Strong Family & Co

First of all I would to mention that I'm not a fan of SWDBS.I only like two types of men. One is MinHyuk and other one is ShiOh. So if you’re some moral police you can skip this review.This drama is about "save the world" trope which isn’t my type. The whole drug plot is weak and dragged out.

The mom has more plot than the FL. There are so many frontal shoots of her walking in slow motion in fancy dresses. I cringe everytime she's in her "badass" look. Also it's hard to focus on her face because of the botox. It's really hard to root for her when she has more empathy for a random girl who tried to kill her daughter than her son.


The ML and FL interaction are just boring. They feel more like a honest police uncle and a lost child than a couple I want to ship.


FL was too childlike and goofy. I'm going to ignore the ML because even writers did it to him. He adds nothing to the plot.

I know It's bad when I'm more interested in the villain and hoping he would somehow end up with the FL.It's not because of the fact he's handsome.
It's because his two minutes interaction with FL is the most gripping part of the drama. Yes, this actor's beauty is out of the world but but he also stands his ground in terms of performing. I love that he can be a cruel monster to everyone but a literal gentleman with girl he like.

A red flag is used in a context of human relationships and he always treated namsoon well since the beginning. There were no "red flag moment" in the relationship he had with namsoon.

It was such a poorly written drama but it gave us a memorable character.

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IS IT REALLY DIFFERENT?

Queen Woo is a glaring example of a show that substitutes substantive narrative depth with gratuitous and ill-conceived sensationalism. The drama lacks a cohesive plot, meandering aimlessly without any clear direction or thematic focus. The story, which should have been a rich exploration of character dynamics or historical intrigue, is instead an exercise in narrative inertia, offering little more than a disjointed collection of scenes that fail to engage or captivate the viewer.

Compounding this deficiency is the show’s perplexing reliance on superfluous nudity and explicit sexual content. Rather than enhancing the narrative or contributing to character development, these scenes feel entirely gratuitous, serving no purpose other than to distract from the otherwise vacuous storytelling. The overuse of such elements not only undermines the drama's credibility but also signals a creative desperation, as if the creators believed that shock value could compensate for the absence of compelling plot or emotional complexity.

Those who aren’t very creative or lack confidence in their own work, try to insert nudity and sex as much as possible in their project. They usually don’t possess enough talent to create different situations or showcase different range of emotions. They depend heavily on nudity and call it art to make their stories work. This also attracts a certain section of audiences or maybe they wanted to have an international hit? There wasn’t a single nude scene which was inevitable or important to the story.

But was it actually "different" like everyone is raving about? They started with the infamous childhood trope.

Ultimately, Queen Woo fails to deliver on any meaningful front, squandering its potential by indulging in unnecessary provocations while neglecting the fundamental aspects of storytelling. The end result is a show devoid of depth, lacking both narrative purpose and any semblance of artistic integrity, leaving the audience unfulfilled and disillusioned.

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Hit show (Read with an "S" in the beginning)

Love Next Door attempted to blend several genres—romantic comedy, slice-of-life, and even elements of drama—but ended up feeling disjointed. The shifts in tone from light-hearted moments to more serious themes often felt jarring.
Additionally, with each episode running for 1 hour and 30 minutes, the extended runtime felt excessive for the plot being told. The pacing dragged, leading to drawn-out scenes that could have been condensed. As a result, what could have been a fun, engaging story turned into a tedious watch.



First of all, the good point about this drama is its lead actors. Jung Somin and Jung Haein are the only reasons people even fw this drama.


Love Next Door unabashedly positions itself as a romcom, yet the supposed "comedy" is conspicuously absent. For a drama that claims to reside within the romantic-comedy genre, it displays an alarming deficiency in humor, delivering not even a modicum of wit or levity. The comedic elements—if they can even be called that—are stale and unimaginative, often falling flat or feeling forced.


As for the romantic dimension, it was equally unconvincing. The connection between the protagonists lacked the effervescence and warmth typically seen in successful romcoms. The romance felt stilted, as though the writers were merely ticking off the requisite boxes without any genuine emotional depth or progression. What was meant to be a charming exploration of love unfolded as a mechanical, uninspired portrayal, devoid of the chemistry and playful banter that is the hallmark of the genre.

In Love Next Door, the writers tried to mix a slice-of-life and healing theme into the romcom, but they didn’t create smart or deep characters to make it work. Slice-of-life stories usually focus on real-life moments and personal growth, but the characters in this show felt simple and shallow. They didn’t have the kind of thoughts or emotions that would make these themes feel real.

The brother in Love Next Door was probably the only realistic character in the whole show. He reminds me of my own baby brother—super irritating.

The writers of Love Next Door completely squandered the undeniable chemistry between Jung Somin and Jung Haein. Their natural connection was one of the show’s greatest strengths, but the way the romance was handled left no room for it to fully bloom. By the time the female lead confesses her feelings, there was no anticipation or emotional tension left for the viewers to savor.

Love Next Door - somehow managed to ruin the best friends-to-lovers trope, despite the fact that it’s a genre that’s practically impossible to mess up. This storyline typically succeeds because of the natural, long-standing bond between the characters, filled with history and emotional weight. But the show turned what should have been a compelling transition into romance into a bland and overly sweet narrative that stripped the couple of any real depth.

