First Lieutenant Shunichi Maki of the Japan Air Self-Defense Force is a prestigious F-15 Eagle jet pilot (or "driver" as he is called in the film). A lifelong fan of flying since he was a child, being a pilot is his ultimate dream. Unfortunately, his duties distance himself from his wife, Yoko, who always ends up being neglected, and his son, Tsugumu, who has a congenital blood disease and has a high risk of dying at a young age. Maki decides to quit the Air Force to devote more time to his family and to spend whatever is left for his son. He takes a part-time job as a commercial tour guide run by a kindly group of people who allow him time to work and to also take care of his family. However, prior to quitting, Maki and his flight partner Yamashima are alerted to a strange red light streaking towards Japan, and Maki's plane collides with the red light. However, he has suffered no ill effects other than brief flashes of scenes playing out in his mind. He later discovers that the images in his mind are due to telepathic messages from the strange being in the light. Edit Translation
- English
- magyar / magyar nyelv
- dansk
- Norsk
- Native Title: ウルトラマン
- Also Known As: Ultraman Movie
- Screenwriter: Hasegawa Keiichi
- Director: Konaka Kazuya
- Genres: Action, Tokusatsu, Sci-Fi
Cast & Credits
- Bessho Tetsuya Main Role
- Toyama KyokoMizuhara SaraMain Role
- Osumi KenyaUdo TakafumiSupport Role
- Kusakari MasaoManjomeSupport Role
- Yuki NaeMaki YokoSupport Role
- Hirota RyoheiMaki TsugumuSupport Role
Reviews
A fine jumping on point for the uninitiated
What I appreciate about Ultraman is that it has so many great jumping-on points for people looking to get into the series; although The Next is one of the weaker starts I've seen, it is a noble attempt to update the formula with a much more adult tone. Particularly considering this was Tsuburaya's big attempt to revitalise the character after the problematic circumstances surrounding the broadcast of Cosmos. It's a more than welcome reimagining.There's some lovely direction by series veteran Kazuya Konaka, particularly in its Top Gun-inspired opening. Great character work and performances, especially from Tetsuya Bessho and Kenya Ousumi, plus a banging soundtrack from rock artist Tak Matsumoto who provides brilliant updates to the classic themes. I do like Ultraman's new design despite it being a bit out there due to how radically different it is from the original but the updated Bemular is a truly frightening creation and more than worthy of praise.
Where I'm not particularly sold is the rather iffy use of CGI, especially considering how good the model work and suitmation are, and the cheesy dialogue at points that feels like it's trying to appeal to kids despite the tone of the movie is very much skewed towards adults with some pretty horrifying imagery to boot.
Regardless, The Next captures the heart of what makes Ultraman, well, Ultraman. His relentless pursuit of providing hope for humanity in the face of its destruction; while mixing in with the inner turmoil of its host who has more than his fair share of skin in the game. It offers up some extremely entertaining and well-executed monster fights and hits the right stride for those wanting a slightly more mature tone for the series. It's just a shame that the Ultra N Project failed because what we got here is a great basis for a newer take on the character.