Queen of Tears (2024)

SOMETIMES LESS IS MORE !

***DISCLAIMER: THIS IS JUST MY OPINION. YOU DON'T HAVE TO AGREE AND I'M NOT HERE TO ARGUE WITH ANYONE.***

LONG STORY SHORT:

IF THEY WRAPPED THIS DRAMA UP IN 10-12 EPISODES IT COULD'VE BEEN SO MUCH BETTER.
1ST HALF – GOOD / WATCHABLE, 2ND HALF – A HOT MESS.

OVERVIEW:

The drama opens with a married couple putting on a show for the cameras then the scenes pan to reality as the husband is actually miserable in the marriage and desperately wants a divorce. He convinces himself he hates his wife and can no longer live with her / remain by her side. That is until she is diagnosed with a rare condition called cloud cytoma which affects her brains cognitive functions. She loses track of time, hallucinates and begins to lose her memory. Eventually Haein tells Hyunwoo about her medical condition and he is overjoyed because now he can just wait until she dies instead of filing for divorce. Hyunwoo’s friend (Yang-Gi) convinces him that he may be able to inherit Queen’s group if Haein leaves it in her will. Consequently, he decides to be a ”perfect” dutiful husband until then so nobody will suspect him. From there we follow this couple and their family through the ups and down of their marriage on a backdrop of another family scheming for their very downfall.

COMMENTARY:

The drama gets a bit silly from episode 8 onward. It would have been so much better without the parasite plot. Don’t get me wrong at first it seemed interesting but the evil guy turning out to be the mothers son who she abandoned and put into foster care then he was adopted then she orchestrated his adopted parents death was just WILD. Too much was going on and not in a good way.

I have to say this drama quite literally pulls out every cliche from the book. I would've preferred if the writers focused more on the main couple's marital issues, the process of healing each others wounds and dealing with grief / loss of a loved one etc. It could’ve been so much more developed and I feel like even the actors could've utilized their skills more in showing how they confront those emotions by dealing with them as a whole.

QoT was just not executed as well as it could have been. It could’ve been amazing had they leaned into the "slice of life aspect" of it more. Yes the disease was fictitious but that doesn’t mean they couldn't have tried to make the plot more feasible. Even after her surgery… she had no hair loss, no chemotherapy, no check ups. After she came out of surgery she was just magically cured with the exception of her losing her memories? Once again, that was so unrealistic.

I didn't connect to the side characters at all and a lot of the storylines with them were so irrelevant. Honestly I didn't care for Soocheol and Dahye's story especially because he just accepted her back so easily, no questions asked. They did not communicate or have an honest conversation about her abusive ex, who was the reason why she kept on running away without a second thought. Which brings me to Haein and her mom’s relationship. They had an opportunity to show the complexity of it but Haein forgave her so easily just like that and there was no period of the talking things out and healing their own individual trauma and then finally coming together to work through everything? Some people would argue seeing that would be boring but no… with a drama like this it needed more depth and more layers.

The leads have visually stunning scenes but I didn't feel any sparks or fireworks between them. I'm not gonna lie, at times it felt forced. They had me rooting for them in the beginning but lost me towards the middle especially when there was no real breaking point or indication of them working through their issues. I felt like they behaved more like teens falling in love for the first time than a married couple who had been through so much. There was also too much back and forth one minute they were ready to fix everything and reconcile the next they were pushing each other away and then back to square one, AGAIN.

Honestly this drama was sad and exhausting more than anything. The way everyone talks about this drama you’d think they had so many romantic scenes when in reality it was just heartbreak and grief because they anticipated Haein's death. But they didn't work through these emotions they just kind of accepted the inevitable.

LIKES:

First of all, the OST is amazing!

The epilogue scenes were really well done and I liked the fact that they gave us some insight into the couples past through Haein's memories. I really loved that scene where Hyunwoo got drunk and then told Haein he loved her.

I thought the cinematography was beautiful and everything looked picturesque especially in the flashback scenes.

I think both actors did a good job, particularly in the tear-jerking scenes. I believe Soo Hyun always nails his emotions. I wished we could've seen more expressions from Ji Won but I guess her character was more stony and cold so she represented that as best as she could. Again, the scenes where she broke down crying were notable.

Although I hated the villains they nailed their roles. I loved the acting from the aunt, I thought she brought some humor to the drama.

I also like all the fan edits of the lead couple as I feel those edits tend to capture their moments / emotions better while tuning out the background noise. Lol when I say edits are better than the drama itself, Queen of Tears would be the perfect example.


DISLIKES:

I have a problem with how no one is allowed to criticize this drama. I believe everyone is entitled to their opinion even the persons leaving bad reviews or who were let down after watching.

Initially I really was happy to see a drama dealing with marital issues but the problem is they didn’t really show them dealing with or working through their issues together.

