Going On Strike Against This Thing Called Life

Summer Strike started with messages of self-discovery and how one should take a step back to move forward, but it ended with more than that. To me, recovery from grief and trauma was also one of the main themes of this healing drama.

Through the journey of Lee Yeo Reum, who decided to go on strike from her life by breaking away from the confines of her job and Seoul, this drama is relatable to viewers who are tired of their busy lives. We all, at one point or another, just want to do nothing.

Yeo Reum was an overworked girl in her 20s who had to deal with a series of hardships in her personal and professional lives before making a life-changing decision. Realizing the hopelessness of her mundane life, Yeo Reum decided to stop enduring so fiercely and simply just be.

However, leaving the stressful city life and starting anew in an unfamiliar seaside village, Angok was not as smooth as Yeo Reum hoped. Encountering prejudice and unfriendliness at first, our young female lead had to go through some pretty harrowing experiences before finally finding herself at a comfortable point in her life at the end of the show.

Meeting a shy librarian, An Dae Beom was a pivotal turn in Yeo Reum's journey of self-discovery. Dae Beom's kindness and calm were like an anchor for Yeo Reum, but he was also tortured by his past. With a tragic family history, Dae Beom had his own reasons for saying in Angok. As the relationship between the leads blossomed, the show covered themes of support and comfort.

The romance between these two with scars was a slow-burn one, enjoyable for me because it was so natural. The emotions and the steady, growing attraction built around an interesting storyline were satisfying for me. There was no culminating intimate skinship, but the pace made sense. There was no doubt that there was something solid between the couple at the end.

I enjoyed watching the sisterly love develop between Yeo Reum and Kim Bom, a high school student, and other heartwarming relationships, especially between Kim Bom's grandmother and Yeo Reum. In addition, other characters with their own demons to face and romance between different couples added flavor to the story.

Interestingly, even though the show was touted as an escapist healing drama, there were sinister undertones throughout some episodes. Therefore, I was not surprised as the later episodes featured darker scenes including a murder scene. However, there was no true case to crack because the show gave no opportunity for the viewers to figure anything out. There is no mystery tag for a reason.

Instead, the ensuing tragic events were meant to serve as a further catalyst for Yeo Reum's and Dae Bom's personal healing and growth.

Some viewers criticized Yeo Reum's character as a doormat, being taken advantage of at work and at the end by the villagers in Angok. Similar criticism was made about Dae Beom and how he was easily manipulated by certain people.

I disagree.

To me, both lead characters have a quiet dignity about them. They chose their battles and fought for what mattered. Even during moments when the viewers preferred for them to stand up and fight back, their perceived passivity was relatable and understandable. They were consistent throughout the show, and the little changes the characters made in their lives had a more substantial impact on the story. Good character development does not always mean 180 degree change.

Without a doubt, the entire cast was great. How the characters interacted with each other and dealt with life, in general, reminded me of how the people I know and I would behave in real life. The show did a great job showcasing the layers of human nature, including its selfishness and selflessness.

Acting-wise, I have nothing but praise for the leads. Kim Seol Hyun and Im Is Wan impressed me with their quiet intensity and ability to emote so much with the smallest expressions.

Finally, to top it off, the soundtrack was memorable for me. The way the show wove the songs and background music into the story was fitting and perfectly set the scenes and moods. I especially like "A Strange Day" by JiHyo from TWICE and "Color" by Sunnie. Enclosed below is the link to the OST list.

Overall, I hope more people will give this drama a chance. For me, the beauty of a "slice of life" series like Summer Strike is how well the show depicts the everyday experience, the struggles of daily life and trying to find oneself during the process, and the stark portrayal of human nature's good and bad sides.

OST list on Youtube:
https://www.youtube.com/watch?v=RIZ81nIsbgM

OST list on Spotify:
https://open.spotify.com/playlist/4QoX21xv9cN6oVHumGfdZM?si=5b7d0c33e7cc400d

* JiHyo (TWICE) - A Strange Day
* The Boyz - Summer Night
* Fromm - A Slow Summer Song
* ENHYPEN (Sung by Heesung, Jay, Jake) – ZERO MOMENT
* Jiyoon (ICHILLIN') – I'll Wait
* Tearliner – We Swim in Dreams (Feat. Bang Jaemin)
* Tearliner – Me, the Protagonist (Feat. Love X Stereo)
* SEOLA (WJSN) - Lover
* Kum Junhyeon - Hello, Stranger
* Sunnie - Color
* Hwang Inhyeock - I Will Remember You
* Low-end Project - I See You Like I See the Sun

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This couple killed it

This drama is about a whole lot more than romance, but I will start by showing some love in honor of the lead couple, Gu Yanxi and Hua Zhi. They were classy in their cuteness and made our hearts flutter with every interaction. The chemistry was undeniable; whether they were adorably close or longingly apart, they were always in tune with each other. They understood each other, supported one another, and sacrificed for the other. From potential enemies to friends to lovers, they became each other's greatest allies. What I appreciate the most though, is the strong communication and the unbreakable trust between them. This delightful duo embodied how love can endure, even in the face of conflict and circumstance.

Apart from our leads, the other couples have also left a memorable impression on me, and I truly enjoyed watching how the relationships developed and blossomed. Even when romance did not always lead to the happiest of endings, the stories were touching and, at times, really tugged at my heartstrings.

When Blossoms in Adversity started airing, I had high expectations because of the director, Chu Yui Bun, and the cast. The show delivered even more than I expected. There was a strong theme of female empowerment, and a quote by Goethe came to mind, "The Eternal-Feminine draws us upward". Almost all the women characters had character development for the better, but sadly, most of the male characters did not. Save for a handful, most of the male characters were a disappointing lot.

Zhang Jing Yi's Hua Zhi was solid, and she proved again to be an excellent actress. ZJY portrayed an FL who was plucky, intelligent, precocious, quick-witted, but also very human. With her entire family thrown into chaos when a power-tripping Emperor exiled all their family men, HZ had to grow up quickly. Through HZ's struggles and triumphs, the show provided a lesson: in times of need, we can step up and be the kind of person others need us to be.

I threw shade at Hu Yi Tian in the beginning saying that ZJY was carrying the show, but in the end, I was won over yet again by our handsome ML. He shone in his fight scenes, and his usual stoic expression fit his role as Gu Yan Xi. This ML was also brilliant and was a skilled fighter. As the Commander of the Security Bureau, he was savage with everyone who deserved it but so gentle with the FL and the ones important to him. GYX started out conflicted, torn between gratitude to his uncle and his affection for Hua Zhi. Ultimately, he became a source of strength for HZ as he gradually determined that any amount of gratitude did not warrant the blind loyalty demanded of him.

GYX had background music dedicated to him, one that played whenever he turned up, ready to take the bad guys down, and it was just so bad-ass enjoyable. HYT should consider more historical dramas since this role is my favorite of his to date.

The supporting cast was terrific too, notably Lu Yu Xiao, who showed off how versatile she was. While Caesar Wu did not appear as often as I would like, he nailed his character as the overly earnest, idealistic Shen Qi. Bian Cheng as Shen Huan is someone to watch out for, and as the Emperor who demanded nothing less than everything, Hai Yi Tian delivered a great performance that had all of us wanting to see a painful death for him.

Apart from being amazingly acted, this drama was well-written and nicely executed. I applaud the show for keeping most of us engaged until the very end, throwing in something unpredictable just when I thought I figured out what would happen next. That said, the show didn't fall into the trap of using plot twists for the sake of creating last-minute melodrama.

The pacing was interesting to me in a good way. The plot went through the ups and downs of the characters lives so smoothly and quickly that angsty moments were not that dramatic and happy moments were more like normal events. No one really has an opportunity to dwell on the good or bad. Even with 40 episodes, the show never felt draggy, and best of all, it stuck its landing. I for one, am satisfied with how the show ended. It wrapped up the characters' journeys nicely and sent them off in such a way that left me feeling that this drama was well worth the watch.

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Visually, musically, emotionally - This show hits all the right spots!

Season 1 ended well, leaving the audience much to look forward to in Season 2!

I was anticipating this drama not only because of Dilireba but also because of the director, Zhu Rui Bin (Chu Yui Bun), whose works included "The Long Ballad". Apparently, a casual conversation between Zhu Rui Bin and Dilireba, who was reading the "Blue Whisper" novel, led to the filming of the series and their collaboration. For those interested, the novel "Blue Whisper" is written by Jiu Lu Fei Xiang, and you can find a good English translated version here: https://wayeast.weebly.com/the-blue-whisper.html. I started reading and finished the novel when I was almost done watching Season 1, and it is a good read!

