The Yearbook (2021)

Frustrating

It's a nostalgic look back at high school in 2002 rural Thailand. Sappy melodrama with gay kids. I like the nostalgic way it's filmed, the actors are mostly fine (Nut's brother is not as good).

Nut and Phob like each other secretly but do not communicate well, and when Phob has to move away he doesn't tell Nut why, he's just suddenly gone. They both have crushes on each other but refuse to tell each other. Phob especially barely speaks, and Nut reacts appropriately but then feels guilty later when he finds out the real reasons.

This is trying to be so much more than it is able. Not well enough written or acted. Pales in comparison to similar-setting ITSAY. None of this feels natural except the cinematography, not the conversations in person or in writing. First 5 episodes are very slow moving, but then the last 3 episodes nothing happens, almost literally nothing. And then it was over - I kept waiting for the next episode but it was over? Weird. So basically there are 5 episodes with plot and then 3 episodes without plot and the end.

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A psychological love mystery tale

“The Yearbook” is more of a psychological love mystery tale; it lives in the minds of its protagonists and their actions only obliquely reflect their thoughts and feelings. It’s neither a great success nor a great failure but it is different in ways which might challenge some viewers. It deserves a look and especially for the discovery of Title Teshin Anusananan in the lead role. (He looks even more handsome with his own hair style, btw; his hair was cut short for the role.)

It’s almost impossible to know if this series was a great idea poorly executed or an amateur effort from the beginning. So many people associated with this series (director, writers, lead actors) were newbies (Man admitted that on his first day on set he didn’t even know the different instructions for slate/action/cut) that the story feels like it went into production half-baked and with seemingly no-one in control with the experience to know how to fix it.

So what is the problem with this series? It aspires to be a tear-jerker and creates a foundation story in the early episodes similar to other BL’s where the two male lead characters have known each other since childhood and who realise as they approach young adulthood that their closeness is more than friendship. The story uses flashbacks to regularly reference events in their recent and more distant past; some viewers have found this device to be repetitive and obstructive to the story’s trajectory. But I think the flashbacks suit “The Yearbook” as a mood piece; I didn’t feel to me like the usual BL situational drama.

The title “The Yearbook” is the key to what I believe the writers might have had in mind in creating this show. References to time are the clue; ostensibly, the time frame spans the lives of Nut and Phob from childhood to their early 20’s, but this is not the primary concern. “The Yearbook” is more concerned with time as it manifests itself in their minds, and in our minds we continually think over the events of yesterday as much as we do the events of last year or earlier. The young men are constantly referring back to the small moments as well as the big incidents between them, and we, the viewers, see this in the flashbacks. And the revelations via flashback are not chronological as to what each character is thinking or feeling.
Just as in real life, the boys in their minds relive the same moments again and again; this appears to have confused some viewers who can’t grasp why the same scene is being shown more than once.

(Spoiler ahead) If I’m right interpreting “The Yearbook” in this way, then the uncertain ending is also part of this approach; the future facing the young men is far from rosy or clear. Neither Nut nor Phob are secure in their futures to be pledging themselves to each other and the expectation that Nut, still a medical undergraduate, could take on by himself the medical, emotional and financial burden of Phob’s care & rehabilitation is taking Thai BL fantasies into new stratospheres of separation from reality.

Some have commented that almost nothing happens in the last episodes; this misunderstands the story. The entire series depicts the gradual realisation of love and then from that realisation, on to their commitments to each other, forged out of a crisis neither was prepared to face at first. Emotional journeys in my view are not the same as plots which are based on action and “The Yearbook” is thin on plot, thick on emotion.

The upshot of this is that big demands are made of the young actors for performances to reflect what is happening internally to their characters. Title is amazingly good but Man struggles in places. (Personally, I can’t get past the amateur if not outright cruel scheduling of putting Man’s most emotionally difficult & demanding scene on Day 1 of the shooting schedule. A newbie especially would benefit from the chance of growing into the demands of the role for a week or two before the heavy stuff is shot.)

Mean’s freshman directing effort is adequate but someone surely has to take the blame for the incessant music which is relied upon to excess IMO for emotional impact to bolster the drama.

Finally, ignore the MDL description of 8 x 50minute episodes. I suspect the show was created to achieve a friendly rating and to fit a one hour time-slot on afternoon tv. But not a single episode manages the 50 minutes minus the credits. The script is underdeveloped and has been stretched; this is clear from the fact that every episode has “fill” of interviews and similar that follow afterwards, culminating in the final episode, No. 8, being only 28 minutes in length, following which there is a further 25 minutes of interviews and behind the scenes. (Viewed on Riki Vakuten.)

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Such A Beautiful Story

First of all, I like how they made the series look "old" by adding a worn yellow effect. I like how they based the story on a 2000s theme.

Second, I will discuss Phob and Nut in the past. I hate it when Nut is selfish, but I also understand that he only wants the best for Phob. I hate when Phob keeps quiet about what he's going through, but I also understand that he just doesn't want to see Nut sad because of him.