The second couple had a lot of potential, but the writers seemed to focus too much on making them overly cute. This forced attempt at charm, unfortunately, drained their storyline of depth and left their relationship feeling bland. Their chemistry could have been explored in a more natural and compelling way instead of relying on repetitive cuteness, which, while endearing at first, lost its spark over time.


The mother of FL really does become insufferable as the show goes on. Initially, it felt like her strictness came from a place of tough love when she whooped the FL in the first episode. But as the series progresses, her behavior crosses into petty, jealous territory. She reacts negatively to almost everything, especially when it comes to her daughter’s happiness or independence.


The arrival of both exes, creating a love pentagon, significantly diminished the overall experience, even though the exes themselves were well-written characters. Instead of enhancing the storyline, their presence muddied the romantic focus and detracted from the chemistry between the main couple.

The sole indelible moment in Love Next Door was the poignant flashback of childhood, portrayed with remarkable authenticity by the child actors. Their nuanced performances elicited a sense of nostalgia and depth.

I thought this would be a drama where I would love the main couple but hate the story. However, it was so bad that I don’t even like the on-screen romance now.


Despite securing a prime time slot on tvN, Love Next Door underperformed compared to other dramas in that slot. While it maintained respectable ratings and often ranked first in its time slot, it didn’t reach the high ratings that many prime slot dramas typically achieve.This can largely be attributed to its underwhelming storyline and frustrating character arcs, which failed to engage viewers on a deeper level. The script lacked the dynamism and complexity needed to sustain a prime slot drama, leading to a disconnect with its potential audience.



It wasn’t the worst drama I’ve watched, but it’s definitely the most disappointing. The hype was high, especially with Jung Somin and Jung Haein.
It was profoundly disheartening to witness actors of Haein and Somin's caliber acquiescing to a script as lackluster as Love Next Door when they undoubtedly had more discerning options at their disposal. Their remarkable aptitude was regrettably squandered on a project that failed to exploit their full artistic potential.Ultimately, the writers must bear the brunt of the responsibility for failing to realize the potential of this ostensibly promising premise.

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Don't like it just because you pity her

First of all the actors are great. This drama was very good in the beginning but it lost it's charm
I binged watch it though it's not my genre.The cases were very intriguing and Her way of solving the cases were amazing, it was actually extraordinary. But after episode 9, something was lacking and after episode 11, everything became dull. The cases aren't interesting anymore. Now the MOST celebrated character from the show ,The male lead,His screen time is as less as my patience. I didn't even understand from when he started to like the female lead. People rave about the "green flag" thing only because he likes a girl with autism. I mean he's not bad. He's like any other kdrama male lead. And their love story and the "cat talk" was pretty unrealistic.

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Intriguing show with underlying unease

The storyline revolves around the ups and downs of love, career ambitions, and personal growth. The plot is well-paced, balancing comedic elements with emotional depth, which keeps viewers invested throughout. The dialogues are witty and relatable, enhancing the overall charm of the series. The characters are well-developed, with their individual journeys contributing to the overarching narrative.


Intriguingly, the second lead couple's romance emerges as a compelling counterpoint, often eclipsing the primary couple’s storyline. Their relationship is imbued with unexpected twists and a rich emotional tapestry that keeps viewers enthralled. The dynamics between these characters resonate with authenticity, showcasing a nuanced exploration of love that adds significant depth to the overall narrative. This subplot not only enhances the viewing experience but also serves as a poignant reminder of the multifaceted nature of love and connection.


Nevertheless, amid the narrative's many strengths, the female lead occasionally presents as somewhat unlikeable.fThe female lead's reluctance to confront her ex or reveal the truth feels like a missed opportunity for character growth and resolution. By choosing to remain silent, she inadvertently perpetuates a cycle of dishonesty that affects not only her but also the unsuspecting wife. This inaction diminishes the complexity of her character and raises questions about her moral compass, making her journey less relatable for viewers who expect a heroine to champion transparency and integrity.

In a genre that typically celebrates love, commitment, and the simplicity of romantic connections, the presence of polyamory feels somewhat unacceptable. Romantic comedies thrive on the exploration of deep emotional bonds between two individuals, and the introduction of multiple partners can undermine the foundational premise of monogamous love that many viewers expect. This deviation from the norm may alienate fans who appreciate the straightforward charm of traditional romcom narratives.

Despite the discomfort surrounding the polyamory subplot, it does not detract from the overall enjoyment of "No Gain, No Love."

In conclusion, "No Gain, No Love" is a well-crafted romantic comedy that successfully delivers on both humor and heart. While the female lead's character may sometimes be unlikeable, the overall strength of the story and the engaging second lead love story more than compensate for this flaw. With its authentic portrayal of love and relationships, "No Gain, No Love" is a delightful watch that will leave viewers with a smile and a warm heart. Whether you’re a long-time romcom fan or new to the genre, this drama is sure to entertain and resonate with you.

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Slow as hell

I don't like cdramas much because of its dragging nature but this drama broke all records. At first it was pretty good.But I didn't know this drama will not have any progression. Literally zero progression. There is no difference between first and 11th ep. The story is just moving round and round.
And I hate female lead's mother who's shown as a noble character. She's two faced.She couldn’t care less about her own daughter but is showing affection to other people's daughter. I can't stand her holier than thou ass. She's one of the major reason I'm dropping this.
But I must say the female is pretty. Her hairstyle really suits her and the acting is like any other cdrama's acting level. I can't say anything about the male lead because they didn’t even show him that much. So if you are patient enough, watch this slow poison.

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