Gloriously special indeed
I’ve watched quite a fair number of military-themed Chinese productions over the years which usually contain similar themes and DNA in the storytelling structure. For more recent productions, we will come across the usual suspects as far as the villains are concerned.
- Themes: New recruits’ coming-of-age at the military academy
- The DNA: think propaganda, jingoism, and a healthy dose of flag-waving at every opportunity.
- The usual villain: Being set in present times, these days its nefarious drug cartels and its associated shadowy crime organisations.
Glory of Special Forces contains the same blueprint as outlined above. But is it exactly the same as other military C-dramas or does it showcase anything new? More importantly, is it worth your precious time to check it out? My answer is a definitive and unequivocal YES. I daresay this drama is quite likely the best in the genre that I’ve ever watched, and then some.
The drama is adapted from the novel "The Special Kind of Special Forces” (中国特种兵之特别有种) written by Fen Wu Yao Ji (纷舞妖姬), a nom de plume whose actual name is Dong Qun (董群). He is an award-winning and renowned military fiction novelist who is responsible for the source materials that form the basis for the box office hits Wolf Warrior and Wolf Warrior 2.
Directed by Xu Jizhou (Rookie Agent Rouge) who also co-wrote the screenplay adaptation along with Feng Ji, notable for having written Ark Peace (headlined by Chen Kun), The Weasel Grave and Decoded (one of my favourite Republican-era spy dramas). Principal photography took place from April to December 2019. Yes, this drama had been in censorship limbo for quite a while before it was finally released. The main cast reportedly underwent actual combat training under the guidance of active servicemen, the result of which is quite apparent in terms of their physical appearance and overall stunt coordination in the production.
The soundtrack features a total of 4 songs specially composed for the drama, along with various patriotic music and the original score. Liu Yu Ning participated in the project as well by contributing 2 songs.
The Book of Life 生命之书 - Liu Yuning 刘宇宁
Looking Up at the clear skies 仰望晴空 - Liu Yuning 刘宇宁
Climb 攀 - Zhang Lei 张磊
My Pride 我的骄傲 - Jin ZhiWen 金志文
What I Liked
The character-driven narrative. Yes, it’s about an army recruit’s coming-of-age who goes through hardships during training to finally make it into the elite special forces team and bring justice to the bad guys. But this young man’s journey takes on a multifaceted approach that includes themes of dealing with complicated backstories, complex family, team and relationship dynamics, as well as combat-related PTSD, along with the thrills and spills of the action and adventure. Despite the lengthy 45-episode count, not once did I feel bored or disconnected because the content is engaging that covers a wide range of interesting subject matters while the storytelling is brisk and finely balances the multitude of intersecting plotlines therein. There is a noticeable absence of unneeded fillers that tend to plague C-dramas of this length, which is always very much welcome.
The scope of characterizations. Most dramas of this nature focus purely on the leads while everyone else is neglected - supporting characters and antagonists alike. Not this show though. Although the ML drives the drama, and magnificently at that with a depth of character and strength of conviction that shines through, the rest of the characters are afforded a certain extent of the spotlight which elevates them beyond mere one-dimensional caricatures or inconsequential afterthought. The mentor(s), families, comrades-in-arms, friends, and even the villains are able to breathe life to their presence as crucial elements of the story, each with their very own character arcs that interweave seamlessly into the overarching plot.
The authenticity in the depiction of the military aspects. I’m no military expert but from years of watching such content, be it Asian or Western, there is a marked deftness to the portrayal of the special forces’ operators. In terms of the intensity of the firefights, the brutal hand-to-hand fighting and the coordinated execution of the field missions. Likewise the hightech hardware, weaponry and gadgets showcased.
Another facet of the military life that forms the bulk of the story is the hardcore training. Now there have been many forms of military training showcased in various dramas, most notably the recently aired Operation: Special Warfare’s harsh “Shaolin-esque hell’s camp” where bricks are smashed on participants’ heads, among other things. How true that is, we’ll never know but in this drama there is no such brutality that beggars belief, which reflects a measure of realism felt from the scenes shown. That said, there is a scene involving breathing apnea for underwater training and carving chrysanthemums out of rice grains to improve calmness and shooting accuracy…
Finally we have the cast themselves. My personal opinion - this drama could possibly be the turning point in Yang Yang’s acting career. I enjoy watching him especially in the currently airing Who Rules the World. He is definitely leading man material who possesses the charisma to light up the screen. As the ML here, however, his overall performance is more than a couple notches above and quite possibly his best ever. The level of commitment in undertaking tough preparations to literally transform himself physically into a tanned lean and mean machine to fully convince viewers he is a bona fide special forces soldier. As if that isn’t enough, he goes on to display a complete spectrum of emotions in his acting. If you’ve ever wondered how a distraught, tormented and agonising Yang Yang looked like, you can see it all here.
