1 Throughout the series there are many mentions about the next life. ML is emphatic about this belief and talks about it several times to MJH. They had a happy time, both were able to mutually prove their love. It is not entirely clear whether she actually died in that chair. And let's not forget that MJH was also poisoned. He had promised to find the flower when the snow returned and the snow returns in this scene. What would be the point of making a scene with snow, an event exclusively related to the flower?

2 The plot has a strong symbol, the undying flower, whose meaning is that they would not die before fulfilling their revenge.
The plot is also focused on rebirth, the opening song talks about rebirth. The scene that follows the falling snow is of a stunning sunny day in Qingzhou. We see everyone who died there, alive. It's not a dream of his, the type of image doesn't indicate that it's an oneiric experience, nor a memory, especially because they didn't know each other before the fire. It's a scene of rebirth.

3 MJH's arrival indicates that he is also experiencing his rebirth and, according to promise, doomed to the fate of living another life with ML. This final scene indicates that their story begins again in a different way, suggesting that they will have a happy life, free from the mistakes of that previous life.

4 Western films and series recurrently have happy endings, it's almost a pattern, this is related to our history. But Asia has a history of more than 5,000 years, it is rooted in philosophy, in the mystic of death in a profound way, it leads us to a permanent exercise of interpretation, because the series, even the most basic ones, bring this baggage, in a special way, cdramas commonly end their series without ending... without the conclusive cliché pattern so present in the West.

5 I repeat: MJH's arrival indicates that he is also experiencing his rebirth and, according to promise, doomed to the fate of living another life with ML. Believe me, at this time, MJH and ML are picking undying flowers... There is no longer any fear of dying...

I would like to follow up on point 4 and add a few words.

It is so difficult for us to understand because philosophy plays a very minor role in our culture compared to China.

Even today, it is completely normal in China that even in novels set in ancient times, a corresponding written language is used, which would have to be explained to us in the West with commentaries, as we would not understand it - the translations of the terms cannot be found in any dictionaries. This makes the language itself a major challenge.
To this day, it is also normal for idoms and metaphors to be used in rhetoric.

Because they are surrounded by certain types of language every day, they have a different approach to it, which of course also offers significantly more opportunities to use metaphors in film in an artistic sense. We are less familiar with such themes, as our films generally use very few such elements.
That's why we have to take a much closer look at dramas set in historical times in order to understand what's hidden beneath the scenes.

We in the West tend to use philosophies, idoms or concepts much less, as they are not so prominent in our society. This makes it difficult for us to interpret or understand certain things.
In my opinion, however, it is precisely this point that makes the series more interesting, as you have to deal with a different approach and are therefore able to get to know and understand more of their culture.

I deliberately chose to comment on it in general, as the statement regarding philosophy etc. applies to so many other Asian series.

I agree with both of your POV's and explanation. They are alive on a new life. That said I hope there is no such thing as rebirth. One time on this earth is enough !  Leave me up there without fear and eternal life with those I love and who love me. 

What a series wow! ?