Old Fashion Cupcake (2022)

Regret Can Lead To Happiness and Be a Fuel To Your Life

What a treat this show was to watch!

Imagine having someone who watches out for you and helps you find your joy for life again and encourages you that you can do all that you set your mind to no matter what the age. That's what Togawa is to Nozue. The fact that Togawa actually learned his words of wisdom and his ways of life from Nozue (who has over the years lost touch with himself) years prior and the fact that it is Nozue helping him with his "anti-aging" and reiterating what Togawa already knows deep in his heart but has forgotten is so precious to me. It's like coming full circle.

So many people in this world like Nozue get to a certain age where they feel like it is too late to do what they want with their lives and this show essentially reminds you that is never too late to pursue what you want to do, try something new, and have some fun while you are at it. 

But, the fact that a romance aspect is added onto this beautiful life lesson that is presented throughout the series, makes the show all the more worthwhile. Togawa has liked Nozue for so long and seeing their relationship finally start to blossom made my heart flutter ten times over. Those two are so freakin cute together and they understand and complete one another and it’s nice to know that they have each other to experience all that life has to offer together moving forward.

I also love the fact that it followed the manga closely and didn't sway too much since the original material is already so well fleshed out and they translated it to screen very well.

With just 5 short episodes, this show manages to tell a fulfilling story with memorable characters, beautiful cinematography, and a magnificent score to go along. Japanese BL's always hit different for me and this one definitely is one of my favorites that I have seen!

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office romance, age gap, employee/boss, food is the love language, coming of age late in life

This show had me from the moment they broke the egg yolk with the chopsticks in the opening credits for episode one. It’s about a younger man with a long cherished crush on his boss (ten years older and going through a mid life crisis) who decides to save and seduce said man with pancakes. It’s wholesome, comforting, sexy, and a very necessary narrative about still having hope, interests, and openness to affection at any age. It’s coming of age/queerness packaged in a subtle critique of expectations around masculinity and love and loneliness... and it’s beautiful.

It utilizes hand-held and super close camerawork, long shots, dirty framing, and marvelous acting (stagecraft) from everyone. The directing style it subtle but very precise and tailored dirty framing (AKA lots of objects and other people’s bodies interrupting shots.) Notice the frame is only direct and uncluttered when they are eating or being extremely intimate with each other?

This show manages to make things that shouldn't be sexy so very sexy (like Togawa’s hamster cheeks - boy just wants to gorge himself, and not on food). It's truly art.

But there is so much more going on here.

Japan has a long tradition of using food, both the preparation and consumption, as an allegory for intimacy... ALL KINDS of intimacy (give Tampopo a shot, it’s a remarkable movie). And in this show the discovery of desserts, and the enjoyment of the experience of indulging, is explicitly both sexual seduction and emotional tethering. This is not just an exploration of youth for Nozue it is an exploration of desire and identity.

On the other hand, the want drips off of Togawa at all times, like true starvation. It’s epic levels of pining we are looking at and not just love but pure lust. It’s actually quite remarkable to see this done with Japan’s signature reserve, because the through line of the filming style and food allegory dictates they will simply have to show physical intimacy at soem point. But not of the explicit kind we get in the darker BLs from Japan (although they could easily go there), but of a truly sexualized romantic passionate kind that we don’t normally get from Japan in their softer BLs.

You see, there comes a point, when the food allegory has gone as far as it can, and Nozue recognizes that in episode 3, even as he doesn’t recognize Togawa’s desire. Because for him the desire has been made manifest though the medium of desserts... and now that sensation has been satisfied, he feels like that’s good enough.

But when Nozue shuts down the eating intimacy, Togawa was always destined to break open into into sexual need, just the way the egg yolk is broken open in the credits.
What is truly genius about this show is that when this finally happens at the end of episode 4, the camera switches to one long hand held shot. This kind of stage-craft reliant shooting is the ultimate form of filming intimacy - it is the camera’s form of trust:

The directer is trusting the cameraperson not to waiver,
the camera is trusting the actors to pull through for the entirety of the shot (no forgetting your lines on a long take, no missing your marks, no slipping out of character),
the actors are trusting the crew to capture it in that one moment when they give it their all.
This is the kind of theatrically-based close work is as near to sexual intimacy as actors and crew can get.

Thus the shooting style is, itself, a reflection of Togawa’s needs, of Nozue’s shock and realization and crumbling, of the levels of trust between them that are fracturing and reforming. It’s absolutely brilliant.

All that said I did find the final episode bit of a let down. Narratively it reverted back to pretty standard light Japanese live action yaoi, of the style I talk about here. I did expect a little bit more intimacy from this specific narrative even with Japan at the helm, at least showing the two of them cuddling in bed together or something very domestic if not kissing. I’m not surprised or upset that they returned to status quo, and this is still an amazing comforting unexpected gem of a show, but it’s not the 10/10 I thought it was going to be at the end of 4.

Still, solid and watchable and

DEFINITELY RECOMMENDED

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