Wong Kar Wai is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylized work, including As Tears Go By (1988), Days of Being Wild (1990), Ashes of Time (1994), Chungking Express (1994), Fallen Angels (1995), Happy Together (1997), 2046 (2004) and The Grandmaster (2013). His film In the Mood for Love (2000), starring Maggie Cheung and Tony Leung, notably garnered widespread critical acclaim.

Wong's films frequently feature protagonists who yearn for romance in the midst of a knowingly brief life and scenes that can often be described as sketchy, digressive, exhilarating, and containing vivid imagery.

Wong is an important figure in contemporary cinema, regarded as one of the best filmmakers of his generation. His reputation as a maverick began early in his career. In the 1996 Encyclopedia of Chinese Film, Wong was described as having "already established a secure reputation as one of the most daring avant-garde filmmakers" of Chinese cinema. Authors Zhang and Xiao concluded that he "occupies a special place in contemporary film history", and had already "exerted a sizeable impact". With the subsequent release of Happy Together and In the Mood For Love, Wong's international standing grew further, and in 2002 voters for the British Film Institute named him the third greatest director of the previous quarter-century. In 2015, Variety named him an icon of arthouse cinema.

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