Senpai
Brazil - Santa Catarina
"Wednesday 3:30 p.m." It tells the story of a woman who was abandoned by her boyfriend and tries to recover her heart by doing so with jealousy ...
Throughout the drama features a very beautiful morality about true love in its purest form. Featured for the wonderful cast.
The story mixes all the genres and elements of a dramatic romantic comedy and very entertaining, pleasing even the most demanding.
It also has factors such as innovation and cinematographic environment incredibly beautiful giving the drama a special environment for the romance of the two protagonists.
His soundtrack basically consists of several genres that by the way very well chosen, going from the classic to the contemporary.
In short a fun and cheerfully charismatic drama with a love story of comings and goings in the purest form of being. Highly recommend!
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The film relies on a careful exchange of romanticism with that of the supernatural elements that, plausibly, promote the growth of its two main characters and their love relationship. It does not fit into the overly tempted notion of the tragic and common loss in novels, especially considering how many other films usually have one of the characters with some deteriorating disease or terminal illness to defend ideas of forced separation. His uniqueness in the narrative structure separates it from similar films that maintains the genre and, along with an excellent cast and direction, produces an emotionally touching, unconventional, and ultimately quite memorable viewing experience.
"Tomorrow I Will Date With Yesterday's You" makes you think more about the situation in which the two main characters were and the consequences that this would mean to them.
By Japanese standards it may have been some movie, but it is not, the story is well written, it has a coherent logic, it seems to be difficult to understand at first, but they have a transition of interest that makes you understand it perfectly. It's worth it!
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Time travel is and will forever be a fantasy, physicists say. But fantasies can tell us more about human desires and dreams than discouraging facts.
This is what happens in "Kimi to 100 Kaime in Koi" the movie has no pseudoscience is totally without physical logic. The film expresses the common and eternally frustrated desire to turn back time as easily as restarting a clock, with a melodramatic script about to thrill.
In the same way the film has cinematic movements in height, its history faithfully reflects the unbearable truth that he (protagonist) must finally face, although he does not present this truth with much subtlety. And the types of literal mentality can disrupt the logical moments of the film's narrative, which is close to the "surreal" category but also clearly expresses the truth. Good movie!
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In short "Double Mints" is a manga project that projects as a fantasy to a forbidden world in which it does not enter, but it is strongly impressed that the film is a reality and a terrain with more realistic brushstrokes.
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The Miracles of the Namiya General Store
13 people found this review helpful
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The Suzuki family, repatriated in the Middle Ages where the exchange law applies, gets four bicycles and begins the long voyage to Kagoshima by the sea, with roads populated by refugees who are struggling hard to walk and survive in chaos uncontrolled by the lack of electricity. "The Survival Family" tells the whole family journey but it is also an opportunity not only to achieve salvation but also to strengthen weak family ties.
Undoubtedly, the point of departure of the narrative is interesting, we think for a moment that really happens in such a situation anywhere in the world, and also Yaguchi's choice to impress the movie that relies on comedy deserves applause. What frustrates him a little is that he is slow but inexorably back in good tones of history, leaving aside the irony that would have given more force and mass to the story. The journey as a rediscovery of oneself and the importance of family ties that undergo a metamorphosis of the characters that, in the end, has all the other face to the beginning is, a fundamental aspect of the
of the ecological theme, the return to a life simpler than that of the metropolis.
As a whole, "Survival Family" is a movie that allows you to watch, it also has moments of brilliant intelligence in popular jobs that appeal to the general public, but the most tangible feeling is honest work without infamy and no compliments but it is very worthwhile.
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Who cares about critics when a movie can represent someone's life on the big screen.
"Bokura in Gohan wa Ashita of Matteru" has a common but well written story with a perfect chronological narrative.
The genre bending comedy is also present, I loved it, it's not every day we see women taking initiative and picking on heavy and men doing light and domestic things, based on a novel by Maiko Seo, "Our Meal for Tomorrow" by Masahide Ichii is another unconventional romantic drama.
