Queen of Tears (2024)

When you try to be too many things and end up being nothing.

Queen of Tears is a show that is trying to do it all. It wants to be a complex story about a dying marriage. It wants to investigate the fragility of mortality. it wants to look into twisted messy familial relationships. It wants to explore the tragedy of losing your children. It wants to be a thrilling chabeol game of thrones. It wants to be documentary about toxic unrequited love from an obsessive villainous male lead. The end product is a sopping misshapen mess that manages to be none of the above .

It claims to be a journey of a married couple at odds finding their way back to each other (but the male lead spent half the show trying to divorce the female lead or hoping she dies) it attempts to be a meaningful essay on death and sickness (but haein's illness seems to be an afterthought half the time, merely a plot device to remind the people around her that she exists and that shes human and that she deserves to be loved) it takes multiple sloppy shots at trying to play the inheritance games (but the chabeols you're supposed to root for are so stupid and pathetic you feel no sympathy for them when they get taken for all they're worth) The messy familial dynamics fall flat as we watch a mom very unreasonably neglect and villainize her 10-year-old kid over the apparent murder of her other child. It tries to skim over the terrible topic of miscarrying your child into a mere oddly placed 10 minutes.

The show is its own worst enemy. it stages an effective angsty scene between the leads about the difficult choices u need to make when ur ill and then undercuts it in the editing room by immediately following it up with an oddly placed flirtatious and humorous scene. It tries to impress upon us the terror of yoon eunsong's controlling, manipulative ways and immediately follows it up with Haein freely stalking her apparently abusive lying cheating ex-husband with a smile on her face. some shows are capable of maintaining a light tone while speaking about heavy topics and still pay them the respect and significance they are owed [refer: oh no here comes trouble] but queen of tears is not one of them. Rather than a show that uses comedy cleverly as a way of bringing to light its complex subject matter, it comes across as a jarring whiplash of moments thrown together by two different editing teams who were given two very different instructions.

This is a show that tries to tell more than show. They want to tell you that these people love each other but when you think upon it for more than two seconds you start wondering why they fell in love, why they fell out of it, why the miscarriage that got 8 minutes of screentime tore them apart so viciously that the husband began to wish his wife would die and her terminal illness would make her more likely to leave him with some soft cash to fall back on. On the surface level, it's all there, Hyun Woo's self-centeredness, and Haein's inability to communicate her emotions but it's too little too late for the depth of the melodrama they plunge us into.

Despite Kim Jiwon's and Kim Soohyun's stellar performances, you exit the couple's showdowns thinking "damn is it really that deep?" and that's where a romance drama fails for me, it fails if I think the romance is too soppy coz that means that the foundation or crust of the writing is too weak to hold the decadence and the intensity of the acting job.

Queen of Tears ends it's run tonight as a show that tried to do too many things and ended up doing none of it satisfactorily. Rather than introduce terminal illness, scheming villains trying to usurp wealth, and obsessive friends from college they should have delivered on the one thing they promised, a married couple at odds finding their way back to each other. If only they had stripped down the additional dressing and focused on the messy terrible marriage of Hyun Woo and Haein and their respective and combined issues and how they overcame it without the unnecessary roadblocks like amnesia and evil second male leads, maybe it could have been worthy of the acting performances of the leads.

if you want to watch a messy married couple falling back in love its better to watch hits like flower of evil or go back couple coz this one was just disappointing.

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I usually keep my reviews spoiler-free, but to explain the reasons why I found this drama disappointing despite liking it in the beginning I can't help but refer to parts and details of the show. Therefore, if you haven’t watched the drama yet, you may want to skip this long review.

From the very beginning, my interest focused solely on the sentimental dynamics of the two main leads. I wanted to find out when and above all how the love that had evidently led them to marriage had turned into total indifference or even hatred. I found all the rest kind of redundant and started FF very early on.

At first, the most problematic character from a narrative point of view was undoubtedly Baek Hyun Woo. He can no longer stand his wife or her family and so far no one can blame him. However, a normal couple would at least try to discuss it, or quarrel about it, but Hyun Woo's tactic is to turn away and go sob in some corner alone. If, like me, you are hoping for at least one outburst of anger or passionate frustration, it is better to find a corner where we too can go and sob alone, because turning their backs on problems is the recurring pattern, regardless of the characters involved. Bar the volcanic aunt, that is.
When the terminal illness bomb is dropped, Baek Hyun Woo's reaction is: surprise, hug with declaration of love followed closely by relief of being able to escape the marriage without consequences. Am I supposed to find this funny? Only two scenarios are possible: either he has never stopped loving her and his hatred is just the other face of the love coin, or the contempt is real and we are left with a husband actively rejoicing in his wife’s untimely demise.