This show is tagged as a Xianxia, an ancient Chinese fairy tale set in a magical fantasy realm, with gods, monsters, ghosts, and cultivators (or xiūshì) who seek to become immortal beings called xian. As for the female lead, she is a guardian/spiritual master of the Wan Hua Valley. The male lead is Chang Yi, a Merman (or jiaoren) captured by Princess Shunde, an immortal and the older sister of Tianjun who is the Lord/Emperor of the Heavenly Court.

The drama starts with an episode highlighting the intelligence and kindness of our female lead, Ji Yun He, portrayed by Dilireba. Yun He is resourceful, and she seeks to achieve what she wants through the least harm to everyone involved. She is pitted against her "senior disciple brother", Lin Hao Qing, the young master of Wan Hua Valley. He appears crueler and one who would stop at nothing to get what he wants. However, his actions are contradictory, especially when it comes to Yun He. The audience will find out why eventually.

In exchange for a high reward, Yun He and Hao Qing accepted a challenge from Princess Shunde to transform the captured Merman into her subject by 1) teaching him to speak, 2) for him to grow legs, and 3) ensuring that he is forever loyal to the Princess.

The story focuses on the main couple's journey, as Yun He and Chang Yi fall in love, and the trials and tribulations they go through for each other. In season 1, the audience may find that the main couple does not have enough screentime together, and much of the story is also about the side characters. However, for me, each character adds depth to the story, and I find the side stories engaging. That being said, I still want to see Season 2 showcasing Yun He and Chang Yi more.

Visually, musically, emotionally - The story pulled me in so deeply. The production is undoubtedly high-quality, and a lot of attention is paid to the details. The costumes and sets provide a striking visual impact, and the special effects/CGI are well-done, immediately evoking feelings of wonder and fantasy. I like the cinematography, where the director filmed from different angles and views, providing a fresh experience, and drawing in the audience. Furthermore, the choreography for the fights, flying, and other action shots were done so superbly. I watched the "behind the scenes" (BTS) clips and it is obvious how much effort and time the actors put into practicing the wire-flying and martial arts moves.

So far, this show is a gem - it flows nicely and is well-executed. Each episode kept up the pace, never lost the momentum, and just got better and better. With unexpected twists and turns (some not in the novel), I never feel tempted to skip, and there are scenes that I would rewatch just so I could appreciate the gestures, effects, and words again.

The episodes show different aspects of a situation and the different perspectives of the characters, who are interesting and none are superfluous. No one is all good (except Chang Yi initially) or all bad. Every good character has flaws, and each villain has a backstory that makes them relatable and their actions justifiable. You will come to understand what the characters go through, the reasons for their emotions, and their circumstances. Overall, the script scores points with dynamic characters who struggle with their actions, who are not always clear if they are doing the right thing or what the right thing even is. I find myself connecting with the characters and rooting for many of them. As the story progresses, there are many more tears-inducing scenes, and I become more emotionally invested.

I have nothing but praises for the acting delivered by Dilireba, Allen Ren, and the other actors, including Xiao Shun Yao (very manly!), Hu Yi Xuan, Fan Zhen. Together, their looks are a visual feast for the eyes.

Dilireba fits the role of Yun He perfectly, but then again, this is not surprising since she often plays intelligent, quick-witted, and strong female leads. This time, it is another female lead with a tragic background that formed her resilient character. As expected, she looks gorgeous in her outfits and make-up. Just wait till you see her transform into her demon animal, you would be blown away! To me, she has improved even more in this role, honing her skills to deliver the story via her eyes and facial expressions. She does so well not only in scenes with increased, intense emotions, like laughing while crying during the ironic or tragic moments, but also in simple scenes where the audience only needs to watch her face and feel the loss or longing that Yun He is going through.

Likewise, Allen Ren impresses me with his ability to emote a myriad of feelings and thoughts just with his eyes and micro-expressions. His character does not speak for the first couple of episodes, and only through his physical acting, can still move the story well. Side note: I read that Allen got criticized for wearing a muscle suit during his merman scenes, but that still does not detract from his fineness. Chang Yi is the epitome of pure goodness in the show, which is what Yun He is drawn to at first. Allen delivers this innocence well but he is also able to easily express anger, nobleness, and arrogance. His visuals are not my usual preference, but in this show, in that persona, he's captivating. His transformation from trusting, naive, "fresh out of the water" Chang Yi to the all-powerful Lord of the North highlights Allen's acting chops.

The show does a great job, allowing each main actor to showcase their talents and skills. Yun He is featured more in the earlier episodes, and I like her character development. Then in the later part, Chang Yi has more screen time, and he becomes way cooler and more impressive.

The entire cast has performed well, and the supporting characters help to carry this show. There is such good rapport among them, like the endearing sismance between Yun He and Luo Luo, her butterfly spirit, played by adorable Hu Yi Xuan. I also appreciate Xiao Shun Yao's portrayal of Lin Hao Qing's character, who displays conflicting motivations, forced to act a role to protect someone he cares for. Compared to the novel, the show made Hao Qing more complex.

The OSTs are on another level, with appropriate pieces underscoring the scenes. The starting and ending songs are very fitting, and both set a dramatic and emotional tone that is infused throughout the show. The more I listen, the more I like them! For posterity, I have recorded the main tracks here.

https://www.youtube.com/watch?v=BpzFy3Rzd74
Song: 留白是表白 (More Than Blanks)
Artist: 金志文 (Jin Zhi Wen)

https://www.youtube.com/watch?v=ExRgy5Ry3C8
Song: 鮫人之歌 (The Song of the Merman)
Artist: 周深 (Zhou Shen)

https://www.youtube.com/watch?v=l_pzD0itRfo
Song：#如你所想 (As You Wish)
Artist：#毛不易 (Buyi Mao)

https://www.youtube.com/watch?v=CtKnVuUxCN4
Song: 魚躍而上 (Leaping Fish)
Artist: 薩頂頂 (Sa Dingding)

On the whole, I find this drama worth watching and following. Not surprisingly, many of us are eagerly waiting for the English subtitles to appreciate it fully. I will rewatch this show when the whole show completes airing with proper subs in case I may have missed any nuances during the first watch.

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Fated Love - Neither Time Nor Distance Can Prevent It

First Love: Hatsukoi has beautifully captured the twists and turns of destined love. With Fate pushing two people together but also pulling them apart when tragedy occurred, it was an addictive emotional roller coaster ride filled with the rapture of first love, the regret of lost love, and the joy of second chances.

A wonderful story about a love that transcended the sands of time, this drama fell into comfortable and familiar tropes. However, in this show, I found the cliches charming. With such strong chemistry between the leads (younger and older versions), I was happy just to be along with the ride and watch the heartfelt romance unfold.

Using distinct color palettes and compelling imagery, the director, Kanchiku Yuri, and the cinematographers breathed new life into tired story elements. Fluid camera movements transitioned the viewer seamlessly from the flashbacks of the leads' past into the reality of their present circumstances.

I liked how the director used elements like the snow, the sea, and the sounds of planes; many scenes were like expressive photographs with period details. In this show, color was not only an emotion, a state of mind but also part of the story itself. The way the show filtered and focused on the colors allowed me to experience the story through a unique lens that drew me further into it.

Of course, the music was one of this drama's most notable aspects. After all, Hikaru Utada's songs- First Love and Hatsukoi, inspired the story. In addition to these two, the drama music, including instrumental pieces by Taisei Iwasaki and other songs, captured the emotional moments flawlessly - joyful, nostalgic, or heart-wrenching. The music evoked empathy for the characters and was crucial to the narrative.

Despite a few rough spots that needed smoothing out, the story was well-written and flowed nicely. I appreciate that the plot was not only about romantic love but also about coming of age and the consequences of choices. There were also risque scenes which was an interesting change from the more conservative Chinese and Korean dramas.

The excellent acting also made this drama enjoyable for me. The characters were likable and relatable. The female lead's mother had moments where I wanted to smack her, but her heart was in the right place.

I liked and respected Mitsushima Hikari's Noguchi Yae, a character that I would describe as resilient. Society forced the idea of some being better than others and imposed unfair judgment on people like Yae's mother, but regardless, Yae knew that she and her mother deserved just as much as anyone else. Hikari was so lovely to watch, and her beguiling performance, along with Satoh Takeru as Namiki Harumichi, added the depth that completed the show. Takeru, with his melt-your-heart gaze, portrayed Harumichi perfectly. He is a really subtle actor whose eyes and micro-expressions speak volumes.

I also enjoyed the portrayal of the younger versions of the leads by Yagi Rikako and Kido Taisei. They were able to convey the feelings of an all-consuming idealistic young love, and Taisei's earnestness won me over as young Harumichi.

