Mickey
This review may contain spoilers
It may have some minor subplot issues, but is still an utterly underrated Kdrama
Go Ah-in (Lee Bu-young) is a no nonsense woman whose only purpose is to do her job as a creative director in an advertising agency in the most perfect and flawless possible. At first glance, she was able to finally achieve her ultimate career goal when she was promoted as the first woman to be an executive director (Chief Creative Officer/CCO) at her company. However, Choi Chang-soo (Jo Sung-ha), Go Ah-in's superior had another plan in mind.
At first glance, 대행사 (Agency) is an office drama comparable to Misaeng, but given with a company director's POV instead of an employee's. Both are great in their respective stories, and just love them both.
But for this show specifically, I love that it has a fast-paced flow and deals with the intricate office politics and complex world of the creative industry well, especially for people without creative industry background like me. Each episode increases tension between the main characters, and their rivalry really makes the plot interesting. One may think that this "rivalry" may be tiring for the remaining episodes, but with the addition of new stories and characters along the way, the story just keeps more interesting as more layers are being uncovered.
It's also great to know their respective characteristics and alliances on each factions in the office politics drawn early on. It may be seen as boring as we already know which side a side character is, but it didn't bothered me as much.
Jo Eun-jung (Jeon Hye-jin) is the most "fleshed out" character other than Go Ah-in in terms of her background story. It's quite remarkable to see how she is able to balance out her duties in the office, despite her son's disapproval for his mother to work and resign instead. Also, it's great to show that despite her dilemma, she is fully backed with support by her husband and mother-in-law. With this stigma against working mothers in a conservative yet competitive Korean society, it's quite good, if not refreshing, to know how this show addresses this issue. But then again, I didn't like that the MIL and the father wasn't that helpful to Eun-jung in convincing the son for her to work.
Personally, I knew what the outcomes would be, but would is still gagged with how each outcome are shown. It's like knowing that there would be a plot twist, but doesn't know what that plot twist would be. This is true most particularly with the presentation cliffhanger at episode 8.
The only production lapse that I noticed was during a throwback scene on the second ep where the creative office used modern-type computer monitors when it was set in 2004.
After the 1st half, this show now focused to complex corporate drama and chaebol problems care of Kang Han-na (Son Na-eun). She has an eccentric character and seems reckless on the outside, but is actually smart, if not cunning on the inside.
One complaint is that it would have been better pacing-wise had Han-na be developed into someone who can stand on her own despite facing failures, rejection, despair and loneliness. The romance subplot was just too transactional and there were virtually no chemistry between her and Park 부장. But if the writers really decided to insert this storyline, it would have made more sense had it was inserted towards the end (at least the last 2 episodes). I would have no complaints even if it was rushed since then again, I can't see the chemistry of said romance.
Being nit-picky as well, there were some things that this show failed to explained more. First, is Ah-in and her mother's story. After the episode 12 confrontation, I really hoped that there is more to be discussed and more emotions be shown to really have a a fulfilling closure on their issue. It ended even only through a text, which was appalling since it was built-up very well on the earlier episodes. Second, Ah-in and the budding romance with the CEO of a gaming company. The spark was already there and Ah-in could've enjoyed said romance, but it was just forgotten midway. What happened?
The ending was satisfying in a way that it wrapped the main stories very well, in a compelling but not overdramatic fashion. Yes, it was expected, but then again it was executed perfectly in such that it was not boring. The last episode was very engaging in terms of portraying the cooperation of Ah-in and Han-na for their "common enemies". It was the definition of women empowerment in a society where men are still dominant in many corporate aspects.
Still, every episode ended with a bang. I think the reason why it has a lower MDL rating is due to its delayed subbing. It's very surprising how this is not picked up yet by major international streaming platforms given its high ratings in Korea. It may have minor subplot issues, but is still an utterly underrated Kdrama.
