I watched this show ages ago and have been wanting to write a review on it for a while but procrastinated because I didn't know quite how to do it justice. In the end, I think I can only give it my best shot and hope that it helps others make up their mind about this series.

The show really doesn't pull punches. I was in admiration of how direct and honest it was about the issue of beauty. When My ID is Gangnam Beauty begins we get intro'd to a surgery so wow, visceral and in medias res. Before we even get to know the protag, we are invited into her transformation already and we never get to find out who she was in the past which I'll talk about later.

The next part of it, that made the watch uncomfortable, was how the protag went around scoring other girls. I wouldn't be far off the mark to expect that these scenes would elicit hostile responses and judgements from many viewers, esp of the female variety. Although it was an uncomfortable watch I was in admiration of the writer because of how honest this was. Truthfully, women can be the harshest critics of other women and, for me, I was annoyed at this plot device if it only remained a plot device to push the whole "mean girls" troupe. However, this aspect of the female experience was handled with sensitivity and maturity in the series as well and was called out by the male protag in a spectacular fashion—"you need surgery on your unhealthy mindset, not your face". This really is the core arterial plot of the series that exposes the venous subplots in the exploration of beauty.

As I mentioned before, in the beginning, Mi Rae undergoes plastic surgery. This changes her physical beauty and is the catalyst the propels her into a new experience with life except not in the way she expected. It becomes painfully obvious from the word go that though her physical exterior has changed, the real work lies beneath, and the physical change brings about new dangers along with new positive experiences. She goes to extraordinary lengths to hide her past self and finds that she's ill equipped to survive with her new face. Now considered desirable, Mi Rae is targeted by sexual predators, is readily objectified and is the subject of jealous attentions by a fellow beauty. All the time, it was clear that Mi Rae had only expected positive changes and never accounted for these negatives that her changes might produce.

While she is having to navigate through these new treacherous, social waters, the series also explores the negative effect of beauty on men. Being the handsome guy, Kyung Suk is pursued by Mi Rae's unbeknownst nemesis Soo Ah solely for the purpose of having him as a trophy accessory bf. Unlike ingenue Mi Rae, Kyung Suk is wise to Soo Ah's machinations and asserts his values well. However, what he didn't count on is how Soo Ah's machinations indirectly affects him via Mi Rae's insecurities. In an ironic twist, what Mi Rae has wanted is within grasp. She has met someone with whom she shares a connection with and whom returns her feelings however, despite having gone through cosmetic surgery, it is clear that the procedure was only skin deep. Her face might have changed but nothing else inside did and it's those things that the scalpel can never reach that are causing the issues. One wonders if she underwent any changes at all.

An additional exploration that I appreciated was Soo Ah's character. We've seen how beauty affects Mi Rae, we've seen how it affects a male, now we see its effect on Soo Ah. An insight into her backstory reveals that it's not all a bed of roses for our antagonist. She has become an adept, manipulative Venus because she's had to rely on her beauty to survive for many years. Despite the upskirting incidents, despite the sexual harassment and objectification that she is subjected to, she puts up with the latter because it is just part and parcel of surviving until it climaxes into a dangerous stalking incident. We get the sense that when she lashes out at Mi Rae, metaphorically slapping back her hand of help with contemptuous condescendence, it's not really her but this automaton shell of Soo Ah that's remained after all the years of having to hide to survive. And the final cry from Mi Rae that snaps her out of her illusion... two women, from both sides of the beauty divide, one of "artificial beauty", the other "natural beauty" and the question that neither have ever had time to ask themselves—"are you happy?", "all the diets when we don't have any weight to lose... how we judge our faces, why do we have to do this to each other?"... the scene was, to me, immensely powerful and empowering and really cemented my admiration for this series because it just exemplifies how exhausting this quest for acceptance through shallow beauty is.

The other things I liked about this series were Hyun Jung, Mi Rae's buddy. She was a straightforward, no nonsense chick. I loved how courageous she was in confessing her attraction to Woo Young and how she moved on when it was clear he was not interested (until too late); and also the realistic growing up that Kyung Suk had to do to assert his financial independence as this aspect is often woefully glossed over in k-dramas, as well as the way everyone became friends organically in the process of Kyung Suk finding his feet in the world of adulting. The scene in the pub where Kyung Suk and Hyun Jung talk about the former walking through the rain without an umbrella in high school was poignant. Seeing Kyung Suk just bonding and making friends and being socially awkward humanised this "handsome, trophy boy" and we got to see this male beauty as a human and no longer a trophy object. He was just a guy trying to navigate through this world, like anyone, like you or me. Beauty is just a manmade construct. Underneath, we were all the same.

I really can't rave enough about this series. It really did a great 360 on all angles, or as many as possible, to consider with the construct of beauty and how it's perceived and used in society. The series didn't make it into a cliche ending by making it seem like it really matters and the thing to strive for but, instead, portrays it as the illusory tool that it is. I think there'd be mixed feelings about the fact that we are never shown Mi Rae's past but, to me, since Mi Rae was not comfortable with her past and she wants to leave it behind, I was happy to respect that. Again, it would be cliche to believe that to accept the past is the real growth. If that were the case cosmetic surgery would not be necessary however, sometimes it is the needed survival boost. Despite all the problems that can arise from it, despite the work that still remains beneath the surface, cosmetic surgery can be a useful aid, just as beauty is. Once beauty is no longer the yardstick which Mi Rae uses to measure her own happiness with then whatever she looked like in the past no longer matters because the comparison of a Mi Rae before and Mi Rae now no longer exists. The only Mi Rae that matters is the Mi Rae now.

The only criticism I have for this series, and it is a major one, is that it would be impossible for someone to have such low self esteem as Mi Rae has when she had such a staunch friend as Hyun Jung back in high school. That was the one thing that threw me off when she met this wonderfully supportive friend in uni whom she'd known for years. And I get the sense that the writers knew this was off too because their explanation of why Hyun Jung was never around with Mi Rae in her darkest times in high school was lame, at best (she got tired of fighting and getting angry for Mi Rae all the time so she avoided Mi Rae during the times the latter was at school or something similar). Despite this, I was happy to extend the suspension of disbelief that much further because the series really did expertly delved into the issue of beauty, imho, and beyond my expectations. Thus, I only took off 0.5 star for this characterisation oops.

Would I recommend this series? If you like watching shows that makes you think, if you like shows that's not scared to break new grounds, if you like shows that are honest with you even when it makes you uncomfortable then—hell yeah. This series really rocks.