The movie is heavy, serious, not tear jerker but you'll feel down, you can feel the sadness, regrets, lost and pain the characters are portraying in the verge of divorcing. IF you dont pay too much attention and do not feel what it is, you wont appreciate the movie. If you just got out of breakup, then don't watch it because you may relate into it and you might cry (hehe).
In my opinion, they perfectly portrayed it, no matter how the male lead wants to go back things as they were (he decided to move his office in the basement of the house so he can be with her since he's been working all day till night---car scene) things won't be the same. It is true that some, or mostly women, when they get tired, fed up and already find somebody new (in this case, she cheated on him, and he admitted that he is also to blame, he neglected his wife), it's too late to mend a broken relationship, and it is very seldom that a woman will change her mind and heart (to be back in their marriage again), and the guy is correct, "Getting mad won't change anything.".. You can feel the sadness, the regrets, the wishes but things in reality are not that easy. And I think this movie have best showed that not all relationship that is undergoing "rocky road" will have happy ending.
The cinematography is great, it was able to portray the dark and down emotions, the large and beautiful house became dark, with some roof problems (rain is pouring to some spot)...Personally, I like the movie, some may not appreciate it, but I like it, I felt it.
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However, if you acknowledge the above, then you are in for a very interesting experimental movie, directed in a wonderful postmodern manner.
There is nothing happening in the movie, as I said, but actually everything is unraveling in a furiously silent manner. What is important to look for are the many symbols and small gestures that compose the hidden story behind the film: the sudden changes that shot small glimpses of the house bathed in light,on a clear sunny day that overlap with the dark, gloomy, rainy house; the open doors from the bright house, that suggest openness, hope and harmony, yet human activity is completely absent, as opposed with the progressive closure of each door in the inhabited house, on a rain stricken day; the opposed motifs of the dog sculpture she received from her husband early in their relationship, which symbolized stability, loyalty, and the cat that crawled into their house, which suggested a free spirit, unattachment, and reinforced by the fact that the cat was very scared and in the process it hurt him, although he was doing his best to tend to it and the strong scene where she seemed to become a part of the darkness while looking out the window and, while she blended into the dark, the cat suddenly appeared, to only disappear again after the woman came out of the shadow, that suggested that the cat was really an avatar for the woman... oh, I could go on, as the movie is really packed with symbols, but then again, I'll let those that chose to watch it to discover things for themselves.
The acting was great, their expressions were very rich and suggestive, the gestures, the pauses were stellar and gave of the right vibe for this movie. He portrayed the perfect image of an emotionally handicapped individual that was unable to express his true feelings, and she was also great at illustrating the character of a strong woman that also needed someone to comfort and show emotion, but that fell into frustration with the man she still loved and had to seek refuge in another relationship.
All in all, I recommend this movie if you are in the right state of mind to fully enjoy a more complex film that is sure to spike your interest and curiosity.
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I knew that Come Rain, Come Shine was an essay movie and I watched it knowing it. I was reminded of some French nouvelle vague film, full of silences and broken dialogues.
It's a slow, sedate film, where emotions are expressed via immobility, instead of events. I read the film didn't get a good reception at the Berlin Film Festival, but then again, I've learnt never to base my judgment on European film festivals, unless I want to end up watching a movie by some unknown Uzbek director with 20 minutes shoot of a solitary ant walking on a roof.
I'm not joking, the movie really exists.
The acting is awesome. I could say that Hyun Bin is his usual gorgeous self, but in this case it would be a very shallow statement, mostly because for a good portion of the movie the only thing one gets to see of him is his silhouette in half darkness. But he's got the chance to use one of his best traits in terms of acting: showing feelings with the mere twitching of the lips, the raising of an eyebrow or a tilt of his head.
Im Su Jung is just as expressive, her mood highlighted by an excessive thinness and pallor which make her look like a fragile doll. Her character is the "guilty" party, and yet one can't help feeling for her frustration in front of her husband's wall of infuriating politeness.
I would have given the music a 0 if the option were available, for the simple reason that... there is NO music. One may object that the absence of sound is more deafening than anything else, which is certainly true about this movie, but doesn't make rating the music any more possible.
Given the premises, I think you will understand why the re-watch value is pretty low. Personally, I was oddly captivated by this movie, possibly because it came after an interesting debate on this same site about marriage and its expiry-date. But I'm not sure I'm ready to recommend this film to anyone, unless you're a Hyun Bin's fan like me and while watching fantazise about having him frolicking in YOUR kitchen, instead of the stage one.
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The lighting, the constant rain and even the angles of the house all lent themselves to the mood of the film. Which I thought was a clever technique. The acting in the film was very good. Hyun Bin may be gorgeous but time and time again he has proven he's got serious skills. I don't watch him because he's cute anymore. I watch him because I know I am going to be watching a really great actor.
Having said that: This film is shot in a really quiet way. In one shot in particular you just see the woman sitting on a chair, smoking a cig for a good minute or so. There were times when I thought the director was building upon the silence. Using the rain and the dark and the two character's obvious silences toward an end of some kind.
With the woman I felt frustration and guilt. From him I could feel sadness and quiet hopeless acceptance. Sometimes it felt that they were using their silence to punish eachother. I was waiting for some kind of breakthrough. For some of this emotion to surface. This was not to be... I felt like this movie ended in the middle of a sentance and now we don't know what anyone involved was even trying to say.
It's like going to an abstact art exhibit at looking at a painting of a single huge black dot on a white canvas and thinking..."Why?" and "I hope the artist didn't get paid for this" and "Yeah, I did one just like that in kindergarten." Sometimes when you try to be to artsy, clever and minimalist...you fail big time.
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Nothing happens... I mean it...nothing...
It's raining...the woman is packing her things to leave her too nice husband (she's at least mental, as her husband is Hyun Bin, and you should be at least mental to leave Hyun Bin)...it's raining...the guy us making coffee for his cheater wife...she's suddenly hitting his chest with her hands...a cat appears...then their neighbors come to look for the dat...then again they are alone (though the cat is somewhere in the house)...the guy is again cooking for his cheater wife...then he is washing his face...she's decorating the pasta they're going to eat...the cat appears...it's raining...the end...
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There are not many dialogues, but the words said have deeper meanings and more sentence behind it, that you can imagine.
Confusion expressed by female lead, desperation expressed by male lead, excellently expressed by actors.
Every single dialogue they speak has a strong connection to past and their present feelings.
There are some real long scenes just shows the person sitting... It can be boring of you watch it as movie.
If you think that you are sneak peaking in invisible coat into their house, then you can feel their emotions and experience this movie to the full.
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Not recommended for people who doesn't like movies with no actions in it. Recommended for people who have time to read into subtlety and tacit meanings.
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