When our high school session officially disbanded in the year of 20xx, there were two students less than the ones who had joined. One of them was a girl who isn't here anymore and the other is typing this review.

The Comments obviously tried to cover a lot of ground in 5 episodes of 45 minutes; each episode is jam-packed, and flitting between the past and present, “The Comments” manages to tell a pretty coherent and well done story about Papang, and why she killed herself, that the reason might be closer to home than we had thought.

*warning for spoilers*

Papang is a character straight out of every series out there–straight A+ student, sporty, student body President , super nice, super pouplar, yadda yadda. But what sets her apart is that unlike other such 'super' characters, she killed herself.

“With social media if anyone wants to say something bad or mean, they can just type it.”

The story opens on Papang’s funeral where we see her mother and brother Khan (New) conducting the rites and people paying their respects. On the very next day, we are brought to the investigation of Papang’s death. The police find it a curious case because Papang had not left any note.

While Khan investigates his sister’s death in his own way, we are slowly allowed to see who Papang was and what Papang did through the eyes of Pok (Sing Harit) whom she viciously ridiculed and turned down on the day he proposed to her in high school; Nan (Ciize) who dislikes her own self and feels over shadowed by Papang and in her efforts to share Papang’s glory for just a little bit finds herself facing hatred; Toon, who was Papang’s best friend but ran a hate account about her.

I think the genius of this show lies in the fact that instead of evangelism, it tries to speak about consequences. Every time you leave a comment, it can have either a good consequence or a bad consequence. It can lead to it directly or it can indirectly cause it. All of these characters are morally gray–nobody is angelically right or completely in the wrong–Papang more so than anybody else. She is expected to be a perfect angel, to force a smile when she isn't feeling like it. But she can be pretty rotten too because at the end of the day, she is also an eighteen year old youth. The show doesn’t seek to justify or disparage her, she is just another person with her own problems, problems that are added on by people who are supposed to be her friends. Problems she can’t take to her two living family members.

Another side of the show is that a wrong can’t be corrected with another wrong. Yes, Papang was wrong in how she treated her friends, but does that justify how Nan used her profile or that Toon was spreading hate about her?

Another message that I strongly felt was the relationship between Paang and her mother. In the beginning, we are lead to believe that Papang’s mother is disinterested in her daughter but that isn’t the case. To provide more context, after Papang’s father died/left, Papang’s mother has a relationship with another man who has a family. He is neither abusive nor invasive, in fact he is quite the opposite, but his presence shuts off another safe place for Papang. And with her brother Khan away in Bangkok, and having alienated her two friends, Papang doesn’t have a safe space anymore.

The story doesn’t have much suspense nor is it written to be tragic. But the lucidity with which this simple story is portrayed left a harrowing impression on me, and maybe because I too was once a bit similar to Papang. The changes in her behaviour, how she was vivacious and bright, then became unpleasant and bad tempered, and the sadness which got replaced by that expression that the fight had gone out of her, it reminded me of that period not yet so far away, when everything about me said that I had already decided. Papang too had already decided. All this was beautifully portrayed here.

I couldn’t really relate to Papang’s experience but I think we reached (or woupd have reacjed) the same end in different ways. The transition in her character was something I understood completely and therein lies the sign of a good show, how it manages to make you feel the character despite the gulf separating our experiences.

One last thing I learned from here is that we should stop 'living off comments.' Papang had started living off the validation she got from "the comments," and is kinder to pseudo people across the screen than she is to her own friends and family. Same goes for Nan. When we try to please anonymous people across the screen, we inevitably change, more often for the worse.

The story ends showing how everyone is affected by comments in one way or the other–the elderly teacher at their school, Toon, Pok, Nan, the 'fat' boy, Papang’s mother, Papang and Gina–nobody is free from it. In such times it is essential to remember that comments can kill and there may be unimaginable consequences.

Apart from this, stellar acting! I was blown away by Jennie, Sarunchana and Nan. Main roles for Jennie please GMM, you have an unused gem right here. Sarunchana is wonderful, now she needs a series where she doesn’t die five minutes into episode 1 :') I am always happy to see Ciize, it's an additional perk that she acts really well. Glad to see Sing Harit again. And New wasn't really the main role–the stage was taken by Jennie and Sarunchana XD but he did his thing. Huge shoutout to Fon who played Paapng’s mother. One of the most important scenes was hers and if she hadn’t done so well the ending wouldn’t have hit that hard.

To anybody who is about to watch this, do so with an open mind and I hope you learn to distinguish between hatred and criticism if you don't already. Do check out Jennie and Sarunchana’s interviews available in the GMM channel where they talk about hatred they have personally faced. And leave a good comment