NICE, keep 'em coming ;-)
@Dana - I agree 100%. While classical sometimes integrates
successfully into cinema, I always prefer original scoring. My
problem with borrowing from the masters is that their works were often written with very specific themes already in mind (especially opera, where
every
line has musical significance). So...when they're simply copy/pasted, there can be a real clash between the
personal imagery/emotions conjured by the work, and the media to which it's been arbitrarily attached.
Maybe the Lord will bless us all and resurrect Bernard Herrmann LOL. Another score like Vertigo and The Ghost and Mrs. Muir? Ok!!