Reflection of You (2021)

"Wanting to be someone else is a waste of the person you are."

Sure, people can change themselves and their life, and it's good when you are trying to better yourself and prosper. But when you want to change yourself just to surpass the standards of certain someone, you end up loosing yourself, which is immensely evident.

REFLECTION OF YOU is a story of such desires and the constant urge of vengeance from someone who had pushed you off the cliff just when you were about to embrace your dreams. This is a story about two women: one who despite of her achievements, couldn't help herself in making choices and another who after loosing herself has become revengeful; both, thereby creating unavoidable consequences, that somehow drags their families into the mess. This is a story of love, desires, betrayal and revenge, as the synopsis states.

"Reflection of You (2021)" is the live action adaptation of the novel "Someone Who Looks Like You (너를 닮은 사람)", originally written by Jung So Hyeon (정수현)

Director Im Hyun Wook has done a very good job here, even as a newcomer with lesser experience; I am sure his work in his previous drama of similar genre, has helped him a lot. Yoo Bo Ra jakka-nim is a known and acclaimed face in the industry and she must be applauded for the stupendous plot development in this drama that carries several peaks and keeps the same intense throughout the series. Her method of storytelling as well as the monologue narrations and dialogue writing are all praiseworthy indeed.

Jung Hee Joo is a famous artists and essayist, married to a rich family. He got a loving husband and 2 adorable children: a highschool daughter and a 5yo son. She loves her family to the extent she can do anything for them and has to manage it along her artist life that she has built-up through passion. Gu Hae Won is a failed artist who has lost her path to happiness and changed from a happy-go-lucky girl to a revengeful woman. Both of them share a past that has ruinned themselves to different levels. The story shows their encounter after years, which involves the unveiling of the past events that has dragged them to hell and they try to bring down each other by any means. This major plot invoves many other characters involved with their individual lives and some sub-plots that is related to the main storyline, more or less.

What I loved about the production is that the script of the drama never ran out of substances. Whenever you feel like it might become boring and context-less, leading to subsequent exaggeration, the writer comes up with another enraging scenario which serves as a side dish. First episode successfully establishes an intriguing impression upon the audience, creating plentitude curiosity. In my case, I was mesmerized from ep1 to ep6 so much on my first day of watching that my anticipations was raised high. The way everything about their pasts got revealed within those episodes just so the viewers can draw the entire picture on their own, bothered me a lot as to what else they got to offer next. But I'm happy didn't go blank at all till the end. There's in fact no episode that didn't see development or was boring. The last 4 episodes become very intense, typical makjang vibes, that is frustrating and anger inducing like usual.

Jung Hee Joo (Go Hyun Jung) doesn't lack anything other than constant love and loneliness has grasped her.. She has seen the harshest of days but to her fortune, she falls in love with Ahn Hyun Sung (Choi Won Young), who always wants to remain flawless. Her family comes first to her and she's become very strong over years, despite which she's indecisive and can be easily manipulated that lands her in pickles many a times. Gu Hae Won (Shin Hyun Been) is a budding artist and was Hee Joo's teacher years back. She was a easygoing girl back then but situation and time has made her rude, arrogant, resentful and crazy for vengeance. She can now go to any extent to get her job done. She is married to Seo Woo Jae (Kim Jae Young), another aspiring sculpture artist who doesn't have any control over his feelings and can be reckless to get what he wants.

Other minor characters are Kim Bo Yun as Park Young Sun (Hee Joo's MIL), Kim Ho Jung as Lee Jung Eun (Hwain Museum Director), Kim Sang Ho as Yoon Sang Ho (Pub owner), Hong Seo Joon as Lee Hyung Ki (Min Seo's husband), Park Sung Yun as Lee Dong Mi (Hee Joo's friend), Seo Jung Yun as Goo Jung Yun (Hae Won's mother) and Shin Hye Ji as Lee Joo Young (Lisa's friend) , who are more or less good actors with experience.

