Milie
Switzerland
I was very worried upon starting this drama that it would be too dark and gruesome for me, so much so that I stopped watching after 2 episodes. But even after spending such a short time with the plot and the characters, I could not stop thinking about it, so after a few weeks I started again, and thank god I did because this was truly amazing! Also, not quite as gruesome as I was expecting, so my fear of seeing something I really didn't want to see at the end of episode 2 was unfounded, in case that helps anyone a little squeamish who reads this.
Part psychological thriller, part crime drama, and almost family drama, Beyond Evil manages an impressive balancing act between cold, disturbing darkness and raw emotion, both of the positive and negative kind. The plot unfolds perfectly over the course of the 16 episodes, leaving no lull in intensity or filler episodes but not rushing into anything either. You get enough time to savor all of the twists and turns of the story, all of the new developments and revelations, without getting bored. Contrarily to other intense crime dramas, Beyond Evil is truly moving and shocking at time, but never uses cheap tricks and haphazardly put together twists to achieve that, each turn of the story is impactful in its own right, and will leave you trying to solve the mystery by yourself.
What I was not expecting from this drama is for it to be so viscerally emotional at times. This comes mostly from the stellar acting from Shin Ha Kyun, who constantly walks the line between protagonist and antagonist, while staying utterly loveable and captivating throughout. The rest of the cast are all really impressive, most notably Yeo Jin Goo, who manages a really great, complex performance, despite his young age. The Korean title (Monster) is particularly fitting: the drama explores the monstrous in the different characters. If it sounds clichéd and a bit on the nose, don't worry, the drama never is. It uses this admittedly a bit overdone idea with impressive subtlety and efficiency, so that it always feels fresh and new.
On top of that, the drama simply looks fantastic, even though a lot of it takes place in dingy police station and old, somewhat decrepit houses, the filmography captures each place's essence and feel in a way that always elevates the story. The cold interrogation room is the perfect backdrop to enhance the ambivalence and mystery surrounding the suspects, while the old butcher shop reinforces the warmth of the long years of friendships between the main group of protagonists, and the old streets surrounded by vast expenses of countryside surrounding the town really drive home the sense of "localness" of a tragedy taking place in a small town.
The music is another great addition to the drama, with pieces that almost sound out of place at first, but work so well overall to build up the atmosphere, without being too distracting.
All in all, Beyond Evil is a remarkably well-rounded drama, that manages to feel amazingly intense while never resorting to cheap twists or being too fast. Each element of the production helps build up the intensity and emotions, leaving you with a really solid contender for best mystery/crime drama/psychological thriller of the year.
Part psychological thriller, part crime drama, and almost family drama, Beyond Evil manages an impressive balancing act between cold, disturbing darkness and raw emotion, both of the positive and negative kind. The plot unfolds perfectly over the course of the 16 episodes, leaving no lull in intensity or filler episodes but not rushing into anything either. You get enough time to savor all of the twists and turns of the story, all of the new developments and revelations, without getting bored. Contrarily to other intense crime dramas, Beyond Evil is truly moving and shocking at time, but never uses cheap tricks and haphazardly put together twists to achieve that, each turn of the story is impactful in its own right, and will leave you trying to solve the mystery by yourself.
What I was not expecting from this drama is for it to be so viscerally emotional at times. This comes mostly from the stellar acting from Shin Ha Kyun, who constantly walks the line between protagonist and antagonist, while staying utterly loveable and captivating throughout. The rest of the cast are all really impressive, most notably Yeo Jin Goo, who manages a really great, complex performance, despite his young age. The Korean title (Monster) is particularly fitting: the drama explores the monstrous in the different characters. If it sounds clichéd and a bit on the nose, don't worry, the drama never is. It uses this admittedly a bit overdone idea with impressive subtlety and efficiency, so that it always feels fresh and new.
On top of that, the drama simply looks fantastic, even though a lot of it takes place in dingy police station and old, somewhat decrepit houses, the filmography captures each place's essence and feel in a way that always elevates the story. The cold interrogation room is the perfect backdrop to enhance the ambivalence and mystery surrounding the suspects, while the old butcher shop reinforces the warmth of the long years of friendships between the main group of protagonists, and the old streets surrounded by vast expenses of countryside surrounding the town really drive home the sense of "localness" of a tragedy taking place in a small town.
The music is another great addition to the drama, with pieces that almost sound out of place at first, but work so well overall to build up the atmosphere, without being too distracting.
All in all, Beyond Evil is a remarkably well-rounded drama, that manages to feel amazingly intense while never resorting to cheap twists or being too fast. Each element of the production helps build up the intensity and emotions, leaving you with a really solid contender for best mystery/crime drama/psychological thriller of the year.
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