I have mixed feelings about the drama. On the one hand, kudos to the drama for daring to have such a flawed male lead (wonderfully acted by Chen Feiyu). My interest was caught when the drama began with the male lead getting out of prison. I liked the fact that there was no attempt to sugarcoat him and make him the “done-wrong” victim of a conspiracy or of the system (as a typical Korean drama might do). He has lots of problems, but you still root for him. I also liked the female lead, who was smart, strong, and principled, and wore gorgeous coats. And I liked the friends, Ren Di and Fang Shu Miao.

What I didn’t like as much was the romance. Xi Lun was attracted to Zhu Yun because of her smarts and integrity but he was cruel to her multiple times and even when he kissed her, it looked like he was eating her face. I could see how someone like Zhu Yun would be attracted to a handsome brooding genius like him but I also thought that she was too tolerant of someone who was borderline emotionally abusive.

Plus there were parts in the drama that required some suspension of belief. For example, why were the protagonists prevented from entering a competition due to the way they exposed fraud and flaws in the prior competition, yet the fraudster himself could enter and win? I was also skeptical of the explanation for how they managed to walk out of the hacking and virus accusations unscathed. And the whole sneaking around behind the parents’ backs doesn’t work when you plaster your faces all over the news.

But then there would be something that I loved, e.g., when Zhu Yun posted the video and walked out Like a Boss. That was my favorite scene in the drama.

Read More

I loved this. It starts out at a fairly leisurely pace (despite a tragic death) but then takes off with a bang so that the last fifty-three (53!!!) episodes seem to pass by much faster than the first twenty. What sold it to me is the Ming Lan character, who is much smarter and savvier than she appears at first -- plus it’s funny that she seems to be eating constantly. I have to say that it was difficult for me to connect the characters as adults to their child counterparts, with the exception of Xiaotao. I really liked Gu Tingye as a child, who seemed confident but not cocksure, principled, and mature beyond his years. I understand that his abusive family helped turn him into what seemed to be a vain, out-of-control, and immature adult and that he wasn’t really that way but I sometimes sympathized with others, including members of his family, when they found him irritating as hell. But then he would save Ming Lan in the nick of time or prove how smart and wily he was and I would forgive everything.

Read More

Serenade of Peaceful Joy is an odd title for a drama that deals primarily with an emperor and the reforms he attempts during the Song dynasty. I like the emperor when he is governing but hate him when he’s dealing with his personal life, including the way he treats his empress and concubines. He’s not mean to them but he unintentionally hurts them because he’s basically clueless. It’s especially crushing to see the empress change from a cheerful, smart, opinionated girl trained in martial arts and swordfighting to a repressed, uptight, and infinitely sad woman. Not much joy there. Not very peaceful either. It should have been called Elegy of Endless Melancholy.

Read More

First the positives: Shin Hye Sun is a great actor, many of the scenes were beautifully staged and shot, and the premise was interesting.

Unfortunately, my list of negatives is much longer. I felt that the promising premise was squandered by big gaps in the writing and poor execution. For example, I had trouble believing that the ML would fall as quickly as he did for a FL who stalked him and said very strange things, instead of scurrying away as fast as he could on those long legs of his. Ahn Bo Hyung did a good job when the drama required him to act emotionally frozen. Except that he pretty much did that thoughout. I thought that the child actors were very good but I struggled to believe that the leads had fallen deeply in love when children. I blame the writing for that. The whole car crash subplot fizzled, primarily because it required one to believe that characters would react in implausible ways. The ending had more gaps and, “Wait, how can that be … ?” than the average drama.

I think that the drama was ruined by poor writing.

Read More

I felt like this drama never became too predictable. I liked the fact that the villains were sympathetic (well, except for Hosung, whose pretty face I wanted to punch (haha) by the end). Yes, there were legal bloopers but they weren’t so distracting that I couldn’t shrug and get past them. Most of all, I liked the point counterpoint as everyone tried to manipulate and out-maneuver everyone else. I sometimes feel like I’m losing brain cells while watching some Korean romantic comedies. With Punch though, I think that I had a net gain in brain cells because I was also trying to figure out Jung Hwan’s next move.

Read More

Is it just me or is there something unsettling about the whole setup? L (Kim Myung Soo) plays a character who alternates between being a cat, who lives with the female lead, including watching her dress and undress and sleeping beside her (ewwww) and a guy who falls in love with her and with whom she falls in love without knowing he’s a cat. I feel no chemistry between the two human leads so the romance seems strange rather than charming. Every character behaves irrationally. L’s acting leaves a lot to be desired. I know he’s supposed to be a cat-like human but the actual cat is a much much better actor. I preferred the second lead Jae Soon. And I don’t feel the secondary romance between the two co-workers at all.

Read More

The long, drawn out romantic moments between the two leads are, well, too long and drawn out. Gah. If they show one more sweet moment between those two, I’m going to go into diabetic shock. They keep gazing at each other with such sappy puppy dog eyes that I can’t believe that the whole country, let alone the rather obtuse palace dwellers haven’t figured it out. You know it’s bad when you think that Kim Yoon Sung killing a bunch of people is much more romantic than the Crown Prince declaring undying love (over and over and over) for the I-can’t-believe-no one-has-figured-out-that-she-is-a-he leading lady.

Read More

I fast forwarded through this one a lot. Jung Kyung Ho is one of my favorite Korean actors but this drama is a mess. Is it a commentary about Korea’s class divides and rich parents and their precious children, with their associated pressures and competitiveness? a star teacher’s journey back from a stressful and isolated existence? a murder mystery? I wouldn’t have a problem with it being all of the above, if the writer had done a better job of pulling it all together or making many of the side characters more than one-note caricatures. I assume it’s also supposed to be a romance because, well, the word “Romance” is in the title, after all. But there is little romantic spark. Nam Haeng-seon comes across more like Chi-Yeol’s older sister than a possible object of his desire. Plus I really really hate how she treats her brother. Finally, why do many Korean romcoms have serial killers lurking in them? Is it an attempt to add dramatic tension to poorly written fluff?

Read More

Many things bothered me about this drama, not the least of which was the Jang Se Mi character, who came across as predatory and creepy. I’ve never liked the drama trope that indicates that it’s a sign of true love when someone ignores a person’s NO and instead aggressively pursues that person (e.g., Secret Garden). Jang Se Mi was particularly problematic because she got too close when the object of her affection was sleeping or impaired or physically weak. I did wonder at one point whether the writer was tryng to play to homophobic fears. In addition, all of the other love lines came off as more crude and tawdry and less romance and roses to me.

The writing seemed so off that I looked up the screenwriter Im Sung Han.

Read More