In the cast we have Ryota Hayama (Yuto Nakajima), high school student (Nakajima is a member of the popular boy boy Hey! Say! Jump), but is a lonely and sensitive when the movie begins. Then a girl from her class, Koharu Uemura (Yuko Araki), asks her to partner with her in a sack race ...
Working from the script itself, the film follows the reverse gender relationship - emotionally vulnerable face and mentally primordial girl with no ...
The story also features twists of often-seen plots, both medical and romantic, though their treatment of them is more original than normal.
"Bokura no Gohan wa Ashita de Matteru" is a love story any but for me it is one of the most impressive and cute I have ever seen. It's worth watching!
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As the title suggests, it tells the story of Nemoto Kahoko (Takahata Mitsuki) who lives an extremely protected life. So, despite being in the senior year of college and in the job hunting phase, it is the furthest thing from being independent. We can say that she has super protective parents, especially her mother (Kuroki Hitomi), who still wakes her up every morning ... And her father (Tokito Saburo) is aware that his wife is being overly protective of her only daughter, but can not have the courage to speak.
Things begin to change when Kahoko meets this great art man, Mugino Hajime (Takeuchi Ryoma), who naturally leads a complete opposite life to hers. Without a father and with a temporary multiple, he is astonished to learn the extreme case of the girl being spoiled by the mother who she is, and how unsatisfactory her future is.
Kahoko is basically a great baby. It's not childish but childish. She does not realize that she is living in a bubble all her life or dependent on her parents. As the drama unfolds high grades one learns from it, and we will see that Kahoko even being spoiled gets to turn around, drama is a lesson of life and wisdom.
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Based on Rin Mikimoto's series of manga "Kyo no Kira kun" (published September 13, 2011 through August 11, 2014 in the Japanese magazine shojo manga Bessatsu Friend) the film is not that very sticky or very cold thing, it is a very sweet romance between two teenager, the parrot has a representative role that I found a great balcony of the director. The soundtrack is very nice as is the cinematography that gives the most romantic air in this beautiful love story that is worth it.
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A town somewhere in China, Chen Jing, sophomore Chinese Music at Zhongxia Academy of Music's Afiliative High School, sees the handsome classical music student Wang Wen practicing on the piano and immediately falls in love with him ... The film goes far beyond the novel, it teaches about Chinese music and proper classical music in a rather energetic, rather entertaining, but fun, youthful comedy driven by an animated performance by TV actress Xu Lu.
The film sustains its energy from a mass of small details and quirky ideas, beginning with the two music departments being so hostile to each other that they are separated by an iron gate in the same building. An innovative film full of energy and innovative ideas that is worth watching.
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"Policeman and Me" ("P to JK") based on a manga sh?jo by Maki Miyoshi.
The film is therefore more inclined to romantic comedy than a serious drama about inadequate love for age, although Kota, his police hero played by pop idol Kazuya Kamenashi, is the soul of sincerity. And, as his teenage bride Kako happily observes.
There is more to the story than Kota's desire to ease his conscience and restore his male pride, but Nami Yoshikawa's script is short on explanations, at least initially. What is obvious, however, is Kako's delight in playing house with her husband in his house very large for a police officer's salary, although she swear the aforementioned friend to the deep and dark secret about the engagement.
Meanwhile, Kota behaves like a perfect gentleman with his teenage girlfriend. In their moments, they exchange little more than smiles and the occasional hug, initiated by a stunned Kako. However, this interlude of innocent happiness is short. Okami Mahiro Takasugi, the temperamental, blond-haired punk who accidentally put Kako in the emergency room, becomes Kota's nemesis, as well as his sickly friends.
In addition, the realities of being a wife to a guy often absent in a dangerous job begin to affect Kako's fantasy world. She gets jealous, fearful and dubious. Can Kota see her as another human being, rather than a burden he must protect? In other words, a good mellow movie but that could be perfect for a mature drama.
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A film with no pros and cons above average, Tan Song Yun and Luo Leo did a great performance and presentation, I just did not like the "aggression" of the boy, pussy, first girlfriend, barely know the girl and want to rush and deepen the relationship , Calm down, have to be slow to your time, rushing things is always bad business.
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