In summary, I do recommend this drama! I love a good love story, and this was definitely that. It is a story in which you cannot spend too much time thinking about the details. You just have to accept that the universe has plans for everyone, and everything will play out splendidly. As long as you enjoy the show in its little contained, cliched world, there is plenty to relish. Don't forget to watch the ending credits scene to the very end.

For posterity, I have included the Spotify playlist:
https://open.spotify.com/playlist/37i9dQZF1DWTSDEMZlKWZw?si=282686721a124f1d
Other songs:
- Escapade by Emro: https://open.spotify.com/track/71Pu8L7LWuig8tY3zuKH8C?si=44416f6cad1c4963
- Sleep With You by Egil Olsen
https://open.spotify.com/track/6dJabU4OhnOfyByP8NQeOF?si=caf81692d1dc4e4d
- Hard Work and Fate
https://open.spotify.com/track/29mpuWWmRUdH9P2zXz9a4k?si=858ee21bbd2040e4

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Never Give Up and Never Give In (In Sports and In Love)

There have been other good Noona romances in recent dramas, but Falling Into You tops the rewatch list for me.

The theme centered around track and field athletes and their passions, dreams, and doubts. However, it was the love story that was candy for me. Those looking for good romance will not be disappointed by the great mix of sweet yet flirtatious, innocent yet sexy, complex yet enduring love between an aspiring coach and her idealistic student.

This show was already off to an awesome start when it featured two gorgeous actors as the main CP, who also had fantastic chemistry with each other. Nothing could get in the way of sparks between these two, especially when the romance began to heat up. I love that the actors were not shy about the kiss and intimate scenes, and I have to say they did remarkably well in this aspect.

Perhaps part of the credit should go to the director, Yi Zheng, who also directed "Love Between a Fairy and Devil", in which he was able to draw out excellent emoting from the leads.

Fun fact: Gina Jin is 8 years older than Wang An Yu, the same age gap as the main characters that they portrayed. Despite the age difference, they did an excellent job as a couple whose journey of love was so organic and wholesome. It was so enjoyable to watch our CP grow from the natural conflict of their budding relationship and going through the challenges of other people's prejudices to becoming a couple that inspired relationship goals. Once committed, they were unwavering in their support of each other and their faith in one another.

I was not surprised by Gina Jin's wonderful performance as Luo Na, the older woman who resisted at first but eventually fell for the charms of her persistent student. She is definitely a talent and simply stunning, even in plain athletic gear. She has played a similar role in "Why Women Love" and I hope she will not be typecasted.

Our perfectly handsome male lead was no doubt an eye candy. Perfect face, flawless skin, great physique. However, Wang An Yu wasn't all looks. This pretty face can cry! I am impressed with his emotional scenes, and there were many of them. After all, our adorable Duan Yu Cheng was still a 20-year-old boy on a path of self-discovery and smitten with Luo Na while trying to achieve his dream of being a top high jumper. I also liked Duan Yu Cheng's sportswear and casual outfits. This guy looks good in everything.

Some other characters fell flat or were unnecessary, but the cast did well overall. Watching the interactions between team members and coaches was fun; there were many hilarious and heartwarming moments. The show could have done away with some filler episodes and given us less of a rushed feeling toward the end. Still, it was a satisfying ending.

The OST was memorable, and I particularly liked the various songs played throughout the episodes. The two leads also sang a song each, and for posterity, I have listed all the songs I could track down at the end of this review.

All in all, Falling Into You was refreshing, entertaining, and binge-able. I could not recommend it more!

OST list:
* Love Blinds (Kéren)
https://www.youtube.com/watch?v=dneyEcIm0Hg
https://open.spotify.com/track/7iwGlPC4KxQ96CjYFD2YvU?si=bb90e03c45be43b4

* The Biggest Part of Me (The Home of Happy and Dane Etteridge)
https://open.spotify.com/track/29CBEod7xU7sVqpb7XaK5d?si=bbff9b8140134d2d
https://www.youtube.com/watch?v=YStkj_2m2Ko

* Everybody On Your Feet (Amphibious Zoo Music)
https://open.spotify.com/track/00vS1coaTZjwiA4MKQbCnR?si=53314df83ca84768
https://www.youtube.com/watch?v=87LdNYETuGI

* Standing in the Moonlight (Soul Mechanic)
https://www.youtube.com/watch?v=Ad91jxkTuak
https://open.spotify.com/track/0GVYSKXYMn4NzQC6DMnXNs?si=a4e5938621624d52

Call it What you Want (Antisocialites)
https://www.youtube.com/watch?v=4zRCUXKCkJM
https://open.spotify.com/track/0u60YRwLtd4HnaxkB7hmg9?si=2b820d94f7c04beb

* Girls Like You (Corban Shane Calhoun & Gabriel Canadian & Joshua Joseph Wilcutts)
No link

Brighter Days (Hanna Lynn Miller)
https://open.spotify.com/track/7ecwUJoCpwrfeN9tb5Vxgj?si=4857cadc31a14015

Uncorrupted (Julia Church)
https://www.youtube.com/watch?v=S5t_9ydDJm8
https://open.spotify.com/track/7tOu3piRvStm3BCk5CH7Q2?si=960e749f8cd94f8b

* 阳光 海浪 我和你 (Sunshine, waves, me and you) - 刘宇宁 (Liu Yu Ning)
https://www.youtube.com/watch?v=qk1o2AnIO_k

* 阴天转晴 (Cloudy and sunny) - 王安宇 (Wang Anyu)
https://www.youtube.com/watch?v=nLLr3K7aQDA
https://open.spotify.com/track/6OPvc0ghjjsXwG1Dh4xYzA?si=4b1a8b99e2234e29

* 度过此刻 (Spend This Moment) - 夏日入侵企画 (Summer Invasion Project)
https://open.spotify.com/track/5DmlNe79sX7LUHJrPZ9gSj?si=02df7f3e1e404ada
https://www.youtube.com/watch?v=Jnj8v43ktdA

* 怦然心动 (Heartbroken) - 汪睿 (Wang Rui)
https://open.spotify.com/track/6UosPIGzBTMm3psQapq6ps?si=f0f989ec59994978
https://www.youtube.com/watch?v=-y4MlP4H8jU

* 要不要留下来 (Do you want to stay) - 金晨 (Jin Chen)
https://www.youtube.com/watch?v=QjAE5v2pyQM
https://open.spotify.com/track/4jilfKy9z2tYwUN4jV57Pn?si=df0fc232693a4526

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Entertaining but also frustrating

The Princess Royal turned out to be one of those polarizing dramas where many viewers enjoyed the series thoroughly, while others condemned it as a terrible waste of time. This drama scored higher ratings on Douban than another show with an 8.9 rating on MDL and breached 10,000 on Youku’s popularity index. Yet, if you read the reviews and comments on MDL, you will see many with an opposite sentiment.

In the beginning, there were folks who judged the FL character based on her actions in the novel, and despite the scenes not even happening in the drama, began hating on her. As the show progressed, some complained that the novel had better scenes and the drama should have included them. Furthermore, fans of Zhang Ling He lamented that his ML character got less screen time than the SML and was not a strong enough character. Others wanted a full-fledged romance story and felt that the show spent too much time on palace politics and the interactions between the FL and the SML.

Lucky for me, I was not influenced by such factors. Not having read the novel, I could start with a clean slate. Also, not being a major fan of any actor, I was not comparing the amount of screen time each character had. While I enjoyed the development of the leads' romance, I was most interested in seeing how the leads would triumph against the villains when given the opportunity to redo things. The show drew me in because of its interesting premise of giving multiple characters a second chance.

**Why Entertaining?**

Having not only one lead but multiple characters being reborn into an earlier period of their lives added a nice twist to the usual story of a second shot at life. Moreover, we got another twist where instead of the ML being the tsundere one with all the power and prestige, it was the FL, Li Rong, who started off with a colder and unapproachable personality. As the Princess Royal, she was the political heavyweight with the backing of her noble family's background. In contrast, Pei Wenxuan, the ML, came from a humble common family and was married to the FL as her Prince Consort.

I liked Li Rong because she was unlike the stereotypical strong female lead. She had plenty of flaws but also had her own strengths. With conflicting personality traits, she was initially misunderstood by many viewers because she was cold and harsh on the outside towards Pei Wenxuan and yet showed care and thoughtfulness for him through her actions. Those viewers who supported and defended her against criticism finally felt vindicated when Li Rong showed character growth as she learned to trust the ML and revealed a warmer side. Through this growth, Li Rong also became freer, dropped her defensive wall, and expressed her feelings towards Pei Wenxuan more openly.