Despite the FL billing, Li Yi Tong actually has a smaller role as a supporting character. Nonetheless, her character of a resolute military officer is subtle, nuanced and unobtrusive. The one character that impresses me tremendously is Jiang Lu Xia who plays sniper Guo Xiao Xiao. One of the best written and depicted female soldiers ever in a C-drama. This is not a pretty face that’s shoehorned into the role of a tough-as-nails female character - she really is the real deal. In fact, she used to be a national Wushu champion before becoming a star of the much-lauded Operation Red Sea. As for the rest of the supporting cast, they generally delivered a decent account of their respective portrayals.
Perhaps Could’ve Been Better
This drama is not flawless by any means but without nitpicking, I honestly do not have major concerns on the production quality or significant complaints on the plot, both of which have exceeded my expectations in general. However I do wish there had been more action in terms of active missions and actual operations to balance out the training scenarios, in addition to a stronger and more impactful ending to the story.
Not a popular opinion perhaps, but I also wouldn’t mind having light romance added into the mix as part of the ML’s development. Not too much but enough to depict a more wholesome emotional growth in an overarching side story and to flesh out the relationship dynamics between Yang Yang and Li Yi Tong’s characters.
Despite the obvious improvements in the portrayal of the antagonists in this drama, I feel more depth could have been written into the characterization and backstory to heighten the complexity of the storytelling as well as to avoid the pitfalls of merely resorting to unsound villains with psychotic tendencies as the go-to trope.
Final Thoughts
I have thoroughly enjoyed the best military-themed C-drama as well as Yang Yang’s best performance, to date. There is much to love about Glory of Special Forces and I’m glad it delivers despite the long wait and extensive running time. This is absolutely recommended viewing indeed.
- Themes: New recruits’ coming-of-age at the military academy
- The DNA: think propaganda, jingoism, and a healthy dose of flag-waving at every opportunity.
- The usual villain: Being set in present times, these days its nefarious drug cartels and its associated shadowy crime organisations.
Glory of Special Forces contains the same blueprint as outlined above. But is it exactly the same as other military C-dramas or does it showcase anything new? More importantly, is it worth your precious time to check it out? My answer is a definitive and unequivocal YES. I daresay this drama is quite likely the best in the genre that I’ve ever watched, and then some.
The drama is adapted from the novel "The Special Kind of Special Forces” (中国特种兵之特别有种) written by Fen Wu Yao Ji (纷舞妖姬), a nom de plume whose actual name is Dong Qun (董群). He is an award-winning and renowned military fiction novelist who is responsible for the source materials that form the basis for the box office hits Wolf Warrior and Wolf Warrior 2.
Directed by Xu Jizhou (Rookie Agent Rouge) who also co-wrote the screenplay adaptation along with Feng Ji, notable for having written Ark Peace (headlined by Chen Kun), The Weasel Grave and Decoded (one of my favourite Republican-era spy dramas). Principal photography took place from April to December 2019. Yes, this drama had been in censorship limbo for quite a while before it was finally released. The main cast reportedly underwent actual combat training under the guidance of active servicemen, the result of which is quite apparent in terms of their physical appearance and overall stunt coordination in the production.
The soundtrack features a total of 4 songs specially composed for the drama, along with various patriotic music and the original score. Liu Yu Ning participated in the project as well by contributing 2 songs.