SIDE NOTE:
It will be an unforgettable watching experience for the last 2 episodes. At times, I was reading English subtitles, and at others, it was Indonesian. I was really able to maximize my Korean and Indonesian skills just to get the gist of what they were saying. Still, it is a very rewatchable Kdrama and I enjoyed watching it despite some minor subplot issues.
At first glance, 대행사 (Agency) is an office drama comparable to Misaeng, but given with a company director's POV instead of an employee's. Both are great in their respective stories, and just love them both.
But for this show specifically, I love that it has a fast-paced flow and deals with the intricate office politics and complex world of the creative industry well, especially for people without creative industry background like me. Each episode increases tension between the main characters, and their rivalry really makes the plot interesting. One may think that this "rivalry" may be tiring for the remaining episodes, but with the addition of new stories and characters along the way, the story just keeps more interesting as more layers are being uncovered.
It's also great to know their respective characteristics and alliances on each factions in the office politics drawn early on. It may be seen as boring as we already know which side a side character is, but it didn't bothered me as much.
Jo Eun-jung (Jeon Hye-jin) is the most "fleshed out" character other than Go Ah-in in terms of her background story. It's quite remarkable to see how she is able to balance out her duties in the office, despite her son's disapproval for his mother to work and resign instead. Also, it's great to show that despite her dilemma, she is fully backed with support by her husband and mother-in-law. With this stigma against working mothers in a conservative yet competitive Korean society, it's quite good, if not refreshing, to know how this show addresses this issue. But then again, I didn't like that the MIL and the father wasn't that helpful to Eun-jung in convincing the son for her to work.
Personally, I knew what the outcomes would be, but would is still gagged with how each outcome are shown. It's like knowing that there would be a plot twist, but doesn't know what that plot twist would be. This is true most particularly with the presentation cliffhanger at episode 8.
The only production lapse that I noticed was during a throwback scene on the second ep where the creative office used modern-type computer monitors when it was set in 2004.
After the 1st half, this show now focused to complex corporate drama and chaebol problems care of Kang Han-na (Son Na-eun). She has an eccentric character and seems reckless on the outside, but is actually smart, if not cunning on the inside.
One complaint is that it would have been better pacing-wise had Han-na be developed into someone who can stand on her own despite facing failures, rejection, despair and loneliness. The romance subplot was just too transactional and there were virtually no chemistry between her and Park 부장. But if the writers really decided to insert this storyline, it would have made more sense had it was inserted towards the end (at least the last 2 episodes). I would have no complaints even if it was rushed since then again, I can't see the chemistry of said romance.
Being nit-picky as well, there were some things that this show failed to explained more. First, is Ah-in and her mother's story. After the episode 12 confrontation, I really hoped that there is more to be discussed and more emotions be shown to really have a a fulfilling closure on their issue. It ended even only through a text, which was appalling since it was built-up very well on the earlier episodes. Second, Ah-in and the budding romance with the CEO of a gaming company. The spark was already there and Ah-in could've enjoyed said romance, but it was just forgotten midway. What happened?
The ending was satisfying in a way that it wrapped the main stories very well, in a compelling but not overdramatic fashion. Yes, it was expected, but then again it was executed perfectly in such that it was not boring. The last episode was very engaging in terms of portraying the cooperation of Ah-in and Han-na for their "common enemies". It was the definition of women empowerment in a society where men are still dominant in many corporate aspects.
Still, every episode ended with a bang. I think the reason why it has a lower MDL rating is due to its delayed subbing. It's very surprising how this is not picked up yet by major international streaming platforms given its high ratings in Korea. It may have minor subplot issues, but is still an utterly underrated Kdrama.
SIDE NOTE:
It will be an unforgettable watching experience for the last 2 episodes. At times, I was reading English subtitles, and at others, it was Indonesian. I was really able to maximize my Korean and Indonesian skills just to get the gist of what they were saying. Still, it is a very rewatchable Kdrama and I enjoyed watching it despite some minor subplot issues.
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