What added to her appeal for me was her complicated backstory. In her first life, Li Rong was no Mary Sue; she was not your usual FL who was perfect and good, and her only fault was trusting and loving the wrong people. In Li Rong's case, she was so proud, and her pride led her to misunderstand Pei Wenxuan and cut him off. She ended up in a relationship with Su Rong Qing, the SML, for many years while her marriage to Pei Wenxuan was just a sham. This setup also led many viewers to condemn her, but for me, who cares? The story was about them getting another opportunity to change things and start afresh, so I was more interested in what happened in their present (second) lives.

Zhao Jinmai did a good job as Li Rong. She was supposed to be young, and she certainly looked the part with her baby face, but she was able to portray the emotions of someone who may look young but had already experienced over 40 years of life. A life that was not easy, being entangled in palace politics. That said, there were times when I thought she was not regal enough and did not give that feeling of gravitas that someone in her position should have.

As for Zhang Lihe, whether or not he got sufficient screentime, I don't think anyone can deny that he found his stride in this drama. This is his best ML role so far, and he completely embodied Pei Wenxuan as a sunny, besotted man who was also calculating. Pei Wenxuan was also prideful like Li Rong in his first life as her Prince Consort, and when given another chance, decided not to waste it by hiding his love for Li Rong like he did the first time. In the second life, he wore his heart on his sleeve, and having understood Li Rong so well, was patient and willing to bear a lot for her. To me, he was an endearing simp who had it bad for Li Rong but was not a wimp. He got things done in his own way and was a brilliant strategist with his political maneuvering. He could also outshine anyone, including Su Rong Qing, during his jealous fits. Minor spoiler alert: the scene where he played the erhu in the middle of Li Rong's and Su Rong Qing's performance was just the best.

I enjoyed the progression of their relationship in the second life. Mostly through Pei Wenxuan's efforts, the leads actually talked through their issues. It took them the whole of their first lifetime to second-guess, and ultimately scheme against each other, so the second time around, they made sure to communicate. There were times when I thought there would be misunderstandings again, but each time, one of them would try to move forward by sharing their feelings. This was really the best strategy for Pei Wenxuan to win Li Rong over this time round.

With the romance underplayed during the last quarter, the show put a heavier focus on palace and court politics, which I also found entertaining. The show emphasized how blood ties and affection would always take second place when it comes to power struggles among the royal and noble families. This drama did a pretty good job depicting how people will stop at nothing to retain power for their family names and were mostly propelled by self-interest. As frustrating as it was to watch, it was understandable given the history of the Chinese empires. At least for me, it gave more depth to many of the characters in this show. It also added more nuances to the relationship between the leads as they navigated conflicts between the royal and noble families and survived being in the center of political struggles and turmoil. Seeing them together left a good feeling, and I was satisfied with how they ended.

**Why Frustrating?**

Where the show failed for me and why I could not give it a higher rating was how Su Rong Qing was portrayed. This character got a lot of hate for being the clingy SML who could not move on and later as the main villain, got a lot of screen time. I believe the show wanted to elicit sympathy for him, given his backstory and complicated relationship with Li Rong in the first life. The show probably also wanted a more complex villain whose actions may have seemed rash and selfish at first but never wavered from his desire to protect and ensure the safety and happiness of the ones he loved, including Li Rong. Also, by adding him to the mix, perhaps the show wanted to create more than just a sweet, flat romance between the leads.

If a more veteran actor had played the character, I might have developed a soft spot for Su Rong Qing and felt bad for him. However, Chen Heyi's portrayal did nothing for me. At the beginning, I did not really notice him except as a plot device to drive the leads closer. Later, when he turned out to be the main villain, I was not surprised to see him featured more. After all, like many other shows, villains tend to have more screen time during the buildup to the climax to drive up the angst factor. However, never once did I feel sympathy for Su Rong Qing. It could be the writing, but unfortunately, Chen He Yi's acting was not enough to depict this lost soul. Even in the end, I could not feel the hopelessness and defeat that Su Rong Qing must have felt, trapped with no way out between his family, duty, love, and his own desires. Even the music and numerous flashbacks failed to stir any emotions within me.

The acting of others also missed the mark for me. The actress playing Consort Rou, for example, had the oddest expressions, almost like she had a constant twitch. For someone who was featured quite a bit, I found it somewhat distracting.

**Overall**

Despite the lackluster acting of some, I love that the characters were shades of gray. We had antagonists who felt justified in their actions, people on both sides helping each other, sometimes for justice but mostly for purely selfish interests. Then we have the protagonists who made bad decisions, said and did things they did not mean in the heat of the moment. The show scored points with me for its dynamic characters who struggled with their actions, who were not always clear if they were doing the right thing or what the right thing even was.

This was certainly not a "always feel good" show where the good ones win all the time but it certainly provided the satisfaction I wanted. I was half expecting some open ended dream sequence but the ending was a proper and complete one.

Aesthetically, the set designs and costumes were well done and indicated the high budget of the show. The costumes were lovely, especially for Pei Wenxuan, and his clean hairstyle highlighted how handsome he was. The styling for Li Rong and Shangguang Ya was also nicely done, especially their hairstyles and accessories.

I also found the OSTs fitting and memorable. For posterity, here is the playlist
https://www.youtube.com/playlist?list=PLLaG0k-PXfnd8aOjOOxIaKTGfGdB4VKtm (maintained by Peachy Blossom) or Spotify: https://open.spotify.com/playlist/28GuPBlliOm48KGAl2fefJ?si=c8ba7e1257c24081

I recommend that you try this drama out and see for yourself. Thematically for me, The Princess Royal is a show that encapsulates life in many aspects and topics. It touches upon self-awareness and personal growth, love (romantic and familial), respect and loyalty (to self, family, country), politics, societal obligations and problems, the balance of power and inequality, friendship, and more.

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Revenge drama done right, thrilling and satisfying

Revenge is one of the most common genres used in dramas, but The Double stood out because it never lost focus and strayed from its main revenge theme. Too many revenge shows started off strong but lost their way when romance became the central point. To add salt to injury, smart leads suddenly became love brain and lost all common sense, or even worse, any ounce of intelligence that they used to have.

Not this show.

Oh, there was definite romance, one so tantalizing and the build up of our lead couple's relationship so engaging that it set my heart aflutter even when there were no kisses for most of the show. However, the plot stayed on course, showing how our female lead, Xue Fang Fei slowly but surely got revenge for herself and her family, and also for her savior, Jiang Li whose identity she assumed after getting a second chance at life. Furthermore, the crew and cast, from the director, the screenwriters to the leads and supporting actors, they owned this show, expressing the story with their own unique voices and perpectives.

Revenge is visceral, evoking deep feelings and grabbing our attention. Viewers hate to see a grave injustice go unpunished and most of us can get behind a little vigilante action in our dramas, especially when we get to watch the deeply wronged victim avenged. In this show, the injustices were montrous and I find it completely justifiable for Xue Fang Fei to seek out the people who so badly betrayed her and wronged Jiang Li. The drama unfolded well, ensuring that the viewers formed an emotional bond with the characters, getting outraged, wanting revenge as much as Xue Fang Fei did.

What is great about Xue Fang Fei was that she was truly likable, a protagonist who had most viewers firmly in her corner, rooting for her. She was of course full of rage but she was not one-dimensional, driven only by revenge. I would not have been surprised if Xue Fang Fei felt the desire to overstep moral boundaries, not caring about others, but she almost always exercised a degree of restraint, trying not to harm the innocent as she carried out her elaborate plans of punishment. She reflected on everything including seeking justice for Jiang Li, even prioritizing Jiang Li's retribution first. Even when she had a love interest as enigmatic and attractive as Duke Su, she stayed on the revenge course. There were moments when she wavered, foiled by the villains' scheming but she always managed to recover and retaliate beautifully. Even better was how she considered the interests of Duke Su, protecting and helping him in her own way. Xue Fang Fei was a female lead worthy of respect.

Duke Su or Xiao Heng, now he was a drool-worthy male lead. Powerful, skilled, intimidating while being gorgeously green flag. What I love about this character was his interesting dualities. Xiao Heng will tease, and be all assertive and domineering but also be so attentive via his acts of services and care. I enjoyed watching this cocky, confident and composed man stay consistently that way and yet was also clearly a great partner to Xue Fang Fei under all that so called posturing. The thing is that he was really all that, but he made sure that Xue Fang Fei knew that they were equals, that she owed him nothing and most importantly, she should live her own life for herself, and no one else. Not even him.