Third, I will discuss them in 2006. I was very happy when they met again, and sad when Nut rejected Phob's presence. Then, I was confused about my own feelings when Nut ran to look for Phob after Nut found out about what Phob was experiencing now. Really, I really like it when my feelings are shattered when I'm watching a series.

Fourth and last, I like how they depict the sibling relationship between Note and Nut, I like that their relationship is not awkward like normal siblings. I like it when Note pays attention to Nut indirectly through other people. I like it when Note becomes the most comfortable support for Nut when he's sad about Phob's situation. I really like these two brothers.

I love it.

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When nostalgia and tear-jerking drama combines= MASTERPIECE

I love the nostalgia that this series was giving. I was really into it. Y'all know that Director Mean & Benz just did that. I saw glimpse of Remember Me The Series having the same production as this one. I love the cinematography it has something nostalgic filter into it kinda similar to I Told Sunset About You. I love every aspect of the series, it's not too rushed or fast in terms of pacing. It really built up a lot better than most series I've watched before this. The serenade in the phone booth and riding with your bff/crush in his bike is just chef's kiss.
Now I'm diving to the "shedding tears" territory. When Phobia left Nut and came back years later I was honestly confused why he's not the same as he was. His character toned down. I felt that hard in my core when Nut ignored him and upon learning that Phobia has cancer (or something), he rushed to the station. I was really sobbing about that. I was bathing in my tears the whole sequence of why Phobia just left Nut. It got sadder when Phob's parent(s) passed away within those years he left Nut. The point where Phob was due for consultation with his doctor. Nut urged Phob to live even if it meant that his arm would be amputated for the rest of his life.
I know the ending upsets or disappoints some people but I'd rather have that or risk Phob leaving Nut forever.

I was really engrossed to this. I know these kind of nostalgic series would shed tears and it did more actually. I saw the efforts of the actors portraying their roles really well. It really paid off. I think this was underrated and unpopular but hey sometimes underrated series turns out to be greater than the ones were all familiar to. I'm not saying that those popular BLs out there are bad, it's just lacking or having few depths in them but for this one, it is emotionally 6 ft. If you think you're expecting fluffiness and lovey-dovey stuff here, you thought wrong. This was one of the greatest BL series deserves praise because it was masterpiece ??

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Sweet and beautiful <3

Let's get into it (not very deeply tho but anyways) <3

Story: I really liked the story, it was quite simple but also unique in its own way. Very beautiful and I think realistic too. Slow-going but not too much (at least for me).

Acting/Cast: The acting wasn't the best but not bad either, it was enjoyable to watch. I liked the feeling in this. I also liked the second couple. Buf, Title (Nut's actor) is so skskskskknorgnftny... <33

Music: Music doesn't matter for me but the lyrics were <3 and I liked the OST.

Rewatch Value: I probably won't rewatch this (I'm not that type of watcher). But if we get the second season, I will surely watch it <3

Overall: I think you won't lose anything if you don't watch this but you won't as well lose anything if you do watch. If you're here for skinship and fast-going storyline, this isn't it but otherwise I warmly recommend! <3

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Bittersweet Story

First of all, I will say that I absolutely adore Title's acting. I got to know this series through Remember Me, where he also did a great job portraying Name. In one if the extra talk, Man said that Title acts with his eyes, and I think that's true. I just wish he would stop crying (especially in front of computer lol) because it really hurts me to see him cry.

For the story itself, well, I'm glad that they don't really dragged the 4 years of Nut waiting and skipped to 2006 instead. I kinda spoiled myself because I watched the second bed scene where Phob told Nut directly about his cancer before properly watching the series, but I didn't realize that it's the reason he moved to Bangkok. I thought he moved because of other reasons and only got to know about his sickness at the beginning of the series.

The last two episodes are the most bittersweet ones. I just felt regretful for them, like, what if Phob told Nut about his reason of not attending the exam? What if Nut stopped avoiding Phob before he went away? I understand why they did what they did, and I love them for that, because it just showed that they're just humans with flaws, but it just hurt.

Fortunately, they got their happy ending, so I count that as the sweet part.

Also, I have to mention that I really love the singing at phonebooth scene. The lyrics and the situation were just right. And add Nut's performance on the phone, it became perfection.

Overall, I love this series a lot.

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Likely one of the most moving Thai BLs in 2021

Not knowing what the story is about except that the couple are separated for four years, I watched the first episode and thought that it was another story about one-sided love (which may not be a bad thing but is really hard to do well). It turns out, however, that there is more than meets the eye.

Perhaps it takes more patience than some viewers would be willing to give before they discover the merits of the series. But, for me, it was not a difficult watch at all. The scenes were shot well, and the young actor who plays the character of Nut, is quite impressive. Thus, although this isn't a fast-paced series, I found it easy to go on watching and it did not really seem all that slow.

There are many complaints about the flashbacks used in the story as well as a few praises. To be sure, it isn't really the use of flashbacks as a technique in itself that people are commenting about. Rather, it's the flashbacks to scenes that have already been shown that people are commenting about.

The flashbacks used are often effective as they show us that the story we think we know isn't the whole story. At their best, the flashbacks are moving, such as when they reveal the reasons behind Phob's behaviors and emotions.

