If you wish to see some of the best actors in Japan acting the hell of some o f the shittiest scripts you will ever see, then this is the show for you.

For most of its run its meant to be a light murder of the week mystery show, and you might find maybe the first 7 episodes endearing as such; however, even there most of the scenarios and "solutions" to the mysteries happen because the writer says so and not particularly because he planted clues that would result in the kind of satisfactory resolution that is de rigueur in these kind of shows. And ALL of the recurring characters are idiots accept Anna (Hirose Suzu) and a friend, Tomori (Hashimoto Kanna), she makes early on. Almost all of the rest of the characters are played pretty much as comedic buffoons. I mean, maybe Maki Yoko's Mizuho and Tomita Miu's Kaoru are not buffoons, but SOMEONE has to provide the the exposition and deus ex machina that the wretched writer has to rely on to progress the plots such as they are. Even the head of the detective agency played by the legendary star, Eguchi Yosuke, who is supposed to be this retired master detective never actually solves anything throughout the series and only exists to do some tepid fight scenes which are meant to bring some action to the series but only occur because the writer wanted there to be a fight scene at that point in the script.

The tone of the series arc which is hinted at in all the all episodes and resolved in the final episodes entirely contradicts the lighter tone of the earlier episodes, and nothing about that arc makes sense. Things like Anna being set up throughout the series as a genetically modified supergenius are entirely ignored by the writer in the (anti)climactic final episodes mostly because he only has a passing acquaintance with intelligence himself.

I'd say skip this series even if you are a stan of the greats like Hirose, Eguchi and Maki and the goods like Arashi's Sakurai Sho,