Multilicus
Poland
Uninteresting and undecided
This BL lacks basically everything a BL should – at least for me – have: an engaging story, relatable and/or interesting characters, decent performances and chemistry between the main couple.
The story doesn’t have to be painfully plausible nor super realistic, it can contain a reasonable number of plot holes etc. etc. – but it has to be engaging, it needs to pull me in. The “Love Sea” story (there was one, you can take my word for that), was so uninteresting that I had to force myself to follow it. I also got the feeling that MAME couldn’t decide whether to focus on the relationship of Tongrak and Mahasamut or their personal issues (like self-doubt, trauma or inability to connect) or something else. The result, predictably, was poor: a story about a little of everything – eventually a story about nothing in particular. It was so unengaging that I couldn’t care less about its development or the characters involved.
Since I mentioned characters: I try to set the bar low – don’t be annoying, have something I will like you for and let me understand where you come from. Again, this was where “Love Sea” blew it, mainly because both main characters as well as the secondary couple are annoying like hell. This stems from both the script as well as from performances of Fort, Peat, Chanya and Aya (and Forth). Redeeming qualities? Hardly any and – in any case – far too few to balance it out. Sure, the story tried to explain why the characters are so unlikeable, but – at least for me – it didn’t change anything, I didn’t have a single “oh, now I get why X is like this – I’m gonna like X from now on” moment. If anything, I liked the characters even less.
I was wondering whether “Love Sea” would be any different – better perhaps – with a different cast. I still do not know that; what I know for a fact is that this cast made it worse. I used to think – having watched “Love In The Air” – that Fort and Peat had a decent chemistry; now I doubt that. There’s no chemistry between them here and the script is not helping it either; both Fort and Peat have exactly two poses each (Fort: smug and fake-caring; Peat: smug and whiny) and they switch between them, trying to produce something interesting – to no avail.
The story doesn’t have to be painfully plausible nor super realistic, it can contain a reasonable number of plot holes etc. etc. – but it has to be engaging, it needs to pull me in. The “Love Sea” story (there was one, you can take my word for that), was so uninteresting that I had to force myself to follow it. I also got the feeling that MAME couldn’t decide whether to focus on the relationship of Tongrak and Mahasamut or their personal issues (like self-doubt, trauma or inability to connect) or something else. The result, predictably, was poor: a story about a little of everything – eventually a story about nothing in particular. It was so unengaging that I couldn’t care less about its development or the characters involved.
Since I mentioned characters: I try to set the bar low – don’t be annoying, have something I will like you for and let me understand where you come from. Again, this was where “Love Sea” blew it, mainly because both main characters as well as the secondary couple are annoying like hell. This stems from both the script as well as from performances of Fort, Peat, Chanya and Aya (and Forth). Redeeming qualities? Hardly any and – in any case – far too few to balance it out. Sure, the story tried to explain why the characters are so unlikeable, but – at least for me – it didn’t change anything, I didn’t have a single “oh, now I get why X is like this – I’m gonna like X from now on” moment. If anything, I liked the characters even less.
I was wondering whether “Love Sea” would be any different – better perhaps – with a different cast. I still do not know that; what I know for a fact is that this cast made it worse. I used to think – having watched “Love In The Air” – that Fort and Peat had a decent chemistry; now I doubt that. There’s no chemistry between them here and the script is not helping it either; both Fort and Peat have exactly two poses each (Fort: smug and fake-caring; Peat: smug and whiny) and they switch between them, trying to produce something interesting – to no avail.
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