Jung Eun is abandoned by her parents and suffers from absolute loneliness. She started learning piano when she was young and tried to enter a music college but failed. She also failed the orchestra audition. She reunites with Eun Ho, whom she met when she was young, and she grows fond feelings for him. Eun Ho loses his mother and his memory in a car accident. Eun Sub, Eun Ho's stepbrother, falls in love with Jung Eun, a woman who likes his brother. How will the love story of brothers for a woman end? (Source: KOCOWA) Edit Translation
- English
- Español
- magyar / magyar nyelv
- dansk
- Native Title: 봄날
- Also Known As:
- Director: Kim Jong Hyeok
- Screenwriter: Kim Gyoo Wan
- Genres: Romance, Drama
Cast & Credits
- Go Hyun JungSeo Jung EunMain Role
- Zo In Sung Main Role
- Ji Jin Hee Main Role
- Han Go EunKim Min JungSupport Role
- Lee So YeonKim Kyung Ah [Bar girl]Support Role
- Lee Hwi HyangOh Hye Rim [Eun Sub's mother]Support Role
Reviews
This review may contain spoilers
There are times, I think, when nothing beats a KDrama from the early 2000s
"Spring Day" is a love story told in a triangle. So drama in drama feels right at home here. And "Spring Day" has a lot more to offer in the proven makjang-mix to really heat up the story. If the merry-go-round isn't going straight forward, than simply because it's going backwards.Three is one too many. Being well aware of the consequences and where the story must lead towards, it is nevertheless the path that paves the series pleasure of cathartic ups and downs. You can get really upset about this and that. The rhythms of the soundtrack whip your emotions through the most varied of situations. The assorted mix of (by now long) proven actors give the protagonists their three dimensional profile. None of those characters is really grippy, smooth or edgeless, though. Whether brotherly relationship, romance or parental relationship, it´s all full of sometimes touching, sometimes pathetic ambivalences – sometimes hurting, sometimes soothing and hurting at the same time. In short, the KDrama presents quite some space for compassion and catharsis.
There are times, I think, when nothing beats a KDrama from the early 2000s. I couldn't have timed my ´Spring Day´ better (in Spring 2023). After a flood of stories about contemporary scheming, autocratic backroom politics, bullying among students and misogyny, "Spring Day" feels like an island in many ways. The world is not safe there, on the contrary. Makjang rocks the turbulence upwards. Nevertheless, there are 'only' personal destinies and family tragedies here that do not have the social impact of some current series topics. We get thrown around in an ambivalent emotional swell between 'soothing' and 'hurting'. In the end the story is told to the end. The ending may or may not please, but it has its ending. (A lot of recent KDrama with current underlying social issues tend to deep down leave a thorn after the end of the story, as the social swamp that fueled the story remains a given reality and lingers on…)
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By the way:
With "Spring Day" in 2005, Go Hyun-jung marks her comeback after a War-of-Roses divorce with a Jaebeol of the Samsung Dynasty. So in 2003 she actually had just finished her own Makjang drama personally. Eventually, she was able to free herself from the obviously tormenting clutches of her husband and his dominant, oppressive family, who (so it is said) permanently devalued her because of her humble origins, simply making use of her beauty for bearing pretty children. Yet the price for liberation was high. Above all, she had to leave her children behind and give up visitation and custody rights. Although she was able to re-establish her life somehow against all (by her husband´s family deliberately implemented) odds , she (so it is said) still is not allowed to see her children to this day.
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I enjoyed hating parts of this drama more than I enjoyed loving them. How ironic, I know! It had me pulling out my hair, screaming and cursing with frustration. I almost wanted to give up watching, and for some reason I couldn't. I was addicted badly to it. The characters were all crazy and nobody is normal in this drama. All their lives suck and every character suffers from deep guilt, abandonment issues, mommy issues, daddy issues and what-not. Plus, it being a melodrama had the tragic makjang also. All this craziness is what makes this drama complete. Perhaps all this seems a bit too much for me since I am not a melodrama loving person. For those who do watch melodramas, I can guess it won't be a big deal at all.
The acting done in this drama is way above than normal ones. The main leads are perfect at playing their roles. This drama does have a lot of crying in it, but some scenes have been done beautifully. Especially Ko Hyun Jung- who I've seen for the first time here was outstanding. She really knows how to pull off emotional scenes with perfection. In fact, I've not been so impressed with an actress in a Korean drama before. Jo In Sung went way overboard at times when he was crying or yelling, but at least his emotions came through to me as a viewer. Plus he's so good to look at. :D I liked the other actors too especially Han Go Eun who always plays her characters well.
As for the overall story- I thought it was good. It does have flaws and boring parts in it but it manages to be decent enough. I suppose I loved the characters most. This one is an entirely character-driven drama. I loved the fact that the characters were messed up and there was no good guy here. All characters were flawed- especially Jung Eun and Eun Sub.
Jung Eun is at first a female who has been closed off and living in a shell for years due to her sad past. Then she meets Eun Ho who helps her open up and they fall in love. She also meets his younger brother- the hot, self-centered and childish Eun Sub who also falls for her. Then you have a complicated story with brothers in love with the same woman. The only question here is who she will go to in the end.
I thought Eun Ho was perfect in the beginning but later on he sort of became redundant to me. I couldn't root for him as much as I did for Eun Sub. I didn't even love Eun Sub entirely. He was too flawed. But I have to say that Jo In Sung suited the role. Eun Sub makes for an interesting literary character who has an unhealthy, all-consuming love for the woman. Not just that, he needy and desperate for love and he shows it time and again. He was unlike other Kdrama guys that I have seen till now who usually remain closed off. Here you have a guy who shows that it isn't easy to close off once you have opened up. Apart from these characters I LOATHED their mother. She drove me crazy. She was beyond INSANE, I tell you! I didn't get why she kept beating up whichever female got close to her son. Crazy, crazy woman!
I think every person would want to root for the brother that I rooted for. He's the one who suffers like hell and also gets his deserved happy ending. In fact the ending is happy for almost every one. Sort of. That is why this is one of the best melodramas according to me. :)
This drama has an outstanding background score. I also loved the main song which they kept playing in every episode. It was simply perfect.
Since it was so tiring to watch, I will never rewatch it. Ever.
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