Hae-In's character is fleshed out a little better. Despite her apparent indifference towards her husband, on several occasions she highlights his intelligence and professional ability, thus proving proud of him. It is easier for the viewer to understand why she chose this man for her husband. It's a shame that instead of continuing along this line, the screenwriter prefers to introduce the usual K-drama banalities: "you're beautiful, you're sexy, I'm jealous of anyone who breathes, don't let anyone look at you, wear a burqa, blah, blah."

Given all these premises, I would have expected a much more passionate sentimental dynamic and not two spouses who obviously shared a bed at some point but whose simplest touch appears now unnatural. For the first four or five episodes, we see Hae-In trying to get closer to him physically and him backing away or denying himself as if he feared contagion. The absurdity is stretched to the point that Hae-In asks her secretary whether it is normal for a wife to be physically attracted to her husband, to which the “wise” secretary decrees this woman must be clinically crazy. What universe are we in?
Suddenly though, we are told that the love between them is the deepest in the cosmos and we have to take that for granted without further questions or explanation.

The pace of the entire narrative is fluctuating. It alternates poignant, almost lyrical moments with others full of completely irrelevant events, apples or pears and over-the-top, frankly irritating characters. The male lead's sister and her gossiping clients, anyone? Not to mention the family who arrives with 4 helicopters at the hunting lodge - not even the royals of England - the bad guy who does whatever he likes without consequences or control, the self-made patriarch who lets himself be fooled by a greedy prune of a woman and this last who goes around with a bevy of bodyguards/minions in tow like the queen of Joseon with her eunuchs.

When all this is said and done, what annoys me the most is the repeated trick of giving us a cliff-hanger of paramount importance at the end of every episode, only to start the next with either a flashback of the past or a conclusion to said cliff-hanger that is deflating my expectations at best or insulting my intelligence at worst. A few examples [very spoilery]

- Ominous press conference with the whole of South Korea gathered, Hae-In shocks everyone not only by revealing her illness, but also exposing the villain’s threats and manipulations to the world, even claiming she has recorded evidence of it. Fantastic! Next episode: the villain is still strolling the Queen’s corridors without a soul questioning him or the press dedicating a line to his involvement. Where did the recorded evidence go?

- Hae-In gets in the car with the what’s-his-name villain thinking he is Hyun Woo. The whole sequence is truly well made, giving the audience small but undeniable hints and a suspenseful car chase until Hae In finally realizes her mistake. End of episode. Here I am all excited at the prospect of a true confrontation, but the next episode Hae In coldly informs her husband she will go along with Villain to visit grandpa and Hyun Woo makes no objection. What? Cliff-hanger over, as well as my sanity.

- Grampa made a panic room built somewhere inside the family mansion, but he didn’t see it fit to tell anyone, which clearly defeats the object of a panic room. I’m still laughing out loud at a friend envisioning a bunch of criminals breaking in and the family dying of panic attacks because they can’t find the panic room. Remember, this is the same distrustful and overly cautious patriarch who made an unrelated woman his tutor without ever checking her true credentials. One wonders how he made all that money… So we have this suspenseful scene in which the family descends into the room via an elevator and Hyun Woo immediately gets the trick. How? You think they are going to tell you the next episode? Guess what: no.

There are other instances of logic defeating situations, but unless you like to be spoilt you have already watched the drama and know exactly what I’m talking about. They have crammed a gazillion open threads to be finally knotted back in the last two episodes, and yet they still find the damn time to introduce new, totally useless, eczema inducing characters, a murder mystery, a trial and a good 10 minutes’ village party with quacks and barks. I promise you, I almost got that eczema.

