Royal Feast (2022)

I can’t with MDL

Sometimes I just go here to support my theory that most ppl in MDL is gonna dislike a good drama. For some odd reasons, the viewers here, 90% of the time, never gets in line with my thoughts. But that’s just probably me. ? Often times I wonder if I even watched the same drama as everyone else. But enough of that…

I’d like to start with the general theme of the drama, coming from its title itself “Royal Feast”, obviously it’s gonna be about food. For the scriptwriters to incorporate that in all issue throughout the drama is already amazing. It introduced us to Chinese cuisines and their way of cooking from back then and showed us the importance of the food department in every kingdom (as opposed to the less attention it gets in most historical dramas Chinese or Korean). And it’s true that they can be so easily implicated just by what they serve on the table as those food goes in the body of the royalties.

Zhu Zhanjin - calm, collected and wise character even from the time he was the Grand Imperial Grandson, he was more like his grandfather than his father was (hence he was the favorite). He posed as a threat to his own father after he took over the throne and it was perfectly portrayed and set by the earlier scenes. He knows his duties as an heir and duties to his wives. He sincerely wanted to create a good relationship with his consort but she didn’t want it hence his heart drifted away and found comfort in the presence of Zijin. Xu Kai did well in this character and he portrayed the three stages that he went thru from grandson to the emperor. However, if I may say so myself (someone who watched everything he had done), this is one of his easiest role. ? But Xu kai is Xu kai and I’m proud of him.

Yao Zijin - classy, wise, talented and just the perfect Empress material. Her character has always been composed and just (maybe except for herself, too selfless). Her love for Zhanjin is real but she’s been brought up as an Empress would be and thus how she acts. She knows he duties first as a concubine and then a noble consort, she doe what she can in her power but never goes beyond what the preceding authority before her. She knows the limitations that entails her title and have never asked for more. And when she was given power, she knows when to push through and when to fall back. She’s not frustrating, she’s wise and calculating; just like the Empress Dowager had always been beside Zhanjin’s father. She speaks forward for his sake, for the sake of others but not for her own sake for she does not want to abuse the attention she’s receiving (however, it’s one of her flaws for she has taken it quite far before she lost her voice). In this case neither her nor Zhanjin were free from blame; they both were in the wrong. Nothing to say but perfect Empress material. The actress was perfect for the role, even her facial structure is fit for the role.

There’s so many characters that I can talk about but my willpower to write about each one of them is not enough so I’ll just pass on that.

I enjoyed it a lot and is the only Chinese historical drama ever that I didn’t skip through. Tbh I started this expecting to skip around Episode 17 as I usually do but I actually watched through the whole thing.

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Exquisite Costumes, Mouth-Watering Culinary, Cat Fights from Royal Harem to Royal Kitchen

Royal Feast is a story of Zhu Zhanji (Xu Kai), the Ming Dynasty Emperor Xuande (reigned 1425 to 1435) and his fictionalized romance with the woman he loves, who later becomes his empress, Empress Xiaogongzhang (Wu Jinyan) of the Sun clan, and (not shown in this drama) bares him his successor, Zhu Qizhen (Emperor Yingzong). Apart from the very authentic looking exquisite costumes of Ming Dynasty and mouth-watering culinary, the whole script is poor with very little substance and it is frustrating to watch. In fact while watching the emperors and their harem enjoy laboriously prepared culinary to fill their stomachs, I'm filled with a stomach full of “qi” (anger).

More than 50% of the time is spent on food - cuisine preparation and presentation, food tasting, picky mouths, food wasting etc. Granted. The title of the drama is also named Royal Feast, so food is to be expected. But I've never expected to watch a drama that focuses so much on deliciously looking cuisines with tons of boring cat fights from the royal harem to the kitchen. Each episode, especially for the first 30 episodes, gives me a full stomach of fire. (I know I keep referring to my own stomach, well, you get what I mean.)

Here we have a prince who is groomed to be an emperor (Xu Kai) since he was born because his grandfather, the Emperor, favors him. He is powerful, and yet what he says doesn’t match with what he wants, especially when dealing with his relationship, be it with the woman he loves or with his friend and subordinates, and this has created a lot of misunderstandings that make him brood. Then we have a palace chef that turns empress who plays hard-to-catch with the broody prince all the time.

The plot is a mix of real and fictional events with real and fictional historical figures. Many of the fictional events are illogical with overdone plot twists. None of the characters are impressive and likable except only, perhaps for me, the eunuch, Chen Wu (Zhu Zhi Ling) who is a very small side character (you can see how poor the overall character development is for everyone).

By episode 29, the plot thickens slightly when Zhu Zhanji becomes the Emperor, and the romance improves after episode 33 when the main couple comes closer together, and there are fewer kitchen and food preparation scenes though many bad logics still remain. The whole drama doesn't show much what Zhu Zhanji has done politically and in running the country or defending his throne from his uncles, though briefly shown he does visit the farmers in plain clothes and puts down a revolt by one of his uncles.

Xu Kai’s acting is decent here. We know he broods because he shows it on his face and in his body language. But the female lead character is quite another thing. I really don’t like Wu Jinyan’s acting here. She looks pretentious and her acting is confusing. Maybe that's how her character is being written. There are so many ironies and inconsistencies with this character. She is initially the chosen one for Zhu Zhanji as his Empress. After years of grooming, she is being replaced by another girl who is said to be very auspicious. She is bitter, so she changes her name to Yao Zijin (Wu Jinyan) and enters the palace as a royal cook (what the heck for?). As a kitchen chef, Yao Zijin is kind and cheery, and yet at the same time, secretly schemy. How can a person be still cheery when a friend she trusts attempts to kill her? Seemingly innocent, she also schemes to plot against her main competitor in the kitchen. She says she doesn’t want to be married to Zhu Zhanji and wants to stay in the kitchen to do what she loves. Then, immediately, to attract the prince’s attention, she purposely falls in front of him (roll eyes). Time and time again, those who try to murder her escape with impunity and continue to live normal lives. And in the kitchen, when the emperors hate everyone’s cooking, she’s the one who always saves the day. There are always incidence happening at the elaborate royal feasts -- assassinations, poisoning, allergies, deaths etc. Yes, you get the gist, an utterly ridiculous script and terrible plotline. Oh, have I mentioned Wang Yizhe’s acting as You Yifan, head of the Imperial Guard? His portrayal is really poor – stiff and awkward, and constantly showing a sulky face doesn’t pass as a cold and bitter man as the character is supposed to possess.

My Verdict

At the beginning, many viewers claim Royal Feast is similar to the Korean drama, Jewel In the Palace (Dae Janggeum, 2003). Far from it. A bad script and shitty plot can hardly save a drama despite its exquisite costumes, culinary arts and big-name actors. In fact I continue watching because of Xu Kai and I like the concept of “Let food be thy medicine and medicine be thy food” which is quite elaborately displayed here, explaining how each cuisine is being made and its medicinal benefits for the body. Apart from these, there is very little meat, and I’m sorry for spoiling the soup.

The drama stops short before the Empress bares Zhu Zhanji his first son, and the Emperor’s untimely death at 38, so this may have saved a lot of broken hearts. Historically, Emperor Xuande (Zhu Zhanji) had many consorts and at least 10 died with him under the Ming’s royal house tradition when he died. He also didn’t dispose of his first Empress the way it is shown in the drama, and the revolt from his uncle is a joke here.

Overall, I am neutral on this drama. My score here is all awarded to the costumes, food and official sound tracks only, and zero to the story and the script.

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