SLOW-PACED SLOW-BURN, double slow

This drama was not made for binge-watching. It’s neither light nor fast-paced, and it requires patience. The story unfolds at a deliberate pace, with a slow-burn romance that takes its time to develop. Each episode runs for about an hour.

What worked for me:
— Choice of music: The drama does a great job of creating a mysterious vibe through the BGM. I also liked the opening theme.
— Character development: I appreciated the character development throughout the series, which added depth and made the relationships and conflicts more engaging.
— The ex-wife: I absolutely hated her. She was incredibly manipulative, selfish, and controlling, and it was infuriating to watch her. However, this strong frustration I felt toward her shows just how well her character was written and portrayed. Despite being highly unlikeable, her presence heightened the tension and made the dynamics between the leads more interesting.

Drawbacks:
— Pacing: The pacing was too slow at times, which made some parts of the story drag unnecessarily.
— Anticlimactic: For all the suspense and buildup, the reveal of the killer felt anticlimactic and didn’t deliver the punch I was expecting.
— Nudity: I have nothing against it, but I couldn’t help wondering if it was truly necessary and whether it added any depth to the characters.

Do I want to watch it again? No.

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messy and noisy plot

I was excited when I learned that Woo Do Hwan and Lee Yu Mi were the main leads. I enjoyed their acting in previous projects, and I thought they matched well—Woo Do Hwan has a sharp, intense look, while Lee Yu Mi gives off a bubbly vibe.

However, the plot just didn’t work for me. I found it messy. The story tried to pack in too much information, but I didn’t care for the side plots—for instance, the whole bloodline thing and the gang’s revenge. I was more interested in the main leads’ relationship and the male lead’s journey to find his biological father, especially since we knew he was sick. All of the side plots made the series feel too noisy, in my opinion. About halfway through, I also started getting annoyed with Lee Yu Mi’s character because she screamed a lot, which kinda ruined the mood.

I wanted to like this series. In fact, I had high expectations since I like both main leads, and the premise had so much potentials. But sadly, this one is not for me.

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A Heartfelt Exploration of Love and Loneliness

This drama beautifully represents many aspects of life, including loneliness, the desire to love and be loved, the mundanity of daily existence, and the struggle for independence.

I’ve noticed that viewers often have differing opinions on what love truly means. Some people question, “Why can’t these characters live without love? Will they die if they aren’t dating?” However, love isn’t solely about romance; it encompasses deep connections and affection between individuals—whether it’s a daughter and mother, a son and father, you and your best friend, or even you and your pet. You can fall in love with your job. It’s natural for us humans to seek love and companionship in our lives. If you’re not receiving enough love from your family, for instance, it’s only human to look for it elsewhere.

Throughout this drama, I found myself rooting for all the characters, wishing for each of them to find their own paths to happiness. Their journeys resonate deeply, reminding us of the importance of connection and the many forms love can take in our lives.

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GOOD intention, BAD execution!

First of all, the writer seems unsure about whether they want this story to lean toward comedy or serious plotlines. The scenes outside the village are filled with suspense and gravitas, but once we enter the village, the tone shifts, and the characters become comedic. Additionally, there are moments in this series that could be disturbing for some viewers and definitely warrant trigger warnings, particularly the mother’s attempt to take her own life.

And then we have the rushed ending, highlighted by the unrealistic and dramatic courtroom scene. It felt forced and lacked the depth the story desperately needed.

Throughout this series, the thing that bothered me the most was that there’s no guilt expressed for any of the wrongdoings. Instead, the narrative implies that people always forgive the abuser simply because they work hard, they bring food to the table and, surprise, they have a terminal illness. The mother was the son’s source of trauma, which is incredibly sad. She was abusive and selfish, showing kindness only after her son became successful. I understand that the mother only wanted the best for her son, but after how she treated him in the past, now she expects her son to willingly come to her and put on a happy face?

On a brighter note, there are some redeeming qualities in this series, particularly the relationship between Kangho and Mijoo, as well as the dynamic with the kids and Samsik. I initially thought Samsik was just there for comedic relief, but he ultimately proves to be the key to resolving much of the chaos, which was a pleasant surprise!

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TWO HEROS & A BUNCH OF COWARDS!

Wow, I had no idea Park Ji Hoon could act this well! I was genuinely surprised by his performance.

The plot is engaging, and I absolutely love the friendship between Sieun and Suho. In a way, I find myself envying their bond; they are both incredibly loyal and genuinely care for one another. They’ve become my favorite characters in the drama.

Now, let’s talk about Oh Beomseok. Honestly, what can I say about him? If given the chance, I’d love to hit him with a broomstick (just kidding, sort of!). But seriously, my intense dislike for him speaks volumes about how well the actor portrayed the role. Well done! Thumbs up. While I still can’t condone his actions, I can appreciate how the story allows us to see things from his perspective, even if his reasons don’t justify what he did.

