FanofMinMin
The gem of 2022 and a must watch for all wuxia lovers
This is the best wuxia c-drama I have watched in a while, and certainly the best of 2022. I binged watched and completed the first 12 episodes in a day, and after that it was torturous waiting for new episodes to be released. It was everything I had hope for in a wuxia drama, and some. Not a perfect drama though, but certainly top on my enjoyment list as I thoroughly love every bit of this drama and a tad sad after it concluded airing after 40 episodes. There are only a handful of c-dramas that gave me such vibes, and “Blood of Youth” (BOY) is one of them.
What makes this series so special is its storylines. This is the adventure of Xiao Se – the fallen sixth prince and his best buddy, Wu Jie in the martial arts world of jiang hu. Along the way they picked up other like-minded swordsmen and fighters, and together they tried to mould the political landscape of Beili Kingdom. The palace politics is portrayed through the battle for the throne and each prince/party is supported by various martial arts sects with their own Swords-Masters and Swords Deities. In this world of martial arts, all these swordsmen fight for the supremacy to be the best in the world. These martial artists are ranked accordingly by the mysterious Baixiao Sect ala Langya List in “Nirvana in Fire 1&2”. Meanwhile, the skills of these swordsmen are categorized to denote expertise, and they gained level as they get more experience just like Dungeon & Dragon games.
While this premise is not unique and has been adopted by various wuxia novelists since time immemorial, BOY is different because each character - be it main protagonists or supporting characters - are unique and entertaining, with their own quirks and idiosyncrasies with their own interesting storyline and character development. This is the real strength of BOY. Xiao Se is the moody and enigmatic sixth prince; Wu Jie and Ma Chunfeng are both naïve and innocent members of distinguished clans; Sikong Qianluo is the haughty and impulsive daughter of a Swords Deity ; Tang Lian is an honest and loyal disciple of Tang Clan and Xueyue City ;Ye Ruoyi is the regal and dignified daughter of a General commanding thousands of armies ; Wu Xin is the playful and charming demon sect’s leader who happens to be the half brother of Prince Chi; Prince Bai is the virtuous and honorable, yet blind second prince eyeing for the throne; Prince Chi is the evil ninth prince jostling for the throne, and practically responsible for all evil things happening in this c-drama ; and myriad other interesting characters like Li Hanyi (Xueyue City Swords Deity), Sikong ChangFeng (Xueyue City Third Lord), Luo Mingxuan, Li Fan Song (Mount Wangcheng disciple), etc.
Blood Of Youth has plenty of light-hearted moments with playful bantering among the characters. It provides relief and brief interruption from the serious undertone concerning the life and death of martial artists and the struggles for throne among the princes. Even the interaction between the Divine Healer, Hua Jin and the third Master of Ma’s Clan, Ma Chunfeng brings smile to my face. There are funny scenes everywhere: from the awkward way Wu Jie tried to strike a conversation with Ruoyi at the Flower Festival, to the way Wu Jie tried to correct Xiao Se’s pronunciation of a cursed word, etc. Wu Jie’s character is a gem because he always becomes a fodder for Xiao Se’s deadpan humor. Even Wujin’s character sometimes acts silly in the presence of these two protagonists. Basically anything involving Wu Jie and Ma Chunfeng is funny, and I think these two characters really steal the show.
This series could have been a huge TV rating bonanza had it featured A-list actors such as Yang Yang, Yang Mi, Dilraba, Zhao Liying, Wang Yi Bo, Xiao Zhan, etc. The producer casts three (3) great looking and up & coming actors as the main male leads. Li Hongyi, Liu Xueyi and Ao Rui Peng play their parts convincingly, may have their loyal coterie of fans but they are not A-grade . The chemistry among this trio, and towards the leading female leads (Flora Dai & Lin Bo Yang) are palpable for viewers to see. Not a single actor/actress hogs the lime-light and the screen time is shared across all cast. I thought the casting of Lin Bo Yang as Sikong Qianlou was the weakest link in the drama, and would have preferred to see either Yuan Binyang or Gulinazha in that role.
I love dramatic fighting scenes and there are plenty of them in any wuxia movie, and BOY is no exception. The fight choreography is at par with the best of Wuxia films/dramas I have watched to date. I am even inclined to compare the work of high-budget Chinese New Year’s blockbuster – Sakra: an adaptation of JinYong’s work – to BOY, and the result was not disappointing. Sakra involved tons of money, a gazillion of stuntmen, machines and props and the fighting choreography may not be much superior to that of BOY. If anything, BOY’s fight scenes are more realistic as the director tries to tone down on the more complicated and back-breaking stunts by not going overboard with the action flicks or wire works. However, at times the choreographed fights become too simple especially the ones involving Sikong Qianlou.
There are however a few post-production “errors” which stand out to me but it does not take away from enjoyment of BOY. For example, Tang Lian disappears from the scene by jumping to a roof and into the horizon. The scene is comical because the fast motion was overdone. Similarly, the same technique was overdone when Sikong Qianluo and Ye Ruoyi are on horsebacks trotting slowly while leading the army to Tianqi City after successfully battling Prince’s Chi surrogate army. The scene is out of sort, because the horses are moving at a snail pace, almost reluctantly, while the post-production tries to simulate the movement of an army marching on. But these “spoofs” are few and far between.
