This review may contain spoilers
Contrived but also refreshing and satisfying
“The Eighth Sense” succeeds despite its drawbacks; the happy ending of the two main characters, Jae Won (Im Ji Sub) and Ji Hyun (Oh Jun Taek), feels right, even if the steps to get there carry contrivance in script and direction. But the two leads are overwhelmingly convincing in their performances and interactions to sweep nitpicking aside.
Joint Directors Werner du Plessis and Inu Baek have delivered a soft surfing tale, from the opening credits which hark back to films from decades ago, to scenes of sea, sand and surf, bestowing an ambience of young vigour and first-time love. We may not be on the surf beaches of South Africa, Hawaii or Australia, but as the camera lovingly explores the collection of surfboards in the surf shop, and lingers over the body-hugging wetsuits, all that is missing is the burning summer sun and suntan lotion. The music soundtrack is also especially worthy of note and adds to the series’ appeal.
A highlight of “The Eighth Sense” is the satisfying arc of the relationship between the two main characters. Im Ji Sub and Oh Jun Taek are especially good in their scenes together, awkward at the start despite or even because of their mutual attraction, wholehearted in their giving into their desire, and increasingly open and honest in their understanding and commitment to their affection.
A feature of this series is the depressing depiction of corrosive behaviour amongst the characters’ peer groups. Jan Young-joon as Tae Hyung is Jae Won’s thoughtless and manipulative “best friend”; Park Hae In as Eun Ji is Jae Won’s scheming and caustic ex-girlfriend; Bang Jin Won, as Ji Hyun’s childhood friend Joon Pyo, is self-serving in being both physically gluttonous and emotionally clinging. Worse, Jae Won’s therapist is both accusatory and unprofessional, chiding Jae Won for her inability to pay her rent because she didn’t get the fee for an appointment he missed.
There is a brief nod towards the issue of social disapproval of open gay relationships in South Korea, but overall the creators’ drive is towards the goal of Love Conquers All, and the final two episodes are well crafted towards that end.
Acknowledgment should be given also to the three supportive female characters: Jung Seo In as the owner of the restaurant where Ji Hyun works, Seo Ji An as the intuitive Ae Ri and Lee Mi Ra as Yoon Won, the mother figure of both the surf club and its family of members. Amidst trouble and taboos, these characters at a personal level redeem somewhat the social difficulties faced by Jae Won and Ji Hyun in the broader scheme.
Joint Directors Werner du Plessis and Inu Baek have delivered a soft surfing tale, from the opening credits which hark back to films from decades ago, to scenes of sea, sand and surf, bestowing an ambience of young vigour and first-time love. We may not be on the surf beaches of South Africa, Hawaii or Australia, but as the camera lovingly explores the collection of surfboards in the surf shop, and lingers over the body-hugging wetsuits, all that is missing is the burning summer sun and suntan lotion. The music soundtrack is also especially worthy of note and adds to the series’ appeal.
A highlight of “The Eighth Sense” is the satisfying arc of the relationship between the two main characters. Im Ji Sub and Oh Jun Taek are especially good in their scenes together, awkward at the start despite or even because of their mutual attraction, wholehearted in their giving into their desire, and increasingly open and honest in their understanding and commitment to their affection.
A feature of this series is the depressing depiction of corrosive behaviour amongst the characters’ peer groups. Jan Young-joon as Tae Hyung is Jae Won’s thoughtless and manipulative “best friend”; Park Hae In as Eun Ji is Jae Won’s scheming and caustic ex-girlfriend; Bang Jin Won, as Ji Hyun’s childhood friend Joon Pyo, is self-serving in being both physically gluttonous and emotionally clinging. Worse, Jae Won’s therapist is both accusatory and unprofessional, chiding Jae Won for her inability to pay her rent because she didn’t get the fee for an appointment he missed.
There is a brief nod towards the issue of social disapproval of open gay relationships in South Korea, but overall the creators’ drive is towards the goal of Love Conquers All, and the final two episodes are well crafted towards that end.
Acknowledgment should be given also to the three supportive female characters: Jung Seo In as the owner of the restaurant where Ji Hyun works, Seo Ji An as the intuitive Ae Ri and Lee Mi Ra as Yoon Won, the mother figure of both the surf club and its family of members. Amidst trouble and taboos, these characters at a personal level redeem somewhat the social difficulties faced by Jae Won and Ji Hyun in the broader scheme.
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