Against its seemingly antithetical title screenwriter Hang Sang Woon and director Ahn Gil Ho’s‘ Happiness’ attempted to mirror similar issues from prejudice, isolation and loneliness which occurred particularly during the COVID-19 pandemic period. The unusual combination of genres highlighted a hellish fight to not only escape from the “infected “( the mysterious disease ravaging the population and leaving the infected in a zombie-like and feral state with few lucid moments ), but surprisingly a bittersweet love story between its main leads also .

The TVN drama presented an odd accumulation of fast-paced thrill and tension through its plot twists as well as tender and bittersweet scenes by taking a moment to slow-down the storyline and allow viewers’ to contemplate and soak in events. Yet like most intriguing fusion-genres in execution ‘ Happiness’ could sometimes not escape certain pitfalls of writing errors and character-drive along the way.

Of course ‘ Happiness’ offered viewers a fairly impressive lineup of acting abilities and most notably our main cast. Actress Han Hyo Joo brought forward Yoon Sae-Bom to life through adding an unlikely sweet charm to her onscreen persona ; a professional counter-terrorist operative whose pursuit of happiness by moving into a new apartment proves only to be a blunder during the events of the series. Sae-Bom’s reactions and interactions with others throughout the series could often feel prosaic during early episodes; initially driven for the “sake of plot “ rather than upon reflection of viewers getting to understand more about the female lead through subtle character growth . Nevertheless as the series progresses Sae-Bom provided to be a major asset to the plot and allowed some time to focus on developed sides of Sae-Bom’s personality from altruism to stubbornness in order to present some focus on the importance of humanity and depth within the female lead.

Costar Park Hyung Sik’s reprisal of an intriguing role was highlighted through his onscreen persona Jung Yi-hyun ; a suave and observant detective investigator who had shared-history with female lead Sae-Bom from their school days and provided to be one of the first key characters to come across findings of the mysterious disease during a case. Yet whilst Yi-Hyun was undeniably an intriguing character he could often suffer from the fate of many main characters through becoming an inherent “ plot device”; necessary to keep the storyline moving, but sometimes lacking in more subtle character development. Naturally Yi-Hyun did have golden opportunities to be explored in more depth during some key moments in the series but this could sometimes lack greater exploration.

As far as the chemistry between our main leads is concerned ‘ Happiness’ admittedly was a bumpy road- good onscreen chemistry between Hyung Sik and Hyo Joo could often fall victim to more staid cliches and setups which did not always weigh up against the more heavy-hitting moments of the series. Naturally later episodes took a little more time out to focus on some subtle relationship development between the main leads but often this was interwoven with more serious scenes and storyline moments also.

the supporting characters of the drama also have an intriguing part in events of the drama from Han Tae Seok ( Jo Woo Jin); a discharged military informant agent to the residents of the apartment ( some of which are admittedly less well-defined than others.)

Ahn Gil Ho plays upon subtle palette changes and lighting tones throughout the mis-en-scénes of the drama - key scenes crafting an important ambience throughout the series through this setup and pragmatic choice of OST, whilst some quintessential moments admittedly lacked the same ingenuity when required.

‘ Happiness’ offered viewers an intriguing concept with a dash of profundity and romance in between its zombie-style thriller setup- it isn’t inherently terrifying , but director Ahn Gil Ho and writer Hang Sang Woon are able to add a touch of suspense and sweetness in an intriguing and pacy storyline. The writing could sometimes wane through the pressure placed initially upon odd tropes, cliches and setups( especially for our main leads) during early episodes.( Alongside the heavily dominant setting of the apartment growing slightly bland.)However later scenes spent time focusing upon the storyline in more depth; brilliantly brought to life by our main cast’s dynamic performances by our main leads and the interwoven cinematography of the director. The ending was admittedly filled with a few loose ends but did deliver a sense of completion for the series. Overall whilst ‘ Happiness’ wasn’t without its more evident writing faults the drama offered an intriguing storyline with contemplation with a good cast and intrigue for viewers, as well as allowing room for philosophical thought towards the true definition of happiness in life.