When I was younger, there were these cartoons that I used to watch known as ‘Dora The explorer’. In these cartoons Dora used to go around on her kiddy-sized expeditions (mainly in her backyard or the neighborhood park) and discover new things.

However, despite being known as an excellent kid explorer, Dora wasn’t the brightest bulb in the closet. Every episode went something quite like this; Dora would stand in front of, say, an apple tree and the treasure that she sought after would be an apple. So in order to find that apple, Dora would first cluelessly look to one side then the other, then she’d look all over all the while conveniently missing the tree located right behind her. After a good ten minutes of looking, when Dora still wouldn’t find the darned apple, the creators of the show would decide to give her a hint.

The hint went something like this: “Dora, if you look exactly behind yourself, you’ll find something. Now, we are not telling what it is, since this is only a hint but I think you should look behind you and see what you find.” For further help, a huge green arrow would point towards the apple on the tree. That was when Dora would finally have a light bulb moment and discover the goal of her expedition. Feeling mighty proud of her feat, she would then ask the viewers whether they too were able to find the apple or not.

Even as a child, I was about ready to combust at this point, for I had found the mighty apple the moment the tree came into the view. However, despite all its flaws it was still one of my favorite cartoons because it made me feel so clever. I was smarter than Dora. The world was a good place. What could possibly go wrong?

Except, when the same Dora-style execution is done in Contemporary Crime Shows, things do actually go wrong. This is exactly one of the reasons why people love “Stranger” so much. Stranger doesn’t come with the usual BS. It doesn’t assume that its viewers are mentally impaired baboons who can’t put two and two together. It actually respects the audience by considering them smart enough to follow the plot. There is no spoon feeding here, nor does a big ass green arrow point towards every idiotic discovery ever made. Instead, it’s a drama with an intelligent script that demands your full attention.

Every scene and every character has a reason for existing. With brilliant direction and almost no plot-holes the drama not only succeeds in captivating the audience, rather it also gives them space to really think about all that is happening.

For a lot of actors a “cold and emotionless” role is the gateway for slacking. They leave all their acting skills in the backseat and decide that posing like a cringey af model throughout the show is the way to go. Jo Seung Woo with his “Prosecutor Hwang Shi Mwok” explains that kids, it is indeed not the way to go.

For a character that is supposed to be expressionless and indifferent to everything and anything, Seung Woo sure did put out the acting of the century. While his face remains carefully blank at all times, there are slight nuances in his expression that highlight the emotional development Shi Mwok experiences throughout the episodes. A slight twitch of the brow to show frustration, relaxation of the facial muscles to show ease and the gorgeous, beautiful and rare smile to show happiness. Simply put, Shi Mwok is a delight to watch. Without showing, he still shows so much that by the first half of the drama, the viewers have already formed a deep connection with him.

A lot of people thought that the whole “brain surgery” plot-line was unnecessary, however, I think it was wholly essential in order for Shi Mwok to become who he was. He was a prosecutor who was able to observe every crime scene with a cold detachment that is unachievable for a normal person. And the show facilitated the fact by backing it up with a genuine reason instead of feeding the viewers some bogus and over-dramatic crap.For all those people who have seen God’s Gift, I know that Seung Woo shocked your pants off. The utter versatility of the actor cannot be described in words. He was a completely different person in this show, simply unrecognizable and for that, he has all of my respect.

I think one of the most endearing characters in the show was our female lead Han Yeo Jin. Bae Do Na held her own in terms of acting and the amount of chill that her character had was unlimited. She was such a genuinely cool person. Relentless, strong and quirky. Even though she won against bad people numerous of times, there was never any pomposity in her, for to her, even the wins felt like failures because they were against her own people. You can see how her heart hurt at the name of injustice and how fully determined she was to stand against it. No matter the consequences. She was the kind of fearless cop that is every ordinary citizen’s dream and every corrupt person in power’s nightmare.

So considering how exquisite these two were individually, it’s no surprise that they were unbeatable together. Lieutenant Han and Prosecutor Hwang: The ultimate dynamic duo that made the baddies shiver in their boots. The chemistry between them was excellent; easily topping many romances. They were the kind of comrades that can lean on each other in time of need, rely on the other in time of action and above all, understand each other all the time. As weird Shi Mwok was, Lieutenant Han just seemed to get him and he in turn respected and shared his secrets with her.
With best friends like these, who needs romance?

All of the other side characters came with their own quirks. They had their own story, their own motives behind actions that appeared to be ruthless and their own flaws and weaknesses. Nobody was completely good or completely bad; rather they were all wholly mortal.

Like other crime shows, the show did not make use of convenient plot-lines or shock value. There weren’t any WTF moments or nerve-wracking cliff hangers, rather there was a constant under-current of gravity that kept the viewers rooted to their spot.

This is the kind of drama that will warm your heart, fill you with sadness at the world’s corruption and leave you with the sweet hope that not all people are wicked, that there is still some good left and that little bit of goodness might just be able to overcome the evil.

I know that I should just end this review here but I need to be completely honest. As as you can clearly see, I have nothing but good things to say about this show. However, it doesn't mean that I am going to give it a perfect rating like many others because despite all of its beauty there were times where I wanted something more. I wanted to know why Mwok Shi was so relentless on eradicating all corruption. If he couldn't feel anything, where did all his righteousness sprout from? I wanted to know more about Lieutenant Han's background. Why was she always so alone?

Even though the whole drama came with a certain amount of simplicity and subtle intelligence, the last few episodes did at moments take on a fairy-tale touch. The conclusion was everything that you could've wanted, it was the perfect ending. However, considering the somber tone of the show, personally I expected something more gritty and raw.

So while this was one of the more amazing shows I have watched, I will not claim that "This was the best Korean drama ever made".

That being said, with some of the best dialogues and a spot-less execution, this drama is definitely not one to be missed. Which is why I wholeheartedly recommend it to every crime/thriller fan out there.Enjoy!