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Sugar

Under the same sky
Watashi no Oyome-kun japanese drama review
Completed
Watashi no Oyome-kun
5 people found this review helpful
by Sugar
Jan 8, 2024
11 of 11 episodes seen
Completed
Overall 6.0
Story 6.0
Acting/Cast 7.5
Music 8.5
Rewatch Value 1.0

Initial charm fades with clichés, dragged-out plot.

"Watashi no Oyome-kun" kicks off with a promising premise—Hayami Honoka, a corporate ace with a messy secret, and Yamamoto Chihiro, a domestic superhero, forming an unlikely alliance. The initial quirkiness and chemistry between the leads, played by Haru and Mahiro Takasugi, create an engaging start. However, as the story progresses, the charm begins to wear thin.

The plot struggles with a lack of direction, relying heavily on annoying tropes and clichés, making it feel like the narrative is moving without a clear purpose. The attempt to break societal norms and gender roles is overshadowed by frustrating misunderstandings, overused drama, and numerous unnecessary love triangles.

While the lead couple's chemistry remains a highlight, the constant interruptions to their romance and the exaggerated misunderstandings contribute to a sense of irritation. The characters, particularly the side ones like Akamine, often come off as overly comical, destroying the balance between humor and genuine connection.

As the series reaches its later episodes, the pacing falters, with the story feeling dragged out and losing the initial fun that drew me in. It becomes apparent that the show could have wrapped up sooner without sacrificing its essence. Despite the shortcomings, the presence of Haru and Mahiro Takasugi keeps the interest alive, and moments of adlib add a touch of authenticity.

In conclusion, "Watashi no Oyome-kun" has its entertaining and funny moments, but a dull plot progression, irritating clichés, and a waning charm in the later episodes might leave viewers wanting more. It falls short of being a standout romance drama and may test the patience of those looking for a more substantial and well-paced narrative.
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