Enough of my rambling—just go watch the series! It’s definitely worth your time!

P.S. I really hate how bullies always gang up on their victims and how rich people often escape the consequences of their crimes. What cowards!

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a teaspoon of sugar and 10 bottles of cringiness

‘Boys Over Flowers’ is probably the start for many kdrama fans, and for me, it served as the “restart button” that reignited my passion for watching dramas back in middle school (I’m 27 now).

When I first watched this drama, I thought it was the coolest thing ever. However, after rewatching it now, I can’t help but curl my toes in embarrassment. The cringe factor in some scenes is almost unbearable, and the acting leaves much to be desired. I found myself laughing uncontrollably every time Gu Jun Pyo and Yoon Ji Hoo appeared out of nowhere to save Geum Jan Di—it’s like they had a magic portal or something! LMAO!

Despite its flaws, ‘Boys Over Flowers’ holds a special place in my heart as a nostalgic piece of my drama journey. It’s a reminder of how far the genre has come and how my taste has evolved since those middle school days.

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It could have been something...

I went into this series blind, drawn solely by the presence of Han So Hee and Ahn Bo Hyun, with zero expectations. Unfortunately, I still found myself underwhelmed—it was just okay. I don’t have any strong feelings about it, neither positive nor negative.

One of the biggest disappointments for me was Ahn Bo Hyun’s character, who came across as incredibly bland. He seemed to lack any real presence, almost as if he existed solely to serve as the female lead’s love interest. Ugh, the unnecessary romance!

Surprisingly, at one point, I found myself more invested in Park Hee Soon’s character than in the female lead. His portrayal was intimidating and charismatic, and I found myself rooting for him! I’m sorry, but I couldn’t care less about the female lead’s plan for revenge against her father’s wrongdoings. All I wanted was for the bad guy to live and thrive.

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tiring, endless accusations, but acting was great

a series of mysterious, unsolved murders in a small town where the killers cut off the fingers of the victims? just right up my alley. i think the mystery was well-developed.

at the beginning, i found Lee Dong Shik very hard to read—i couldn’t tell what his intentions were, why he did what he did. he really did look crazy to me. but, this was explained at the end of the series, and i guess he did what he thought was best in his situation, even when it made people questioning his actions.

this series contains endless accusations, which gets tiring as the story goes. since the beginning, the murder investigations from 20 years ago already started out wrong. it was kinda surprising to know that that many people were involved in tempering evidence and covering up the murders. despite the tiring and endless accusations, it was interesting to see how a tight-knit group in a small town started to suspect one another, and later, worked together to catch the killers. speaking of teamwork, i loved it when Lee Dong Shik and Han Ju Won worked together. they were unstoppable!

there is one character that i couldn’t stand, and that person is Park Jeong Je’s mother. she wanted to have her ways and keep her son safe. she is the type of mother who will do anything for her son, even when her son is in the wrongs. unbearably annoying, even more so than the antagonists in this series.

anyway, the acting in this series was superb.

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giving this series A SECOND CHANCE

when this series first aired, i wanted to love it, but halfway through, the story didn’t compel me enough to continue, so i dropped it. fast forward to 2024, i was in a drama slump, and when i saw the series on Netflix, i decided to give it another try. and i’m glad i did.

the reason i dropped it initially was that the story felt quite mundane. there were no surprising twists or moments of intense drama to keep me on the edge of my seat. ironically, that same quality became the reason i grew to love it after giving it another chance. as the years have passed and i’ve gotten older, i’ve come to appreciate stories about everyday life more. a story doesn’t always need to be extravagant or packed with thrills–just like life itself.

the entire cast of this drama truly delivered. Kim Da Mi and Choi Woo Shik had amazing chemistry and looked so good together. however, my favorite was Park Jin Joo; her character brought so much joy to every scene she was in! and oh how i felt bad for Kim Sung Cheol’s character. he deserves love and happiness.

at the end of the day, i’ve realized that everything comes down to mood and timing. if a drama doesn’t resonate with you now, consider revisiting it in the future—you might find yourself appreciating it in a whole new way.

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VERY GREAT CHEMISTRY, but storyline was meh

I have mixed feelings about this drama. On one hand, it was fun to watch, and the chemistry between the main leads was undeniable. However, the show would have been stronger if it focused on either the murder mystery or the love triangle. Personally, the ex-girlfriend storyline felt unnecessary and detracted from the main plot.

The episodes followed a pattern where our female lead, as a funeral director, dealt with various deaths. While it was heartwarming to see the deceased being sent off with respect, the repetition in every episode made it a bit predictable and, over time, a little dull.