In the earlier episodes, Hyunwoo wishing Haein's death was brutal and I would literally not wish cancer upon my worst enemy. Haein had her own flaws as she is a bit of a narcissist and a control freak. She also came off very condescending and cold towards others. I guess that’s her characterization but her realizing she only had 3 months to live made her drastically turn into a whole different person.

It truly felt like Haein and Hyunwoo didn’t even try in their marriage. After they lost the baby it’s like everything just fell apart, and they both allowed it. They didn’t even try couples therapy or delve deeper into their grief. I assume Haein poured herself into her work while Hyunwoo distanced himself from her, moved into the baby’s room and also got consumed by work. But I genuinely needed more than that.

The writers were unable to strike the perfect balance between showing and telling because they wanted to do flashbacks and also present day, but they didn't really delve into the loss of their child and why their marriage essentially fell apart.

I believe the writers wanted to create multidimensional characters but failed in their execution. It is clear the writers adored Eunseong and expected people to sympathize with him but they were sorely mistaken. Anyone who defends Eunseong is nuts. No matter how bad someone's life is or how terrible they feel about others, that doesn't give them the right to become a deranged vengeance-seeking murderer. Furthermore, the mother-son duo with their tumultuous relationship took up far too much screen time. It took so much out of me to not just skip over their scenes especially when a lot of it was just showing them scheming to take down Queens group.

The “happy ending” was bittersweet and left a sour taste in my mouth. We didn’t get a lot of happy moments between Haein and Hyunwoo for the majority of the drama, so I was hoping for at least some good moments between them in the finale. But no once again the writers had other plans. They wanted to end the story on a tragic / somber note, with Hyunwoo carrying flowers to Haein's grave. However, she did not die as early as expected. It was implied got to enjoy her life, they had a child etc. but Hyunwoo still had to mourn her before eventually following her to "heaven". The scene when they saw each other again did nothing for me, just made me have conflicting emotions to be honest.

OVERALL:

QoT had too many storylines. Most of the arcs were unnecessary rendering the storylines improbable. The side characters were poorly developed, annoying and didn’t add anything. It’s only watchable because of Kim Ji Won and Kim Soo Hyun. I felt like something was missing since the beginning because there was just so much to unpack that they never did.

The plot is very early 2010s formulaic and I believe this drama's weakness was its production in 2024, as well as the overdone cliches. Everything was completely anticipated and not shocking at all imo. The showrunners tried to hold people's attention by throwing in the most bizarre plot lines but this got tiresome / old quickly. It was as if whenever there was anything good, something awful had to happen to balance it out, which just didn't seem realistic or practical.

THE WRITERS NEEDED SOMEONE TO TELL THEM TO PUT THEIR PENS DOWN! They truly needed someone to slap some sense into them and tell them to stop the overdramatic makjang plots. Imo, most of the characters were just used as plot devices to further the storyline and create illogical chaos.

Would I rewatch this? No. I would only watch scenes I liked and an edit would suffice instead of the entire drama as a whole.

With all of that said, I would rate it a 7/10 (my objective rating)

However, I decided to round it up to a 7.5/10 and only for the leads.

At the end of the day if you don’t believe some of the reviews you just have to watch the drama for yourself and see if you like it or not.

Happy Watching!

˚ʚ♡ɞ˚

Read More

I usually keep my reviews spoiler-free, but to explain the reasons why I found this drama disappointing despite liking it in the beginning I can't help but refer to parts and details of the show. Therefore, if you haven’t watched the drama yet, you may want to skip this long review.

From the very beginning, my interest focused solely on the sentimental dynamics of the two main leads. I wanted to find out when and above all how the love that had evidently led them to marriage had turned into total indifference or even hatred. I found all the rest kind of redundant and started FF very early on.

At first, the most problematic character from a narrative point of view was undoubtedly Baek Hyun Woo. He can no longer stand his wife or her family and so far no one can blame him. However, a normal couple would at least try to discuss it, or quarrel about it, but Hyun Woo's tactic is to turn away and go sob in some corner alone. If, like me, you are hoping for at least one outburst of anger or passionate frustration, it is better to find a corner where we too can go and sob alone, because turning their backs on problems is the recurring pattern, regardless of the characters involved. Bar the volcanic aunt, that is.
When the terminal illness bomb is dropped, Baek Hyun Woo's reaction is: surprise, hug with declaration of love followed closely by relief of being able to escape the marriage without consequences. Am I supposed to find this funny? Only two scenarios are possible: either he has never stopped loving her and his hatred is just the other face of the love coin, or the contempt is real and we are left with a husband actively rejoicing in his wife’s untimely demise.

