
Okay, so they are VERY different BUT the sibling dynamic is similiar, with a glass child and a disabled (autistic) sibling/cousin.
Basically, a sibling with a disabilty makes another sibling appear invisble to their caretakers. In other words, the disabled sibling's probems make the abled sibling's problems appear insignificant, which prompts the parent to 'look through' the glass child, instead of seeing them for who they are: a person /child with needs, problems, and mental health of their own.
This often results in unrealistic expectations, where the glass child is made a (secondary) caretaker of another child. In both dramas the glass child is younger and they love their sibling dearly but also can't help feel resentment for the needs that weren't/aren't met because of the space taken up by the disabled sibling and their problems.
It's often tragic because the ressources are few and the disabled child takes up most of them -- and the caretakers believe that the abled sibling is better off than their sibling, and thus are 'strong enough' to handle the neglect. The whole situation stems from love (and faith in the glass child's mental strength) and yet the glass child often feels either unloved, underappreciated, or invisble -- or all of the above. And they feel guilty for their resentment towards the situation because it isn't anyone's fault, it just is. The caretakers are trying their best, the disabled sibling is often unaware, and the whole thing just sucks all around.
The struggle is real and both dramas portray it well.
Basically, a sibling with a disabilty makes another sibling appear invisble to their caretakers. In other words, the disabled sibling's probems make the abled sibling's problems appear insignificant, which prompts the parent to 'look through' the glass child, instead of seeing them for who they are: a person /child with needs, problems, and mental health of their own.
This often results in unrealistic expectations, where the glass child is made a (secondary) caretaker of another child. In both dramas the glass child is younger and they love their sibling dearly but also can't help feel resentment for the needs that weren't/aren't met because of the space taken up by the disabled sibling and their problems.
It's often tragic because the ressources are few and the disabled child takes up most of them -- and the caretakers believe that the abled sibling is better off than their sibling, and thus are 'strong enough' to handle the neglect. The whole situation stems from love (and faith in the glass child's mental strength) and yet the glass child often feels either unloved, underappreciated, or invisble -- or all of the above. And they feel guilty for their resentment towards the situation because it isn't anyone's fault, it just is. The caretakers are trying their best, the disabled sibling is often unaware, and the whole thing just sucks all around.
The struggle is real and both dramas portray it well.
By the same creator and screenwriter, Kang Full. Many similar genres (thriller, mystery, supernatural). Moving leans more action while Light Shop leans more towards horror. Director of Light Shop, Kim Hee-won, was also an actor in Moving.
Plot wise, they don't have much in common (except for the presence of demons and deities and different realms), so this recommendation revolves more around the general vibe and aesthetic of these two dramas.
If you like how things look in Lost You Forever, from the outfits to the colour palette of the scenery to the special effects and props, Love Between Fairy and Devil might just be your cup of tea.
If you like how things look in Lost You Forever, from the outfits to the colour palette of the scenery to the special effects and props, Love Between Fairy and Devil might just be your cup of tea.
Both are fantasy romance chinese dramas. Main characters team up and go adventures together in both dramas.
Ding Yuxi as ML in both dramas. Both are also fantasy romance chinese dramas with sweet couple dynamics.
Someone gets transferred into a novel, that they wrote and try to change the original format of the story
both fl are transmigrated into a novel
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? Both dramas fall within the romantic comedy genre, focusing on lighthearted and sweet romantic relationships with humorous elements.
? In both dramas, the main characters start off with a history of knowing each other since childhood or youth, eventually growing into a romantic relationship. This "friends-to-lovers" progression is central to the plot.
? In both series, the female protagonists are portrayed as smart, ambitious women. In Love is Sweet, the female lead works in the financial world, while in Exclusive Fairytale, the female lead has her own personal goals and dreams.
? The male lead plays a supportive role, encouraging and helping the female lead achieve her dreams, while also developing feelings for her. They are protective yet respectful of her independence.
? Family plays an important role in shaping the dynamics of the characters' relationships, adding emotional layers to the narrative in both dramas.
? In both dramas, the main characters start off with a history of knowing each other since childhood or youth, eventually growing into a romantic relationship. This "friends-to-lovers" progression is central to the plot.
? In both series, the female protagonists are portrayed as smart, ambitious women. In Love is Sweet, the female lead works in the financial world, while in Exclusive Fairytale, the female lead has her own personal goals and dreams.
? The male lead plays a supportive role, encouraging and helping the female lead achieve her dreams, while also developing feelings for her. They are protective yet respectful of her independence.
? Family plays an important role in shaping the dynamics of the characters' relationships, adding emotional layers to the narrative in both dramas.