Drama Addict
New Zealand
A very enjoyable drama with interesting story and plot development, an outstanding cast, excellent cinematography, lovely music pieces and excellent chemistry between the leads.
Xue FangFei was the daughter of an integrous magistrate who was wrongly accused and sentenced to death. She was murdered and buried alive by her husband whom she loved. The husband was a very conflicted personality - in the drama, you would witness his struggle. Rescued by Jiang Li who eventually died due to ill-treatment, she took on her identity.
She assumed two huge responsibilities - how to get Jiang Li's stepmother to admit her crimes, and to investigate and exposed the mastermind behind the extermination of the Xue family. To return to the capital, she made use of Duke Su, known for his ruthlessness, and for which she received both help and retaliation.
Of course, you have Wu JinYan (Xue FangFei) of Yanxi Palace fame as the lead actress, acting once again an intelligent woman seeking and upholding justice. And then, there was Wang XingXue (Duke Su) who had a flair for selecting and performing well in good dramas. His last four dramas were all above rating of 8 on mydramalist.com; the Kunning Palace was one of them. He is certainly very young to have earned these accolades.
The plot was interesting as both FangFei and Duke Su had their share of scheming and being schemed against. You watched wondering what they were going to do next to counter the traps set for them, and whether the dangerous schemes they set for their antagonists might backfire. And for sure sometimes they did. When Duke Su handed over his army tally to the Princess to entice her brother to hasten the rebellion, you would expect him to have also a back-up plan to re-secure his power besides relying on the army from an ally. But he did not - I thought this was a pretty dangerous and foolish gamble.
This, as I understood, was the adaptation of a novel with some significant changes from the original story. The original was more of a supernatural setting but this was more down to earth.
It is worth pointing out here that the sound track was outstanding - one of the best in Chinese drama and witnessing a return of good music pieces to dramas after the pandemic. I love the theme songs and the two instrument pieces played at the entry examination.
Whenever there is an actress who is significantly older than her male counterpart, or acting a maiden much younger than herself, there is always the question whether they would be able to bring out the chemistry. Very often they do. So I would say to viewers not to discriminate on this basis. The camera, make-up and excellent acting can often overcome this.
There was however an unexplained scene - how did FangFei escaped from being buried alive as she was tied up and knocked unconscious. It showed Jiang Li finding her near a river, but how did she get there?
While the story and plots were relatively original, the themes of fighting for the throne and revenge for misjustice were a little overused and somewhat stale and cliche. They made good stories for a period drama, but would be nice to watch something of a different theme for a change. However, if you have not watched as many Chinese dramas as I have, this would not affect you.
Overall, I was debating whether to give it a 9.5 or a 10. Eventually I settled for the former for the last two reasons above.
Xue FangFei was the daughter of an integrous magistrate who was wrongly accused and sentenced to death. She was murdered and buried alive by her husband whom she loved. The husband was a very conflicted personality - in the drama, you would witness his struggle. Rescued by Jiang Li who eventually died due to ill-treatment, she took on her identity.
She assumed two huge responsibilities - how to get Jiang Li's stepmother to admit her crimes, and to investigate and exposed the mastermind behind the extermination of the Xue family. To return to the capital, she made use of Duke Su, known for his ruthlessness, and for which she received both help and retaliation.
Of course, you have Wu JinYan (Xue FangFei) of Yanxi Palace fame as the lead actress, acting once again an intelligent woman seeking and upholding justice. And then, there was Wang XingXue (Duke Su) who had a flair for selecting and performing well in good dramas. His last four dramas were all above rating of 8 on mydramalist.com; the Kunning Palace was one of them. He is certainly very young to have earned these accolades.
The plot was interesting as both FangFei and Duke Su had their share of scheming and being schemed against. You watched wondering what they were going to do next to counter the traps set for them, and whether the dangerous schemes they set for their antagonists might backfire. And for sure sometimes they did. When Duke Su handed over his army tally to the Princess to entice her brother to hasten the rebellion, you would expect him to have also a back-up plan to re-secure his power besides relying on the army from an ally. But he did not - I thought this was a pretty dangerous and foolish gamble.
This, as I understood, was the adaptation of a novel with some significant changes from the original story. The original was more of a supernatural setting but this was more down to earth.
It is worth pointing out here that the sound track was outstanding - one of the best in Chinese drama and witnessing a return of good music pieces to dramas after the pandemic. I love the theme songs and the two instrument pieces played at the entry examination.
Whenever there is an actress who is significantly older than her male counterpart, or acting a maiden much younger than herself, there is always the question whether they would be able to bring out the chemistry. Very often they do. So I would say to viewers not to discriminate on this basis. The camera, make-up and excellent acting can often overcome this.
There was however an unexplained scene - how did FangFei escaped from being buried alive as she was tied up and knocked unconscious. It showed Jiang Li finding her near a river, but how did she get there?
While the story and plots were relatively original, the themes of fighting for the throne and revenge for misjustice were a little overused and somewhat stale and cliche. They made good stories for a period drama, but would be nice to watch something of a different theme for a change. However, if you have not watched as many Chinese dramas as I have, this would not affect you.
Overall, I was debating whether to give it a 9.5 or a 10. Eventually I settled for the former for the last two reasons above.
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