Hae-In's character is fleshed out a little better. Despite her apparent indifference towards her husband, on several occasions she highlights his intelligence and professional ability, thus proving proud of him. It is easier for the viewer to understand why she chose this man for her husband. It's a shame that instead of continuing along this line, the screenwriter prefers to introduce the usual K-drama banalities: "you're beautiful, you're sexy, I'm jealous of anyone who breathes, don't let anyone look at you, wear a burqa, blah, blah."

Given all these premises, I would have expected a much more passionate sentimental dynamic and not two spouses who obviously shared a bed at some point but whose simplest touch appears now unnatural. For the first four or five episodes, we see Hae-In trying to get closer to him physically and him backing away or denying himself as if he feared contagion. The absurdity is stretched to the point that Hae-In asks her secretary whether it is normal for a wife to be physically attracted to her husband, to which the “wise” secretary decrees this woman must be clinically crazy. What universe are we in?
Suddenly though, we are told that the love between them is the deepest in the cosmos and we have to take that for granted without further questions or explanation.

The pace of the entire narrative is fluctuating. It alternates poignant, almost lyrical moments with others full of completely irrelevant events, apples or pears and over-the-top, frankly irritating characters. The male lead's sister and her gossiping clients, anyone? Not to mention the family who arrives with 4 helicopters at the hunting lodge - not even the royals of England - the bad guy who does whatever he likes without consequences or control, the self-made patriarch who lets himself be fooled by a greedy prune of a woman and this last who goes around with a bevy of bodyguards/minions in tow like the queen of Joseon with her eunuchs.

When all this is said and done, what annoys me the most is the repeated trick of giving us a cliff-hanger of paramount importance at the end of every episode, only to start the next with either a flashback of the past or a conclusion to said cliff-hanger that is deflating my expectations at best or insulting my intelligence at worst. A few examples [very spoilery]

- Ominous press conference with the whole of South Korea gathered, Hae-In shocks everyone not only by revealing her illness, but also exposing the villain’s threats and manipulations to the world, even claiming she has recorded evidence of it. Fantastic! Next episode: the villain is still strolling the Queen’s corridors without a soul questioning him or the press dedicating a line to his involvement. Where did the recorded evidence go?

- Hae-In gets in the car with the what’s-his-name villain thinking he is Hyun Woo. The whole sequence is truly well made, giving the audience small but undeniable hints and a suspenseful car chase until Hae In finally realizes her mistake. End of episode. Here I am all excited at the prospect of a true confrontation, but the next episode Hae In coldly informs her husband she will go along with Villain to visit grandpa and Hyun Woo makes no objection. What? Cliff-hanger over, as well as my sanity.

- Grampa made a panic room built somewhere inside the family mansion, but he didn’t see it fit to tell anyone, which clearly defeats the object of a panic room. I’m still laughing out loud at a friend envisioning a bunch of criminals breaking in and the family dying of panic attacks because they can’t find the panic room. Remember, this is the same distrustful and overly cautious patriarch who made an unrelated woman his tutor without ever checking her true credentials. One wonders how he made all that money… So we have this suspenseful scene in which the family descends into the room via an elevator and Hyun Woo immediately gets the trick. How? You think they are going to tell you the next episode? Guess what: no.

There are other instances of logic defeating situations, but unless you like to be spoilt you have already watched the drama and know exactly what I’m talking about. They have crammed a gazillion open threads to be finally knotted back in the last two episodes, and yet they still find the damn time to introduce new, totally useless, eczema inducing characters, a murder mystery, a trial and a good 10 minutes’ village party with quacks and barks. I promise you, I almost got that eczema.

In conclusion, since the plot has got more holes than Swiss cheese and clichés abound, I watched and completed this drama because of the main leads. Alas, more often than not they disappointed me too: they never felt real as a couple of adults, despite their roles as individual characters being brilliantly acted. There isn’t a mutual alchemy between them, no sparks flying around: they exist as individuals who happen to repeat they love each other ad nauseam. There is no real in-depth conversation between them: why didn’t it work? When did we start to drift apart? Let’s be honest; if you don’t clear up the misunderstandings, they are definitely going to be repeated, no matter how many times you’re shot, driven over by a car, get tumours, surgeries or whatever catastrophe a scriptwriter can come up with.
There’s a beautiful dialogue sometime by the middle in which Hyun Woo comments: “what if we had applied a balm on our wounds every time we hurt each other in the past? How would our marriage be now?” That was such a wonderful cue, the type of conversation I would expect from an adult couple in a crisis. But what does Hae In reply to that? “No, we should have stopped by the ice-cream and put an end to our relationship then and there. We wouldn’t be in this situation now.” What kind of superficial, immature response is that?
Better we were never born, so we wouldn’t be suffering now, sort of clever philosophy.

I decided early on that I would add one point to the drama if they made Hae In and Hyun Woo finally sit down and address the elephant in the room: October 31. As it stands, the drama gets one point less for turning a promising story of healing into a buffoonish makjang.

Read More