Unfortunately, in Episodes 7 and 8, the use of flashbacks as a technique does not impress, and the flashbacks themselves may seem a little purposeless. It's almost as though a different team has done the editing and flashbacks for the last two episodes. While the flashbacks in Episodes 1 to 6 are quite smooth and do not confuse, there is potential for confusion in Episodes 7 and 8. This is unfortunate for a series that has shown more finesse that expected. After all, the story is not astonishingly good, but it is the way it is told that makes it moving and engaging in Episodes 1 to 6. Thankfully, the story doesn't take a bad turn and does end satisfactorily save for a totally unnecessary cliffhanger about a side couple (it's not like a sequel is going to be made about the side couple, right?)

Despite its flaws, The Yearbook still manages to be a notch above some other Thai BL series that overwhelm viewers with a large number of characters without showing much skill in telling a coherent story

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Une leçon de vie pleine de réalité et d'espoir...

J'ai aimé ce drama. Pour une quelconque raison, Nut et Phob sont arrivés et se sont tranquillement installés le temps de sa diffusion. Pourtant, c'est difficile de le noter, notamment à cause des deux derniers épisodes. Cela dit, j'ai décidé de ne pas les inclure dans ma note, mais j'en parle plus bas.

L'intrigue est intéressante. Si au début j'ai eu quelques sueurs froides lorsque Phob file à l'anglaise, c'est rapidement expliqué et nous obtenons des réponses à nos questions. Le drama ne joue pas l'autruche et ne garde pas la tête enfoncée dans le sable en attendant que le temps passe et qu'une solution tombe du ciel. Tout au long des épisodes, le drama nous délivre divers messages d'espoir.

Côté casting, ce sont les premiers rôles de Man et Title. Ils ne sont pas parfaits, cela dit ils vont clairement évoluer dans le futur. Leur jeu n'est pas aussi catastrophique qu'on peut le lire. En réalité, bien qu'on sente une retenue de leur part, ils savent mieux jouer qu'une bonne poignet d'acteurs et actrices du genre. Le manque de naturel sur certains interactions et les (très) longues pauses entre deux lignes de dialogues peuvent user. Cela dit, il ne fait aucun doute que Man et Title y ont mis du coeur, ça se voit.

Côté narration, elle est lente. Si c'est sujet à débat, pour ma part, j'ai trouvé son rythme idéal. The Yearbook est un drama dans lequel on a besoin de prendre son temps. C'est un style de narration qui ne plait pas à tout le monde, c'est vrai. À mes yeux, c'est le rythme dont il avait besoin.

Autre point, les deux derniers épisodes. Le septième était moyen bien qu'il permettait d'enfin avoir un aperçu de la situation du point de vue de Phob. Cependant, le fait que tout soit sous la forme de flash-back était gênant. Quant au dernier épisode, il semblerait que la production ait été victime des nouvelles directives sanitaire en Thaïlande, par conséquent, elle ne pouvait faire autrement. C'est dommage parce que les deux derniers épisodes ne rendent pas honneur au drama qui avait tout depuis le début. Pour cette raison et parce que je pense sincèrement que c'est indépendant de la volonté de la prod, j'ai décidé de montrer patte blanche sur les deux derniers épisodes.

Bref ! Malgré ses défauts, The Yearbook est une jolie découverte aux multiples messages d'espoir avec une agréable (re)plongée du début des années 2000.

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storia delicata, nostalgica, malinconica, drammatica, di amicizia e di amore

Mi è piaciuta tantissimo questa serie, molto lontana dagli abusatissimi e soliti clichè con personaggi irrealistici e senza spessore. In questa serie i personaggi affrontano in maniera realistica problemi pesanti, anche sbagliando, per poi correggersi e chiedere e ricevere aiuto dalla persona amata. Ci sono delle scene che rimangono davvero nel cuore, ci sono dialoghi toccanti tra i due protagonisti, tra Nut e il fratello e tra Nut e Tar. Title (Nut) è splendido e trasmette davvero le emozioni del suo personaggio. La parte musicale è magnifica ed è parte fondamentale della serie. Alcuni piccoli difetti: i flashback rappresentano il tema della serie, ma probabilmente sono utilizzati in maniera eccessiva; c'è un tappeto musicale di sottofondo in quasi tutte le scene, che la maggior parte delle volte è piacevole e crea quell'atmosfera delicata o malinconica, ma anche questo a volte forse è eccessivo

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Eu só não dei 10 em tudo porque a produção é bem simples, mas um bom diretor faz toda diferença faz milagres com um orçamento pequeno. É com certeza uma das histórias mais lindas que eu já acompanhei ! è sobre amor, sacrifício e superação. Você vai chorar muito, do início ao fim, vai precisar de terapia por uns 6 meses, mas a força desse casal vai te inspirar a lutar sempre. Apenas o final é um pouco "nada a ver", mas tb n]ao chega a ser triste (apenas parece deixar um gancho para uma segunda temporada). Pegue duas caixas de lenços de papel e vá assistir!

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