I prefer to review c-dramas that are arbitrarily split in two parts to circumvent episode caps only once, after the entire story has been told. In this case, I am making an exception because Part 1 is largely a family drama that focuses on a difficult mother daughter relationship. This Part 1 review will evaluate that aspect of the story and defer a full discussion of the romance to Part 2.

Cheng Shaoshang is a grey character - a thorny, defiant, scheming and distrustful Han Dynasty fifteen year old. She is left to fend for herself while in the care of abusive but not smart relatives while her military family is away defending the country. She runs circles around them and grows up to be distrustful, cunning and unrestrained. When her parents return from the battlefront, they are appalled to discover a lovely, wild, uneducated child, shockingly unschooled in the etiquette expected of the young daughter of a newly minted marquis. Her mother, a fearless, decorated general finds in her recalcitrant daughter a greater foe than found on any battlefield. The mother daughter conflict is the guts of Part 1 and drives most of Shaoshang's actions and decisions.

As a fan of grey characters, I like Shaoshang's character design a lot and Zhao Lusi delivers a very empathetic and charismatic portrayal. While there are better actors, what makes Lusi special is she is very, very funny. Even though there is a recognizable pattern to her comedy, her timing and delivery is more refined with each drama. Underneath the humor, she shows us that Shaoshang is a sad person who refuses to weep; adroitly infusing a note of loneliness, false bravado and vulnerability. This makes the character extremely empathetic, to the fault of being overly so. Lusi seems less comfortable articulating Shaoshang's many flaws, which are glossed over hastily and in a muted tone. As a result, Yuanyi's insistence on harshly taming her daughter's "harmless mischief and high spirits" comes across as heartless and misguided. A more balanced depiction of this relationship rather than one where the mother is so unambiguously the villain would be more interesting and realistic.

One of my biggest issues with the character writing is how main characters, especially Shaoshang are elevated by diminishing other characters, particularly her mother. Their forced separation from birth and subsequent alienation and resentment deserves compassion on both sides but is written in a way that consistently only assassinates the mother's character. After suffering through many of their blood boiling disputes, I was pleased to see Shaoshang get some inkling of what her family went through after Hua City. And I thought she won her mother's grudging respect and approval in how she dealt with Lou Yao. So I was just gobsmacked and revolted by how her mother inexplicably smacks her down in front of the entire court. This is all so that Ling Buyi can gallantly come to the rescue by praising her to the skies as the best lady in the capital. Which considering how awful the other ladies in the capital are, is hardly such a great compliment. After the initial cheap thrill, it looks very high handed and coercive on Ling Buyi's part. It also undoes the hard won truce if not tentative mutual understanding between the mother and child. I don't need them to ever see eye to eye or become best friends but it is disappointing to see Shaoshang's nemesis in Part 1 reduced to a two dimensional mother most foul.

What I can praise is how Shaoshang is lifted up by her intelligence, courage, compassion and her ability to do the right thing even at great cost to herself, which we see in both the Hua City arc and Lou Yao arc. Unfortunately in the latter half, Shaoshang is propped up largely by kicking other characters down. I have never seen such a long list of repetitive, nasty and screechy female characters in a drama. They are all cardboard copies of each other - bratty, rude, stupid, arrogant and in love with Ling Buyi. The mothers are all older and uglier versions of their daughters. I don't enjoy watching women doing their worst to each other. Nor do I like that they are repeatedly dressed down by men, even when it is Ling Buyi and it is well deserved. Sure it is very satisfactory in a low way but it is also frustrating and with repetition, boring. It is very disturbing that with few exceptions (Qi Qi and third aunt), the likeable characters in this drama are all men.

Despite a few thrilling knight in shinning armor moments, the romance is only set up in Part 1 with little real development. Shaoshang's main purpose is to gain freedom and escape her mother's eagle eye and she views marriage as the means to that end. None of her suitors are that compelling and their courtship methods are so appalling they are comical. Lou Yao trails after her like a lovesick puppy, willing to wait on her hand and foot without realizing that women don't need to marry doormats or servants. Yuan Shen's retarded strategy seems to be to make her hate him and pray that hate turns into love. But Ling Buyi is the one that just takes the cake. He makes sure her parents, no, the whole kingdom, knows she has seen him nekkid and failing that, makes her an offer she can't refuse. Who ultimately prevails is pretty much a foregone conclusion with the casting of Wu Lei, which is also a bit of a shame. I'd enjoy it more if we are kept guessing for awhile and there is genuine competition among worthy suitors.

We don't get to see enough of Wu Lei or the romance as Part 1 is mostly Shaoshang's family story. However, there is enough romantic fan service that shows Wu Lei's chemistry with Lusi is promising. While Wu Lei looks incredibly hot as the cold and intimidating general Ling Buyi, initially he appears stiff, like he is trying too hard to project gravitas. He improves noticeably later on when he relaxes his face muscles and his character is humanized by his sidekicks Liang Qiuqi and Liang Qiufei or Tweedledee and Tweedledum. Tweedledum is my favorite side character; his vivid facial expressions in each of his interactions with Ling Buyi have me rolling with laughter. Indeed what really livens this drama's slow burn pace is the humor which also brilliantly amplifies character traits. It is a poignant reminder of how funny and ferocious Wu Lei's Fei Liu was. I had long forgotten how good he is at humor. I look forward to seeing more of Ling Buyi's story as well as genuine relationship development between the leads in Part 2.

If I were to rate Part 1 solely on the mother daughter relationship, I would only give this an 8.0. What makes me mad is this had a lot of potential and we really don't get that many good historical mother daughter character stories. Instead the mother is written to have so little redeeming value it just ends up being a giant waste of emotional energy. But I will throw in another 0.5 to make this 8.5 because apart from the first four episodes which were an aberration, I enjoyed the comedic moments immensely. I may have given this a 9.0 without the many nasty, noisy women.