My Liberation Notes (2022)

Progressive Message: Quality of life increases with the degree of truthfulness (not scham&pretence)

"My Liberation Notes" is a ray of hope within South Korean series production.
In short: The lives of young people in their prime (+/- 30) are at stake here. Considering their groaning under the pressure of the competition in the workplace, the dazzling promises of the modern lifestyle industry, and the claims of society and family traditions, this could all be pretty depressing. But amazingly, it's not. The protagonists manage to give their lives something like dignity - quietly, impressively and with gentle intensity. They walk the way that lies before them, spraying their personal touch, a little bit, but nicely, thus leaving color and warmth on their trail.

The KDrama presents itself as a Netflix co-production and is thus in a certain way 'pimped' for an international audience - you don't see anything of the typical and rather special elements like makjang, slapstick, glitter & glamor of Jaebeol, or traumatic childhood secrets. Just life, every day, like everywhere else. Without spectacular ups and downs. As if someone had blindly reached into a pot full of addresses from a random location on the outskirts of metropolitan Seoul and then simply turned the spotlight and camera on the family living there for a while. In principle, it could be any family living near the terminal stations of the Seoul subway network. This, however, identifies the KDrama as specifically South Korean. Finally, the story is high KDrama quality, when it comes to a carefully, multi-layered narrative with deliberately reduced pace and space for the sensitive moments in between.


----------------- SIDE NOTE: --- Provincial life in the metropolitan area around the capital Seoul ---

So the KDrama simply tells about the normal life of relatively normal people around 30. They don't live in the megacity of Seoul (while almost 10 million people do) or in Incheon (with almost 3 million inhabitants), but in the sprawling province of Gyeonggi-do, which makes up the majority of the metropolitan area around Seoul in terms of space. The provincial population makes up ca half of the population of the more than 25 million inhabitants of the entire agglomeration around the capital Seoul. (And this in fact is about half of the inhabitants of South Korea altogether). An insight into the living environment of those provincial residents thus also offers an insight into a good deal of current South Korean life issues.

The fictional 'Dangmi Station' is actually Line 1's 'Seonghwan Station'. Crucially, most people who work in Seoul (increasingly) cannot afford to live in the city. Every workday they commute about +/- 2 hours to do their job in the city. With the evening company dinners and collegial come-togethers, a day becomes very long. There isn't much time left for a life of your own outside of work. While it is convenient in many respects to remain in the family home until marriage, this further reduces the amount of free time you have at your disposal. Especially if the parents still do a bit of farming and the help of the 'children' is required here and there.

City and country clash, almost every day. Accordingly, different life plans collide, which either fit more into a fast-paced, hip city life or rather into a rural, decelerated provincial life. In reality, however, new hybrid variants are needed that function as a flexible joint between both realities that are equally relevant to everyday life - city and country.

You might want to think about the meaning of life. About goals that you would like to set for yourself. What is life? What does it offer me? What would I actually like to do? Or, wait a minute, is it better not to think at all? It is up to the young people of the recent and the following working generation, to grope, to stumble, to develop new, visionary as well as down to earth attitudes and inspiring blueprints to life in a South Korea from the 2020s onwards...

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"My Liberation Notes" sails in this field of tension. Other than that, tension is not on the agenda. "My Liberation Notes" is processing the wisdom, the questions and the insights that the protagonists come up with over the course of the story - sometimes quietly to themselves, sometimes in conversation with friends.

The focus is on 4 protagonists who practically all live together in the provincial suburb of Seoul. Three of them are siblings and work in Seoul, the fourth is a stranger who helps their father in the carpentry shop and in the fields, eats with the family and lives next door. (A fantastic Son Seok-ko as an inscrutable stranger, as well as Lee Min-ki, Kim Ji-won and Lee-El as very different siblings, are presenting the range of everyday emotional worlds in a wonderfully haunting way.) All four wrestle with life in their very own manner and question, what freedom and quality of life could mean to them under the given circumstances. Promotion? Money? Success? A car? A partner? Marriage? Family? Living in an apartment in Seoul? Where is life? Is this life?

Eventually the aspect of reverence also comes to the fore: To respect and be respected. To be worshipped. To be adored... Yet how to express mutual adoration and respect (in order for your own life to feel maybe a bit more valuable)? ... Maybe just give it more space. That would be great...

The episodes pass as does life itself. The days are the same, and yet each one is new and different from the one before. Happiness is accumulated by the minute. And in the end, life is beautiful after all. Worth living. Distinctive. The quality increases with the degree of truthfulness that they give to their lives. And that's indeed a progressive message (as far as a society like the South Korean with its highly valued tradition of scham and pretence is concerned.)

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Sing when you can not dance.

Uncertainties of life that should help us come out of our shells, often end up holding us back, and what life demands us to do is, put some efforts and liberate ourselves out of the incertitudes. After all, we do not notice that we are chained until and unless we move. What we are repeatedly reminded throughout our difficulties is that, real liberation is not achieved by burnishing and covering the painful memories, rather by experiencing it to the entirety. The drama is a reflection of numerous paths of liberating yourself, on your way to eternity and fulfilment.

Jointly produced by 'Studio Phoenix', 'Chorokbaem Media' and SLL, "My Liberation Notes (나의 해방일지) [2022]" is a 8 billion won budgeted slice-of-life Kdrama. Reuniting writer Park Hae Young and director Kim Seok Yoon after 11 years, the show was broadcasted on JTBC and internationally distributed by Netflix.