I did cry at the end tho…

One thing I did enjoy very much was the comedy brought by the uncles. They were so unserious, which added a much-needed playful element to the series. Also, I loved how they shipped and adored our main couple.

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10+ plot holes and 0 character development

I’ve always been skeptical of Netflix original series, as they often tend to miss the mark. So, going into this show with absolutely no expectations, I was pleasantly surprised to find it intriguing.

From the start, it was implied that Seo Ari was supposed to be dead. Then, one day, she went live on Instagram, leaving us questioning whether she was truly alive. I found myself most curious about the circumstances surrounding her alleged death, how she managed to survive, and the true identity of BBBFamous. These questions kept me motivated to watch until the end.

While I found the drama entertaining overall, it was riddled with plot holes, particularly toward the conclusion—issues I couldn’t simply overlook. The early episodes featured awkwardly obvious product placements that felt forced, making for some cringe-worthy montages.

Moreover, character development was sorely lacking. Sure, our female lead experienced a tiny bit of growth, but the other characters seemed far too preoccupied with their own lives and follower counts to undergo any meaningful transformation.

One of the aspects I disliked most about this drama was the excessive screaming, yelling, and throwing things at every opportunity. It wasn’t a makjang drama, so I found their overreactions puzzling. Chaehee, in particular, contributed significantly to the chaos with her incessant screaming and whining, which became extremely annoying.

I was genuinely surprised when it was revealed that Ari’s best friend was one of her haters. But what shocked me even more was Ari’s acceptance of her friend’s flimsy excuse. Unless Ari was a saint, this response made no sense. If I were in her shoes, I would feel hurt far more by her betrayal than by any hate comments from netizens, especially since she had an exclusive hate account dedicated to Ari. What a snake!

As for the romance between Ari and Joonkyung, it had so much potential, but since the focus of the drama wasn’t on romance, I couldn’t ask for much more.

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I’m usually not a fan of korean crime and detective dramas, as they often feature characters making unrealistic and idiotic choices. However, ‘Flower of Evil’ really had me sitting on the edge of my seat.

The suspense escalated as Jiwon began to suspect her husband, Do Hyun Su. I loved watching the tension unfold as he lied to her, all while she was acutely aware of his true identity. The buildup to the moment when Do Hyun Su realized that Jiwon had uncovered his secret was incredibly satisfying, and that scene did not disappoint. The emotional depth showcased by Lee Jun Ki and Moon Chae Won was nothing short of remarkable, perfectly capturing the intensity of the moment.

However, I felt that the pacing slowed down significantly after the real Baek Hee Seong woke up. From that point on, the story dragged a bit, and I found myself skipping through many of Baek Hee Seong’s scenes, largely because I couldn’t stand his parents and their impact on the narrative. This shift in focus detracted from the overall tension that had been so engaging earlier in the series.

I doubt I would rewatch this drama, as the thrill of the experience relies heavily on the suspense surrounding Do Hyun Su’s secrets. For that reason, I would rate its rewatch value a mere two out of ten. Overall, it’s a captivating watch, but once you know the twists, the excitement diminishes.

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A Frustrating Love Triangle Overshadowed by One-Dimensional Characters

First and foremost, the villagers in this drama were extremely annoying. From the very beginning, the ahjummas barged into the male lead’s home uninvited. When he expressed his discomfort with their intrusion, they took offense, which felt entirely unjustified. It seems the writer aimed to portray the villagers as wholesome and family-oriented, but instead, they came across as rude and intrusive.

It was challenging to invest in the lead characters, including the second male lead, due to their one-dimensional portrayals. The acting didn’t help much either, as it often felt monotonous and lacking in emotional depth. You know how sometimes you find yourself rooting for the second male lead over the main guy, or vice versa? In this series, I didn’t feel that connection at all, which was disappointing, especially since the love triangle was supposed to be the main conflict.

Ultimately, I found myself indifferent to the romance. I was just watching for the dogs and puppies.

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A NOSTALGIC GEM!!!

I am and will always be biased toward ‘Goong’, as it was one of the first dramas I watched back in elementary school (I’m 27 now). Revisiting it brings back a flood of wonderful memories, and I remember every girl in school was obsessed with Lee Shin. And let’s not forget the unforgettable OSTs. I listened to them on repeat, jamming out with my walkman (I feel so ancient, lol).

While the acting leaves much to be desired and can often be quite cringeworthy, the story perfectly encapsulates every young girl’s dream at that time. The plot is delightfully light and whimsical, making ‘Goong’ my go-to drama whenever I want something easy to watch without diving into more serious or complicated narratives.

‘Goong’ is fun and simple—you don’t have to strain your brain to follow the story, which is a refreshing escape when you just want to unwind. It’s a nostalgic treat that reminds me of a simpler time, filled with youthful romance and fantasy.

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