In conclusion, since the plot has got more holes than Swiss cheese and clichés abound, I watched and completed this drama because of the main leads. Alas, more often than not they disappointed me too: they never felt real as a couple of adults, despite their roles as individual characters being brilliantly acted. There isn’t a mutual alchemy between them, no sparks flying around: they exist as individuals who happen to repeat they love each other ad nauseam. There is no real in-depth conversation between them: why didn’t it work? When did we start to drift apart? Let’s be honest; if you don’t clear up the misunderstandings, they are definitely going to be repeated, no matter how many times you’re shot, driven over by a car, get tumours, surgeries or whatever catastrophe a scriptwriter can come up with.
There’s a beautiful dialogue sometime by the middle in which Hyun Woo comments: “what if we had applied a balm on our wounds every time we hurt each other in the past? How would our marriage be now?” That was such a wonderful cue, the type of conversation I would expect from an adult couple in a crisis. But what does Hae In reply to that? “No, we should have stopped by the ice-cream and put an end to our relationship then and there. We wouldn’t be in this situation now.” What kind of superficial, immature response is that?
Better we were never born, so we wouldn’t be suffering now, sort of clever philosophy.

I decided early on that I would add one point to the drama if they made Hae In and Hyun Woo finally sit down and address the elephant in the room: October 31. As it stands, the drama gets one point less for turning a promising story of healing into a buffoonish makjang.

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Overhyped and Overrated

With the amount of hype this show was getting, I was really curious as to how good this show must be to boast being the highest rated TvN show of all time...but of course as usual it's nothing new. It seems like these days any show with a good looking cast and high budget set and cinematography is enough for people to rate it a 9, completely overlooking the lacking story, plotholes and clichés.

Initially the plot seemed promising, most k-dramas do not start out with the leads already being married. Although, the cold CEO fl and sunshine ml has been done before (ahem My Demon ahem). The hype seems to stem primarily from praise for the actors, cinematography and OST, which are important factors for a good show don't get me wrong but like...does anyone even care for the story? Nobody cares that when Haein awoke from brain surgery (although it was supposed radiation therapy) she looked fabulous? Perfectly normal? Perfect hair, makeup??? Did they even TRY to make it realistic?? Am I supposed to believe she just underwent a major brain surgery?? And oh god they didn't even try to make Park Sung Hoon's character interesting. Just made him an obsessive evil rat with no personality whatsoever, it was such a disappointment considering his character in The Glory, that's what I call a real villain. Everytime he came on screen it was excruciating to watch, but Park Sung Hoon's visuals make it a lot more bareable so there's that. The family is your typical chaebol money hungry ruthless evil family, who turn into a big happy family toward the end to unite against a mutual evil force. The progression in their characters was lackluster and more depth could have been added into Haein and her mother's reconcilation. The story is extremely lackluster and honestly I feel like 12 year olds on Wattpad could do a better job than Park Ji-Eun. Most overhyped show of 2024 fr.

It seems like the writer Park Ji-Eun doesn't know how pacing works, she wasted the initial 5 or 8 episodes making them completely meaningless, plotless, boring which added close to nothing of value or substance to the story, and then rushed a crucial plot point in the SECOND last episode?? AND THE ACCIDENT??? HELLO??? Shock factor does not equate to good storytelling. It just makes for pointless tension. I guess this is what writers had to do to stretch the show to be 16 episodes. I never found it interesting even in the initial episodes, I kept watching because the ml and fl couple were eye-candy and had great chemistry, but if you overlook that, this is nothing but mediocore, maybe even less than mediocore. I kept watching and watching hoping it would get better but nooo oh god. You all need to seriously pick better shows to make popular. It's My Demon all over again. A less than average clichéd show which gets popular because of the cast and high budget set. How superficial. Truly a disappointment. But I must give credit where credit is due and I will admit that the stellar cast did live up to their names by delivering an exceptional performance and the cinematography delivered, truly an eye-candy show. Overall, if you value your time, don't watch it.

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Become Predictable and Boring in the end.

I watched the whole series, but it didn't bring anything new or exciting. At first, it seemed promising, especially in how it explored the main character's story. When Vincenzo made a cameo, things got interesting. But then, it went downhill. The show became all about drama, ignoring other important storylines. Some scenes dragged on too long, with lots of unnecessary emotions and twists that didn't matter.

The show looked good with its camera work, acting, and music, but it had some big problems. The bad guy was shallow, just after money and power. And the main girl's family was portrayed as kind of dumb, which didn't make sense. The story was too predictable, following a basic pattern with choices that didn't seem real.