The show takes place between the contrasting vistas of a quiet countryside, namely Sanpo of South Korea's South Gyeongsang Province and busy metropolis of Seoul. The show follows the life of three 'Yeom' siblings who are enervated of the sameness of adult life and their mysterious neighbour 'Gu' who is always by himself. As life happens to these people and the ones surrounding them, they set out on a prolonged and endless road, seeking liberation and eternity.

Yeom Gi Jung (Lee El), the oldest of the siblings, is huffy & short-tempered who always complains about everything, making silly judgements; yet wishes to find love and fulfill her life. Yeom Chang Hee (Kim Min Ki), the middle sibling, is awfully outspoken who despite of his crave for better life doesn't really have a goal and spends his leisure meaninglessly. Yeom Mi Jung (Kim Ji Won), the youngest, is faint-hearted and introverted who feels unfulfilled in her boring life, coveting to escape from all her worries. Mr. Gu (Son Suk Ku) is the closest next-door ahjussi who has recently moved to the neighbourhood and a drunkard who talks less and prefers to remain by himself.

Chun Ho Jin (Yeom Jae Ho) is the siblings' father while Lee Kyung Sung plays their mother Kwak Hye Suk. Ji Hyeon Ah (Jun Hye Jin), Oh Du Hwan (Hang Sang Jo) and Suk Jung Hoon (Jo Min Kook) are closest neighbourhood as well as childhood besties of the siblings. Cho Tae Hun (Lee Ki Woo) and Park Soo You (Park Sang Min) are Mi Jung's colleagues. Other familiar faces in the supporting roles are: Choi Hee Jin, Yang So Min, Kim Ro Sa, Jung Soo Young, Kang Joo Ha, Choi Min Chul and Kim Min Song.

Plot development is not a thing when you talk about slice-of-life genre and the show had the same case, for it doesn't indicate a particular direction or destination, that the characters must reach in order to imply an ending. Well, MLN is not feature obvious, with a gripping conflict or larger-than-life charactes. But them, their everyday desires, their disappointments, their emotions and their actions & reactions to what's (not) happening around them has been beautiful sketched and well developed. The show is quite for most of it's parts but still interesting, engaging and most importantly eternally healing, which makes it worth the time invested. The major characters go through a slow burn process, i.e. they don't change over the course of time, some, nor by the end of the show, but it affects us, the viewers, and that's the miracle of MLN as well as other slice-of-life shows.

There are times, when the conversations are very deep; people in duo or group talk about things that is deep-rooted in their souls, affecting their lives in ways that they didn't expect it to, and then the next moment, it turns into a talk about utter bullsh*t, about some stranger narcissistically screaming on the street or some chocolate teapot or a sack full of hammers (metaphorical). To put in simple words, sometimes it moves your heart but the next moment it's stupid and doesn't make sense. But all of these boils down to the very fact that you enjoy, relate and relive it and don't you think that's only "life" ? About the ending, it's pretty sorted and greatly satisfactory. Letting aside my personal feelings and rationalizing have the same results. I can't call it an open ending since it's a slice-of-life show and the ending of such always implies that our lives are continuous and life goes on even when the show comes to an end. You can pretty much draw your own conclusion, very easily.

Park Hae Young PDnim is one of the most respected names, who, with her relatively less created pieces, have been able to win hearts through her skills of storytelling in slice-of-life vignette. MLN has been a transporting story, with the ability of transcending into both beauty and disaster at the same time. Utilizing realism, jakkanim has attempted to examine small & ordinary yet powerful narratives of daily life. Mr. Gu's part of sure is a bit wilder for such genre, but you know, what? There is no such rule that a devil and it's tale can't be a part of a coming-of-age story (He ain't an evil man, if you're guessing so from the statement. It's generalized.). In an overall sense, jakkanim brings out the best possible characters, with their compelling environments or spaces they tend to, by drawing scenarios that allows us to relate the pieces with our very own experience.

Director Kim Suk Yoon PDnim with the fair share of experience of working in both thriller and softcore genres, including MLN, have been able to evince his skills through various dramas over the last 'half the decade'. The primary motto of the drama, i. e. the emphasis on the very moment, with the intent of focusing the audience on that moment rather than using that moment as part of a narrative, has been accurately executed, with lots of sense. The incorporation of touchy monologue notes and the flashbacks of foregone days, are of great interest with their ability to stir up both joy and misery, at the same time. The screenplay attempts to triumph over emotions by means of creating a still, tranquil and taciturn mood, and I must mention that this makes the show unique.

The framework of the drama is not set up in a colourful and fascinating setting yet something about the characters' environment will make you feel riveting & compelling throughout, hence proving once again, how it's a perfect example of living upto it's genre's essence. The pieces & elements of the drama offer insight into the small, common moments that might go unnoticed in bigger stories. Indeed, it has many conversations, actions and reactions that might feel unavailing, but it's a matter of time, you realize that you're living the moment, seeing yourself in the characters and have been a part of such discussions. The contrasting features of Seoul and Sanpo will often change thd vibes it radiate, while allowing you to capture the beauty of different realms.

The cinematography is beyond pleasing, I can't be lying. The art of storytelling through stills and visuals of this kind is definitely not new in Kdramas, however, MLN chalks up to recreating a narrative of idiosyncratic judgements. The makers attempt to enable the audience to live the essence and the way the presentation is drafted through vehemence is praiseworthy. Witnessing characters through refractive lenses (of the audience) by fetching and fluctuating camera angles, often from one's face, to a nearby glass frame were both palliating and allaying. The obliquely focusing camera, often alters into unorthodox minds of ingenious thoughts.

