This is a charming drama that is better than its title implies. Choi Hyun Wook steals every scene he is in. He’s also a pretty good singer (assuming that was really him singing in the drama). The drama has a Back To the Future vibe to it and it doesn’t quite stick the landing but it comes close enough.

One thing I always wonder when I see dramas where the protagonist time travels to the past then returns to a changed present is what supposedly happens to all of the memories the protagonist had from his life before he time traveled. As a result of the changes he made noone else in his present life would have those same memories, right? And he would have no memory of his revised past.

I need to know in case I ever time travel.

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What just happened. The story and acting were compelling but the ending just wiped out everything. Okay, I'll admit that the ending was more logical and realistic than the whole "one more chance to do over" storyline but...what? (sputters to oneself.)

Because the ending wiped out most of what happened before (ironic since the initial premise was to wipe out one's past mistakes and start over), it felt as if all of the emotions developed over the course of the story became empty. But I don't hate this drama because it completely fooled me and I have a grudging admiration for that. Plus the ride was fun while it lasted.

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In order to enjoy this drama, one should just go with the flow because it IS a fun and addictive watch. But it is also fairly cheesy (perhaps that’s what made it such fun) and often illogical. I liked the FL’s and ML’s acting as well as both of their characters but there didn't seem to be that magical spark between them. Plus the ML did things that seemed out of character for somebody who was supposed to be cool and calculating (e.g., the way he dealt with the fish token, ran off to deal with an entire army by himself, and volunteered himself for a final battle). There were some beautifully filmed scenes, such as at the very end. I think though that they overdid the thunder and lightning, which inevitably came rolling in when something ominous was about to happen. Ditto the wind, which always seemed to come out of nowhere to set clothes and hair prettily swirling.

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I watched about half of this drama, spurred on by glowing reviews, but even that much felt like a forced march. From the ML instantly falling so hard for the FL that his love endured through years of separation to the way that the FL’s crush on her idol became a reality because they’d known each other before, the romance struck me as kind of tweenies, and immature tweenies at that. I also kept wanting to shout, “WAIT, THINK!,” whenever the FL’s poor self-preservation skills made her do questionable things. Plus, once again South Korea seems to be the serial killer capital of the world. Because it can’t be true love unless someone wants to kill you.

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ugh. First, I think that the women should have concentrated on setting up their businesses and dumping their respective boyfriends who regressed to middle school with each other. All sorts of sniping and glaring and hurt feelings. I kept expecting the boys to start pulling each other’s hair and slapping each other.

As for, Yoon Ha, she comes across as inept (everything she accomplished at Tae Jin was a result of work Joon Gi, Chang Soo or Yi Ji did for her) and somewhat hypocritical (e.g., criticizing the privileged for abusing their power then using her brother’s power to take revenge on those who offended her). And when the first male lead declared that he fell in love with Yoon Ha the first time they met, I wondered what the prior 15 episodes had been all about.

Finally, after all of the fuss about the brother’s disappearance, the “resolution” seemed to be almost an afterthought.

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One of the best dramas I've watched. This drama has a lot of complicated political intrigue and beautiful cinematography, and, importantly, a lot of very smart characters, including plenty of smart women. There was some romance but it paled in comparison to the wonderful heartfelt bromances. And, unlike most Korean dramas, everything wasn’t neatly tied up into one big happy pill, which made Nirvana’s ending much more meaningful and satisfying. I nearly gave up after the first episode because it was confusing with too many characters being introduced too quickly and too briefly (hint: learn their names!) but I’m glad I stuck with it. I would recommend this drama to people who like complex plots and who like to watch smart people behaving intelligently.

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I strongly recommend Teasing Master Takagi-san (aka Karakai Jozu no Takagi-san), if you’re looking for a lovely, slice of life, Japanese drama. The story explores a boy’s conflicting emotions as he interacts with a girl who constantly but gently teases him and usually gets the better of him. The two students’ interactions are treated with sensitivity and sympathy. I thought that both young actors were outstanding, particularly the boy. The whole thing takes place in a beautiful town on an island off the coast of Japan and the setting adds to the dreamy, idyllic tone of the drama.

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This is basically a romance set during the 1980 Gwanju protests. I thought that the Romeo and Juliet couple, beautifully acted by Lee Do Hyun and Go Min Si, pulled all of the appropriate heartstrings. But the characters surrounding them leaned melodramatic and simplistic. The evil villains, for example, were simply evil, whose evil acts were motivated by evilness. The troubled relationship between Kim Myung Hee and her father did not resonate with me because the whole thing seemed kind of over the top but, at the same time, petty. The Lee siblings’ characters had little depth or complexity. And the Gwanju protests and why and how everything went horribly wrong seemed to be simply background noise, albeit terrible background noise, to move the love story along.

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I’m puzzled by this drama's popularity as well as the number of times it makes it on to people’s top ten lists. Perhaps because the body swapping incidences were pretty funny? But this is another one that I had trouble getting through, mostly because Kim Joo-Won was creepy and I hated the way that he didn’t respect Kil Ra-Im’s wish that he leave her alone. The message seems to be that it's swoony to show that your love is true by stalking that poor person no matter how many times they ask you to back off. That is not okay. That is not romantic. That is not what any drama should be promoting.

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I had high hopes for this drama after the first couple of episodes but I became less enthusiastic as I kept watching. First, Jung Geum Ju’s antics and tactics started bothering me as she stepped up the lying and coercion and criminal activity. i know that the drama is a satire but it also seemed to be touting her prowess and skill and showing that the ends justify the means. Plus she never developed as a character. Second, I didn’t like the way that Yoon Hee Jae kept pursuing her after she rejected him. If someone says no, the other person needs to back off; it doesn’t matter how sexy or attractive he is, he needed to respect Jung Geum Ju’s wishes. I do think, however, that Ju Ji Hoon’s acting was amazing. Kim Hye Soo not so much, especially her cringe-worthy overacting at the hotel suite towards the end. There’s a way to do that over-exaggerated acting and make it funny (I’m thinking of Han Ji Eun in Be Melodramatic) but Kim Hye Soo’s was too much.

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My expectations may have been too high because I was underwhelmed by this drama. I think that the ending focused too much on the charming, but very predictable romance, at the expense of the other story lines. The “surprise” was not a surprise because the happily-ever-after ending was such a foregone conclusion that I assumed immediately that the shooting was a setup. What I liked instead throughout the drama were the flashes of humor, such as when Moon Ho pushed Jung Hoo’s “dying” face down. Or when Min Ja paused during her escape from her lair to stare longingly at all of her knitting projects.

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Sorry. I'm not against dramas poking fun at serious issues and if this one had done it with more cleverness and less ham-handed cheap laughs, it might have worked. I truly felt like IQ points were screaming and dying in my brain as I watched this.

For example, I can’t stand the mother pimping out her daughter, even though it’s clearly being played for laughs, and the whole gay-not gay thing seems tonally off to me. (I’ve never been a big fan of the Coffee Prince/You’re Beautiful approach to homosexuality where the writer uses it as a device to advance conventional, heterosexual love. The underlying message seems to be that True Love can override sexual preference, as if homosexuality is a choice and all you need is to meet that one special person. And I disliked Personal Taste because of the male lead coyly pretending to be gay in order to advance his agenda.) Except for Do Bong-Soon and her grandmother, the women are weak and Do Bong-Soon herself isn’t very bright. Those things, added to the sadistic kidnap/murder theme, make me feel that there is a misogynistic streak running through this drama.

ETA: Another thing that bothered me is that stock value in the male lead’s company dives after news reports surface that he is gay. It’s played as if that’s funny. It’s not.

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