HIGHLIGHTS: Sumptuous cinematography and set designs. Beautiful and mysterious soundtrack that expressed perfectly the mood and ambiance of the drama. Intriguing plot with plenty of twists and turns to maintain interest.

I liked IU’s performance as Jang Man-wol. There was enough nuance in her performance to keep me intrigued. But I didn’t think she had the physicality and aggressiveness to inhabit her role as bandit and fighter in her earlier life. Yeo Jin-Goo'’s acting seemed too exaggerated and annoying in the first episode but I grew to like his character. Overall, the cast and acting was very good.

For me, chemistry is the most important element in a K-drama. There’s plenty of moments when emotions cut loose but what makes this drama really successful is the tension from all the emotions that are held in check. After watching parts of the series for a second time, I gained a greater appreciation for the script. Jang Man Wol and Go Chun Myung were in a passionate love/hate relationship. And this was while she was fully human. Jang Man Wol and Ku Chan Son's relationship was a counterbalance to that. Jang Man Wol was no longer quite human, she was Koo Chan-Sung boss, and both implicitly understood that she was destined to cross the bridge. So their dynamic was one of an understated, unrequited love mixed with an awkward brother/sister relationship. I feel the contrast between the two relationships made the drama a richer experience. But the problem I had with Yeo Jin-Goo's acting is that it appeared to be overacted and inauthentic much of the time. Jang Man Wol also had a warm, heartfelt relationship with her staff which again, was understated, making it a more emotionally nuanced and engaging dynamic.

This isn’t the kind of drama you watch while working out at the gym. It’s far from your typical rom-com. While it has its fun and playful moments, the overall tone is darker and more introspective — perfect for a quiet evening under the spell of the full moon.