The two words the drama emphasizes on are: liberation (해방: haebang) and worship (추앙: chuang). Mi Jung's greatest force for personal liberation was her decision to widen her periphery of compassion as well as leniency, moving from focus on service to focus on self, which might seem contrary to what life demands, however, self-care has been of greatest value over years and we should be admiring the way she disenthrals herself throughout. Her portrayal constantly reminded me words from Paulo Coelho, "The beauty of truth: whether it is bad or good, it is liberating." Humble heart is the true contribution to worship, and to worship someone is powerful device that is able to dismantle every shackle and its able to breakdown every wall, of own and of the one you put at centre of your heart. Mr. Gu proved himself to be a good worshiper by enabling Mi Jung's life to be found settling within his soul. Robert Webber rightfully quotes, "Worship is an it-is-well-with-my-soul experience.”

Yeom Chang Hee and his life hacks; his agressive and loudmouth talks which can come off as rude and annoyance, is always contextualized, no matter where you see him. This guy, that guy, the talkative guy who always tries to shove knowledge into others, ends up making them realize that he actually makes sense. His facial expressions always imply that he's good intentions and that he really means what he's saying. Even with these, the way he strives do better in his job is commendable. His failures to achieve something might have let him down, but he immediately finding relief in little & meaningless things, have comforted me each time. Coping up with results in way that brightens your spirit, is what you must learn from him.

Yeom Gi Jung and her love interest; the one who might be picky and hasn't been able to find anyone to be able to love despite her age, ends up crying at the end of the day for being so miserable. With the guilt of committing wordily mistakes, she constantly tiptoes around people. To her surprise, when she falls in love with someone unexpected, she finds herself in a complicated situation where she has no path to chose, but remain at the same point. However, the way her life takes a turn, bringing immense happiness to her feet, it is alleviating to witness her tears of joy. Sticking to your persona and being patient can result in fruitfulness is what you can take home from her.

Yeom Mi Jung and her misplaced emotions; not like she hasn't tried, but then, not like everyone succeeds even after multiple and constant attempts. Time doesn't heal all wounds. In a family where emotions are not transparent, in a workplace that doesn't appreciate and in a friend circle that doesn't understand, she must have feel suffocated and wronged. So, it's actually coherent & lucid, why she wishes to break free from everything and run away as far as the road takes her. The constant urge to become liberated from all her worries has made him into a cold-hearted woman. Consistency, straightforwardness, know-how and maturity are what you should be able to receive from her.

Mr. Gu and his mysteries; aahhh! What a personality and what a development. The way he walks, carelessly and as if it's tiresome to even move, the way he stretches his entire body & neck in order to avoid what's happening around him, and staring up the sky aimlessly, and his facial expressions, that includes reactions to what he's told; I am mesmerized how all of these transcend into a feeling of admiration and respect to this character. He was indeed full of mystery; talking less, remaining by himself and drinking all the day, it was crystal clear that he bears something heavy in his heart. Yet, stupefyingly, he inspires others, makes others think mighty of him and uses no effort in allowing everyone fall for his aura. Take as much as he offers. And on that note, Mr. Gu is the new crush of millions" including myself; I had seen him before, but the difference persona and his character are what aroused my heart.

"My Liberation Notes" in many ways establishes and emphasizes various forms of friendship. The very fact that we vibe differently with different people at the same time, even within the same group, has been beautifully demonstrated. ''The things we share with our friend A, we can't spill that to friend B' " sorta feelings. From neighborhood buddies to workplace collegues and from school classmates to long lost acquaintances, MLN throws light upon both the importance and complications of each.

One of the many silliest means of liberating yourself, that has been portrayed through the acts of the characters, throughout the drama is "moving your feet"; be it a tiresome walk or a simple strolling or a breathless running. As you walk/run and think at the same time, the worries and burdens might evaporate away little by little, if not entirely, and that actually helps. As you watch the drama, you will realize that there are actually plenty of scenes where the characters are only moving forward with monologue notes accompanying them, and those were actually gratifying and alleviating, or in the words of the writer, "liberating".

Chang Hee's admiration for Mr. Gu, the way he looked upto him, him calling 'hyung' and was able to extract out inspiration from Gu's life, was quite an intrigue. Even with no definite bromance, MLN showcased a meaningful non-romantic bonding between two men, who despite of their personal conflicts, were able to unbar the ways to relief & salvation. I can go on about how I felt looking at Chang Hee's eyes & emotions for Gu-shi multiple times.

Composed by Kim Tae Sung PDnim, there are 12 OSTs in total, including one which has both male & female versions. Most of the songs are soothing and assuaging, which depicts the slowburn theme and realistic essence of the show. I can't say the entire album is my favourite but sure, I like all of them.

# "A Kind of Confession" is my most favourite track which has both female and male versions, sung by HEN & Kwak Jineon respectively. It reflects a realistic love that is unpredictable and full of uncertainties.
# "I Think I Know" by Isaac Hong accompanied Gi Jung's love story as an appreciation to souls that heal each other.
# "Here We Are" by Kim Feel is a song about the wary of life delineating melancholy and I believe it was dedicated to Mr. Gu.
# "Deeply" by HEN, as it's title says, is about deep assessments of the events of our life.
# "To be together" by Lee Jung Hyung reflects the warmness from the embrace of love. The prelude theme of the track is used as the intro of the show.
# "Laggard" by Shin You Me is a track meant for Mi Jung and her introverted spirit that urge to come out of the shell.
# "That Day" by The Orchad is a mildly jolly song about the brightful days of expressing and experiencing love. It was for Gi Jung.
# "Be My Birthday" by Ha Hyunsang was a soulful rendition about all the first time that you get to live after falling for someone.
# "We Sink" by SWAY is an upbeat composition about the thick & thins of life, that bring forward variable opportunities, which in ways, emphasizes on Chang Hee.
# "My Spring" by Lee Soo Hyun is a softcore track about the feelings of times spent with your soulmate.
# "Diamond" by 9duck is another jolly track which radiates admiration for the one you love.