The show hit the jackpot with our lead couple! As individual characters, they were endearing and as a couple, they were a force of nature. I appreciate the consistent portrayal of both leads, who did not suddenly lose brain cells or rationality just because they fell in love. They were sensible and intelligent enough to come to the right conclusions about each other's actions. Gotta love a show where there were no tropey prolonged misunderstandings.

While some may think the romance too slow-burn and lacked passionate acts of love, I find it tantalizing and meaningful. It reminded me of myself experiencing the thrill of a love interest, getting to know the person, developing feelings, finally falling in love and wanting to protect. The interactions between the leads was packed with chemistry and emotions, showing how from enemies, they've become friends and finally lovers. There were no official moment of when they finally got together. Even when Xiao Heng confessed with just two lines, it was more of an acknowledgement of how they were already one. This is one show when waiting for the full culmination of the leads' love will be worth it. The last and special episodes nailed that.

Wu Jin Yan as Xue Fang Fei and Wang Xin Yue as Xiao Heng were excellent. The directors' use of close up shots was very effective and all I can say is that these two can really act with their eyes and facial expressions. I am so impressed with the lead actors and also the supporting cast. There were so many times when I thought that the directors must be amazing to inspire and draw out so much emotion from the individual actors. Speaking of the cast, it was a very attractive set of actors who can act including the villains.

The array of villains was an interesting mix. At first I thought the earlier ones were caricaturish, almost one dimensional but as the plot developed and revealed more of the backgrounds, I understood that there were a lot more angles and aspects to these antagonists. They were shown in different lights, evoking sympathy and at times doubt. All the female ones were victims of circumstances in the beginning but ultimately decided to take control of their fates by choosing the paths of self-interest that made them into villains in some form or another. Joe Chen deserved a shout-out. She clearly had the female lead aura which drew eyes to her when she was on the screen. Not so much the actress playing Princess Wanning, there was just something off about her expressions.

The best part though is that who we thought were the worst villains turned out to be victims and the ones who perhaps evoked sympathy in the beginning ended up being the ultimate evil ones. I enjoyed the twists introduced in this drama.

Another aspect that the show did well was its pacing. The show did not end up dragging on way too long or climaxing too soon. The revenge and romance kept me invested until the end. Watching karma do its thing provided a nice catharsis, the final release of tension that led to satisfaction. With the great OST, beautiful costumes and setting, excellent cinematography, this show is worthy of its excellent rating if not higher.

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Sweet, Cheesy, and Totally Hilarious!

Rom-coms have always been my guilty pleasures—something I just cannot help but indulge in, like sneaking a spoonful of Nutella straight from the jar. The drama can be full of the usual tropes, and I’m typically fine with that because I like them. Such is the case with *My Sweet Mobster*. Some will say it is predictable and cheesy, and they would be right, but the show did the cheesiness and comedy so well that it won me over. I found most episodes enjoyable and funny. Additionally, the show had a compelling premise: the ML was an ex-mobster leading a group of ex-convicts and trying to stay on the straight path.

The biggest draw for me was Uhm Tae Goo as Seo Ji Hwan, the ML. He completely surprised me. I had only seen him in *Save Me 2*, and I did not expect him to be so versatile in this drama. I was impressed by how he was able to transition from being scarily intimidating to being goofily love-struck. Uhm Tae Goo showed that he can do comedy, so I hope he will continue to explore that. Seo Ji Hwan was easy to root for. He was principled, led by example, and was admired by his men. I especially loved his interactions with his group of sidekicks who live with him. That dynamic seriously elevated the show for me, and in fact, I would say that was the best part of the drama.

As for the romance, the chemistry between the lead couple was not as great as I would have liked. Han Sun Hwa was fine as Go Eun Ha, the FL, but I was not won over by her character. Go Eun Ha was a content creator for children, and Han Sun Hwa fit the role—cute, bubbly, and pretty. However, there was something missing between the couple that did not make my heart flutter during the romantic scenes. There was no feeling of giddiness or warmth watching the FL's reactions, but it was incredibly funny watching Seo Ji Hwan swooning (in some cases, quite literally!), as he had never experienced love before. His antics, accompanied by the humorous reactions of his sidekicks, kept me laughing a lot.

Kwon Yul, playing Jang Hyeon U, the SML, was another surprise for me since I have seen the actor play more menacing villains in other shows. In this show, Jang Hyeon U was not as annoying as the stereotypical SML. He was persistent when appropriate but remained a gentleman when rejected, and his protectiveness made sense given the ML's background. Best of all, he underwent some character development, becoming a good friend to the couple, supporting them, and truly caring for their happiness. I appreciate that the show did not pair him with someone else just for the sake of it, although there was some implication of a potential romance for him.

The development of the second couple, Ju Il Yeong and Kim Mi Ho, was okay to watch, but Mi Ho's parents and, again, the sidekicks were the ones adding the most flavor to the good scenes. Honestly, the supporting characters deserved much kudos for making this drama a lot more enjoyable.

Recently, there seems to be a general struggle to get the pacing of dramas right, and *My Sweet Mobster* suffered from this as well. Some episodes started to feel like filler. It was as though the show could not bear to leave out all the comedy gold, so they squeezed it all in, even though the scenes did not move the story along. As much as I laughed, I also found certain parts rather draggy. Another downside was the main villain—I could not take him seriously. Even if this was supposed to be comedic, there was something off about him.

The wrap-up was nicely done. The resolution for the ML and his mobster ties left a good feeling, and the way the show ended, featuring the main group, was satisfying.

In terms of the soundtrack, it was good—mostly romantic tracks fitting for the more emotional scenes. The opening credit song was lively and reflected the positive and happy tone throughout the show, but my favorite was "Beautiful Woman" by Yu Jeongseok. It was just so funky and unexpected, but totally appropriate when played. For posterity, I included the links to the playlist.

https://open.spotify.com/playlist/6QLkDGAblKUfnW7tB6ywqX?si=d688c0d23fc2451a
https://www.youtube.com/watch?v=W-8m3l2VVxQ

Overall, I would recommend this show. For a rom-com, it was different, straying a little from the stereotypical rich chaebol heir falling in love with a lovely girl of a common background. The comedy was well done, and if you can deal with the cringey moments that are in almost all Korean rom-coms, then you may enjoy it as much as I did.

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Love the romance, the flirting, the skinship, and the kissing!

Whether you need to cure bad-day blues or just a distraction, adding this series to your watch list might do the trick. It's cheesy, it's fun, it's tropey, and I enjoyed it! With a good-looking cast, fantastic OST, and a witty script, this show gives us more of the cute stuff that makes us laugh and feel good. Plus we get the most satisfying ending ever!

(Daddi) Tang Xiao Tian has certainly come a long way from his supporting role as Fu Pei in PYHOMS, and this time he gets the girl. With the charisma, looks, and physique fitting of a male lead, Daddi flirted and charmed his way into the female lead's (and my) heart. As Wen Shao Qing, he was truly the perfect guy - intelligent, good-looking, caring, and most importantly, unwaveringly committed to the only love in his life. Heck, being a successful neurosurgeon, he was even the perfect son-in-law for the stereotypical Asian family! His chemistry with Fair Xing, who played Cong Rong was off the charts, and their interactions were so fun, flirty, and charming. Cong Rong was the kind of FL that I like - strong, independent, plucky but not annoyingly domineering or over-confident. I appreciate the care and respect that Shao Qing and Cong Rong had for each other, especially regarding their relationship and careers. Even when Shao Qing did not want Cong Rong to sacrifice an incredible opportunity because of him, he still listened, understood, and could relate to her need to protect him.

I am a sucker for tall men and significant height differences between couples, and this show used it very effectively. It is not enough that Daddi Tang has an impressive height; the show also gave us Leon Li (as Wen Rang, the second male lead) and Liu Cang (as Shang Guang Yi, Shao Qing's cause for jealousy). Wen Rang was an interesting character, in a way more interesting than Shao Qing. I enjoyed the poetic dialogue and the references to literature and culture. That's one reason why I enjoy historical Korean dramas so much, so to find it in a modern C-drama is a treat. I did not suffer SLS, but I did spend most of the show wishing the very best for Shang Guang Yi. That man looked really fine in his suits!

Overall the cast was excellent, and there was good chemistry among the actors. Watching the doctors' and the family members' funny interactions with each other was time well-spent. Admittedly, I was not wild about the second female lead, Cheng Cheng - the character was a bit too bimboish, and she could wear less of the short shorts. At least her chasing of Wen Rang was more dignified than most FMLs that we see in C-dramas (Love is Sweet, anyone?)

