JustCruisin
This review may contain spoilers
Underdeveloped story filled with clichés and steretypical troupes
I wasn't attracted to this drama when Netflix kept putting it up on my recommendation because, despite having a female protagonist, I had a feeling it would just be another stereotypically C-PeriodDrama offering that plays out in a male dominated storyline where the female protag still needs men to rescue her at every turn. In the first few minutes, it seemed that this might not be the case as the princess protag was actually cherished even though she wasn't a prince (where usually having a prince is the utmost achievement in Asian monarchies). Plus she seemed to be able to take care of herself as she displayed some martial arts abilities. Unfortunately, an episode later my suspicions were proven to be correct and I realised that the first few minutes had been lies to bait me in. I did end up watching the rest of this series because I have a certain weakness for men in period drama WITH LONG HAIR!!! And Princess Weiyoung, unfortunately, really really delivered on this!
Firstly, don't watch it if you're expecting a series with a good female protag. She's not. Otherwise, read on for spoilers...
~~~
To say that I was disappointed with the storyline, or the lack thereof, is an understatement. Maybe it was too much for me to expect that the trigger for the princess's journey would also be the task that was on her mind. Because of the machinations of an ambitious general, her family gets wiped out in a fake coup allegation and her people are enslaved. Her father and grandmother are killed before her very eyes and the people involved are seared in her memory. True, her grandmother had advised her to not pursue revenge and instead pursue a simple life of stability and happiness but when she meets someone whose identity is, by a quirk of fate, quite intimately tied with the perpetrators of the dastardly deeds she had decided on exacting justice (because what is revenge but justice obtained through other means?) for her father and her people already... so why didn't she commit?
For the rest of the fifty-four series long blah we get a repetitive cycle of Weiyoung being framed then saved, framed then saved, framed then saved... framed then saved, repeat, rinse and repeat cycle again. She is a passive recipient of events and plots happening to her and is able to escape from them from many, many deus ex machinas interventions. When she elicits the attention of a prince, of course the stereotypically favoured heir of the emperor, she gets support and a savior all in one. There seems to be nothing done in her part to source out whom her enemies and allies really are, what their weaknesses and strengths are, and what resources are available to herself to really use. When one plots after another is resolved in her favour, she doesn't seek to tidy up the loose ends to ensure she is not a victim to the same tactics again ie using the same disguise techniques to imitate Weiyoung and implicate her in a royal murder. And like a bad Mary Sue plot (which is SO synonymous of Asian writing, unfortunately) we get every powerful male in the region lusting after her and fighting each other to have her and, of course, women who are mad at her because they lust after those men, with the exception of the princess Tuo Ba Di who does not resent her but is instead her ally.
I expected a series about a resourceful and clever princess who somehow fights her way to clearing her father's name and that of her kingdom's. What I got instead was a series of a trophy woman who is at the mercy of other women's jealousies and is saved by the men whom those women lust after. None of this is new. What is worst is the methods are always the same. Each. And. Every. Time. Something happens. Weiyoung is blamed. An evidence is planted. She begs for time to investigate and exonerate herself. She is helped/rescued or she has planned a counter from the beginning because of some BS reasoning and lack of logic but in the end she is cleared. The martial arts skill we saw in her at the beginning is nowhere to be found again later on and an episode where the schemes pivots on a maid copying her disaster relief plan was just WTF. Maids aren't educated to read or write well, if at all. The Li family themselves noted how Weiyoung could've come up with such an elegant plan given her country education so how the eff would a simple maid have been able to read her writing and copy it out speedily and legibly in the first place?!?!
She ends up being a personal servant to an emperor who was ignorant of his general's, and his son's, ambitions and agrees to free her people from slavery but will not clear her father's name of the fake rebellion and, as a princess of Northern Liang, she sees absolutely nothing wrong with that. JC. Has she no pride? The emperor basically claimed the iron ore mine, that this plot was borne from, allowed his subordinates to be the ones who dirtied their hands and still kept the credit. She saw nothing wrong with that! Even when she does reveal who she is to her beau, she still does not mention her original name. By the end of the series, we get her giving her conditions to prince Nan An that her people and father be cleared of this fake treasonous coup but we never get to hear any edict on that front. Like everything in Asian cinemas, the male POV takes over to the point where the struggle becomes Tuo Ba Jun's struggle for the good of the Wei empire (the very ones who took over her Northern Liang empire) and he becomes the main character and we never really remember her ID as the Northern Liang princess anymore. Goddamn, I was cursing and laughing at the ridiculous plots every single episode, especially the latter episodes that insinuate she has terrible calligraphy. It was just a way to show how the man is superior to her, even having to teach her how to write calligraphy when she would've had the same royal education that he had and she also had no problems writing out her disaster relief plan.
Having said that, I did watch it till the end as there were a few promising arcs that I was hoping the show would develop: Minde and princess Tuo Ba Di, general Chi Yun Nan and Hong Luo and Cheng De and Jun Tao. Two out of three ain't bad. The writers should've really went into the potential arc for Chi Yun Nan and Hong Luo though as I found her background and their relationship interesting and there was a lot of baiting in their interactions to suggest that he has feelings for her but, alas, the ineffectual princess and her Marty Stu beau dominated the screen. Pity... because HIS HAIR!!! And he has earrings!!!
What I was pleasantly surprised about was the prince Nan An character though. He was very nuanced and incredibly unpredictable. I was about to dump this series until we got to the episode where we discovered his childhood trauma. Then this char became interesting. Plus... HIS HAIR IS GORGEOUS :D And I was also glad to see Li Chang Le drop the stereotype of an eternally-longing-woman-with-an-unrequited-love and just drop that obsession already. Nevermind that she swung to hate instead, at least she broke out of that eternal limerence state, unlike her cousin Chang Ru.