The Book of Life 生命之书 - Liu Yuning 刘宇宁
Looking Up at the clear skies 仰望晴空 - Liu Yuning 刘宇宁
Climb 攀 - Zhang Lei 张磊
My Pride 我的骄傲 - Jin ZhiWen 金志文
What I Liked
The character-driven narrative. Yes, it’s about an army recruit’s coming-of-age who goes through hardships during training to finally make it into the elite special forces team and bring justice to the bad guys. But this young man’s journey takes on a multifaceted approach that includes themes of dealing with complicated backstories, complex family, team and relationship dynamics, as well as combat-related PTSD, along with the thrills and spills of the action and adventure. Despite the lengthy 45-episode count, not once did I feel bored or disconnected because the content is engaging that covers a wide range of interesting subject matters while the storytelling is brisk and finely balances the multitude of intersecting plotlines therein. There is a noticeable absence of unneeded fillers that tend to plague C-dramas of this length, which is always very much welcome.
The scope of characterizations. Most dramas of this nature focus purely on the leads while everyone else is neglected - supporting characters and antagonists alike. Not this show though. Although the ML drives the drama, and magnificently at that with a depth of character and strength of conviction that shines through, the rest of the characters are afforded a certain extent of the spotlight which elevates them beyond mere one-dimensional caricatures or inconsequential afterthought. The mentor(s), families, comrades-in-arms, friends, and even the villains are able to breathe life to their presence as crucial elements of the story, each with their very own character arcs that interweave seamlessly into the overarching plot.
The authenticity in the depiction of the military aspects. I’m no military expert but from years of watching such content, be it Asian or Western, there is a marked deftness to the portrayal of the special forces’ operators. In terms of the intensity of the firefights, the brutal hand-to-hand fighting and the coordinated execution of the field missions. Likewise the hightech hardware, weaponry and gadgets showcased.
Another facet of the military life that forms the bulk of the story is the hardcore training. Now there have been many forms of military training showcased in various dramas, most notably the recently aired Operation: Special Warfare’s harsh “Shaolin-esque hell’s camp” where bricks are smashed on participants’ heads, among other things. How true that is, we’ll never know but in this drama there is no such brutality that beggars belief, which reflects a measure of realism felt from the scenes shown. That said, there is a scene involving breathing apnea for underwater training and carving chrysanthemums out of rice grains to improve calmness and shooting accuracy…
Finally we have the cast themselves. My personal opinion - this drama could possibly be the turning point in Yang Yang’s acting career. I enjoy watching him especially in the currently airing Who Rules the World. He is definitely leading man material who possesses the charisma to light up the screen. As the ML here, however, his overall performance is more than a couple notches above and quite possibly his best ever. The level of commitment in undertaking tough preparations to literally transform himself physically into a tanned lean and mean machine to fully convince viewers he is a bona fide special forces soldier. As if that isn’t enough, he goes on to display a complete spectrum of emotions in his acting. If you’ve ever wondered how a distraught, tormented and agonising Yang Yang looked like, you can see it all here.
Despite the FL billing, Li Yi Tong actually has a smaller role as a supporting character. Nonetheless, her character of a resolute military officer is subtle, nuanced and unobtrusive. The one character that impresses me tremendously is Jiang Lu Xia who plays sniper Guo Xiao Xiao. One of the best written and depicted female soldiers ever in a C-drama. This is not a pretty face that’s shoehorned into the role of a tough-as-nails female character - she really is the real deal. In fact, she used to be a national Wushu champion before becoming a star of the much-lauded Operation Red Sea. As for the rest of the supporting cast, they generally delivered a decent account of their respective portrayals.
Perhaps Could’ve Been Better
This drama is not flawless by any means but without nitpicking, I honestly do not have major concerns on the production quality or significant complaints on the plot, both of which have exceeded my expectations in general. However I do wish there had been more action in terms of active missions and actual operations to balance out the training scenarios, in addition to a stronger and more impactful ending to the story.
Not a popular opinion perhaps, but I also wouldn’t mind having light romance added into the mix as part of the ML’s development. Not too much but enough to depict a more wholesome emotional growth in an overarching side story and to flesh out the relationship dynamics between Yang Yang and Li Yi Tong’s characters.
Despite the obvious improvements in the portrayal of the antagonists in this drama, I feel more depth could have been written into the characterization and backstory to heighten the complexity of the storytelling as well as to avoid the pitfalls of merely resorting to unsound villains with psychotic tendencies as the go-to trope.
Final Thoughts
I have thoroughly enjoyed the best military-themed C-drama as well as Yang Yang’s best performance, to date. There is much to love about Glory of Special Forces and I’m glad it delivers despite the long wait and extensive running time. This is absolutely recommended viewing indeed.
Was this review helpful to you?