Prepare for a bewildering ride with this drama, a unique spectacle that takes 'over the top' to new heights. It's not just a series; it's an expedition into the wildly absurd.

The storyline embarks on a journey of irrationality that's hard to follow. Picture the most outlandish plot you can, then multiply that by ten. That's what you're getting into. Each episode seems to outdo the previous in terms of sheer irrationality, leaving you more puzzled than entertained.

The performances? Let's just say they're... memorable. The cast seems to have a singular understanding of acting: the louder, the better. It's as if the director equated yelling with deep emotional portrayal, resulting in a constant barrage of noise that's more jarring than impactful.

The portrayal of Han Mo Ne in the drama deserves a special mention for all the wrong reasons. Her character, despite having minimal screen time, is excessively dolled up with elaborate makeup, hair, and wardrobe, almost as if she's being prepared for a grand showcase. This overemphasis on her appearance feels like a shallow attempt to distract from the drama's lack of depth. It comes across as if the show is trying to compensate for its many shortcomings by turning Han Mo Ne into a mere visual spectacle, reducing her to an object of beauty rather than a meaningful character.

Every actor in this series seems to be competing for the most exaggerated performance, creating a unanimous dive into the realm of the overdramatic. It makes you wonder if there was an unspoken challenge to deliver the most over-the-top portrayal possible.

In summary, this drama serves as a prime example of a cinematic venture going wildly astray. It's a perplexing mix of poor choices, standing as a stark reminder of how not to execute a drama series. If you're curious about how a show can spiral into chaos, give it a watch. Otherwise, consider this a cautionary tale – some things are better left unwatched.