Kazuo’s younger brother went missing, leaving behind debt for Kazuo. To pay off his brother's debt, Kazuo works at the library during the day and works at a bread factory at night. His wife and daughter soon leaves him. One day, Kazuo wins 300 million yen from the lottery. He feels uneasy about the amount of money he has won. He decides to do research on other people who won the lottery and he learns a lot of the winners became miserable. Kazuo decides to visit his rich friend Tsukumo for advice. Tsukumo tells him that he doesn't know the meaning of money. They spend time together, but the next day Kazuo discovers that his 300 million yen winning is gone and so is his friend Tsukumo. To get the money back, he meets various people who worked with Tsukumo. (Source: AsianWiki) Edit Translation
- English
- 中文(台灣)
- magyar / magyar nyelv
- dansk
- Native Title: 億男
- Also Known As: Hundred Million Man , Okuotoko , Oku otoko
- Screenwriter & Director: Otomo Keishi
- Genres: Mystery, Drama
Cast & Credits
- Satoh TakeruOkura KazuoMain Role
- Takahashi IsseiKoga TsukumoMain Role
- Fujiwara TatsuyaSenju KiyohitoSupport Role
- Kitamura KazukiMomose EiichiSupport Role
- Sawajiri ErikaYasuda TowakoSupport Role
- Ikeda ElaizaAkiraSupport Role
Reviews
The whole theme about money's worth/value and human dependence/absorption with it was very repetitive and seemed to a rather privileged point of view? It irritated me because even though I understand the underlying and moral aspect of what the characters and writer was trying to say, the stress Kazuo was going through is an incredibly real burden that people go through and it's not his fault or MONEY'S, it's the society we live in. The aspect on how much society creates this false financial pressure on a person was completely sidelined and even though the message of escaping from the obsession over worthless paper is a good and real one it's also theoretical or rather disconnected from reality. It was almost condescending and I lack the proper word here but something similar to the savior complex permeated the whole story and that is why I couldn't believe how chill Kazuo was with everyone basically disrespecting him. I understood his gratitude and resolve after his friend's actions were concluded, but the audacity of those actions??? Perhaps that's why Kazuo is a better person than me but.
The drawing up to the climax and Kazuo's final resolution was satisfying and well-played so it's fine but the overall message was just a turn off. Kazuo's realizations too were very emotional and delivered well by Sato's performance and the directing.