One of the many moving elements in the drama was Mi Jung's desire to be able to reminisce about past where she herself is be-seated by her younger self's side, enjoying the views she really loved and Mr. Gu suggests her to remember the very moment and remind it when she turns old, because by then, the present time would be her younger version. Similarly, I would like to mention few of short yet relatable and favourite dialogues which aren't actually spoilers...

# "I feel scared of being honest."
# "Suddenly, I feel lovable."
# "You should know who you are."
# "Now we can say, we have watched stars together."

Before I sign off, I would have loved to talk about "my liberation diary" and the "haebang (liberation) club", the most motivating idea of the drama that puts Mi Jung at the centre, but I truly want all of you, reading this, to witness and experience it by your own.

Final Remarks... Ahhhh! That's how you express yourself with drama that could imply to a plentitude range of emotions and thoughts, throughout. Coming to the last part of my review, I am not sure whether or not I was worthy of writing this piece, for it is so beautifully contented which not only took the characters in the journey of liberation, but also helped the viewrs learn how to liberate themselves. With great production values, fascinating script, fabulous execution and beautiful outcomes, this is one of the best slice-of-life Kdramas ever produced even so it didn't have a noteworthy viewership record as it aired. I wish it could reach a lot more people but I also believe, good things always find their ways to those who deserve. With this, I must not forget to express my gratitude to the cast and crew and everyone plus everything that's involved in bringing out "My Liberation Notes" to me. Thank you, so very much!

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This Is Me Worshipping You.

Raw, real, emotionally charged live wire of a drama that feels like home; My Liberation Notes is powerful in its simplicity.

Have you ever felt down and depressed? Like nothing makes sense anymore? Have you ever felt listless or too lazy to make the effort. Have you ever felt giddy with joy? Nervous about a crush? So incredibly weak and out of control? Anxious about the future? Disappointed from life? Happy about the smallest things? Self conscious without reason? Devastated after a breakup? Struggled with your weaknesses?

Basically, have you ever just lived life and experienced all its beautiful, tumultuous, heartbreaking ups and downs? If yes, you’re living this drama because this is about you and me. It’s about us all. It’s about family, love, heartbreak, growth, sorrow, joy and just trying your fucking best to survive.

It’s about people who each carry their own baggage, they lose, they win, they cry, they celebrate, they are broken but so fully human and every single day they wake up and find a reason to live life in all its complexity.

Here are a few reasons why you absolutely need to watch this:

☑️ Wildly atmospheric
This drama is gorgeous. It makes you feel the emotions through beautiful sceneries and stunning shots. Coupled with the excellent cinematography, you get one of the best sound tracks ever. You feel the summer heat, the lonely winter and the dangerous rain. Every scene in this drama is punctuated with feeling and is brimming with emotion.

☑️ Romance Of The Year
While the story showcases multiple lovelines (each bringing their own flavour to the table) our ultimate ship is our prickly Mr. Gu with eccentric Mi Jeong. What starts as a relationship that’s merely a distraction grows into a sizzling, passionate bond between two people who are flawed but are utterly compatible. The chemistry between them is combustible and they have real and intense moments where they are wholly attuned to each other baring their truest form. God, their love is believable and it makes you root for them fully as you watch them grow and evolve both as individuals and together.

☑️ Dialogues, story and writing
The dialogues in this drama are excellent. To the point, that you want to just grab a notebook and jot everything down. The pacing of the show, while slow at the start is oddly captivating as you go on. It has an aura of mystery that hooks you in and doesn’t let you go. Aside from the slightly rushed last few episodes, plot progression and the writing is almost perfect with little to no loopholes. Instead of a single climax scene, the episodes contain numerous small but powerful and highly nuanced moments that somehow make everything that happens important. Like a detail you can’t miss because nothing is filler.

☑️ Acting & Characters
There’s not a single character in this drama that you aren’t fully invested in. The three siblings are each badass in their own wholly human way and are extremely lovable. Every single person in this show comes to their own phenomenally by the end of the drama. The fact that the acting in this is brilliant across the board just brings it full circle.

☑️ Mr. Gu is the sexiest man alive
Oh my God, that man can walk into my life and I’ll gladly lay down my lashes for him to step on. Not only is he handsome as all hell. His personality makes him the tall, dark, just the right amount of toxic and dangerous mystery man that screams trouble for all women.

He is played excellently by SSK who uses his expressions like a masterful puppeteer and strings us along dancing to his tune. You feel Gu’s rage, volatility, his pain and desperation in a way that gives you chills.

☑️ Full of heart and FEELS
Just after a couple of episodes, it’s clear you can’t passive watch this show because you’re already in too deep. You care about everyone in this drama too much. These are your people and you worry for them, hurt for them, laugh with them, cry besides them and cheer them on.

There are hard hitting moments complimented by some top notch comedy, coupled with a sprinkle of action, served with a side of tears and heartbreak, peppered with a lot of love, nostalgia and feeling of home. There is something for everyone.

☑️ Binge Watch or a Weekly Watch?
I binged these episodes when it was halfway out and wanted more. When I ran out of airing episodes, I waited for it with bated breath, every weekend. And every weekend it felt like a comfort blanket that wrapped itself around me until I was right there in Sanpo with these characters that I had come to adore.

