Satou Takeru reprises his role once more as the redeemed former-warrior Himura Kenshin, only this time stepping back in time with the events of his past when he went under the alias Battousai. The storyline flitters between the " impending threat" ( though in typical Kenshin fashion, a villain who rarely escapes the realm of memorability after the movie) weapons dealer Yukishiro Enishi ( Araki Towa) as well as Kenshin’s relationship with Yukishiro Tomoe ( Arimura Kasumi).

The biggest thing to say about ‘ Rurouni Kenshin: The Beginning’ is that it is arguably more profound and violent than previous Kenshin movies. A particular gruesome scene appears on screen as a man writhes in agony with blood spurting out of his wounds and mouth, whilst the cinematography combines between moody and epic battle scenes, the vivid hues of festivals and the mundane and dull palettes of everyday life in Japan .This is no surprise considering the nature of the themes of assassins, fights and mercenaries found throughout the story but screenwriter Otomo Keishi purposely sets a vast shift and darker tone from previous movies throughout the storyline. Satou Takeru is brilliant as our main lead, adding a notable more stoic, hostile and mysterious ambience as the antihero of the movie rather than the beloved hero we have come to know in earlier ones. En par with Takeru was undeniably Arimura Kasumi as the suave and gradual love interest of Kenshin, Yukishiro Tomoe. The chemistry between the leads was evidently slow-burning and not your typical status quo romance( especially from what viewers can remember from the events of ‘ Rurouni Kenshin: The Final’ and the conclusion of the movie ) , but dynamic , heartbreaking and undeniably the intriguing highlight of the entire film.

On the other hand the storyline isn’t without its more sound flaws. Whilst Araki Towa is a brilliant actor, his onscreen persona as antagonistic weapons dealer Enishi is unimpressive and lacklustre to say the least. The plot threat of Einishi certainly keeps the plot moving, but his actual appearance and memorability do not quite reach their full potential. Adding on top of the trickier issues of the film production was the gruelling duration length of 2 hours 18 minutes which can slowly trial even the most patient viewers’ attention span.

On a more nuanced note it seemed an odd move by screenwriter Otomo Keishi to have released ‘ Rurouni Kenshin: The Final’ before the events of ‘ Rurouni Kenshin: The Beginning’. Whilst the movie does help to foreground a lot of the events from the previous storyline in more vivid detail (and understand more about Kenshin’s past), it would’ve seemed arguably a sounder move to have released this prequel movie first in order for viewers to grow sentimentality towards Kenshin and understand the greater impact of the events of the final movie. ( Therefore I’d recommend to newcomers or those still waiting to watch ‘ Rurouni Kenshin: The Final’ , to first complete ‘ Rurouni Kenshin: The Beginning ’ in order to understand the events of the former.) However, the finale of the film did deliver a beautiful shot of cinematography which stuns viewers with the shocking revelations and events to follow.

To conclude ‘ Rurouni Kenshin: The Beginning’ delved into the backstory of the beloved hero from the previous films with finesse and darker violence. The movie sometimes failed to reach its full potential or facilitate its antagonist towards being nothing more than a quick plot device and its tedious duration length , but the delivered performances by Takeru and Arimura, the stunningly filmed scenes and pretty much all of the performances by the main cast were well-deserved treats for viewers