Watch value is probably a 2 or 3/10
Rewatch is a 1/10
Presence of male chars with long hair 10/10
These don't add up to the 1/10 that I gave this series but that's coz the only thing that made sense were the hair anyway :P
Firstly, don't watch it if you're expecting a series with a good female protag. She's not. Otherwise, read on for spoilers...
~~~
To say that I was disappointed with the storyline, or the lack thereof, is an understatement. Maybe it was too much for me to expect that the trigger for the princess's journey would also be the task that was on her mind. Because of the machinations of an ambitious general, her family gets wiped out in a fake coup allegation and her people are enslaved. Her father and grandmother are killed before her very eyes and the people involved are seared in her memory. True, her grandmother had advised her to not pursue revenge and instead pursue a simple life of stability and happiness but when she meets someone whose identity is, by a quirk of fate, quite intimately tied with the perpetrators of the dastardly deeds she had decided on exacting justice (because what is revenge but justice obtained through other means?) for her father and her people already... so why didn't she commit?
For the rest of the fifty-four series long blah we get a repetitive cycle of Weiyoung being framed then saved, framed then saved, framed then saved... framed then saved, repeat, rinse and repeat cycle again. She is a passive recipient of events and plots happening to her and is able to escape from them from many, many deus ex machinas interventions. When she elicits the attention of a prince, of course the stereotypically favoured heir of the emperor, she gets support and a savior all in one. There seems to be nothing done in her part to source out whom her enemies and allies really are, what their weaknesses and strengths are, and what resources are available to herself to really use. When one plots after another is resolved in her favour, she doesn't seek to tidy up the loose ends to ensure she is not a victim to the same tactics again ie using the same disguise techniques to imitate Weiyoung and implicate her in a royal murder. And like a bad Mary Sue plot (which is SO synonymous of Asian writing, unfortunately) we get every powerful male in the region lusting after her and fighting each other to have her and, of course, women who are mad at her because they lust after those men, with the exception of the princess Tuo Ba Di who does not resent her but is instead her ally.
I expected a series about a resourceful and clever princess who somehow fights her way to clearing her father's name and that of her kingdom's. What I got instead was a series of a trophy woman who is at the mercy of other women's jealousies and is saved by the men whom those women lust after. None of this is new. What is worst is the methods are always the same. Each. And. Every. Time. Something happens. Weiyoung is blamed. An evidence is planted. She begs for time to investigate and exonerate herself. She is helped/rescued or she has planned a counter from the beginning because of some BS reasoning and lack of logic but in the end she is cleared. The martial arts skill we saw in her at the beginning is nowhere to be found again later on and an episode where the schemes pivots on a maid copying her disaster relief plan was just WTF. Maids aren't educated to read or write well, if at all. The Li family themselves noted how Weiyoung could've come up with such an elegant plan given her country education so how the eff would a simple maid have been able to read her writing and copy it out speedily and legibly in the first place?!?!
She ends up being a personal servant to an emperor who was ignorant of his general's, and his son's, ambitions and agrees to free her people from slavery but will not clear her father's name of the fake rebellion and, as a princess of Northern Liang, she sees absolutely nothing wrong with that. JC. Has she no pride? The emperor basically claimed the iron ore mine, that this plot was borne from, allowed his subordinates to be the ones who dirtied their hands and still kept the credit. She saw nothing wrong with that! Even when she does reveal who she is to her beau, she still does not mention her original name. By the end of the series, we get her giving her conditions to prince Nan An that her people and father be cleared of this fake treasonous coup but we never get to hear any edict on that front. Like everything in Asian cinemas, the male POV takes over to the point where the struggle becomes Tuo Ba Jun's struggle for the good of the Wei empire (the very ones who took over her Northern Liang empire) and he becomes the main character and we never really remember her ID as the Northern Liang princess anymore. Goddamn, I was cursing and laughing at the ridiculous plots every single episode, especially the latter episodes that insinuate she has terrible calligraphy. It was just a way to show how the man is superior to her, even having to teach her how to write calligraphy when she would've had the same royal education that he had and she also had no problems writing out her disaster relief plan.
Having said that, I did watch it till the end as there were a few promising arcs that I was hoping the show would develop: Minde and princess Tuo Ba Di, general Chi Yun Nan and Hong Luo and Cheng De and Jun Tao. Two out of three ain't bad. The writers should've really went into the potential arc for Chi Yun Nan and Hong Luo though as I found her background and their relationship interesting and there was a lot of baiting in their interactions to suggest that he has feelings for her but, alas, the ineffectual princess and her Marty Stu beau dominated the screen. Pity... because HIS HAIR!!! And he has earrings!!!
What I was pleasantly surprised about was the prince Nan An character though. He was very nuanced and incredibly unpredictable. I was about to dump this series until we got to the episode where we discovered his childhood trauma. Then this char became interesting. Plus... HIS HAIR IS GORGEOUS :D And I was also glad to see Li Chang Le drop the stereotype of an eternally-longing-woman-with-an-unrequited-love and just drop that obsession already. Nevermind that she swung to hate instead, at least she broke out of that eternal limerence state, unlike her cousin Chang Ru.
Watch value is probably a 2 or 3/10
Rewatch is a 1/10
Presence of male chars with long hair 10/10
These don't add up to the 1/10 that I gave this series but that's coz the only thing that made sense were the hair anyway :P
Was this review helpful to you?