However, because the first few episodes do have a lot of vacant stares, depressing quotes and slow buildup, if you can’t binge, it’s okay to take breaks between the episodes. It’s the kind of show that you can always come back to and pick up where you left off.

✅ Final Thoughts:
As someone who usually doesn’t like slow paced, slice of life shows, believe me when I say this drama has the power to change your mind.

A fantastic journey, that brings forth a delicious, immersive blend of both darkness and light- My liberation notes is possibly the most stylishly executed and deeply captivating drama of 2022.

An absolute must watch.

Go ahead and get liberated, I dare you.

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Finally found something so relatable.

Living these days is not just physically exhausting but also mentally. You get up morning, go to work at a job you may or may not like and come home late at night only to realize all your day is spent on just making a living and surviving. My Liberation Notes is a drama that speaks about tired lives of this mundane society through its characters. The drama doesn't whine, but instead it profoundly creates impact through the simplicity of its set up where each character in this drama are not some extra ordinary or dramatic that you would only think they can exist in a fictional world, but instead you relate to them in every manner. At a point you will find yourselves saying "I faced the same thing just like these characters". This drama is that relatable to everyone.

For me the best part is Kim Ji Won character who speaks volumes with her courage and many find it so relatable. And Son Suk Koo aka Mr. Gu whose screen time even though is 10 to 20 min per episode with less dialogues initially, but makes every minute of his appearance impact the whole episode itself just through his expressions and powerful words.

What can I say about Lee Min Ki who well portrayed himself as a talkative sibling going through the frustration of achieving something big but couldn't because of the restrictions in his life. And finally Lee El as GI jeong who vividly expresses the fears of single women in their late 30's where finding love always seems to be far away. The characters dialogues in this drama is not just a mere dialogue but they are poetic and resonate well to the audience. I never seen a drama where dialogues don't act like fillers but has a significance.. And unlike melodrama this drama is a slice of life plus melo that has a witty sense of humor that makes you laugh.

Now that I finished this drama, the one thing I respect about this drama is that it has always depicted realistic problems of people who are suffering emotionally and mentally, so it never gave a fairy tale ending where everything seems good at the ending and everyone is happy. Instead it gave a realistic answer to those people. It told them, be brave a little, find happiness for few minutes a day at least if possible, it's okay if you are making a choice that may not seem a totally idealistic way, cause the world doesn't run perfectly, do your best little by little till you feel liberated. There will be days you qre happy and there are days where nothing goes in your way. But trudge along, and try to liberate a little by little.

A must watch if you like realistic slice of life dramas. I won't say this drama is 100% perfect in terms of writing but I still say it is one of the best I have come across in a while. Seon suk koo became my favourite actor through this.

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Flawed and Unlikeable Characters brought us Amazing Stories and Moments

*update*. I have a little time to process and am lowering the rating down to 9.0 instead of 9.5.

Completed - 5/23/2022 - my love for Mr. Gu bumped the rating to 9.5

I am really surprised that I like this drama so much. I am never one to root for annoying and unlovable characters, and they never bring me joy. Slice-of-life dramas are a hit-or-miss to me as I often find them very slow. However, “My Liberation Notes” excels in telling amazing and touching stories of very flawed characters, and in the end, you grow to care for them. You should know what you are getting yourself into, in order to enjoy this drama. You either love it, or hate it. I can’t say I relate to the characters on a personal level or that they are ‘realistic’, but their stories touch me nonetheless. Thus, a rare high rating for me for a slow-paced, mature slice-of-life drama.

A few things to know before delving into the drama:
- This drama is not a happy drama, but has unforgettable comedic moments.
- Does not give you warm and fluffy romantic feelings - but has moments that make you smile.
- You will find the characters annoying in the beginning, or maybe throughout the drama.
- The drama uses a lot of silence - gives viewers the time to feel and breathe.
- Dialogues and Monologues can provoke deep thoughts (even during silly, comedic moments).

“My Liberation Notes” focuses on the three Yeong siblings and their family.

Yeom Ki Jung - The eldest of the three siblings, Ki Jung is probably my least favorite sibling. I find her annoying and that feeling subsides a little in the middle of the drama, but in the end, I still dislike her the most. As someone who is 40 years old, she acts very immaturely. However, you can say that she portrays a hopeless romantic beautifully, as there are many people out there who are just like her - want to be crazily in love with the most perfect person. But after you reach a certain point, you become desperate enough to want to just be with anyone. She wears her heart on her sleeves, displays all her emotions outwardly and uncontrollably. Her story has a strong focus on romance and her relationship with Jo Tae Hoon. In the end, I still am not sure they are the right fit for each other, and if Tae Hoon can really give Ki Jung what she wants.

Yeom Chang Hee - the brother who I am most annoyed with in the beginning. But he’s also the one that has grown the most and I root for him in the end. Chang Hee is loud and can’t help but criticize everyone and everything. He gives off a lot of negative energy. However, his crazy outbursts also have a lot of insightful truths. You realize he actually is really smart, although life hasn’t gone his way. His casual and funny conversations with his buddies often enlighten us with important life lessons. He also provides a lot of comic relief, especially when it comes to his relationship with Mr. Gu. The way he looks up to Mr. Gu, even though technically they are not close at all, is quite fascinating and hilarious. Chang Hee’s story focuses more on his career than the other two siblings. He might not seem dependable, but as he said, he’s psychic. He’s always somewhere at the right place and the right time, up until the last scene for him in the drama. I am happy for him.

