What happens to Raise de wa Chanto Shimasu when it drops most of the sex?
If you are reading this review, then you most likely know the deal with RdwCS: it's the sex-positive show that over two prior series and a special explored the love lives of a small company of five young CG artists making animations for TV and film. As ever, the third season affirms a broad spectrum of sexual identities and sexual interests (and non-interests). However, if you've enjoyed the prior series, you might be upset to learn that they've taken our favorite PG-rated sex comedy and produced a season where there is very little if any sex happening. The surprising and fun thing is that doing so has resulted in the best season yet.
There was nothing puritanical about the change in focus for this season: the series retains the same sex-positive tone of the earlier seasons. However, in exchange for the antic sex scenario introductions of the prior series, this season instead goes deeper into the emotional lives of the characters (yes, even Masaru), It fleshes out the back story of Momoe and Ken, but also gives nice arcs to Masaru, Toru and Ume. There are probably as many laughs this season but now also some tears, and the emotional canvass is broader in other ways as well. The show has, surprisingly, grown up just a bit.
The episode structure remains the same with each 30 minute episode divided into two vignettes featuring at least one of the principal characters, and the show continues to resolutely avoid trying to say much of import. Nevertheless, if you have enjoyed the prior seasons, it is quite likely that you will enjoy this season even more. (You need only glance at the comment section here for confirmation).
There was nothing puritanical about the change in focus for this season: the series retains the same sex-positive tone of the earlier seasons. However, in exchange for the antic sex scenario introductions of the prior series, this season instead goes deeper into the emotional lives of the characters (yes, even Masaru), It fleshes out the back story of Momoe and Ken, but also gives nice arcs to Masaru, Toru and Ume. There are probably as many laughs this season but now also some tears, and the emotional canvass is broader in other ways as well. The show has, surprisingly, grown up just a bit.
The episode structure remains the same with each 30 minute episode divided into two vignettes featuring at least one of the principal characters, and the show continues to resolutely avoid trying to say much of import. Nevertheless, if you have enjoyed the prior seasons, it is quite likely that you will enjoy this season even more. (You need only glance at the comment section here for confirmation).
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