A thoroughly enjoyable wuxia flick. The gem of 2022 and a must watch. 10/10 rating. My only disappointment is that it has only 40 episodes. Off to another Li Hongyi’s drama – Wulin Heroes.
What makes this series so special is its storylines. This is the adventure of Xiao Se – the fallen sixth prince and his best buddy, Wu Jie in the martial arts world of jiang hu. Along the way they picked up other like-minded swordsmen and fighters, and together they tried to mould the political landscape of Beili Kingdom. The palace politics is portrayed through the battle for the throne and each prince/party is supported by various martial arts sects with their own Swords-Masters and Swords Deities. In this world of martial arts, all these swordsmen fight for the supremacy to be the best in the world. These martial artists are ranked accordingly by the mysterious Baixiao Sect ala Langya List in “Nirvana in Fire 1&2”. Meanwhile, the skills of these swordsmen are categorized to denote expertise, and they gained level as they get more experience just like Dungeon & Dragon games.
While this premise is not unique and has been adopted by various wuxia novelists since time immemorial, BOY is different because each character - be it main protagonists or supporting characters - are unique and entertaining, with their own quirks and idiosyncrasies with their own interesting storyline and character development. This is the real strength of BOY. Xiao Se is the moody and enigmatic sixth prince; Wu Jie and Ma Chunfeng are both naïve and innocent members of distinguished clans; Sikong Qianluo is the haughty and impulsive daughter of a Swords Deity ; Tang Lian is an honest and loyal disciple of Tang Clan and Xueyue City ;Ye Ruoyi is the regal and dignified daughter of a General commanding thousands of armies ; Wu Xin is the playful and charming demon sect’s leader who happens to be the half brother of Prince Chi; Prince Bai is the virtuous and honorable, yet blind second prince eyeing for the throne; Prince Chi is the evil ninth prince jostling for the throne, and practically responsible for all evil things happening in this c-drama ; and myriad other interesting characters like Li Hanyi (Xueyue City Swords Deity), Sikong ChangFeng (Xueyue City Third Lord), Luo Mingxuan, Li Fan Song (Mount Wangcheng disciple), etc.
Blood Of Youth has plenty of light-hearted moments with playful bantering among the characters. It provides relief and brief interruption from the serious undertone concerning the life and death of martial artists and the struggles for throne among the princes. Even the interaction between the Divine Healer, Hua Jin and the third Master of Ma’s Clan, Ma Chunfeng brings smile to my face. There are funny scenes everywhere: from the awkward way Wu Jie tried to strike a conversation with Ruoyi at the Flower Festival, to the way Wu Jie tried to correct Xiao Se’s pronunciation of a cursed word, etc. Wu Jie’s character is a gem because he always becomes a fodder for Xiao Se’s deadpan humor. Even Wujin’s character sometimes acts silly in the presence of these two protagonists. Basically anything involving Wu Jie and Ma Chunfeng is funny, and I think these two characters really steal the show.
This series could have been a huge TV rating bonanza had it featured A-list actors such as Yang Yang, Yang Mi, Dilraba, Zhao Liying, Wang Yi Bo, Xiao Zhan, etc. The producer casts three (3) great looking and up & coming actors as the main male leads. Li Hongyi, Liu Xueyi and Ao Rui Peng play their parts convincingly, may have their loyal coterie of fans but they are not A-grade . The chemistry among this trio, and towards the leading female leads (Flora Dai & Lin Bo Yang) are palpable for viewers to see. Not a single actor/actress hogs the lime-light and the screen time is shared across all cast. I thought the casting of Lin Bo Yang as Sikong Qianlou was the weakest link in the drama, and would have preferred to see either Yuan Binyang or Gulinazha in that role.
I love dramatic fighting scenes and there are plenty of them in any wuxia movie, and BOY is no exception. The fight choreography is at par with the best of Wuxia films/dramas I have watched to date. I am even inclined to compare the work of high-budget Chinese New Year’s blockbuster – Sakra: an adaptation of JinYong’s work – to BOY, and the result was not disappointing. Sakra involved tons of money, a gazillion of stuntmen, machines and props and the fighting choreography may not be much superior to that of BOY. If anything, BOY’s fight scenes are more realistic as the director tries to tone down on the more complicated and back-breaking stunts by not going overboard with the action flicks or wire works. However, at times the choreographed fights become too simple especially the ones involving Sikong Qianlou.
There are however a few post-production “errors” which stand out to me but it does not take away from enjoyment of BOY. For example, Tang Lian disappears from the scene by jumping to a roof and into the horizon. The scene is comical because the fast motion was overdone. Similarly, the same technique was overdone when Sikong Qianluo and Ye Ruoyi are on horsebacks trotting slowly while leading the army to Tianqi City after successfully battling Prince’s Chi surrogate army. The scene is out of sort, because the horses are moving at a snail pace, almost reluctantly, while the post-production tries to simulate the movement of an army marching on. But these “spoofs” are few and far between.
A thoroughly enjoyable wuxia flick. The gem of 2022 and a must watch. 10/10 rating. My only disappointment is that it has only 40 episodes. Off to another Li Hongyi’s drama – Wulin Heroes.
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