Yeom Mi Jung - the youngest of the siblings and the one that probably has the most screen time due to his relationship with Mr. Gu. Mi Jung is just one weird, lonely, depressed and dysfunctional human being. I am not sure if such a person really exists in real life (one that has ALL of her traits). The drama does get into stories about her family, career and relationships. Although I do not relate to her at any level, her story is fascinating to me, maybe because we are just so different. We barely hear her talk in the first few episodes. But once she starts to open up to Mr. Gu, WOW, fascinating and weird stuff comes out of her mouth, unfiltered. Her conversations with Mr. Gu are to die for. They are just so unique and profound in a way. I am glad she met Mr. Gu.

Gu Ja Gyeong - the mysterious Mr. Gu is so attractive and ruggedly sexy that I can’t take my eyes off him. There’s just something about him or how Son Seok Koo plays this character. His aloofness, smirks, and endearing glances at Mi Jung totally melt my heart. This manly man has to be one of my favorite K-drama characters of all time. He’s so quiet for most of the dramas, but the microexpressions on his face speak volumes. His silence with different characters does not seem awkward at all, but just how things are supposed to be this quiet with him. Mr. Gu is the perfect soulmate for Mi Jung. They are on the same wavelength and just understand each other so well, even though they come from very different backgrounds. In the last episode, I wish for a happy ending for him and Mi Jung, but I can’t help expecting he’s going to die either because of his work or alcoholism.

This review is getting long. But let me just say that the acting is top notch here for all actors. I’ve seen Lee Min Ki and Kim Ji Won in many of their previous works, but they are so different here. Big props to them for branching and doing such a great job. Everything feels so real in this drama - no fancy clothes, makeup, or beautiful smooth skin. Commuting to work and worrying about missing the last train is hard. There are many great dynamics between different characters, especially the Liberation Club.


Other Random Observations:
1. The word “Worship” has a whole new meaning.
2. Mr. Gu looks hot in fancy suits and dirty clothes - I kept on waiting to see him topless. LOL
3. Weird stories such as pick-up girl and frogs are highlights of the show.
4. The depressed and serious vibes can change all of a sudden due to very memorable comedic moments.
5. Mr. Gu and his club scenes are probably my least favorite moments of this drama.
6. Did I mention I ❤️ Mr. Gu? 😍

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Reality Hits

Coming from the writer of 'My Mister' starring IU, I do see the similarities and I am enjoying it.

Consider a scenario, I have a friend who is fond of Romances and personally loves romcoms, not that I do not but I tend to try out various genres so I would read and watch everything and anything recommended, but to my friend, I am still kind of skeptical about recommending because she might find it boring, dark and dull.
Now, that is the point. Reality hits, its boring and dark. For a person who is watching dramas for entertainment and for the sake of entertainment only and lighthearted stuff, this is not for them, but on the contrary it is definitely a MUST WATCH.

Reality and truths are not always sweet and yummy but sometimes, ridiculously bitter and this dramas shows that aspect.
Introverts (Check)
Office issues (Check)
Disoriented Family (Check)
Finding Solace (Check)
Mysterious Man (Check)
Societal Stereotyping (Check)
Dating Issues (Check)

Furthermore, I love the way LIBERATION is depicted in this story. Honestly, its too vague and for some it might as confusing as a difficult maths puzzle, but I entirely feel the liberation that is intended to be reciprocated in the series.
The drama is catching up and definitely growing on me.

I would also love to acknowledge Kim Jiwon, a name that always forces me to press the play icon without thinking of the story because I blindly trust her on her roles choice and I greatly admire the versatility in her portfolio.

Goodluck to the entire team!!

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A half baked story forgiven by masterful scriptwriting and compelling performances.

Let’s start my thoughts off with the elephant in the room, comparisons. MLN is brought to us by the same screenwriter of the heavily praised My Mister. Introducing newcomers to its signature realistic,gritty,and deep tones that many like me were overcome with nostalgia from their previous work. I am part of the minority that wasn’t as fond of My Mister as the rest, and MLN, in my opinion, succeeded in a few areas i felt were poorly handled before, with a much more surreally mute tone I fell in love with immediately.

My Liberation Notes has alot to say, ALOT. It also manages to keep many moments where exchanges or unnecessary dialogue isn’t needed, empty. This was my first encounter with this bold style of narration, nothing has to be said for the characters and the viewer to get what’s happening. You’re thrown in the middle of awkward silence, that’s only awkward because 99% of dramas does not attempt to speak with only expressions and atmosphere. Some will not be fond of this style the writer took on, as this aspect is also a very different feel from their previous work, leaving most jumbled at first.

The direction in this series is with no surprise, top notch. With a very beautiful Ost perfectly mixed in to fill silent scenes and defining moments, which may be quite distractive at times from being..too good? Hell you might even pause the series every now and then to immediately search up the soundtrack and/or spend more time replaying a scene than it takes to complete the episode. Stunning cinematography with a much brighter touch that makes it very refreshing compared to the dark, depressing story being told.

Now with, in my opinion, the strongest(and perhaps weakest?) aspect of this drama, the characters. The main cast has come to express every bit of talent they have in this one. You’re endlessly shocked at how natural these performances are, how drawn you are to them, how much you feel as if you can literally meet these exact characters in your day by day encounters, which in terms of relatability, you can. In terms of the main cast everyone takes an equal hand in making this series as great as it is, nobody drowning the other out, no one noticeably under performing, no thunder stolen here. You have to acknowledge and thank Lee Min Ki, Kim Ji Won, Lee El, and Son Seok Koo for easily one if not their best roles yet.