The OST is great, and I love all of it - the songs and instrumental pieces. It's a little campy when the music kind of crescendoed during the top of a poignant moment or when the couple's lips finally met, but hey, it did evoke the right mood, so I am not really complaining.

I don't usually re-watch an entire series, but I have re-watched the romantic (ahem - kissing) clips a few times. Still, it is short and light enough that I might replay this show when I am in a funk.

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Don't Forget Your Dream, Don't Forget Your True Self...

Master of My Own is one of those polarizing dramas where many viewers lauded the show as one of the best C-Dramas of 2022, while others criticized it for being too slow or boring. For me, I enjoyed this intelligent and inspiring show, and I think it is misunderstood and under-rated on MDL.

Instead of being a typical rom-com or other more established genres like melodrama or horror, MOMO is a "slice of life" show, which concept is much hazier but provides a different kind of enjoyment especially when the viewer can relate to the story.

MOMO's appeal for me is how well the show depicted the everyday experience, the recurring themes of family and friendship, the struggles of daily life, and the stark portrayal of the good and bad sides of human nature. I also appreciated how the screenwriter and director teased out the characters' personalities, thoughts, emotions, and motivations by effective use of good dialogue, music, meaningful gestures, and props.

The story centered around Ning Meng, an ordinary young woman working towards her dream. There is a certain maturity about this drama, as it beautifully and realistically portrayed the growth, the angst, the resolution, and ultimately the success of our FL in her personal and professional lives. Ning Meng was hardworking, optimistic, plucky, and intelligent. Through talent, effort, good luck, and lots of faith in herself, Ning Meng navigated with grace and determination through the world of capital markets and investment.

Finding love with the ML, Lu Ji Ming, along the way was the icing on the cake, but that was not the show's focus. The main couple's romance was a slow-burn one. It started with them being on unequal footing, to one of friendship, and finally culminating in a way that I found satisfying.

Our main couple's journey was engaging for me, as they went through different experiences and ended up on the same path, working towards common life goals. As Ning Meng's confidence grew, Lu Ji Ming's ego took a beating. As Ning Meng's career took flight, Lu Ji Ming's crashed. Throughout it all, both showed worthy character growth and development. In this show, the main characters' little and large struggles and triumphs were well-written, executed, and acted.

Lu Ji Ming started off as a chauvinistic jerk boss who disparaged the FL's aspirations to be an investor. Shown initially as a successful investor who obviously thought that he was superior to everyone else, it became apparent that Lu Ji Ming was a quietly generous person who cared about loyalty and principles. Still, even though he had some redeeming moments as he showed concern, advised, and protected Ning Meng in his own arrogant way, I find it most gratifying that Lu Ji Ming did not end up with Ning Meng early and easily. Our poor ML had to struggle through some humbling moments first, but Ning Meng was there to support and encourage him.

The show hit the jackpot by casting Seven Tan as Ning Meng and Lin Geng Xin as Lu Ji Ming. They had great chemistry, and the dynamics between them were entertaining. Acting-wise, I am impressed. Seven Tan is a gem! Her acting as Ning Meng left a firm impression, and I was blown away by her superb performance. Lin Ge Xing clearly has the acting chops to pull off a cold to warm character like Lu Ji Ming. His expressions were on point, and in this show, in that persona, Lin Ge Xing exuded a certain charm and charisma.

I am a sucker for tall men and significant height differences between couples, and this show used it very effectively. It is not enough that Lin Geng Xin has an impressive height; the show also gave us Liu Cang as the SML.

Liu Chang's character, Su Wei Ran, got a lot of hate for being the creepy SML who could not move on past his first love's betrayal. His actions were selfish, and his desire for wealth and recognition was condemnable, but at the same time, it was relatable to real life. I had high hopes for his character development, and he did not fail me in the end. Liu Chang did well in portraying this lost soul. With his eyes alone, he showed the hopelessness and defeat that Su Wei Ran must have felt between doing the right thing and fighting his own desires, insecurities, and jealousy.

Without a doubt, the entire ensemble was great. The way the characters interacted with each other and dealt with life in general reminded me of how the people I know and I would behave in real life. The characters were nicely developed and, being adults, actually behaved like adults. None of that childish drama that the writers usually throw in to create conflicts.

I wish I knew more people like Lu Ji Ming's best friend, Ceng Yu Hang, who with his high EQ, was the "voice of wisdom" and the catalyst for many good moments between our main couple. Also, watching Ning Meng's parents, Xiao Yang and Xiao Song, and their funny interactions with our couple was time well spent. Not only that, there was a message of female empowerment with wonderful supportive relationships between Ning Meng and her best friend, her colleagues, and her boss, Shi Ying. Shi Ying was a true role model, and I would have loved to have a mentor like her.

The clothes and makeup also stood out for me because the show did not go for an idol drama feel with overdone makeup or avant-garde outfits. The actors looked normal, good-looking nonetheless, but refreshingly ordinary. I like how they styled Ning Meng from beginning to end. She looked cute in her glasses, albeit a little dowdy. It was nice to see how she naturally and realistically improved her outer beauty as she started to pay more attention, like using contacts, changing her hairstyle, and wearing more stylish outfits.

Finally, to top it off, the soundtrack was memorable for me. The way the show wove the songs and background music into the story was fitting and set the scenes and moods perfectly. Enclosed below is the link to the OST list, and I also included the link to the heartwarming song played in the background as Su Wei Ran reflected and pondered about his future.

Overall, I recommend that you try this drama out and see for yourself. Thematically for me, MOMO is a show that encapsulates life in many aspects and topics. It touches upon self-identity and personal growth, love (romantic and familial), friendship, respect and loyalty (to self, family, and principles), societal obligations and problems, the balance of power, wealth and inequality, and more.

https://www.youtube.com/watch?v=W0ynz1wLE-k
终于可以说出那句我爱你 I can finally say that I Love You - 谭松韵 Seven Tan
寓言 Fable - 希林娜依·高 Curley G
甜蜜来袭 Tian Mi Lai Xi - 王赫野 Wang HeYe
那么多 So Much - 金玟岐 Vanessa Jin
寓言 Fable - 田园 TianYuan
那么多 So Much - 姚婷婷 Yao TingTing

https://www.youtube.com/watch?v=kGDeerbW5z8
夜空中最亮的星 The Brightest Star in the Night - 逃跑计划 Sky Escape Plan

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Flawed Characters You Will Learn to Appreciate (Updated Review after Finale)

Most dramas start off with the notion of a perfect lead, with a personality and qualities that the viewers can admire. Well, not this truly underrated show.

Centered around civilians who were part of a volunteer rescue squad, Light Chaser Rescue focused on character depth instead of likability, which made it much more interesting for me.

One of the show's strongest points is the way it executed the stunts, the rescue scenes and the cinematography. The camerawork created the realism that drew me in completely and I cannot help but be immersed in the moments. It was indeed an emotional roller coaster ride with the different types of rescues and most had me watching with trepidation!

Add to that the unexpected plot twists, when revealed, were simply shocking, the result was a story that kept me engaged from start to finish. Throughout the series, I have already stressed, cried and rejoiced so much with the characters.

The show scored points with dynamic realistic characters who were shades of gray, who at times struggled with their actions and made bad decisions in the heat of the moment. Depending on whose viewpoints, it was not always clear if they were doing the right thing or what the right thing even is.

The main leads came off as confident powerhouses at work, Luo Ben as a brilliant lawyer and Zhan Yan, a gifted doctor. However, as their lives collided, we quickly recognize that both characters were flawed. Their internal struggles became obvious as the story delved further into their past, the tragic events that shaped a fundamental level of their personalities.

In addition, other characters with their own demons to face, and romance between different couples added flavor to the story. Romance-wise, there was the calm, restrained and mature love between the main leads. The comfortable steady kind of relationship that I appreciated. There was the second couple that delighted many with how they overcome challenges to stay together and a third couple who did nothing but irritated me with their rash, impulsive, entitled spoilt love. That said, there were viewers who liked them too.

As the show moved forward, it also built the viewers’ empathy for our two leads. The more we find out why they were the way they were, the more we understood them including their arrogance and aloofness that put us off at first. Still, many viewers would find both characters frustrating at different points of the story, especially in their interactions with their families and with each other.

However, the beauty of having such multi-dimensional characters was that the show engaged different viewers with various opinions. Along with many commentors, I was often torn between ranting against our main couple and feeling empathy for them. Ultimately though, Luo Ben's character development was the most well-written and he very quickly became a ML that impressed many. As for our FL, even though I felt that Zhan Yan's emotional development could have been better, the character was very consistent. I liked her but at the same time felt that she could have shown less restraint and be more human-like. Towards the end of the show, she became quite flat, too passive.