Being a mystery-revenge thriller with makjang elements, this drama comprises of many important factors of reality. Loneliness being one of them, has won over almost everyone's mental health for which they choose to keep everything to themselves and be submerged within illusion. The worst part of it is not the pain inflicted by sad memories, rather the loneliness of it. Second being revenge, is a means to intrigue the viewers in here; they say, the best revenge is to unlike them who has caused the injury. But do people really believe in that? No! We are mostly who choose to avenge through damage, even so it is caused upon us. Obsession being another factor, proves once again that it in itself is a way of ruined beings to destroy themselves further. Of all human weaknesses, obsession is the most dangerous and the silliest. Also, lying being considered the worst habit of human beings, is something that can't be fixed. But we must remember, our lies catch up to us someday, somehow. Jealousy too is a factor that immensely dominate the story. The inner consciousness of one's own inferiority is something that can eat us out completely. Domestic violence, disturbances in marriage, parental love as well as negligence, bullying culture in highschool, greed, hate speech, extra-marital affairs, cheating, competition, insecurity, possessiveness, mistrust, etc are also a part of the drama.

I was worried the writer and director might forget about the few side plots that was incorporated into the major plot via the minor characters like Ahn Lisa (Hee Joo's daughter) played by Kim Soo An, Jung Seon-u (Hee Joo's brother) played by Shin Dong Wook and Ahn Min Seo (Hee Joo's SIL) played by Jang Hye Jin. Since there were long gaps before they brought forward the consequences of those scenarios, I was uncertain about them not turning into plotholes, but thankfully!

This has a set if good OSTs. My most favourite is "The Moment" by Lim Kim which is an English song that reminisces past and resonates the consequences with a sense of guilt and regret. The harmony in the track is very soothing, indeed. "Moving Away" by Savina & Drones is a lowbeat, despondent track with immense vocal works. "I Am Lost" by Lee Seung Yoon is a melancholic song about heartbreaks whose high note rhythms are enough to melt your soul. "Knocking On" by Jannet Suhh and "Midnight Sun" by Kim Kyung Hee are the other 2 tracks.

The sound production is also well done. The background scores and the OSTs have been utilized appropriately and were able to keep up the thriller plus makjang vibes throughout.

Knowing own-self is the beginning of all wisdom and can prove a great teacher. But the attempt to imitate someone else's reflection will only bring you misery and land in a horrendous & repulsive situation. What matters is the timely realization and withdrawal, followed by self-reflection and learning.

The finale week had the most dramatic consequences. 15th episode in fact laid a foundation for a superb finale episode but to my disappointment, that seemingly amazing seqence actually got wasted somehow; the peak at the end of ep15 somehow calmed down as soon as within 30 minutes of the 16th ep and the resr 1 hour of it was heading down some unknwon path. I don't wanna comment on it firmly bcs I am uncertain about the writer's intention, nor have I read the original work to be aware of it. But let me simply put it, that it might have another season, otherwise, we'll have to move on from it, considering that the drama got some plotholes. The ending sequences in the last 15 minutes have left me all confused and I have got at least 5 questions, which can be answered with another season only.

Its not new for Kdramas to have unsorted endings just to leave the audience to interprete and assume by their own but ai believe that's not the case here at all. I would have been happier if they had wrapped up the entire story within one season bcs I don't honestly see a potentially amazing drama out its 2nd part. Sure, this one is good but adding more to it will somehow feel like an unnecessary exaggeration, I think. Hoping to listen from the makers soon, I mean they should be clarifying about their intentions by now.

Overally, this is very good, if not something unique or groundbreaking but surely has different kind of moods and I thoroughly enjoyed the entire thing. It's more of a combination of mystery thriller and makjang, and not the typical frustrating makjang kinda drama. The last 6 episodes have the actual intense makjang stuffs, which might not be that sensitive. But anyways, enjoying this depends on your expectations and taste in makjang drama. For example, I am not a fan of intense makjangs so this mild dose was honestly good for me. It has it's own flaws of drawing plots and characters at few points but it's definitely worth the one time watch.

