Queen of Tears (2024)

Emotional driven drama

The name is silly and could turn you off thinking this is some cheap melodrama. It also starts weak and the story is common, but the emotional value is skyrocketing very quickly. That's the main weapon of this k-drama. You ain't gonna watch this for a perfect production, but for the sentimental value.

Highly recommended watch when you're in the mood to receive emotions, otherwise you might get judgy and agree with other low-score reviewers. Don't waste this watch if you're mood is wrong, it's one of those you will remember forever if done at the right time, enjoy!

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the best of 2024 and one of the best of all time

this is the kind of drama that will forever be marked on me. being anxious of waiting each episode, the crazyness in the fanbase, the attachment to these characters. im very grateful to have lived through all of this. i cant put in words what i felt & feel abt everything involved in this drama. the 8 week journey ended & i said goodbye with sadness but still with a heart full of love. queen of tears & baekhong will forever be in my heart.

kim jiwon & kim soohyun have once again proven to be one of the best in the industry. their performance here is PHENOMENAL, breathtaking, worthy of many awards. it was a privilege to be able to watch these two together on screen.

it was definitely worth watching.

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First Drama Rating I'm giving

This drama meant a lot .‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎

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“Mr. Cinderella”

So why do I saw what I say with the title?

The male lead is the one who’s pulled from the countryside into a lavish lifestyle. It seems like the happy ending in other kdramas. Where typically the girl is the poor one and swept away to a rich life to life with a chaebol.. I’m thinking boys over flowers. This drama starts where those ends, and it’s brilliant. What would their lives be outside of the ending? Likely this would happen.

I’m saying when Jan Di married Gyun Pyo at the end of Boys Over Flowes. Hyun Woo is Jan Di, the poorer one who is thrust into a new life and Hae In is Gyun Pyo, who despite all odds, loves someone that is a ‘nobody’ in terms of status. Gyun Pyro and Jan Di just get engaged at the end (sorry for spoilers), but in this one it’s the life of the two being married. It’s honestly hilarious and makes a lot of sense why Hyun Woo wants a divorce. As I could see that if there were a prequel that it would be something like Boys Over Flower.. now not that toxic, but to a degree. I doubt the writers thought of that connection, but to me it stands. It’s like a more mature version of a ‘happily ever after’ with a rich chaebol lifestyle. Instead it’s not all glitter and sparkles, and is more wanting your old life back because you can’t keep up with this one. I mean come on now, that’s so smart and I’ve always wanted to see what a happily ever after is like- and if it’s this? I’m here for the ride for this one.

The chaebol gets their humbling with a death experience, which I’m so surprised they had the balls to do.. and hopefully it doesn’t just get magically swept away. I’m looking for angst, for heart, a dramedy. This drama is gold when it comes to the humor. There isn’t a shying away from how hot are leads are, and how over the top the situation is. This drama is so much better than others have been giving it credit for. Yes. It’s hyped, but it’s also very smart and deserving of that.

I’ll keep this short since pretty much everything that needs to be said about this drama has been. I’ll say that I was reluctant to watch at first, as I’m watching a lot and sometimes dramas tend to be overhyped. It can go wrong pretty easily if the cast is so well, the writing may have been lacking. It’s done more than usual, where a cast is so good that it seems the writing and the direction is missed. Yet this drama seems to fill every gap in terms of the story, acting, direction, it’s well rounded and chalk full of entertainment value.

I didn’t know the story coming in, I thought it would be a romantic comedy, a bit melodramatic. It is entirely that, yet it’s multi leveled and has 3-dimensional characters coming from all ends of the story. The main leads, the second leads, the supporting cast- it’s all so rich (literally and non literal). What I was surprised with this is that the comedy is actually a strong asset with this story, I love when a drama doesn’t take itself too seriously. I also knew that Kim Ji Won was a funny actress, multitalented and ready to play the character she is. I love it when no one else I can see fit to play this role.

So nothing in this drama pulls anything down. The comedy doesn’t make it awkward, the drama doesn’t make it too serious, it’s got balance.

Kim Soo Hyun is an actor I know is really good. Also I’ve only seen him in one movie, so I wasn’t too biased. He is worth all the praise. He’s a professional and you can tell that everyone here knows there role and can enhance and improvise and add here in there. Without the leads it likely wouldn’t be as good, but still, it’s got a great direction that I can see coming from an actors initiate as well as the directing itself.

I love the whole gender reverse of the women leading the house-hold.. seeing the men get pushed to the kitchen.

It’s a lot more refreshing than I thought it would be. What is also refreshing is the leads dynamic, that so far is very witty and fun. They once loved eachother and definitely still do, yet Hyun- Woo is so tired at this point he wants a way out. Not one character is the evil and super bad guy, and I’m liking that a lot, the second male lead I could see to get to be annoying if he is too bad of a guy just for the sake of story. So far even Hae-In is likeable even if her husband isn’t too fond of her.. still I find so much room to grow with the two of them. They did fall in love, and she did choose to marry him.

I do find the latter half of the season to not be as strong, but the chemistry between the leads is amazing enough to pull me through the emf of this drama. Especially the visuals. It isn’t perfect, but there is smart writing going on here that it looks like people have missed. Too bad in the last half the writing isn’t like the first. Either way this drama still exceeds beyond most others I have seen this year.

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the best k drama of 2024

surely the best K-Drama of 2024.
Talking about the character of the villain Yoon Eun-Seong. It was a very well-developed historical construction. A villain who, in essence, is not created to be hated but pitied. From the beginning to the end of the drama, Eun-Seong dedicated himself to doing the best he could, the best he knew and learned how to do. A character who grew up with a very strong trauma of abandonment and rejection, always on the margins and forgotten, living in the shadows, praying to be remembered by his mother figure. He spent his life developing a very strong identity crisis, basing himself on a perfect image in order to be recognized by his obsession, our dear protagonist Hong Hae-In, and also by his mother. In addition, he has had to confront his greatest enemy, not the protagonist Baek Hyun-Woo, but himself. And every time Eun-Seong had to face the fact that Hyun-Woo was ahead, he felt even more inferior and lost. In the end, the story of our villain himself is a real drama. The result of an accumulation of childhood traumas and distorted self-image. Yoon Eun-Seong, you should never have felt so inferior, you never lacked anything that was left over in your classmate, you just lacked therapy (k).
The script for the main couple Hong Hae-in and Baek Hyun-Woo is designed to be relatable. If, for a moment, we put aside all the ramifications of the story and focus only on the couple, we spend the entire drama identifying with one context or another of the moment they lived through.

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