Now... the weakest aspect of this drama, as this series isn’t without its flaws. I will just put all my nitpicks under one classification that i found MLN severely lacked in at times, believability. Hear me out, as this drama is one of the most realistically written series you'll come across, but there are some mishaps. To list a few:
~Toleration from the supporting cast when unnecessarily deep realizations comes to the fore front from the leads, leaving you confused as to why they’re not questioning where it’s coming from, and why at times their dialogue is only used to set up the leads for these realizations of themselves, unnatural topics being brought up in natural situations.
~Some supporting characters don’t progress unless the main storyline calls for another push.With sudden abruptions of “I have a sob story as well!”, “Well here’s my long awaited confession”, “ Here’s something personal I shouldn’t even know let alone address and belittle you for.. any realizations yet?”

~Gu’s background starting out as a well handled secret leaving all of us curious and guessing, slowly leaking out little by little. Suddenly it erupts at an abnormal pace with abnormal characters making actions that most of the time felt forced, because you’re not given the same amount of time with these new chracters, you’re not given enough explanations to justify the things they’re doing(or haven’t done). You’re expected to accept weirdly paced occurrences in an already established slow and steady paced story in general.

Nonetheless, My Liberation Notes was a powerfully written story, though too deep for some. A work of art worth all acknowledgment and praise it gets. A new personal favorite of mine that fulfilled much emptiness i was left with My Mister. A memorable journey of this fantastic cast seeking liberation. I applaud, i cry, i await the next story to be told.

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Slice of life that was just too slow for me.

First I'll say what I liked...
Great acting, diverse characters, intelligent lines (dialogue), which were brought together really well and perfectly executed.
Understated acting in a drama that contains little action or romance to fill in gaps and quite a few scenes that involved little or no dialogue, really tests an actor's abilities.
Viewers will have their own take on what this drama represented. For me, it was about regrets, being stuck in a dead-end life and reaching a point where that hits you and questions then raise their heads about what the point is and if that's it. One's own worth is even questioned.
The pace, however, killed it for me.
There are slow, gently unfolding dramas, that I have loved. I don't need murders, horror, steamy romance or laughs-a-minute. I do need SOMEthing to pull me in though.
If I had watched this drama after it aired, I would have dropped it.
Watching it air, however, I stuck with it, as 2 eps a week I could watch.
I do feel it picked up, but only in the very late episodes. The rest were like watching paint dry.
It was claustrophobic, often miserable and with some horrible characters. I couldn't stand Ki-jung, the older sister; even outside the house, where she seemed to be supposedly 'quirky'. I felt sorry for her once and that was short lived.
Tae-hoon's sister, Kyung-sun, was also repulsive ~ totally selfish and a complete martyr, who made a decision in her life and then used it to whine and bitch.
Chun Ho-jin as the father, was excellent, although I don't think he'd have had a problem learning his lines.
Lee Min-ki's character of brother, Chang-hee, was my favourite. Terribly immature in his behaviour at times, but very self-aware. I think all the father's dialogue was allocated to that character too!
The ending felt abrupt, not so much because of unanswered questions, but because I found 2 storylines really odd in how they were left. It was almost like the script writer couldn't be bothered. Perhaps they didn't know where to go with those aspects, or were trying to be life-like... which doesn't always make sense. I don't want that side of reality in a drama though, thanks, as it's just frustrating!
I don't think I chuckled, never mind laughed, once.
The title that represents what the drama portrays, is tenuous, to say the least.
I found the story and script very disappointing and it is definitely not one I would ever watch again.

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The reality of hope. A deeply compassionate drama.

Both writer (Park Hae Young) and director (Kim Seok Yoon) know how to create sensitive dramas built around pathos, but with a cutting edge. Kim directed “The Light in Your Eyes” and Park penned the class act that is “My Mister”. You can imagine what you will be getting, and they deliver on it—in spades.

At the start there is little to attract in the main characters. They are all struggling to find any sort of meaning in soul-destroying lives that are dominated by a long and exhausting commute to the city from their countryside home. But this writer has a beautiful knack of taking that ordinary exterior and peeling away the layers to reach the vulnerability and struggling humanity within. And by the end of episode 2 you are totally captivated by these self-scored 20/100 characters. Add to that a director and cinematographer who know how to capture the smallest twitch of a muscle in a face and make it speak volumes. And actors like Kim Ji Won and particularly Son Seok Koo, who can work with them to reveal the interior life of a character without words.

As with “My Mister” the raw material at the heart of this drama is family and the unfathomable glue that holds it together despite difference, ambivalence and natural preferences. Essentially they are characters weighed down with who they are, wishing they were something else, ignorant of how to change but trying to work out how to make things different. They are trapped and struggling to emerge, like butterflies, from chrysalises of painfully low self-esteem, guilt and negative thinking. If this doesn’t sound like an attractive proposition, it is the skill and wonder of the whole production to make it compulsive viewing. Each of the characters draws you to themselves and touches your compassion as they struggle towards the elusive future that beckons them.

The plot meanders through their realisations and lurches along with them. In the main it works but occasionally loses its way, particularly later on when time hopping causes inevitable fragmentation. I was not convinced that this disordering of time to create tension was strictly necessary as the depth of the characterisations are sufficient to carry you through. However, imo, it would be counter-productive to enforce a regular development on a drama that is essentially exploring the vagaries of the human psyche with all its winding roads, u-turns and blind alleys. The unevenness of it creates the overall mood and ambience of the drama and reflects the stop-go nature of real life.