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A Slow Descent Into Hell…

Life is rarely a straightforward and narrow road and for artist Hee Joo (Hyun-Jung Go), her road seems to be an incessant path of bumps, twists and turns as she gradually begins her descent into “ Hell”.

The storyline places emphasis upon unravelling questions towards Hee Joo’s fall from grace.The female lead seems to have all ; she had a rough start but now has two beautiful children, a doting husband, a lovely home, and a successful art career, yet something still seems to haunt the female lead . Yet when a terrible incident happens to her daughter Ri-Sa (Su-an Kim), Hee-Joo is shocked to end up meeting someone she used to know in her past Hae Won (Shin Hyon Bin); a ghost of her former lively-self. Hee Joo and Hae Won’s encounter marks the beginning of a hellish journey that will test and trial everything that Hee-Joo believes she already knows…

Adapted to the small screen by director Im Hyun Wook ( ‘ People You May Know’) and screenwriter Yoo Bo Ra ( ‘ Just Between Lovers’, ‘ Snowy Road’) from Jung So Hyeon’s novel ‘ Someone Who Looks Like You’ , ‘ Reflection Of You’ takes a noticeably darker and bittersweet tone than most melodrama revenge-tales, and a slow-burn plot which will test viewers’ patience spans to the maximum.

Of course this isn’t to say that there isn’t intrigue for viewers surrounding the plot premise or initial start; it wastes no time hooking audiences ( shown as a literal metaphor through the fishing line thrown into water in the first episode) and adds a few little threads to keep the series interesting; the mysterious and unconscious John Doe visited by Hee Joo’s husband who later disappears, the tension between Hee Joo and her affluent , aloof mother-in-law , Hae Won’s use of an alias as well as her evident connection to Hee Joo .

The acting front of the series was admittedly fairly good. Whilst there were a few questionable line deliverances at times it’s undeniable that our main cast really shone throughout . Hyun-Jung Go delivered a brilliant performance as her complicated onscreen persona Hee-Joo whilst Shin Hyon Bin would often steal the limelight as Hae Won ; the chillingly vengeful, enigmatic and mysteriously paradoxical character who acted as the main foil and plot drive throughout ‘ Reflection Of You’.

Yet amongst screenwriter Yoo Bo Ra’s smoke and mirrors tactic through using mysterious subplots and haunting scenes to shield viewers from the actual truth of the past and events to follow, ‘ Reflection Of You’ isn’t without its more evident loose threads either.

The series is undeniably slow-paced. Whilst this is a necessary tactic for keeping the storyline afloat and the input of cliffhangers during most episodes helped the drama to gradually reach its apex , ‘ Reflection of You ‘ could often ward off viewers and potential newcomers. The series would often become bogged down with its arbitrary soap-opera trope-worthy moments, occasional out-of-place transitions and use of over-the-top dialogue and line deliverances. Whilst it does present a form of ( intentional or unintentional ) dramatic irony in the lavish and melodramatic world of ‘ Reflection Of You’, it could often create a sporadic and disjointed plot with many loose plot ends sticking out like a saw thumb by the ending of the series.

The finale of ‘ Reflection Of You’ undeniably divided audiences; a final conclusion towards the twisted world of the series, but leaving a lot of unanswered questions and logic on the sideline with main characters Hae-Won and Hee Joo’s arcs feeling underdeveloped .

So is ‘ Reflection Of You’ actually worth watching or is it a waste of time? ‘ Reflection Of You’ is a drama which will admittedly engage or disengage audiences dependent on expectations. Whilst this is generic situation for a lot of K-dramas, ‘ Reflection Of You’ often finds itself digging its own grave at times by its snail-paced progression and dragging out plot points behind its expiry date . This isn’t to say the series is “ terrible” or “ unwatchable”; the acting is fairly dynamic throughout the series, the plot premise is intriguing and there are some wonderfully-interweaved scenes by director Im Hyun Wook to give viewers goosebumps. However the incompletion of a series which was dragged out for viewers alongside mismatched storyline and plot points, can admittedly lead to some mixed-feelings and uncertainty towards the finished product.

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