Acting-wise, I have nothing but praises for the leads. Both Luo Yun Xi and Janice Wu impressed with their quiet intensity and ability to emote so much with the smallest expressions. I first watched them together in “My Sunshine” and even then, they had great chemistry. They have certainly earned their reputations as excellent actors and in this show, they truly become their characters. Luo Yun Xi is amazing and I still cannot get over the fact that he did almost all of his stunts. Dramas come and dramas go but his performance was above and beyond.

To top it off, I love Liu Yu Ning’s Chasing the Light, the ending song. It has been instrumental in shaping some of the memorable scenes for me. The opening song, sung by Liu Duan Duan is also good and reflects the hopeful aspiring tone of the underlying heroic theme throughout the show.

Overall
I do recommend that you try this drama out and see for yourself.

The show did a great job showcasing the layers of different relationships.Thematically for me, it is a show that encapsulated life in many aspects and topics. It touched upon self-identity and personal growth, love (romantic and familial), respect and loyalty (to self, family, friends, and principles), societal pressures and opinions, friendship, and more.

Those looking for good romance between the main leads will likely be left wanting for more by the lack-lustre ending but for me, I did enjoy their complex yet enduring love and prefer to imagine a bright future ahead of them.

OST
追光 (Chasing the Light) - 刘宇宁 (Liu Yu Ning)
https://www.youtube.com/watch?v=p1U-mGyjmdE
https://open.spotify.com/track/70fYAAt5GK2nVdSb593FmE?si=0b77ce6952f64a3d

星空 (Starry Sky) - 刘端端 (Liu Duanduan)
https://www.youtube.com/watch?v=p9QB7jd1SaY
https://open.spotify.com/track/1frmPu6bc0I8HkLtTfh9mt?si=ca7ac126ede94d38

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Simple and Sweet With Just The Right Dose of Comedy

This is a super cute rom-com about first romance, highlighting the awkward journey of inexperienced young adults as they try to develop their crushes into relationships.

A show with lots of heart and on-point comedy, it was all the clichés rolled into one, but also a mood booster. The show was such a pleasure to watch that it made me want to go back to my first relationship in college and enact all the drama tropes.

The leads, Wang Xing Yue as Ren Chu and Tian Xi Wei as Lu Wanwan were endearing together and very entertaining to watch. Both leads have engaging visuals suitable for their characters. Ren Chu was classic good looks, whereas Wanwan was doll-like lovable. There was some cringey overacting from TXW and robotic under-acting from WXY, but nothing bad enough to distract me from enjoying the fluff.

Our FL was often misunderstood by the audience as too dumb to be in medical school, but after a few episodes, many, including myself, realized that she was actually intelligent and resourceful. However, Wanwan suffered from anxiety, especially during stressful moments like exams or performing in front of others. Anyone suffering from fear of public speaking, for example, can relate to her freezing up during stressful moments. Wanwan was generally cheerful, optimistic, and had a good EQ.

Unfortunately, Wanwan was burnt by her first crush experience and was slow to acknowledge her feelings for the ML. Hence the slow-burn romance…

Ren Chu was the brilliant and handsome campus king, a star swimmer, and talented in many ways. Despite being popular, his EQ was very low, and he was not inclined to be sociable to most. Of course, him being all cool and detached increased his popularity. Even though it was not clear how Wanwan caught Ren Chu's interest, I did enjoy watching his attempts to get closer to her, trying to confess his feelings and deepen their relationship. I shared the poor guy's frustration.

I found it charmingly funny that when one could not expect to squeeze an ounce of romance out of the most scientific moments, Ren Chu could still be romantic. He was also steadfastly committed to Wanwan, and I love how he completely shut down an annoying admirer who was clearly out of touch with reality.

The sincere and straightforward romance between the leads was adorably nerdy. Despite being new to love and still trying to work through their feelings, they did not shy away from sharing their thoughts. Both were emotionally immature in their own ways, creating plenty of opportunities for funny scenes. I smiled and laughed so much throughout the show. Even their "love tokens" were hilarious!

The development of skinship appeared natural, including the kissing scenes, starting with awkward pecks to more comfortable kisses.

I love how the drama used the supporting characters as devices to voice out or prompt the growing feelings of the leads. Little comments and setups here and there helped the romance along for our fumbling main couple.

The supporting cast was fine, doing what they needed to do. It is a mostly young cast, and while they did ok, there was room for improvement. There was some over-acting but nothing much to complain about and nothing much to praise. A second and third couple provided extra entertainment, but I was not particularly interested in their development. Wanwan's parents were awesome and provided some great comic relief.

Another high point for me was the OST. The opening song was catchy and reflected the happy, bright tone throughout the show. My favorite, though, was the ending credit song, 不知不觉 (Unconsciously). For me, it heightened the romantic feels of the drama.

Overall, I recommend this light, sweet rom-com, especially if you are looking for one with little angst and the main CP are so darlingly adorable in their unadulterated, innocent love.

Full OST list on YouTube
https://www.youtube.com/watch?v=C9aFD7zCaP0

Full OST list on Spotify
https://open.spotify.com/album/1ybsFTzVK5SZaLc1PWzCe8?si=TZ9guaKtR6GAtwNwN3MW2w

不知不觉 (Unconsciously) - 康子奇 (Kang Ziqi)
不知不觉 (Unconsciously) - 徐秉龙 (Xu Binglong)
遇光 (Yu Guang) - 嘉羿 (Jia Yi)
奇妙物语 (Wonderful Story) - Joysaaaa
初次爱你 (First Love) - 彭雅琦 (Peng Yaqi)

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Overbearing CEO Trope With a Twist

OK, I may be biased here with my rating since I love the chemistry between Bailu and Dylan, and their visuals. I will gladly watch them stare at each other with background music playing any time...lol. Also, the journey to love for Shu Yue and Yu Yao added a lot of good flavor to the show.

Eps 31 - 36 plus the bonus clip of 36.5 were satisfying and romantic. There were lots of kisses and skinship; the leads did not disappoint in that aspect. That made the 4-5 previous episodes of prolonged misunderstandings/miscommunication forgettable for me. The starting episodes until ep 26 were also very entertaining.

I watched with the full expectation and anticipation that it would be about the "domineering CEO trope," and Dylan did so well with that character. Love how overbearing and arrogant Shi Yan was even when he showed love and affection to the FL.

Luckily, the show did not make the FL character naive, overly enthusiastic, bubbly, and kind of dumb like the usual ones in such CEO shows. I did have a love-hate feeling for Bailu's FL character, though. Shu Yi was smart, sharp, and sassy in her professional life but totally clueless about her personal life. It didn't help that she kept listening to her friend, Shan Shan, who was the worst relationship guru ever! Still, most of the FL's actions and thought processes were relatable and quite realistic. Many of us often back away and assume the worst immediately, but unfortunately, in her case, the show dragged on too long for most viewers. Also, the show did not make the FL grovel enough, the ML should have gotten many more apologies and more appreciation from the FL.

The second couple's path to their relationship was so fun to watch, and honestly, the ML's niece, Shi Yue, was the MVP. She was the youngest, but her approach and pursuit of her man were well done, and she was often the catalyst that helped Shi Yan and Shu Yi move forward with their relationship. Shen Yu Jie shone as Shi Yue, and she was gorgeous throughout the show. Miles Wei was awesome as the dorky professor who ultimately could not resist the lovely Shi Yue.

We could have done away with the third couple - their push-pull dynamic became annoying to watch, and it was the same friend of the FL that was just so wishy-washy. I think that the female character was not written well. There's only so much Jiang Pei Yao could do, and she looked beautiful playing this disastrous character, which I did not like much throughout the show.

Love the outfits in this show - especially the leads and Shu Yue. Very branded, though, so I can only dream - haha!

Overall, I did enjoy this drama, and I had fun reading and commenting along with others. There was a lot of venting and frustration, but somehow, many of us continued on. I was addicted because of the cast and the fact that I do actually like the domineering CEO trope when it is done with a twist.

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The Scooby-Doo Gang Minus A Goofy Dog

I was anticipating the reunion between Jung Il Woo and Yuri after being blown away by their pairing in Bossam: Steal the Fate. So when I saw that one of the genres was crime & mystery, I was looking forward to a detective show where both leads would deploy their abilities and work (and flirt) together to solve crimes and deal with the darker side of humanity.

Well, this show was that but not really that either. I can only say that it was a novel, mash-up of genres and had an interesting, chaotic dynamic about it. The show kicked off with great energy and mostly maintained the fast paced action throughout that kept me interested. I knew that there was comedy but I did not expect such silly, slapstick humor and ridiculous set ups. I supposed the opening credits in comic book style should have given me a hint that this show did not take itself seriously. Each episode required one to suspend disbelief, sit back and enjoy the ride which I totally did. I found every episode hilarious and entertaining.