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Full of kdrama clichés

Powerfully dumb storyline that's full of kdrama clichés and it's just unforgivingly jarring, almost like some classic parody too well made. It boasts unbelievable visuals of high concepts but turns out to be practically hollow, dialogues are strikingly coarse and far from relatable, and absurdity keeps coming as the plot goes on. It's not really a bad watch as there are some good parts that are worth rooting for, but the not so clever parts completely overshadow them and it simply becomes not more than just a race of mainstream popularity contest. Even the ending is still full of silly stuff to force a climax that doesn't resonate well, though the faint-hearted might still flutter intermittently.

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One big mess

I am a fan of most of the actors cast in this, so I was very excited but this drama was a big disappointment

There some enjoyable moments here and there, but the plot is a mess anf honestly there are way too many things that didn't work here (ML is happy that his wife is going to die soon, FL has memory problems but doesn't do anything about it, like never.... I would have hired someone to check on me every 10 minutes... anyway I'm getting angry again)

each episode keeps repeating the previous one. We see a lot of:
- They don't talk
- Oh they love each other but don't show it
- they love each other but don't know it
- They seem to get closer
- Oh, no, they don't talk again
and REPEAT over and over again
Writer-nim run out of ideas and this show could have been a movie!

What I hated the most was the villains arch. I couldn't understand why they did what they did! Why did they have to con that family? I hated that they were villains because they were poor. Being poor is not a good backstory for a villain. Poor people don't want to steal rich people's money and live in their big houses, they just want to be not poor anymore and not live in a basement.

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QUEEN OF K-DRAMA TROPES

Exactly how many tropes is too many tropes.... ?
This drama finally defines it. Ending at an amazing rate, it has everything but a sane storyline.
The question here is will you like this drama? Of course you will. Who wouldn't like this amazing cast and the expectations were sky high even before we heard the pairing but what disappointed us is the crappy storyline that started out well but eventually became a complete tangled mess.
They probably decided they wouldn't take any chances and combined every possible trope that ever worked in the history of kdrama like dying lead, amnesia, village comedy, quirky spoiled chaebols, makjang nonsense, betrayals, foreign dates and stalking. Now i wouldn't have complained even if they stuck to the story of maintained a proper flow but there are so many plotholes that i would rather walk that go through that bumpy ride. The only reason you finish this is if you are that invested in the characters or absolutely have been missing Kim So Hyun.

Will i watch it again? Hell No. Once was enough crap.
Will i recommend it to anyone? Depends if they are a newbie being introduced to kdramaland but if you're a veteran like me, this is some recycled shit that you can skip.

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Lacking in plot development and character motivation

Queen of Tears is story of Hyun Woo & Hae In's unhappy marriage life, threatened by chaebols and Hae In's fatal illness. A classic soapy melodrama, with star-studded ensemble cast and cameos. The production quality is top, with the stylish wardrobes, wonderful scenery and romantic OSTs. However, the execution was not up to the par.

The first 2 episodes set the story quite well, but they didn't make their characters' motivations sensible. At least give a reason to make me believe why their relationship was failing, instead of crying too much and lack of communication. Really, most of their conversations were ended by crying or fighting to the point I got numb. I was bored with the villains' suspenseless and super slow scheming. By the end it gets ridiculous with all the cliché tropes shoehorned. What ended up to be the most anticipated scenes was the cute auntie Beom Ja's romance, it's fluffy & gave off immense heart-fluttering moments. Overall, the flaws of the drama amounts to my disappointments.

Thanks for reading!
April 2024, Find me on instagram: @kdramajudge

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Lazy writer

I watched episode 15 last night and thought, "Wow, I haven't seen a Korean drama adopt an Indian soap opera style before." I had been watching patiently week by week, hoping the writing would improve, but it didn't. It mixed up everything: divorce, a mean mother-in-law, cancer, memory loss, etc.—you name it. I thought the writer was being creative in offering something new because people said the writer was a big deal. However, it turns out the writing is just like a story created by a middle-schooler on Wattapp.

I know for sure this drama will be successful in terms of viewership since the writer went back to basics by having good-looking casts and glamorous styles. This recipe guarantees ratings. But, it makes the work look cheap. No wonder the Baeksang tossed this drama out of the window by only giving it one nomination (even though the committee might regret this later and wish they had given zero nominations to this series).