The drama features the standard three leads and their relationships; but this is not a standard romance drama. Relationship itself is the focal point, not the falling in love. Essentially it examines how we can approach and be with each other whilst still retaining ourselves. And suggests that the only way we can live with both ourselves and with others is by being honest and taking the hit for doing so, as we work towards self-acceptance and self-understanding. Ultimately it is upbeat, but open ended.

There are no generic characters here. Each one, even the minor players, has been carefully created and presented with depth and there are some wonderful observational details and cameo performances.

Lee Min Ki does such a great job with the character arc of the irrepressible, oblivious and impulsive Chang Hee. His confusion and lumbering realisations are beautifully portrayed and provide a flicker of humour darting through the shadows. How can you not fall in love with him? Especially over the car!

I have an affinity with Yeon Mi Jung and the things she prayed about as a child. The character is played elusively by Kim Ji Won who manages to capture the enigmatic exterior that hides the depth and singularity of her character’s thinking and perceptions. You are always waiting expectantly for what left-field thing will emerge from her mouth. Occasionally the script can feel a little pretentious and self-conscious, but it is mainly because the writer is wanting to explore non-intuitive ideas and trains of thought. If there is a reason to rewatch the series, then I think Mi Jung is it. A second time round, understanding the character arc, would illuminate much of her early actions and responses.

Perhaps the most vulnerable of the three is Yeon Ki Jung, portrayed with empathy by Lee El, who manages to undermine herself at every turn and perhaps elicits the broadest spectrum of responses from both the viewer and the other characters, from exasperation to total compassion.

The interloper into the family is played convincingly by Son Seok Koo who manages to capture the multi-facets of Gu Ja Gyeong from brooding to awkward to nasty to vulnerable. The character and his background provide a disturbing contrast to the rest of the drama and sometimes jarred for me. If there is any flaw in the credibility it comes with the ending for this character. But his time on screen is compulsive viewing and many of the scenes between him and Kim Ji Won are very special, full of nuanced, silent communication and unspoken feelings from both of them.

The cinematography and editing has more the feel of a film to it, as though the camera is just a neutral observer hanging around and we see the action though those non-judgemental eyes. It lingers on contemplative faces and reveals hidden depths. In many ways the whole drama doesn’t criticise or condemn, but tries to simply observe. And in that observation there is the balance and compassion that colours the whole production. Nothing is too polished or self conscious. It draws you in and places you firmly in the action as a participant in this slice of life. Beautifully done.

There is also a very restrained use of a soundtrack, so that often it is the silence that holds you in the moment with the character. There is a lot of simple piano music, ethereal voices and soulful songs, which have been carefully chosen to highlight the mood. Did I catch “So Tender” by Say Sue Me from “Nevertheless” in Ep 11 at 47’, playing in the cafe scene between Yeon Ki Jung and Jo Tae Hoon. I think I heard it earlier with regard to this couple as well.

This was a special drama for me and goes straight onto my personally recommended list.

What my rating means: 9+   A drama I totally fell in love with and is endlessly re-watchable. It ticked all the boxes and had some serious wow factor. It would go on my personally recommended list.

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A Heartfelt Exploration of Love and Loneliness

This drama beautifully represents many aspects of life, including loneliness, the desire to love and be loved, the mundanity of daily existence, and the struggle for independence.

I’ve noticed that viewers often have differing opinions on what love truly means. Some people question, “Why can’t these characters live without love? Will they die if they aren’t dating?” However, love isn’t solely about romance; it encompasses deep connections and affection between individuals—whether it’s a daughter and mother, a son and father, you and your best friend, or even you and your pet. You can fall in love with your job. It’s natural for us humans to seek love and companionship in our lives. If you’re not receiving enough love from your family, for instance, it’s only human to look for it elsewhere.

Throughout this drama, I found myself rooting for all the characters, wishing for each of them to find their own paths to happiness. Their journeys resonate deeply, reminding us of the importance of connection and the many forms love can take in our lives.

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A promising drama about finding happiness and moving forward pulled back by awful tropes

Finding joys in life and learning to enjoy the many details in things is difficult, and that struggle is amazingly captured in this drama. Three siblings find themselves in a hopeless rut, commuting, working, and barely living. What ensues are antics, attempts, and pledges to live better, more fulfilling lives.

Unfortunately, this drama is plagued by some of the most common tropes in Kdramas. A mysterious character (Mr. Gu) is actually running from mafia-themed problems. This kind of random action genre isn't needed in a drama like this, and is often jarring in terms of pacing and storytelling. Not every mysterious character needs a dramatic backstory like this, and in my opinion he would have been a better character without it.

However, the sisters' arcs are the bigger issue. How can two main female characters have their story arc be resolved by relying on a man in 2022? Yeom Mi Jeong finds solace in having Mr. Gu worship her, and slowly gains confidence from them being acquainted. Her older sister, Yeom Gi Jeong, is worried about finding a relationship, and how to deal with all the emotions she has when she eventually gets into one. Both sisters are built up by their relationships in the end, learning to take life one step at a time. But do we really need both of them to learn this by seeking a man? Yes, you will need to rely on others and their support to get you through tough times. No, you do not need to explicitly have a relationship with those people for that to happen. Frankly, it's just unacceptable for two female leads to still require romance arcs in 2022 to actually learn or do anything.

Overall, the drama is well-acted, and it's pacing is excellent but can be too slow for some. The inclusion of bad tropes though is a huge negative for what this drama could have been. The drama does not live up to the potential it has, and I think it would be more well-received if it kept with the slow-burn slice of life genre throughout the entire show.

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