Even though the show was all over the place, with tons of inconsistencies and plot holes, there was still a main storyline with the ML, Eun Seon Woo trying to find the murderer of his mother. Actually a prominent chaebol, Seon Woo opened a detective agency as a front for his investigation. Helping him was his sidekick and probably only friend, Yang Jin Mo, a brilliant lawyer who was also incredibly tech-savvy. I gotta say, Yang Jin Mo had the best lines throughout the show and Eum Moon Suk played this funny character very well.

Along the way, Seon Woo met Don Se Ra and ended up having her as part of his undercover team and while the romance between the two main leads took a slower path, culminating only in the last couple of episodes, Yang Jin Mo and Se Ra’s best friend and baker, Sa Na Hee played by Song San Eun, went on a much faster track.

The four main characters had great rapport and played off each other so well. Il Woo again impressed me with his ability to emote different feelings via his micro-expressions and his eyes, oh his eyes…Yuri took Don Se Ra, a character that I found irritating at first due to her self-righteous stubbornness and evolved her into a likable FL. The chemistry between Il Woo and Yuri did not disappoint! Even though I had hoped for more kisses to make up for the lack of in Bossam, I still enjoyed watching their interactions on screen. Jin Mo and Na Hee, on the other hand, made me cringe but also laughed a lot - their overacting and silly antics never failed to tickle my funny bone.

Really, these four reminded me of the Scooby-Doo gang minus a goofy dog. They even had a van that the real Scooby-Doo gang would be proud of! I was happy to see Lee Joon Hyuk who was also in Bossam as Director Hong. He was another character that delivered the right amount of comic relief.

The antagonists fell flat for me though with some wooden acting but Hong Woo Jin deserved kudos for playing a secret psychopath.

The music track was great - the opening song and the other ones were upbeat and lent an uplifting tone that was apparent throughout the show. For posterity, I added the list of songs below.

Overall, even though I can see why “Good Job” could be a hit or miss with most people, I would recommend that you give it a try. It is watchable, bingeable really with only 12 episodes, has many great moments and ends on a high note.

OST list:
Closer - JAY B & Youngjae (영재) | 
https://www.youtube.com/watch?v=rheg1w0k3Us
https://open.spotify.com/album/4RxzSoaDzWmFEeJB2H23br?si=GxbNoKerROeB5f5YvmCEfA

Savior - Baekho
https://www.youtube.com/watch?v=AXQAAqjzQbI
https://open.spotify.com/album/1Dvc61AhWBaCxtzWZvNcUh?si=LMSqeE2MQ16yOqsurlpRcw

하루 (A Day) - SUMMER CAKE (썸머케익)
https://www.youtube.com/watch?v=8pZnAmfnEHo
https://open.spotify.com/track/24thngWyztJ8opjZgam2DE?si=6ae7eb1324f24161

Spring ‘봄’ - Yerin (예린)
https://www.youtube.com/watch?v=iOqqlE20x5w
https://open.spotify.com/album/0W13rQuiY4xY5cISSa9uni?si=F5nHO9_1S9GxKwJJJIb3_w

Obvious (뻔해) - SOULSTAR (소울스타)
https://www.youtube.com/watch?v=QVvZ7NEvZBw
https://open.spotify.com/track/20eeWxB72UDma9z1nGk3Ah?si=c22c91920c9542e9

Like You 굿잡 - 찬주 (Chanju)
https://www.youtube.com/watch?v=EC0AqWa-eEA
https://open.spotify.com/album/0dnFHJfAFIirCZkXbu4AGS?si=LF2r3EwbR2qY6XnipPhJoQ

Key - Bryn (브린)
https://www.youtube.com/watch?v=H1nB6wwWsmk
https://open.spotify.com/track/54yc7L3u6ZeWofDvlWybZI?si=8e28553e995a497f

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You Go Girl!

If you are looking for a show with strong female characters, then look no further! From the female lead, her best friend, her grandmother, the main villain, the ex girlfriend, and even the secretaries, this show was all about female empowerment. The ultimate message that I got from this show was that women did not always have to be independent badasses to be strong. Instead, they can draw a collective strength from each other.

Compared to other dramas, this was a refreshing and wholesome watch, considering that most Thai lakorns tend to portray females as damsels in distress who exist solely to be rescued or to serve a male character’s journey. Not only that, most of the male characters in this show respected the women’s viewpoints, seeked out their opinions, protected and supported them as well.

I was interested from the get-go, so much so that I watched it without subtitles, and then again with Google Translate and finally with subtitles. Not surprisingly, I have rated the rewatch value highly.

While the main plot was nothing new - the CEO who fell in love with his beautiful bodyguard, the show had twists and turns that kept me entertained and engaged. What I thought would be cliched outcomes turned out not to be what I expected. It was a good emotional roller coaster ride as the show balanced the triumph and defeats between the good guys and the villains nicely. Plus I got the most satisfying ending ever with lots of endearing scenes of the lead couple leading up to it.

The show hit the jackpot with the casting of Vill as Saraphi and Ken as Thewan, our main leads. The chemistry between those two was sizzling and it didn’t hurt that they looked gorgeous together. I loved how committed the main couple was towards each other. The moment they decided on each other, there was no one else. Both were also sensible and intelligent enough to come to the right conclusions about each other's actions. As individual characters, they were likable, and as a couple, they inspired relationship goals.

Whether she was saving the day with her smarts or her physical skills, Saraphi was a well-written strong female character. She’s physically fit and skilled in combat. She was brave and resourceful, with a take charge attitude and possessed an unbreakable will that refused to be tamed and a stubborn optimism that refused to be broken. Yet, Saraphi also had her vulnerabilities and had moments of weaknesses that made sense. She was not so scrubbed of imperfections that she lacked depth or development.

I was surprised to see Vill in this role initially but she delivered an excellent performance as someone strong and smart enough to take on anyone threatening her loved ones. She was an admirable female lead with strength and intelligence bottled up in an undeniably attractive package.

Empathetic, fair and devoted to the people he loved, Thewan was the perfect counterpart to Saraphi. He was no wimp, and can hold his own in a fight. Saraphi and he protected each other, and they also understood each other well. Thewan is one of my favorite male leads - intelligent, calm, rational and his level-headedness tempered Saraphi’s hot-headedness. Interestingly, Thewan displayed more jealousy; those scenes were funny, and he was so adorable!

Ken was perfect as the charismatic and clever CEO, and to me, this role was his most attractive yet.

There was a secondary couple whose relationship was also fun to watch although I was annoyed at the SML. For someone who was supposed to be interested in the FL, he was way too flirty with the SFL.

Some of the characters fell a little flat and perhaps some overacting, like the main villain, but the cast did well overall. I enjoyed the dynamics of Saraphi’s relationship with her grandmother and close friends, as well as Thewan’s devotion to his nephew, Ek.

The OST list was short but memorable. I particularly like the opening song and the song sung by Film Thanapat that played during the poignant moments between Saraphi and Thewan. I have included the list of songs that were featured below.

If there was anything to complain about, it was how loud the background music got when it came to the suspenseful moments, and sometimes the music did not transition well. It is a common problem in many lakorns, so I am not going to take off points for it.

Overall, it is a drama that I think most will enjoy. Just let the story unravel and surprise you.

OST List:
ขาดเธอไม่ได้ - POTATO (Ost.หัวใจรักพิทักษ์เธอ)
https://www.youtube.com/watch?v=-WjqJ_oZ0p0
https://open.spotify.com/track/5ohIOZKF4E1SqxD3WEgMad

ชนะไปแล้ว [OST ฉันชื่อบุษบา] – ฟิล์ม ธนภัทร
https://www.youtube.com/watch?v=oz9g-6Y3ykQ
https://open.spotify.com/track/6LItqWbHupqrmdWM6RD8d1

รบกวนมารักกัน - K.AGLET (THE RAPISODE)
https://www.youtube.com/watch?v=oIR7m2nM0n4
https://open.spotify.com/track/5kOOfHpddpYnj86u4dZB3H

ขอบคุณที่รักกัน (Acoustic Version) - Potato
https://youtu.be/pdcyz9VLEs8
https://open.spotify.com/track/5FKB5Ro2mXfjUVbSK5zFn8

นี่แหละความรัก (This is Love) by Peck Palitchoke
https://youtu.be/2f0TeAc0AYg
https://open.spotify.com/track/13jEKU2J3JJPe3tpo8p4vY

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