The first thing to say about ‘Vampire Host’ for those curious or who have stumbled upon this drama by chance, is that if you’re easily offended by “ mild” sexualisation , low-budget special effects, dark humour or Matsuda Satoshi‘s questionable acting when he “ transforms” as his vampiric character Suou, then this series probably isn’t for you. All joking aside, ‘Vampire Host ‘ is a show which is a product of its time , but retrospectively it was not an entirely “ dire” drama either. In fact, against its many obvious cliches and tropes which emerged throughout ‘ Vampire Host’ , the two main characters interactions and personalities were fairly captivating for viewers.

As a character, Rion is surprisingly a subversion of typical “ ditsy” or “ girl-next-door” contemporary drama stereotypes of the time ; she’s outspoken, curious and fairly intelligent, being able to point out and work numerous things ahead of Suou when they begin solving crimes . However, perhaps my biggest complaint about Rion as a character was that she had little backstory or interaction outside of necessary main characters , that allowed us to see Rion become more “ fleshed-out”. In addition to this, the scriptwriters’ choice to sometimes sexualise Rion during the “ cosplay” scenes, may also raise some eyebrows for modern watchers . Although it is easy to see the comical side of this rather than the drama actually making more lewd suggestions , it did feel a little out of place for some of these scenes with the notable “ horror and crime” undertones of the show.

The second primary character of ‘ Vampire Host’ is Suou; a mysterious, yet unconventional vampire working as a host in Tokyo. It was oddly refreshing for a drama produced during the heyday period of the vampire genre, to see Suou as an actual individual rather than the stereotypical “ mature and stoic” approach often taken in vampire shows. Suou is humorous , dim-witted ( at times) and easily irked by Rion’s interest in the “ supernatural”; ironically cynical towards the mysterious and ineffable crimes which are thrown their way. Yet, one of the biggest problems of Suou’s character can often be traced towards his ending decision in the series and his overall relationship with Rion .

On this note, it’s probably important to stress that if you are looking for an overt romance between Suou and Rion over the course of the drama , then ‘ Vampire Host’ probably isn’t for you. Although there are romantic undertones between the two characters, the drama is primarily focused upon the mysterious, morbid crimes that the two characters are exposed to over the course of the series .

Although the storyline has a main plot, the episodes were fairly cyclical and repetitive within their structure; a new and mysterious crime emerges, a victim or disappearance occurs which alerts Rion or Suou’s attention , the duo try to find more clues and confront the mastermind before finally solving the case. This is ultimately an easy storyline to follow, yet, the story-plot only introduced in the last couple of episodes, often felt rushed and lacklustre in the grand scheme of Thurber . Rather than spreading out or hinting towards this intriguing storyline in earlier episodes and scenes, the delivered felt more anticlimactic jigsaw puzzle, than something for viewers to happily take away with a sense of completion .


Overall, it is probably fair to say that ‘Vampire Host’ isn’t something which can be defined as a timeless classic; it is low-budget in terms of special effects, film quality and styling , the cliches can be seen as outdated as well as ridiculous, and the acting is certainly questionable at times as well. Nevertheless, there was an odd appeal towards the series within its intriguing characters and morbid plot focuses. This isn’t a drama to watch if you’re looking for something with actual visual and sensical quality, but it is a certainly a cheesy welcome break from heavier dramas which have focused on these themes in the past .