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When Tears Speak Louder

Queen of Tears” serves up a solid introduction. It reminds us that love isn’t always perfect, especially in the complex world of relationships and marriage. The characters’ struggles resonate, and the ending promises deeper layers to explore. Whether you’re a seasoned K-drama fan or a newcomer, this series has potential. ?
**"Queen of Tears"** is a captivating Korean drama that delves into the complexities of love and marriage. The story revolves around Hong Hae-in, a privileged heiress, and Hyun Woo, a middle-class man. Their fairy-tale romance takes a dark turn as they struggle with control, freedom, and unmet expectations. A must-watch for those seeking a fresh take on relationships.

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Should be called King of Tears and Ice Maiden

This is a single layer story about a greedy woman who abandoned her son and coiled herself around a rich ceo to inherit all hus wealth by destroying his family. And she is truly wicked - doesn't shy from murder, sending her own child away to America etc etc.

In this straight layer you then have multiple players who are entangled. Then there are subsets to these people.
Simple, boring, clichéd, seen that before, yawn.

What then races these dramas to the top are the players and their nuances - both of which are absent here.

Let's start with the players.
Stand out performances by Grace (the spy), the FL wimpy brother, the FL secretary, the ML attorney friend and the bad villain (abandoned son)..

And now the leads:
One would think that if the premise is love/marriage /divorce/remarriage to same person, then there has to be an iota of chemistry.. Should they not test this in the audition? Maybe the stars are so big they discarded the auditions.
So Alas Alas - here we have to use our wildest imagination and fantasy to assume the two are madly in love.- because frankly they behave like they are allergic to each other.

There is not one heart fluttering moment between them, no sizzle, no intimacy, no intensity.
We have miss ice maiden who is mean to the ML through ep.15 and then agrees to hold his hand in16.
We have the king of tears who spends 80% of his screen time with wet eyes.

What a pitiful drama.

I think k dramas need to stop focusing on these so called big regional stars and get back to making their old classic story line with real actors.

Think about it - we've had 3 dumps already in 2024 with hot shot actors :
Doctor Slump, Welcome to Samdalri, and now this Queen of tears........all dramas that totally missed the point.

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What. A. Letdown

QOT had the potential to be a heart-wrenching exploration of fading love in marriages but instead it gives you bland nothing but a frustrating mess.
Sure, the initial premise was intriguing. A couple from opposite worlds, Haein with her messy family dynamic burdened by family issues and Hyunwoo a seemingly picture-perfect handsome guy from a humble family falling in love despite their differences? This is what I signed up for. From the promos, the show even promised to delve into the complexities of their unraveling marriage.

But here's where things go south. Haein who was surprisingly honest about her family baggage from the get-go during the proposal, gets painted as the villain in her own marriage. We see her blaming herself for the miscarriage, a wound the show never bothers to properly explore. Its there solely for the shock value, just another trope for the writer to add to the list. How can you leave something as important as this, which apparently caused Hyunwoo to be withdraw from the marriage open to interpretation? If this was the main reason, why wasn’t it discussed between the couple? Major Ick.
The initial portrayal of Haein as a cold, workaholic CEO immediately positions viewers on Hyun-woo's side in their contentious divorce. Yet, the series never fully shows us the nuances of a complex character like Haein. After bombarding us with many reasons why Hyunwoo wants to end the marriage, these motivations are inexplicably dropped. The narrative then shifts gears, showing Hyunwoo seemingly forgetting his initial animosity and falling back in love just like that. This was so frustrating. Why establish these compelling reasons for the divorce only to completely abandon them later? This emotional whiplash left me dizzy.

The show never bothers to address the root of their problems. We never get that crucial conversation, that heart-to-heart where they dissect what went wrong. We never get them discussing their insecurity or even the miscarriage.
The only saving grace is the phenomenal acting by Kim Soohyun and Kim Jiwon. Their performances are the sole reason this drama doesn't completely sink. But even their talent can't salvage a story that abandons its own premise.

I believe unconventional love stories can be powerful. But without proper exploration of the conflict, it feels like a missed opportunity. QOT had the potential for greatness, something people remember by for years to come, hailed as one of the top kdramas ever made, but the execution left me wanting more. It's a show that relies solely on its cast's charm, ultimately failing to deliver on the promise of a unique and thought-provoking drama.
While I don’t regret watching it, there are far better K-dramas out there exploring love and relationships with more depth. This one, sadly, remains stuck in a melodramatic telenovela past.

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