Man, how the hell did they manage to make me actually feel not-so-angry at the dude's mother by the end of this? It takes one hell of an actress to pull her off, and Mizuki Alisa stole the whole damn show. Main characters who? I literally had shivers every time she sang in that beautiful, somber voice. God.

I will admit, her incredible performance overshadowed the rest and really exposed how...bland...some actors were, Hamabe Minami in particular. That's not to say Minami was bad- in fact, both her and Yokohama Ryusei were actually quite good on their own, maybe Ryusei more than her, but definitely nothing really obvious. A large part of this show is about their romance, which is admittedly very good, if a little frustrating. By the end, the push and pull started getting really old and I really wanted them to just sit down and have a nice conversation instead of assume random things, cry, and then separate (order might vary).

They have great chemistry, which I honestly attribute more to Ryusei than Minami in typical J-drama fashion where the male lead is usually a lot more enthusiastic than the female lead in kissing and the like. It gets really old, really fast when Japanese heroines find it perfectly okay to just stand still like the national anthem is playing in the background while the male lead goes to town on their mouths. If I could tell these directors one damn thing before I die, it would be to ensure both the characters act like WILLING participants and show equal passion. Alas.