Hop on, I'll take you anywhere you want to go!
This show was such a delightful surprise.
Many Thai dramas tend to fall on the raunchier side of the spectrum (which is not necessarily a bad thing, mind you) so this story made for a delightful change of pace. It is almost entirely character driven rather than plot driven and really takes the time it needs to develop everyone's personal character arcs fully, never rushing yet never slowing down either.
There are no sudden plot twists, no dramatic misunderstandings (at least none that don't get resolved almost immediately via the revolutionary method of Clear Communication) and at 10 episodes the story is perfectly paced.
I especially loved the show's varied depictions of queer people's lives. This is the first time I've seen an elderly queer couple depicted in a drama and I am so grateful for their inclusion here. Not only do those two serve as an endless well of support and advice for Mork and company, they are also plenty fun to watch just on their own.
Mork's tentative steps towards exploring his sexuality are incredibly lovely to watch and pleasantly devoid of any "gay for you" nonsense (although I did at one point find myself swearing at the screen for someone to just say the word "bisexual" already)
I also deeply appreciated the show's approach to Tawan's character who, while entirely comfortable and certain in his sexuality, is still new to relationships and physical intimacy and refuses to do anything but going at his own pace.
Given how, in depictions of relationships where one person is just discovering they may not be entirely straight, it's usually the openly queer person who is more assertive and sexually experienced, this was a refreshing twist on a well-established dynamic.
In short: If you're looking for a calm, low-drama show with good acting, a great cast of supporting characters, and a pleasantly diverse range of queer characters, then this one is for you.
Many Thai dramas tend to fall on the raunchier side of the spectrum (which is not necessarily a bad thing, mind you) so this story made for a delightful change of pace. It is almost entirely character driven rather than plot driven and really takes the time it needs to develop everyone's personal character arcs fully, never rushing yet never slowing down either.
There are no sudden plot twists, no dramatic misunderstandings (at least none that don't get resolved almost immediately via the revolutionary method of Clear Communication) and at 10 episodes the story is perfectly paced.
I especially loved the show's varied depictions of queer people's lives. This is the first time I've seen an elderly queer couple depicted in a drama and I am so grateful for their inclusion here. Not only do those two serve as an endless well of support and advice for Mork and company, they are also plenty fun to watch just on their own.
Mork's tentative steps towards exploring his sexuality are incredibly lovely to watch and pleasantly devoid of any "gay for you" nonsense (although I did at one point find myself swearing at the screen for someone to just say the word "bisexual" already)
I also deeply appreciated the show's approach to Tawan's character who, while entirely comfortable and certain in his sexuality, is still new to relationships and physical intimacy and refuses to do anything but going at his own pace.
Given how, in depictions of relationships where one person is just discovering they may not be entirely straight, it's usually the openly queer person who is more assertive and sexually experienced, this was a refreshing twist on a well-established dynamic.
In short: If you're looking for a calm, low-drama show with good acting, a great cast of supporting characters, and a pleasantly diverse range of queer characters, then this one is for you.
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